Evaluation Question 5
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Our target audience was mainstream and urban tribes aged 15-25. We aimed to appeal to both male and female viewers by including both male and female protagonists. Costumes were designed to fit the styles popular with our target demographic, including skinny jeans, branded trainers, and an old baggy t-shirt to convey the protagonist's situation. Camera techniques like extreme close-ups, handheld shots, and establishing shots of large ominous locations were used to create tension and unease, mimicking popular thriller films. Sound effects and music were chosen to build suspense and intrigue audiences accustomed to the thriller genre.
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Radio proposal 2
The document provides information about a proposed short horror film called "Indelible" that aims to raise awareness about female genital mutilation (FGM). It will target audiences aged 15-30, especially students and casual workers who seek escape and relaxation through films. The film's unique selling point is that it brings attention to the significant yet under-explored issue of FGM in the horror genre for the first time. A radio advertisement for the film will use an ominous narration and unsettling sounds to hint at the film's traumatic story without explicitly stating its topic.
How are postmodern media texts different from normal texts
Postmodern media texts differ from normal texts in several ways:
1) They incorporate elements of pastiche, genre hybridity, intertextuality, and self-reference that make them more complex and challenge notions of reality.
2) Examples like Blade Runner, Scream 4, music videos by Lady Gaga and Madonna, and the video game The Sims use techniques like referencing other works, blurring fiction and reality, and allowing for new creative expressions.
3) By bringing in features from multiple genres and styles, and allowing for new perspectives on identity and culture, postmodern media offer audiences and creators more freedom and novelty compared to traditional or modernist works.
Red christmas treatment
The directors and producers plan to make a two-minute opening scene for a slasher film called "Red Christmas". The scene will introduce their production company and set up the plot of a psychotic killer dressed as Santa who tries to kill a group of carol singers. They intend for the film to follow genre conventions like having a masked killer and "final girl". Scenes will be shot on location using available costumes, makeup, and weapons to keep the budget low. The directors are looking for actors and crew to fill remaining roles.
Q5 DRAFT
The document discusses targeting a young audience (15-24) for the thriller opening "Homeless" by using a cast of young characters around the same age. This allows the young audience to better relate to the situations portrayed. The theme of homelessness is an issue the target audience can identify with. The main character, Sam, will be particularly appealing as someone suffering similar problems. Referencing real social issues that affect the target audience will create interest and support from them. Choices were also made in costume, lighting, and plot devices to incorporate generic thriller elements and appeal to fans of the genre.
Community
The document discusses the sitcom Community and how it demonstrates postmodern characteristics. It was created by Dan Harmon and aired for 6 seasons from 2009-2015. The show is postmodern as it is self-referential, basing the plot on Harmon's own experiences at community college. It frequently uses intertextual references to other works like Die Hard to enhance audience understanding. For example, a paintball episode directly references and pastiches the 1988 film. Overall, the document analyzes how Community employs postmodern conventions like intertextuality, meta-narratives, and pastiche to create an entertaining, self-aware series for modern audiences.
Documentary Pitch
The students will produce a documentary titled "Missing: A Search for Matthew Evans" about a missing teenage boy. They will use influences from other documentaries on missing persons like Claudia Lawrence in terms of structure, camerawork, and music. The documentary will have a varied target audience of teenagers, parents, and those aged 20-60. It will use various locations, realistic costumes and makeup, and natural lighting to make the story believable.
Question 2 evalation
This document discusses how media productions represent social groups. It defines a social group as people who interact and share characteristics and identity. Social groups create boundaries between themselves and outsiders through symbols, competition, and applying positive stereotypes to their own group.
The film aims to represent mature teenagers and young adults by portraying the protagonist as the same age as the target audience. Her casual day-to-day clothing, trendy car, and busy work schedule are meant to relate to and broaden the target audience. However, the film also appeals to outgoing, thrill-seeking groups through its suspense and horror elements. Research on UK social tribes informed the portrayal of the protagonist and mise-en-scene elements to connect
Postmodern media manipulates time and space
The document discusses how postmodern media manipulates time and space through three examples:
1) The TV show "Family Guy" uses non-linear narratives and self-reflexive humor to manipulate time and space. An episode parodies "Star Wars" by interrupting the storyline.
2) The film "Drive" uses contrasting mise-en-scene of cars and costumes to confuse the audience's sense of time period.
3) The film "Scott Pilgrim vs. The World" applies video game rules like battling evil exes, defying the laws of physics and reality. Both films create ambiguous or hyperreal worlds through manipulating time and space.
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Radio proposal 2
The document provides information about a proposed short horror film called "Indelible" that aims to raise awareness about female genital mutilation (FGM). It will target audiences aged 15-30, especially students and casual workers who seek escape and relaxation through films. The film's unique selling point is that it brings attention to the significant yet under-explored issue of FGM in the horror genre for the first time. A radio advertisement for the film will use an ominous narration and unsettling sounds to hint at the film's traumatic story without explicitly stating its topic.
How are postmodern media texts different from normal texts
Postmodern media texts differ from normal texts in several ways:
1) They incorporate elements of pastiche, genre hybridity, intertextuality, and self-reference that make them more complex and challenge notions of reality.
2) Examples like Blade Runner, Scream 4, music videos by Lady Gaga and Madonna, and the video game The Sims use techniques like referencing other works, blurring fiction and reality, and allowing for new creative expressions.
3) By bringing in features from multiple genres and styles, and allowing for new perspectives on identity and culture, postmodern media offer audiences and creators more freedom and novelty compared to traditional or modernist works.
Red christmas treatment
The directors and producers plan to make a two-minute opening scene for a slasher film called "Red Christmas". The scene will introduce their production company and set up the plot of a psychotic killer dressed as Santa who tries to kill a group of carol singers. They intend for the film to follow genre conventions like having a masked killer and "final girl". Scenes will be shot on location using available costumes, makeup, and weapons to keep the budget low. The directors are looking for actors and crew to fill remaining roles.
Q5 DRAFT
The document discusses targeting a young audience (15-24) for the thriller opening "Homeless" by using a cast of young characters around the same age. This allows the young audience to better relate to the situations portrayed. The theme of homelessness is an issue the target audience can identify with. The main character, Sam, will be particularly appealing as someone suffering similar problems. Referencing real social issues that affect the target audience will create interest and support from them. Choices were also made in costume, lighting, and plot devices to incorporate generic thriller elements and appeal to fans of the genre.
Community
The document discusses the sitcom Community and how it demonstrates postmodern characteristics. It was created by Dan Harmon and aired for 6 seasons from 2009-2015. The show is postmodern as it is self-referential, basing the plot on Harmon's own experiences at community college. It frequently uses intertextual references to other works like Die Hard to enhance audience understanding. For example, a paintball episode directly references and pastiches the 1988 film. Overall, the document analyzes how Community employs postmodern conventions like intertextuality, meta-narratives, and pastiche to create an entertaining, self-aware series for modern audiences.
Documentary Pitch
The students will produce a documentary titled "Missing: A Search for Matthew Evans" about a missing teenage boy. They will use influences from other documentaries on missing persons like Claudia Lawrence in terms of structure, camerawork, and music. The documentary will have a varied target audience of teenagers, parents, and those aged 20-60. It will use various locations, realistic costumes and makeup, and natural lighting to make the story believable.
Question 2 evalation
This document discusses how media productions represent social groups. It defines a social group as people who interact and share characteristics and identity. Social groups create boundaries between themselves and outsiders through symbols, competition, and applying positive stereotypes to their own group.
The film aims to represent mature teenagers and young adults by portraying the protagonist as the same age as the target audience. Her casual day-to-day clothing, trendy car, and busy work schedule are meant to relate to and broaden the target audience. However, the film also appeals to outgoing, thrill-seeking groups through its suspense and horror elements. Research on UK social tribes informed the portrayal of the protagonist and mise-en-scene elements to connect
Postmodern media manipulates time and space
The document discusses how postmodern media manipulates time and space through three examples:
1) The TV show "Family Guy" uses non-linear narratives and self-reflexive humor to manipulate time and space. An episode parodies "Star Wars" by interrupting the storyline.
2) The film "Drive" uses contrasting mise-en-scene of cars and costumes to confuse the audience's sense of time period.
3) The film "Scott Pilgrim vs. The World" applies video game rules like battling evil exes, defying the laws of physics and reality. Both films create ambiguous or hyperreal worlds through manipulating time and space.
Post Modernism in Media
Postmodern media rejects the idea that any media product is more valuable than another. It argues that our sense of reality is now dominated by popular media images, and the distinction between media and reality has collapsed. Postmodern media is characterized by hybridity, bricolage, simulation, and disjointed narratives that mimic the uncertainties of postmodernity. Experts claim that economic and cultural changes have led to a society dominated by images and short attention spans.
Star Theory
Pop stars have an identity or persona that extends beyond their musical talents, which helps promote their status. Many pop performers are quickly labeled pop stars through media stories and appearances at events, though true pop stars have lasting brand awareness and cultural impact over many years. Stars are constructed images rather than real people, though they are portrayed as experiencing real emotions. Their image often includes a unique, identifiable trait that can be easily copied or parodied, such as Madonna's conical bra. While record companies try to engineer stardom, true stardom arises from an unpredictable combination of factors rather than a formula.
Question 4
We have decided to target 15-30 year olds for our film since they make up the majority of cinema goers. However, focusing on this niche art house market means our film will only be shown in select theaters like the Phoenix that cater to smaller audiences. While this age group will relate best to the younger characters and genre, targeting them exclusively risks limiting our audience since most people in this demographic tend to follow mainstream options instead of art house theaters.
TV Drama Case Study (EastEnders)
EastEnders was created in 1985 and focuses on working class life in London. It remains one of the most popular and critically acclaimed British soap operas, though it has also received criticism at times for how it portrays certain topics or groups. Each episode costs around £250,000 to produce and features techniques like realistic sets, location shooting, and editing to build drama and suspense.
Newspaper advertisement 1
This newspaper advertisement uses lighting and facial expressions to characterize one figure as aggressive and antagonistic, representing the "bad guy", while the other looks submissive and anguished, representing the victim. The advertisement also features a red Channel 4 logo and minimal text to focus attention on the imagery, which depicts a hooded white man holding his hand like a gun to represent gun crime as an issue that exists outside of cities. The advertisement aims to shock and scare a mature audience by portraying a realistic situation around disarming Britain in order to raise awareness and attract viewers.
To what extend do postmodern text challenge...
This document discusses three postmodern texts - Gorillaz, The X-Factor, and The Only Way is Essex - and how they challenge conventions of traditional media. Regarding Gorillaz, it notes their eclectic music style mixes genres and that they use virtual band identities rather than showing the real band. For X-Factor, it discusses how the interactive audience voting challenges the passive audiences of modernism. It also notes X-Factor's hyperreal presentation of contestants. For TOWIE, it discusses how the show references stereotypes through its characters and blurs reality versus simulation. Overall, the document analyzes how these postmodern texts upend traditions of singular genres, passive audiences, authentic representation, and the real
Codes and conventions British social realism
This document discusses several codes and conventions of social realism films in Britain. It notes that these films typically represent the lower working class through their clothing and settings. They also use unknown, non-famous actors and film in actual urban locations rather than studios to make the stories more relatable. The films deal with realistic issues but add humor, and focus on teenage audiences who can relate to the characters. Dialogue is sometimes semi-improvised and regional accents and identities are featured to capture different areas of Britain. Cinematography uses natural lighting and hand-held camera shots for a simplistic, realistic feel.
Codes and conventions
Social Realism focuses on realistic portrayals of working class lives and social issues. It uses techniques like handheld camera shots, natural lighting, and locations and clothing that feel authentic. Micro features contribute to this realism, like lighting that sets moods and clothing that provides context about characters' backgrounds. For example, the main character in Fish Tank wears dark colors that reflect her sad mood. Sound is also used authentically, with recognizable noises like cars that show trouble, and dialogue and accents that provide context about characters' social class and origins.
Audience 212
This document discusses how to attract and engage the target audience for a hybrid art-house/fantasy film. The film appeals to a broad audience through its fantasy elements but also a niche art audience. The target age range is 16-60 since there is little explicit content. Additionally, the unique hybrid genre will attract curiosity. The soundtrack creates an upbeat yet sad mood to contrast the reality of the main character not being believed despite his talent of talking to paintings.
Audience 212
This document discusses how to attract and engage the target audience for a hybrid art-house/fantasy film. The film appeals to a broad audience through its fantasy elements but also a niche art audience. The target age range is 16-60 since there is little explicit content. Additionally, the unique hybrid genre will attract curiosity. The soundtrack creates an upbeat yet sad mood to contrast the reality of the main character not being believed despite his talent of talking to paintings.
Audience
This document discusses how to attract and engage the target audience for a hybrid art-house/fantasy film. The film appeals broadly to those interested in fantasy, as well as more niche art audiences. The target age range is 16-60, as the film contains little explicit content. The unique hybrid genre is meant to pique curiosity. Music was chosen from independent artists to set a contemporary tone and communicate the unconventional nature of the film. Character design and traits, like talking to paintings, aim to attract interest while not following conventions.
Postmodern media breaks the rules of representation
Postmodern media often breaks conventions of representation to create simulated realities that distort or subvert expectations. This is seen in films like Drive and Inglorious Basterds, which manipulate genres and use techniques like self-reflexivity to present disjunctive worlds. Television shows also break rules, like Family Guy's Star Wars parody that acknowledges itself as constructed fiction. Lady Gaga similarly constructs a simulated persona through allusions and genre-crossing. Overall, postmodern media challenges realistic representation to develop new meanings, though these can only be understood by media-literate audiences.
evaluation enquiry question: question two
The document discusses how a media product represents social groups. It summarizes that the main characters in a thriller are two teenage girls dressed in regular clothes, located in a family home to seem normal. It acknowledges the stereotype of depicting female characters as weak but notes how the story challenges this by having the girls overcome the curse instead of becoming victims. The goal is for the audience to feel they could experience the horror of "Bloody Mary" themselves through relatable, normal main characters.
Q4
The audience for the thriller film would primarily be 15-24 year olds as the characters are young and deal with issues relevant to that age group like poverty, homelessness, and university fees. Females may be particularly attracted due to the strong female character portrayed in a non-stereotypical way. Ethnic minority groups, especially Malaysian people, would also be part of the target audience as the protagonist is Malaysian and deals with issues like living in poverty as an ethnic minority in Britain. Finally, those interested in gritty thriller genres who enjoy references to other iconic films would appreciate the thriller elements and intertextual references used.
Soap Opera Genre Target Audience Task
The typical target audience for soap operas like EastEnders and Emmerdale is ages 15-80, with a focus on working class viewers. Soap operas primarily target females since the stories focus on domestic life and strong female characters. Viewers from lower socioeconomic backgrounds are more likely to watch as they can relate to the situations portrayed, such as financial problems or gang violence. Common reasons for watching include identifying with characters, feeling connected to characters, and escaping from one's own problems.
Part 4 5 of Evaluation for media
This document discusses the target audience for an opening thriller sequence. The target audience is identified as 18-30 year old, white, English males from a middle-class background who enjoy crime/comedy TV shows and action/thriller movies. A focus group of three males confirmed they would be intrigued by the sequence. The document argues this audience seeks escapism from everyday life through thrillers and will be drawn in by elements like mystery, dark settings, and relatable characters. It aims to fulfill viewers' needs for entertainment, suspense, and an escape from reality through heightened tension in the sequence.
Part 4&5 of Evaluation
This document discusses the target audience for a thriller opening sequence. The target audience is identified as 18-30 year old, white, English males from a middle-class background who enjoy crime/comedy TV shows and action/thriller movies. A focus group of three males confirmed they would be intrigued by the sequence. The audience is chosen because thrillers appeal more to men, and they will want an escape from unfulfilling lives. Elements like mystery, dark settings, and relatable characters are used to appeal to the target audience and increase suspense, engagement, and box office sales. The sequence aims to provide entertainment and escapism as discussed in uses and gratifications theory.
Mind Map
This document provides an outline for a proposed soap opera TV show, including potential title options and characters. It discusses targeting a female audience aged 35+ by representing relevant social issues and focusing on the lives of working-class characters. Competition from other soap operas like EastEnders is acknowledged. The genre conventions of repetition with variation and community/interconnected storylines are examined. The channel (BBC Two) and scheduling (8pm weekdays) are selected to appeal to broad audiences before the watershed. Possible small-town locations are listed.
Eastenders analysis
The document discusses the BBC soap opera EastEnders. It provides details about the show's target audience, which spans ages 13 to 60 and includes characters representing a wide range of socioeconomic classes. The show aims for mass appeal. The document also analyzes a trailer for an episode revealing the killer of a major character. It notes the trailer's slow pacing, focus on a single narrative, and use of suspense through reactions shots without dialogue.
Evaluation questions
Our media product is an opening sequence for a modern western film aimed at male audiences aged 30 and over. The sequence represents the two main white characters - a powerful masculine cowboy and a vulnerable upper-class female. Through costumes, camera angles, editing and a folk music soundtrack, the sequence establishes mystery around the characters and suggests a romantic connection between them, following conventions of the western genre. We have challenged some conventions by including nail varnish on the female, but have otherwise aimed to match expectations of the target audience through iconic western elements.
Media Evaluation
The document discusses the process of creating a thriller opening for a class project. It describes how the group researched different thriller genres and films to understand conventions and aesthetics. They examined physiological, supernatural, and neo-noir thrillers. Based on this research, the group decided on the name "Remember Me" for their thriller. They used techniques like non-linear storytelling with flashbacks. Camera angles, lighting, and editing styles were adapted from the researched films to set mood. Through the process, the student learned about filming, editing, and technologies used in media production.
Media Evaluation
The document summarizes the research and development process for a student thriller film project titled "Remember Me." The students examined physiological, supernatural, and neo-noir thrillers to understand conventions of the genre. They focused on camera techniques, music, and portraying a troubled teenage girl protagonist and her dysfunctional family relationships. The goal was to create an artistic thriller that could appeal to teenagers and be distributed through independent film festivals and art house cinemas. Social media would be important for marketing to younger audiences.
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Post Modernism in Media
Postmodern media rejects the idea that any media product is more valuable than another. It argues that our sense of reality is now dominated by popular media images, and the distinction between media and reality has collapsed. Postmodern media is characterized by hybridity, bricolage, simulation, and disjointed narratives that mimic the uncertainties of postmodernity. Experts claim that economic and cultural changes have led to a society dominated by images and short attention spans.
Star Theory
Pop stars have an identity or persona that extends beyond their musical talents, which helps promote their status. Many pop performers are quickly labeled pop stars through media stories and appearances at events, though true pop stars have lasting brand awareness and cultural impact over many years. Stars are constructed images rather than real people, though they are portrayed as experiencing real emotions. Their image often includes a unique, identifiable trait that can be easily copied or parodied, such as Madonna's conical bra. While record companies try to engineer stardom, true stardom arises from an unpredictable combination of factors rather than a formula.
Question 4
We have decided to target 15-30 year olds for our film since they make up the majority of cinema goers. However, focusing on this niche art house market means our film will only be shown in select theaters like the Phoenix that cater to smaller audiences. While this age group will relate best to the younger characters and genre, targeting them exclusively risks limiting our audience since most people in this demographic tend to follow mainstream options instead of art house theaters.
TV Drama Case Study (EastEnders)
EastEnders was created in 1985 and focuses on working class life in London. It remains one of the most popular and critically acclaimed British soap operas, though it has also received criticism at times for how it portrays certain topics or groups. Each episode costs around £250,000 to produce and features techniques like realistic sets, location shooting, and editing to build drama and suspense.
Newspaper advertisement 1
This newspaper advertisement uses lighting and facial expressions to characterize one figure as aggressive and antagonistic, representing the "bad guy", while the other looks submissive and anguished, representing the victim. The advertisement also features a red Channel 4 logo and minimal text to focus attention on the imagery, which depicts a hooded white man holding his hand like a gun to represent gun crime as an issue that exists outside of cities. The advertisement aims to shock and scare a mature audience by portraying a realistic situation around disarming Britain in order to raise awareness and attract viewers.
To what extend do postmodern text challenge...
This document discusses three postmodern texts - Gorillaz, The X-Factor, and The Only Way is Essex - and how they challenge conventions of traditional media. Regarding Gorillaz, it notes their eclectic music style mixes genres and that they use virtual band identities rather than showing the real band. For X-Factor, it discusses how the interactive audience voting challenges the passive audiences of modernism. It also notes X-Factor's hyperreal presentation of contestants. For TOWIE, it discusses how the show references stereotypes through its characters and blurs reality versus simulation. Overall, the document analyzes how these postmodern texts upend traditions of singular genres, passive audiences, authentic representation, and the real
Codes and conventions British social realism
This document discusses several codes and conventions of social realism films in Britain. It notes that these films typically represent the lower working class through their clothing and settings. They also use unknown, non-famous actors and film in actual urban locations rather than studios to make the stories more relatable. The films deal with realistic issues but add humor, and focus on teenage audiences who can relate to the characters. Dialogue is sometimes semi-improvised and regional accents and identities are featured to capture different areas of Britain. Cinematography uses natural lighting and hand-held camera shots for a simplistic, realistic feel.
Codes and conventions
Social Realism focuses on realistic portrayals of working class lives and social issues. It uses techniques like handheld camera shots, natural lighting, and locations and clothing that feel authentic. Micro features contribute to this realism, like lighting that sets moods and clothing that provides context about characters' backgrounds. For example, the main character in Fish Tank wears dark colors that reflect her sad mood. Sound is also used authentically, with recognizable noises like cars that show trouble, and dialogue and accents that provide context about characters' social class and origins.
Audience 212
This document discusses how to attract and engage the target audience for a hybrid art-house/fantasy film. The film appeals to a broad audience through its fantasy elements but also a niche art audience. The target age range is 16-60 since there is little explicit content. Additionally, the unique hybrid genre will attract curiosity. The soundtrack creates an upbeat yet sad mood to contrast the reality of the main character not being believed despite his talent of talking to paintings.
Audience 212
This document discusses how to attract and engage the target audience for a hybrid art-house/fantasy film. The film appeals to a broad audience through its fantasy elements but also a niche art audience. The target age range is 16-60 since there is little explicit content. Additionally, the unique hybrid genre will attract curiosity. The soundtrack creates an upbeat yet sad mood to contrast the reality of the main character not being believed despite his talent of talking to paintings.
Audience
This document discusses how to attract and engage the target audience for a hybrid art-house/fantasy film. The film appeals broadly to those interested in fantasy, as well as more niche art audiences. The target age range is 16-60, as the film contains little explicit content. The unique hybrid genre is meant to pique curiosity. Music was chosen from independent artists to set a contemporary tone and communicate the unconventional nature of the film. Character design and traits, like talking to paintings, aim to attract interest while not following conventions.
Postmodern media breaks the rules of representation
Postmodern media often breaks conventions of representation to create simulated realities that distort or subvert expectations. This is seen in films like Drive and Inglorious Basterds, which manipulate genres and use techniques like self-reflexivity to present disjunctive worlds. Television shows also break rules, like Family Guy's Star Wars parody that acknowledges itself as constructed fiction. Lady Gaga similarly constructs a simulated persona through allusions and genre-crossing. Overall, postmodern media challenges realistic representation to develop new meanings, though these can only be understood by media-literate audiences.
evaluation enquiry question: question two
The document discusses how a media product represents social groups. It summarizes that the main characters in a thriller are two teenage girls dressed in regular clothes, located in a family home to seem normal. It acknowledges the stereotype of depicting female characters as weak but notes how the story challenges this by having the girls overcome the curse instead of becoming victims. The goal is for the audience to feel they could experience the horror of "Bloody Mary" themselves through relatable, normal main characters.
Q4
The audience for the thriller film would primarily be 15-24 year olds as the characters are young and deal with issues relevant to that age group like poverty, homelessness, and university fees. Females may be particularly attracted due to the strong female character portrayed in a non-stereotypical way. Ethnic minority groups, especially Malaysian people, would also be part of the target audience as the protagonist is Malaysian and deals with issues like living in poverty as an ethnic minority in Britain. Finally, those interested in gritty thriller genres who enjoy references to other iconic films would appreciate the thriller elements and intertextual references used.
Soap Opera Genre Target Audience Task
The typical target audience for soap operas like EastEnders and Emmerdale is ages 15-80, with a focus on working class viewers. Soap operas primarily target females since the stories focus on domestic life and strong female characters. Viewers from lower socioeconomic backgrounds are more likely to watch as they can relate to the situations portrayed, such as financial problems or gang violence. Common reasons for watching include identifying with characters, feeling connected to characters, and escaping from one's own problems.
Part 4 5 of Evaluation for media
This document discusses the target audience for an opening thriller sequence. The target audience is identified as 18-30 year old, white, English males from a middle-class background who enjoy crime/comedy TV shows and action/thriller movies. A focus group of three males confirmed they would be intrigued by the sequence. The document argues this audience seeks escapism from everyday life through thrillers and will be drawn in by elements like mystery, dark settings, and relatable characters. It aims to fulfill viewers' needs for entertainment, suspense, and an escape from reality through heightened tension in the sequence.
Part 4&5 of Evaluation
This document discusses the target audience for a thriller opening sequence. The target audience is identified as 18-30 year old, white, English males from a middle-class background who enjoy crime/comedy TV shows and action/thriller movies. A focus group of three males confirmed they would be intrigued by the sequence. The audience is chosen because thrillers appeal more to men, and they will want an escape from unfulfilling lives. Elements like mystery, dark settings, and relatable characters are used to appeal to the target audience and increase suspense, engagement, and box office sales. The sequence aims to provide entertainment and escapism as discussed in uses and gratifications theory.
Mind Map
This document provides an outline for a proposed soap opera TV show, including potential title options and characters. It discusses targeting a female audience aged 35+ by representing relevant social issues and focusing on the lives of working-class characters. Competition from other soap operas like EastEnders is acknowledged. The genre conventions of repetition with variation and community/interconnected storylines are examined. The channel (BBC Two) and scheduling (8pm weekdays) are selected to appeal to broad audiences before the watershed. Possible small-town locations are listed.
Eastenders analysis
The document discusses the BBC soap opera EastEnders. It provides details about the show's target audience, which spans ages 13 to 60 and includes characters representing a wide range of socioeconomic classes. The show aims for mass appeal. The document also analyzes a trailer for an episode revealing the killer of a major character. It notes the trailer's slow pacing, focus on a single narrative, and use of suspense through reactions shots without dialogue.
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Postmodern media breaks the rules of representation
Postmodern media breaks the rules of representation
Similar to Evaluation Question 5
Evaluation questions
Our media product is an opening sequence for a modern western film aimed at male audiences aged 30 and over. The sequence represents the two main white characters - a powerful masculine cowboy and a vulnerable upper-class female. Through costumes, camera angles, editing and a folk music soundtrack, the sequence establishes mystery around the characters and suggests a romantic connection between them, following conventions of the western genre. We have challenged some conventions by including nail varnish on the female, but have otherwise aimed to match expectations of the target audience through iconic western elements.
Media Evaluation
The document discusses the process of creating a thriller opening for a class project. It describes how the group researched different thriller genres and films to understand conventions and aesthetics. They examined physiological, supernatural, and neo-noir thrillers. Based on this research, the group decided on the name "Remember Me" for their thriller. They used techniques like non-linear storytelling with flashbacks. Camera angles, lighting, and editing styles were adapted from the researched films to set mood. Through the process, the student learned about filming, editing, and technologies used in media production.
Media Evaluation
The document summarizes the research and development process for a student thriller film project titled "Remember Me." The students examined physiological, supernatural, and neo-noir thrillers to understand conventions of the genre. They focused on camera techniques, music, and portraying a troubled teenage girl protagonist and her dysfunctional family relationships. The goal was to create an artistic thriller that could appeal to teenagers and be distributed through independent film festivals and art house cinemas. Social media would be important for marketing to younger audiences.
Evaluation questions 2,3,4,5 and 7
The document discusses conventions used in film thrillers and how the student's group incorporated some of these conventions into their thriller film opening. It describes typical conventions like close-ups, sound, music, and location. The student's group used close-ups to convey emotion, voiceovers to elicit sympathy, and set their film in a school to make the audience feel unsafe. They also used montage shots and copyright-free music. Looking back, the student learned about techniques like the 180-degree rule and how to work effectively in a group.
Media evaluation
The document provides an analysis of a short horror/thriller film coursework project. It summarizes the key elements of the film including the narrative structure, editing techniques, camera work, sound design, and mise-en-scene. It also analyzes the social groups represented in the film, potential media institutions for distribution, the target audience, and the research conducted on the audience.
Evaluation questions 1,3,4,5 and 7
The document discusses conventions used in thriller films and how the student's media production incorporated and challenged some of these conventions. It summarizes the typical conventions used such as isolated dark locations, suspenseful music, vulnerable female characters in distress. It then discusses how the student's thriller used conventions like extreme close-ups and montage shots but challenged stereotypes by portraying the female lead as powerful rather than weak.
Question 2
The title sequence represents young, slim, white girls in a stereotypical way by showing them getting ready and focusing on their appearance. It challenges this stereotype slightly with an outcast main character who is less concerned with her looks. The stereotypes act as genre markers to signal to the audience that this is a "chick flick" centered around young female characters, supporting dominant ideologies around female appearance. However, the outcast character somewhat challenges these dominant views.
Question 2
The title sequence represents young, slim, white girls in a stereotypical way by showing them getting ready and focusing on their appearance. It challenges this stereotype slightly with an outcast main character who is less concerned with her looks. The stereotypes act as genre markers to signal to the audience that this is a "chick flick" centered around young female characters, supporting dominant ideologies around female appearance. However, the outcast character somewhat challenges these dominant views.
Media evaluation!
The document summarizes the student's media studies foundation portfolio evaluation of their short film "Delusion Requiem". It discusses the conventions and genres used, representation of social groups (teenagers), potential distributors (major studios vs smaller UK companies), target audience (ages 16-18), and technologies learned in the process (iMovie, camera, tripod).
Question 2 evaluation
In their media product, the social groups of teenagers and young adults are represented. The two main characters are between 16-17 years old to appeal to the thriller genre's target audience. Their outfits, like the female character wearing a skirt and cropped jumper and the male in skinny jeans and hoodie, reflect typical clothes for these age groups. Camera angles also represent the social roles, with the male at low angles to seem powerful and the female in close-ups highlighting her vulnerability as a typical vain teenage girl. The goal was to create tension and mystery that the target audience would understand and empathize with given their similar ages to the characters.
Evaluation
The document discusses how a media project represented people with mental illness. It focused on a protagonist named Chris who has dual-personality disorder. His other personality torments him and controls his actions, representing the struggles of living with mental illness. Scenes were filmed at night to convey the protagonist's dark thoughts and loneliness. Various film techniques like lighting, camera work, and editing were used intentionally to portray people with mental illness in a realistic, non-stigmatizing way. The goal was to increase understanding of mental health issues.
Question 2 Evaluation (final version)
The document discusses how a media product represents teenagers and young adults. It summarizes that the main characters in the thriller are between 16-17 to appeal to the target audience. Their outfits and camera angles were chosen to represent common stereotypes - the female wears a skirt and makeup to appear vain while close-ups show her vulnerability, and the male wears a hoodie and is shot from low angles to seem powerful. The goal was to create tension and mystery that the target teenage audience could relate to through similar-aged characters, costumes, and techniques.
Powerpoint evaluation
- The document is a coursework evaluation for a practical production course. The student produced an opening sequence for a thriller film with a partner.
- Their sequence used conventions of the thriller genre like mood, music, and mise-en-scene to signal it was a thriller. However, it also challenged conventions by filming in bright spaces and having a character in bright clothing.
- The sequence represented various social groups through costumes, settings, and character portrayals. It received positive feedback identifying it as a thriller from most audience members surveyed.
Question 1) finnished
The document discusses how the media product uses and challenges conventions of the thriller genre. It summarizes how the opening scene uses conventional elements like an intimidating male antagonist, isolated setting, low-key lighting, and unsettling sound effects. However, it also challenges conventions through an unconventional boutique setting, atypical credits, and a character obsessed with fashion that questions gender norms. Overall, the product aims to engage a teenage audience through themes of gender, social expectations, fashion, and obsession.
Media Evaluation - In The Frame
The document discusses how the media product challenges conventions of crime thriller genres in its opening sequence. Specifically, it explores how the mise-en-scene, camera, editing, sound, and setting challenge typical conventions. For example, the protagonist is presented in darker colors rather than feminine pastels, and the setting is an open space rather than a confined, dark area. Overall, the document analyzes how the media product develops and challenges conventions to create something unique and original.
Ppc evaluation
- The document summarizes Anna Clarey's practical production coursework for an opening film sequence in the thriller genre.
- It discusses how the sequence used and challenged conventions of the thriller genre through elements like music, mise-en-scene, and filming locations.
- Feedback from audiences indicated most identified the genre as thriller and understood the narrative, characters, and setting presented in the opening sequence.
Film opening evaluation
The document summarizes research done for a student film opening project. It discusses analyzing other film openings to understand techniques like establishing shots. It also discusses representing social groups like gender and youth in media. Research included film posters and titles to inspire the project's title card. The target audience is identified as ages 16-30 based on horror film statistics. Feedback was gathered through social media and surveys to refine the opening for the audience.
Task 2
The document discusses the construction of a star image for a band through their music video, album cover, and poster. Key elements included portraying the band members as young and cool to appeal to their target audience of 16-24 year olds. The lead female singer is depicted as rebellious by escaping from prison and joining her band on the roof, conveying that she breaks rules and does not conform. While seeking to portray her as edgy and independent, some shots of her in a prison cell outfit were seen as portraying her as a sexual object, which contradicted their goals. Overall, the image aims to establish the band as talented musicians who write their own music rather than manufactured pop.
Evaluation
The document provides an evaluation of a film trailer and ancillary products for a romantic comedy film called "Soul Switch". It discusses how the trailer and other materials use conventions of the genre, including mid-shots, voiceovers, upbeat music, and school settings. It also analyzes how costumes are used to represent the "geek" and "popular" characters. The document discusses how audience feedback validated that the trailer effectively conveyed the genre and storyline. New media technologies like YouTube, digital cameras, iMovie and Publisher were used in the research, planning, development and evaluation stages.
Evaluation Presentation
The document provides an evaluation of the film "Witness" produced by Oliver Clubb for ManFlick Productions. It discusses how the film uses conventions of the thriller genre, including character construction, narrative structure, settings, iconography, and sound. It describes how the characters of the Photographer and Murderer were developed to fit thriller stereotypes. It also discusses how techniques like parallel action, camera angles, music, and a chase scene helped develop tension and adhere to thriller conventions. Overall, the evaluation examines how the film drew from typical forms and tropes of real thriller films and media products.
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A Prime Location
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
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The Moment of Capture
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The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
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The immediate aftermath of the Dwayne Johnson kidnappin
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Evaluation Question 5
- 1. Evaluation Question 5 Our target audience - We first had find out who we needed to attract, what their hobbies and interested are, their style, personality ect. So after planning our plot and deciding on the genre we went on UK Tribes and I found that mainstream and urban tribes that ranged from 15-25 were the target audience that I was aiming for. Once we knew who they were we could add to our plot, costume, sound and mise-en-scene to draw them in and grab their attention, but once we had it we needed to keep it this was hard as our opening was around 3 minutes long. We made sure It became more exciting as they watched by add music and making sure our shots were intriguing at all times. Gender– In our openingscene we triedtoappeal toeachgendertoget a wideraudience.Aswe have twofemale thismay drawin more females.The antagonistisamale toadd some varietyinourpiece butas there isa small cast we couldn’tdomuch else. Costume- we made sure our costume fittedinwithourtargetaudience andworkedwithbothsocial groups,but as the protagonisthasjustescapedfromhercaptor whichmeansthe costume has to be relatedtohersituation.Her blackskinnygenes were the mainfocusasthisisverypopularwithteenage girlsandwill be wore butmostof our target audience especiallywithourmainstreamgroup.Asyousee fromthe tiltshotshe iswear a stylishpairof brandedtrainerswhichwill be wornandlikedbythe urbansocial groupand italsoshowsher middle classstatus. The T-shirtreallyhelpsshowhersituationsasit oldand baggy whichtell the audience itmaynotbe her. Cameraangles- Aswe researchpopularfilminrelationtoourtargetaudience we tooka note of what camera anglesseemtowork, were mostusedand wouldfitwithourthrillergenre.Anexamplewouldbe ourextreme close upthat thiswasuse in mostfilmswe lookedatandfittedwithourthrillergenre asitcreateda eerie mood and made youfeel uncomfortable.We putinhandheldtrackingasthislookedgoodinthe filmswe lookedatand alsomade you feel lostandconfused. The locationwasveryimportantas it wouldhelpusattract ouraudience asmany filmswe analyzedwere setin large locationswhichmade youfeel small and there were all everyusuallyandwere prettytolooksowe add a lot of establishingshotsthese shotswere similartoonesinGone Girl,and Silence of the lambs. Sound- we thought that soundwasimportantto our targetaudience butwe still neededitto upbuildupsuspense andalsograb attentionfromouraudience.Foroursoundeffectslike birds,waterect.We used a piece called‘lostinthe forest’, we thoughtthiswouldattract our audience asitsoundsmysteryandour otherpiece byKevinMacleod sounded like asoundthat wouldbe popularwithinthe thrillergenre andsoundverytense. How would you attract/ address your audience?