SlideShare a Scribd company logo
In what ways does your media
product use, develop or
challenge forms and
conventions of real media
products?
Evaluation Q1
Narrative was the first subject we
raised when working in our group.
We had to allocate a genre in which
we wanted our film to fall into. With
all genre there are certain stock
narratives, themes, characters and
settings that need to be shown
throughout the film.
Our Genre
Action Thriller
Why?
Our Genre
We wanted to include a fast pace film
that would have the audience on the edge
of their seats in anticipation. As a group
we also had a good understanding of this
genre as shown on our blog. (link to
genre analysis). Our research allowed us
to identify different elements we should
include in order to make the film work
for our genre.
Textual Analysis:
How I Live Now
In my textual analysis of the film
opening “How I Live Now” (2012) I
focused on the development of
characters to set the tone of the rest of
the film and how they acted as a feature
of the genre. The hostile approach felt by
Daisy in the opening sets the tone of the
overhanging threat that is soon to disrupt
the activity of this group of youngsters.
This can be seen to have an influence
over the opening of our film. Ava starts
the film being relaxed and enjoying
herself and is met with the earth
shattering news that not everything is
always as it seems and that everyone can
just disappear in a blink of an eye.
Our Narrative
Within the first 2 minutes of our film we establish that
there is a disequilibrium where nothing is as it seems
or as it should be, and this remains for the first act of
the film according to Sid Field’s three-acts. During the
first 20 minutes of the film (the first act) these
unanswered question will continue to stack up. The
narrative is driven by attempts to restore the
equilibrium.
Stock Characters
Ava is the only main character that we meet in the opening. She is the
stereotypical teenager at the beginning of the film and is thrown into
the world of the unknown. The main protagonist then seeks out help
from a much larger group that also have been landed in the same
situation and share the same goals. This group then attempt to succeed
at a much bigger target than previously thought about, much like in I
am Legend (2007). Neville is devoted to understanding the creation that
has developed after a bacterial plague that has infected everyone
around him. His discovery of a cure which can heal the infected is in
itself saving the whole world.
These typical teenagers are thought to have everything figured out in
their lives up until they are unexpectedly thrown into a world that
leads them to question the very make-up of their lives. With this they
find out that not everything is as clear as they previously thought it
was. This is similar to the character Nathan in Abduction (2011), who
discovers that his whole childhood is built on lies and he spends the
rest of the film rediscovering who he really is.
Stock Setting
The storytelling starts out in a typical house in
a suburban town where everything appears
normal and content. The setting then
continues to distort until it develops into a
world that not even the characters can
recognize.
Stereotypes Met
With the beginning of the film we wanted to paint a picture
of a typical teenager and, to ensure this occurred, we had to
consider many of the stereotypical opinions of a 16 year old
teenage girl. The stereotypes we took into account where as
follows:
1. Teenagers are always on their phones – she is clutching her
phone on her walk home, it wakes her up and when she
realises that everyone has gone the first thing she runs for is
the phone.
2. Teenagers go out and drink – she staggers home late at night
3. Teenagers are reliant on their mothers – it is the first person
she calls out to when she gets in and also when she wakes up.
It was important to develop
a clear layout of all the
repertoire of elements for
our genre so that we could
ensure that we either
directly linked to it or
challenged it.
SETTING
• Urban cities
• Suburbs
• Darkness
• Abandoned areas
ICONOGRAPHY
• Car chases
• Guns and weaponry
• Explosions
• Deserted building
• Low key lighting
CHARACTERS
• Ordinary citizen pulled into
danger
• Powerful villain
• Supporting characters – who
journey together, resulting in
one of them betraying the rest of
the group.
NARRATIVE
• Focus on the protagonist
• Hero must overcome the
problems
• Good vs evil
• Violence
• Fast paced action
• Unexpected plot twists
• Uncertainty
What we developed in our 2
minutes of film
SETTING
• Urban cities
• Suburbs
• Darkness
• Abandoned areas
ICONOGRAPHY
• Car chases
• Guns and weaponry
• Explosions
• Deserted building
• Low key lighting
CHARACTERS
• Ordinary citizen pulled into
danger
• Powerful villain
• Supporting characters – who
journey together, resulting in
one of them betraying the rest of
the group.
NARRATIVE
• Focus on the protagonist
• Hero must overcome the
problems
• Good vs evil
• Violence
• Fast paced action
• Unexpected plot twists
• Uncertainty
What we developed in our 2
minutes of film
SETTING
• Urban cities
• Suburbs
• Darkness
• Abandoned areas
ICONOGRAPHY
• Car chases
• Guns and weaponry
• Explosions
• Deserted building
• Low key lighting
CHARACTERS
• Ordinary citizen pulled into
danger
• Powerful villain
• Supporting characters – who
journey together, resulting in
one of them betraying the rest of
the group.
NARRATIVE
• Focus on the protagonist
• Hero must overcome the
problems
• Good vs evil
• Violence
• Fast paced action
• Unexpected plot twists
• Uncertainty
We gained the
abandoned and
desolated look by
positioning our main
character on the very
left of a wide angle
frame. This camera
positioning was also
used later to give a
continuation feel of
abandonment as the
character developed the
idea that she was all
alone.
What we developed in our 2
minutes of film
SETTING
• Urban cities
• Suburbs
• Darkness
• Abandoned areas
ICONOGRAPHY
• Car chases
• Guns and weaponry
• Explosions
• Deserted building
• Low key lighting
CHARACTERS
• Ordinary citizen pulled into
danger
• Powerful villain
• Supporting characters – who
journey together, resulting in
one of them betraying the rest of
the group.
NARRATIVE
• Focus on the protagonist
• Hero must overcome the
problems
• Good vs evil
• Violence
• Fast paced action
• Unexpected plot twists
• Uncertainty
We gained the
abandoned and
desolated look by
positioning our main
character on the very
left of a wide angle
frame. This camera
positioning was also
used later to give a
continuation feel of
abandonment as the
character developed the
idea that she was all
alone.
Using a
typical
teenager we
hope that
the
audience
could relate
to Ava and
therefore
increase
their
emotional
attachment
to the film.
What we developed in our 2
minutes of film
SETTING
• Urban cities
• Suburbs
• Darkness
• Abandoned areas
ICONOGRAPHY
• Car chases
• Guns and weaponry
• Explosions
• Deserted building
• Low key lighting
CHARACTERS
• Ordinary citizen pulled into
danger
• Powerful villain
• Supporting characters – who
journey together, resulting in
one of them betraying the rest of
the group.
NARRATIVE
• Focus on the protagonist
• Hero must overcome the
problems
• Good vs evil
• Violence
• Fast paced action
• Unexpected plot twists
• Uncertainty
We gained the
abandoned and
desolated look by
positioning our main
character on the very
left of a wide angle
frame. This camera
positioning was also
used later to give a
continuation feel of
abandonment as the
character developed the
idea that she was all
alone.
Using a
typical
teenager we
hope that
the
audience
could relate
to Ava and
therefore
increase
their
emotional
attachment
to the film.
Ava is the only
speaking
character that
we meet in the
first 2 minutes.
With this we
develop the
idea of her as a
leader and
innovative
thinker; she is
the first to
discover that
not everything
is as she
thought it was.
Codes and
Conventions
that we
Challenged
Most of the successful action films
are based around strong willed fully
grown male protagonists, for
example James Bond and The
Bourne series. However, Silence in
the Streets follows a small teenaged
girl as she fights to defeat a
powerful government.

More Related Content

What's hot

Divergent poster
Divergent posterDivergent poster
Divergent poster
JessicaLouiseJ8
 
Jennifer's Body Analysis
Jennifer's Body AnalysisJennifer's Body Analysis
Jennifer's Body Analysis
oshin34
 
Theorists
TheoristsTheorists
Theorists
abezhani
 
HC2. Stars, Spectacle, and Singin' in the Rain
HC2. Stars, Spectacle, and Singin' in the RainHC2. Stars, Spectacle, and Singin' in the Rain
HC2. Stars, Spectacle, and Singin' in the Rain
Julia Leyda
 
Leon written article breif
Leon written article breifLeon written article breif
Leon written article breif
LewisDunn
 
Evaluation Q.2
Evaluation Q.2Evaluation Q.2
Evaluation Q.2
ngalvin99
 
Verisimilitude
VerisimilitudeVerisimilitude
Verisimilitude
FlahM
 
Evaluation Question 2
Evaluation Question 2Evaluation Question 2
Evaluation Question 2
jacobwhiting1
 
Opening sequence Pitch - Scott Holliday
Opening sequence Pitch - Scott HollidayOpening sequence Pitch - Scott Holliday
Opening sequence Pitch - Scott Holliday
scotthollidaymedia
 
2 am - Acts
2 am - Acts2 am - Acts
2 am - Acts
libertytheg
 
Propp and todorov
Propp and todorovPropp and todorov
Propp and todorov
Thomas Medhurst
 
2) How does your media product represent particular character types?
2) How does your media product represent particular character types?2) How does your media product represent particular character types?
2) How does your media product represent particular character types?
jessiehide
 
Vladimir propp theory
Vladimir propp theoryVladimir propp theory
Vladimir propp theory
GraceFlynn
 
Evaluation 1
Evaluation 1Evaluation 1
Evaluation 1
Jamsheed2724
 
EVALUATION.
EVALUATION.EVALUATION.
EVALUATION.
hodan1
 
2) How does your media product represent particular character types?
2) How does your media product represent particular character types?2) How does your media product represent particular character types?
2) How does your media product represent particular character types?
jessiehide
 
Vladimir Propp’s theory of characters
Vladimir Propp’s theory of characters Vladimir Propp’s theory of characters
Vladimir Propp’s theory of characters
Daniel Brown
 
Narrative theory: Propp and Strauss
Narrative theory: Propp and StraussNarrative theory: Propp and Strauss
Narrative theory: Propp and Strauss
missSbennett
 
Understanding about the devils play ground
Understanding about the devils play groundUnderstanding about the devils play ground
Understanding about the devils play ground
gabebest100
 
Micro and Macro elements in film
Micro and Macro elements in film Micro and Macro elements in film
Micro and Macro elements in film
Girish Jeebodhun
 

What's hot (20)

Divergent poster
Divergent posterDivergent poster
Divergent poster
 
Jennifer's Body Analysis
Jennifer's Body AnalysisJennifer's Body Analysis
Jennifer's Body Analysis
 
Theorists
TheoristsTheorists
Theorists
 
HC2. Stars, Spectacle, and Singin' in the Rain
HC2. Stars, Spectacle, and Singin' in the RainHC2. Stars, Spectacle, and Singin' in the Rain
HC2. Stars, Spectacle, and Singin' in the Rain
 
Leon written article breif
Leon written article breifLeon written article breif
Leon written article breif
 
Evaluation Q.2
Evaluation Q.2Evaluation Q.2
Evaluation Q.2
 
Verisimilitude
VerisimilitudeVerisimilitude
Verisimilitude
 
Evaluation Question 2
Evaluation Question 2Evaluation Question 2
Evaluation Question 2
 
Opening sequence Pitch - Scott Holliday
Opening sequence Pitch - Scott HollidayOpening sequence Pitch - Scott Holliday
Opening sequence Pitch - Scott Holliday
 
2 am - Acts
2 am - Acts2 am - Acts
2 am - Acts
 
Propp and todorov
Propp and todorovPropp and todorov
Propp and todorov
 
2) How does your media product represent particular character types?
2) How does your media product represent particular character types?2) How does your media product represent particular character types?
2) How does your media product represent particular character types?
 
Vladimir propp theory
Vladimir propp theoryVladimir propp theory
Vladimir propp theory
 
Evaluation 1
Evaluation 1Evaluation 1
Evaluation 1
 
EVALUATION.
EVALUATION.EVALUATION.
EVALUATION.
 
2) How does your media product represent particular character types?
2) How does your media product represent particular character types?2) How does your media product represent particular character types?
2) How does your media product represent particular character types?
 
Vladimir Propp’s theory of characters
Vladimir Propp’s theory of characters Vladimir Propp’s theory of characters
Vladimir Propp’s theory of characters
 
Narrative theory: Propp and Strauss
Narrative theory: Propp and StraussNarrative theory: Propp and Strauss
Narrative theory: Propp and Strauss
 
Understanding about the devils play ground
Understanding about the devils play groundUnderstanding about the devils play ground
Understanding about the devils play ground
 
Micro and Macro elements in film
Micro and Macro elements in film Micro and Macro elements in film
Micro and Macro elements in film
 

Viewers also liked

General introduction to Knowledge Management
General introduction to Knowledge ManagementGeneral introduction to Knowledge Management
General introduction to Knowledge Management
Zaven Hakopov
 
Málaga
MálagaMálaga
Málaga
Inma Cuellar
 
Govt Banned Rs. 500 and Rs 1000 Notes from November 2016
Govt Banned Rs. 500 and Rs 1000 Notes from November 2016Govt Banned Rs. 500 and Rs 1000 Notes from November 2016
Govt Banned Rs. 500 and Rs 1000 Notes from November 2016
Naveen Kumar.V
 
Www myseoservices4u co_uk (1)
Www myseoservices4u co_uk (1)Www myseoservices4u co_uk (1)
Www myseoservices4u co_uk (1)
shaun mengella
 
A tmega328P Microcontroller Data Sheet
A tmega328P Microcontroller Data SheetA tmega328P Microcontroller Data Sheet
A tmega328P Microcontroller Data Sheet
Microtech Solutions
 
4.4 analisis explorativo de datos
4.4 analisis explorativo de datos4.4 analisis explorativo de datos
4.4 analisis explorativo de datos
davidfive
 
Harini_Rangga_Sekar
Harini_Rangga_SekarHarini_Rangga_Sekar
Harini_Rangga_Sekar
Igor Rangga
 
12 treballs d'eracles
12 treballs d'eracles12 treballs d'eracles
12 treballs d'eracles
Sergiy Pilyanskyy
 
Map student powerpointpresentation (1)
Map student powerpointpresentation (1)Map student powerpointpresentation (1)
Map student powerpointpresentation (1)
Cristiana Banegas
 
Http _economia.elpais
Http  _economia.elpaisHttp  _economia.elpais
Http _economia.elpais
victor barreto
 
Metodologias para el aprendizaje de la historia i
Metodologias para el aprendizaje  de la historia iMetodologias para el aprendizaje  de la historia i
Metodologias para el aprendizaje de la historia i
Marian Jiménez
 
PAUTES ENDEVINALLA
PAUTES ENDEVINALLAPAUTES ENDEVINALLA
PAUTES ENDEVINALLAldeniau
 
Getting listed on the WordPress plugin directory
Getting listed on the WordPress plugin directoryGetting listed on the WordPress plugin directory
Getting listed on the WordPress plugin directory
WordPressBirmingham
 
Juku naljad
Juku naljadJuku naljad
Juku naljad
Sander Lepla
 
SAP Real Time Training for Functional Consultant
SAP Real Time Training for Functional ConsultantSAP Real Time Training for Functional Consultant
SAP Real Time Training for Functional Consultant
myTectra Learning Solutions Private Ltd
 
Making WordPress Themes and Plugins Translation Ready
Making WordPress Themes and Plugins Translation ReadyMaking WordPress Themes and Plugins Translation Ready
Making WordPress Themes and Plugins Translation Ready
WordPressBirmingham
 
Psychology of Aggression
Psychology of AggressionPsychology of Aggression
Psychology of Aggression
Heba Essawy, MD
 

Viewers also liked (17)

General introduction to Knowledge Management
General introduction to Knowledge ManagementGeneral introduction to Knowledge Management
General introduction to Knowledge Management
 
Málaga
MálagaMálaga
Málaga
 
Govt Banned Rs. 500 and Rs 1000 Notes from November 2016
Govt Banned Rs. 500 and Rs 1000 Notes from November 2016Govt Banned Rs. 500 and Rs 1000 Notes from November 2016
Govt Banned Rs. 500 and Rs 1000 Notes from November 2016
 
Www myseoservices4u co_uk (1)
Www myseoservices4u co_uk (1)Www myseoservices4u co_uk (1)
Www myseoservices4u co_uk (1)
 
A tmega328P Microcontroller Data Sheet
A tmega328P Microcontroller Data SheetA tmega328P Microcontroller Data Sheet
A tmega328P Microcontroller Data Sheet
 
4.4 analisis explorativo de datos
4.4 analisis explorativo de datos4.4 analisis explorativo de datos
4.4 analisis explorativo de datos
 
Harini_Rangga_Sekar
Harini_Rangga_SekarHarini_Rangga_Sekar
Harini_Rangga_Sekar
 
12 treballs d'eracles
12 treballs d'eracles12 treballs d'eracles
12 treballs d'eracles
 
Map student powerpointpresentation (1)
Map student powerpointpresentation (1)Map student powerpointpresentation (1)
Map student powerpointpresentation (1)
 
Http _economia.elpais
Http  _economia.elpaisHttp  _economia.elpais
Http _economia.elpais
 
Metodologias para el aprendizaje de la historia i
Metodologias para el aprendizaje  de la historia iMetodologias para el aprendizaje  de la historia i
Metodologias para el aprendizaje de la historia i
 
PAUTES ENDEVINALLA
PAUTES ENDEVINALLAPAUTES ENDEVINALLA
PAUTES ENDEVINALLA
 
Getting listed on the WordPress plugin directory
Getting listed on the WordPress plugin directoryGetting listed on the WordPress plugin directory
Getting listed on the WordPress plugin directory
 
Juku naljad
Juku naljadJuku naljad
Juku naljad
 
SAP Real Time Training for Functional Consultant
SAP Real Time Training for Functional ConsultantSAP Real Time Training for Functional Consultant
SAP Real Time Training for Functional Consultant
 
Making WordPress Themes and Plugins Translation Ready
Making WordPress Themes and Plugins Translation ReadyMaking WordPress Themes and Plugins Translation Ready
Making WordPress Themes and Plugins Translation Ready
 
Psychology of Aggression
Psychology of AggressionPsychology of Aggression
Psychology of Aggression
 

Similar to Evaluation Question Q1 v2

Mary C6 Evaluation Question 1
Mary C6 Evaluation Question 1Mary C6 Evaluation Question 1
Mary C6 Evaluation Question 1
salesian2014as
 
Group044 Presentation
Group044  PresentationGroup044  Presentation
Group044 Presentation
reigatemedia
 
CCR week 1 .pptx
CCR week 1 .pptxCCR week 1 .pptx
CCR week 1 .pptx
BeaH11
 
Media evaluation - Final Draft
Media evaluation - Final DraftMedia evaluation - Final Draft
Media evaluation - Final Draft
Cakeeybin
 
media CCR task 1 .pptx
media CCR task 1 .pptxmedia CCR task 1 .pptx
media CCR task 1 .pptx
hurtwoodhousemedia5
 
Question 1
Question 1Question 1
Question 1
EdChambersTWGSB
 
Question 1 media studies evaluation mark final
Question 1 media studies evaluation mark final Question 1 media studies evaluation mark final
Question 1 media studies evaluation mark final
salesian2014as
 
Pitch
PitchPitch
Same Differences Film Pitch - Teen Drama
Same Differences Film Pitch - Teen DramaSame Differences Film Pitch - Teen Drama
Same Differences Film Pitch - Teen Drama
ht11928
 
Yas main task
Yas main taskYas main task
Yas main task
shaunie_mellor
 
Audiences & Products
Audiences & ProductsAudiences & Products
Audiences & Products
Shahzaib Yaqoob
 
Group044 Presentation
Group044 PresentationGroup044 Presentation
Group044 Presentation
reigatemedia
 
Pitch a level media
Pitch a level mediaPitch a level media
Pitch a level media
sarahelenge
 
Pitch a level media
Pitch a level mediaPitch a level media
Pitch a level media
abbywynne
 
Powerpoint Pitch Draft - C6
Powerpoint Pitch Draft - C6Powerpoint Pitch Draft - C6
Powerpoint Pitch Draft - C6
salesian2014as
 
Mark Mulcahy Question 1 media studies evaluation
Mark Mulcahy Question 1 media studies evaluationMark Mulcahy Question 1 media studies evaluation
Mark Mulcahy Question 1 media studies evaluation
salesian2014as
 
AS Level Media Studies - CREATIVE CRITICAL REFLECTION (Film Opening Task)
AS Level Media Studies - CREATIVE CRITICAL REFLECTION (Film Opening Task)AS Level Media Studies - CREATIVE CRITICAL REFLECTION (Film Opening Task)
AS Level Media Studies - CREATIVE CRITICAL REFLECTION (Film Opening Task)
ManasaShivashankar
 
Out of depth evaluation
Out of depth evaluation Out of depth evaluation
Out of depth evaluation
ladanjm
 
Assignment 14
Assignment 14Assignment 14
Assignment 14
ASGroup5
 
Assignment 14
Assignment 14Assignment 14
Assignment 14
ASGroup5
 

Similar to Evaluation Question Q1 v2 (20)

Mary C6 Evaluation Question 1
Mary C6 Evaluation Question 1Mary C6 Evaluation Question 1
Mary C6 Evaluation Question 1
 
Group044 Presentation
Group044  PresentationGroup044  Presentation
Group044 Presentation
 
CCR week 1 .pptx
CCR week 1 .pptxCCR week 1 .pptx
CCR week 1 .pptx
 
Media evaluation - Final Draft
Media evaluation - Final DraftMedia evaluation - Final Draft
Media evaluation - Final Draft
 
media CCR task 1 .pptx
media CCR task 1 .pptxmedia CCR task 1 .pptx
media CCR task 1 .pptx
 
Question 1
Question 1Question 1
Question 1
 
Question 1 media studies evaluation mark final
Question 1 media studies evaluation mark final Question 1 media studies evaluation mark final
Question 1 media studies evaluation mark final
 
Pitch
PitchPitch
Pitch
 
Same Differences Film Pitch - Teen Drama
Same Differences Film Pitch - Teen DramaSame Differences Film Pitch - Teen Drama
Same Differences Film Pitch - Teen Drama
 
Yas main task
Yas main taskYas main task
Yas main task
 
Audiences & Products
Audiences & ProductsAudiences & Products
Audiences & Products
 
Group044 Presentation
Group044 PresentationGroup044 Presentation
Group044 Presentation
 
Pitch a level media
Pitch a level mediaPitch a level media
Pitch a level media
 
Pitch a level media
Pitch a level mediaPitch a level media
Pitch a level media
 
Powerpoint Pitch Draft - C6
Powerpoint Pitch Draft - C6Powerpoint Pitch Draft - C6
Powerpoint Pitch Draft - C6
 
Mark Mulcahy Question 1 media studies evaluation
Mark Mulcahy Question 1 media studies evaluationMark Mulcahy Question 1 media studies evaluation
Mark Mulcahy Question 1 media studies evaluation
 
AS Level Media Studies - CREATIVE CRITICAL REFLECTION (Film Opening Task)
AS Level Media Studies - CREATIVE CRITICAL REFLECTION (Film Opening Task)AS Level Media Studies - CREATIVE CRITICAL REFLECTION (Film Opening Task)
AS Level Media Studies - CREATIVE CRITICAL REFLECTION (Film Opening Task)
 
Out of depth evaluation
Out of depth evaluation Out of depth evaluation
Out of depth evaluation
 
Assignment 14
Assignment 14Assignment 14
Assignment 14
 
Assignment 14
Assignment 14Assignment 14
Assignment 14
 

More from salesian2014as

Question 3 (1)
Question 3 (1)Question 3 (1)
Question 3 (1)
salesian2014as
 
Question 3
Question 3Question 3
Question 3
salesian2014as
 
Question 3
Question 3Question 3
Question 3
salesian2014as
 
Recce
RecceRecce
Soap opera print ideas
Soap opera print ideasSoap opera print ideas
Soap opera print ideas
salesian2014as
 
Question 6
Question 6Question 6
Question 6
salesian2014as
 
Evaluation question 6
Evaluation question 6Evaluation question 6
Evaluation question 6
salesian2014as
 
Recovered file 1
Recovered file 1Recovered file 1
Recovered file 1
salesian2014as
 
Looking back at your Preliminary task, what do you feel you have learnt in th...
Looking back at your Preliminary task, what do you feel you have learnt in th...Looking back at your Preliminary task, what do you feel you have learnt in th...
Looking back at your Preliminary task, what do you feel you have learnt in th...
salesian2014as
 
Presentation1
Presentation1Presentation1
Presentation1
salesian2014as
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
salesian2014as
 
Question 7 media studies evaluation
Question 7 media studies evaluationQuestion 7 media studies evaluation
Question 7 media studies evaluation
salesian2014as
 
Question 5
Question 5 Question 5
Question 5
salesian2014as
 
Question 3 media studies evaluation
Question 3 media studies evaluationQuestion 3 media studies evaluation
Question 3 media studies evaluation
salesian2014as
 
Question 7
Question 7Question 7
Question 7
salesian2014as
 
How did you attract/address your audience?
How did you attract/address your audience?How did you attract/address your audience?
How did you attract/address your audience?
salesian2014as
 
Question 5
Question 5Question 5
Question 5
salesian2014as
 
How does your media product represent particular social media evaluaiton ques...
How does your media product represent particular social media evaluaiton ques...How does your media product represent particular social media evaluaiton ques...
How does your media product represent particular social media evaluaiton ques...
salesian2014as
 
Question 7
Question 7 Question 7
Question 7
salesian2014as
 
Question 2
Question 2Question 2
Question 2
salesian2014as
 

More from salesian2014as (20)

Question 3 (1)
Question 3 (1)Question 3 (1)
Question 3 (1)
 
Question 3
Question 3Question 3
Question 3
 
Question 3
Question 3Question 3
Question 3
 
Recce
RecceRecce
Recce
 
Soap opera print ideas
Soap opera print ideasSoap opera print ideas
Soap opera print ideas
 
Question 6
Question 6Question 6
Question 6
 
Evaluation question 6
Evaluation question 6Evaluation question 6
Evaluation question 6
 
Recovered file 1
Recovered file 1Recovered file 1
Recovered file 1
 
Looking back at your Preliminary task, what do you feel you have learnt in th...
Looking back at your Preliminary task, what do you feel you have learnt in th...Looking back at your Preliminary task, what do you feel you have learnt in th...
Looking back at your Preliminary task, what do you feel you have learnt in th...
 
Presentation1
Presentation1Presentation1
Presentation1
 
Evaluation question 1
Evaluation question 1Evaluation question 1
Evaluation question 1
 
Question 7 media studies evaluation
Question 7 media studies evaluationQuestion 7 media studies evaluation
Question 7 media studies evaluation
 
Question 5
Question 5 Question 5
Question 5
 
Question 3 media studies evaluation
Question 3 media studies evaluationQuestion 3 media studies evaluation
Question 3 media studies evaluation
 
Question 7
Question 7Question 7
Question 7
 
How did you attract/address your audience?
How did you attract/address your audience?How did you attract/address your audience?
How did you attract/address your audience?
 
Question 5
Question 5Question 5
Question 5
 
How does your media product represent particular social media evaluaiton ques...
How does your media product represent particular social media evaluaiton ques...How does your media product represent particular social media evaluaiton ques...
How does your media product represent particular social media evaluaiton ques...
 
Question 7
Question 7 Question 7
Question 7
 
Question 2
Question 2Question 2
Question 2
 

Recently uploaded

The simplified electron and muon model, Oscillating Spacetime: The Foundation...
The simplified electron and muon model, Oscillating Spacetime: The Foundation...The simplified electron and muon model, Oscillating Spacetime: The Foundation...
The simplified electron and muon model, Oscillating Spacetime: The Foundation...
RitikBhardwaj56
 
Natural birth techniques - Mrs.Akanksha Trivedi Rama University
Natural birth techniques - Mrs.Akanksha Trivedi Rama UniversityNatural birth techniques - Mrs.Akanksha Trivedi Rama University
Natural birth techniques - Mrs.Akanksha Trivedi Rama University
Akanksha trivedi rama nursing college kanpur.
 
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...
National Information Standards Organization (NISO)
 
ANATOMY AND BIOMECHANICS OF HIP JOINT.pdf
ANATOMY AND BIOMECHANICS OF HIP JOINT.pdfANATOMY AND BIOMECHANICS OF HIP JOINT.pdf
ANATOMY AND BIOMECHANICS OF HIP JOINT.pdf
Priyankaranawat4
 
How to Setup Warehouse & Location in Odoo 17 Inventory
How to Setup Warehouse & Location in Odoo 17 InventoryHow to Setup Warehouse & Location in Odoo 17 Inventory
How to Setup Warehouse & Location in Odoo 17 Inventory
Celine George
 
writing about opinions about Australia the movie
writing about opinions about Australia the moviewriting about opinions about Australia the movie
writing about opinions about Australia the movie
Nicholas Montgomery
 
Pengantar Penggunaan Flutter - Dart programming language1.pptx
Pengantar Penggunaan Flutter - Dart programming language1.pptxPengantar Penggunaan Flutter - Dart programming language1.pptx
Pengantar Penggunaan Flutter - Dart programming language1.pptx
Fajar Baskoro
 
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...
Dr. Vinod Kumar Kanvaria
 
How to Build a Module in Odoo 17 Using the Scaffold Method
How to Build a Module in Odoo 17 Using the Scaffold MethodHow to Build a Module in Odoo 17 Using the Scaffold Method
How to Build a Module in Odoo 17 Using the Scaffold Method
Celine George
 
Executive Directors Chat Leveraging AI for Diversity, Equity, and Inclusion
Executive Directors Chat  Leveraging AI for Diversity, Equity, and InclusionExecutive Directors Chat  Leveraging AI for Diversity, Equity, and Inclusion
Executive Directors Chat Leveraging AI for Diversity, Equity, and Inclusion
TechSoup
 
MARY JANE WILSON, A “BOA MÃE” .
MARY JANE WILSON, A “BOA MÃE”           .MARY JANE WILSON, A “BOA MÃE”           .
MARY JANE WILSON, A “BOA MÃE” .
Colégio Santa Teresinha
 
RPMS TEMPLATE FOR SCHOOL YEAR 2023-2024 FOR TEACHER 1 TO TEACHER 3
RPMS TEMPLATE FOR SCHOOL YEAR 2023-2024 FOR TEACHER 1 TO TEACHER 3RPMS TEMPLATE FOR SCHOOL YEAR 2023-2024 FOR TEACHER 1 TO TEACHER 3
RPMS TEMPLATE FOR SCHOOL YEAR 2023-2024 FOR TEACHER 1 TO TEACHER 3
IreneSebastianRueco1
 
Life upper-Intermediate B2 Workbook for student
Life upper-Intermediate B2 Workbook for studentLife upper-Intermediate B2 Workbook for student
Life upper-Intermediate B2 Workbook for student
NgcHiNguyn25
 
Film vocab for eal 3 students: Australia the movie
Film vocab for eal 3 students: Australia the movieFilm vocab for eal 3 students: Australia the movie
Film vocab for eal 3 students: Australia the movie
Nicholas Montgomery
 
C1 Rubenstein AP HuG xxxxxxxxxxxxxx.pptx
C1 Rubenstein AP HuG xxxxxxxxxxxxxx.pptxC1 Rubenstein AP HuG xxxxxxxxxxxxxx.pptx
C1 Rubenstein AP HuG xxxxxxxxxxxxxx.pptx
mulvey2
 
The basics of sentences session 6pptx.pptx
The basics of sentences session 6pptx.pptxThe basics of sentences session 6pptx.pptx
The basics of sentences session 6pptx.pptx
heathfieldcps1
 
PIMS Job Advertisement 2024.pdf Islamabad
PIMS Job Advertisement 2024.pdf IslamabadPIMS Job Advertisement 2024.pdf Islamabad
PIMS Job Advertisement 2024.pdf Islamabad
AyyanKhan40
 
Chapter 4 - Islamic Financial Institutions in Malaysia.pptx
Chapter 4 - Islamic Financial Institutions in Malaysia.pptxChapter 4 - Islamic Financial Institutions in Malaysia.pptx
Chapter 4 - Islamic Financial Institutions in Malaysia.pptx
Mohd Adib Abd Muin, Senior Lecturer at Universiti Utara Malaysia
 
A Independência da América Espanhola LAPBOOK.pdf
A Independência da América Espanhola LAPBOOK.pdfA Independência da América Espanhola LAPBOOK.pdf
A Independência da América Espanhola LAPBOOK.pdf
Jean Carlos Nunes Paixão
 
How to Manage Your Lost Opportunities in Odoo 17 CRM
How to Manage Your Lost Opportunities in Odoo 17 CRMHow to Manage Your Lost Opportunities in Odoo 17 CRM
How to Manage Your Lost Opportunities in Odoo 17 CRM
Celine George
 

Recently uploaded (20)

The simplified electron and muon model, Oscillating Spacetime: The Foundation...
The simplified electron and muon model, Oscillating Spacetime: The Foundation...The simplified electron and muon model, Oscillating Spacetime: The Foundation...
The simplified electron and muon model, Oscillating Spacetime: The Foundation...
 
Natural birth techniques - Mrs.Akanksha Trivedi Rama University
Natural birth techniques - Mrs.Akanksha Trivedi Rama UniversityNatural birth techniques - Mrs.Akanksha Trivedi Rama University
Natural birth techniques - Mrs.Akanksha Trivedi Rama University
 
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...
Pollock and Snow "DEIA in the Scholarly Landscape, Session One: Setting Expec...
 
ANATOMY AND BIOMECHANICS OF HIP JOINT.pdf
ANATOMY AND BIOMECHANICS OF HIP JOINT.pdfANATOMY AND BIOMECHANICS OF HIP JOINT.pdf
ANATOMY AND BIOMECHANICS OF HIP JOINT.pdf
 
How to Setup Warehouse & Location in Odoo 17 Inventory
How to Setup Warehouse & Location in Odoo 17 InventoryHow to Setup Warehouse & Location in Odoo 17 Inventory
How to Setup Warehouse & Location in Odoo 17 Inventory
 
writing about opinions about Australia the movie
writing about opinions about Australia the moviewriting about opinions about Australia the movie
writing about opinions about Australia the movie
 
Pengantar Penggunaan Flutter - Dart programming language1.pptx
Pengantar Penggunaan Flutter - Dart programming language1.pptxPengantar Penggunaan Flutter - Dart programming language1.pptx
Pengantar Penggunaan Flutter - Dart programming language1.pptx
 
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...
Exploiting Artificial Intelligence for Empowering Researchers and Faculty, In...
 
How to Build a Module in Odoo 17 Using the Scaffold Method
How to Build a Module in Odoo 17 Using the Scaffold MethodHow to Build a Module in Odoo 17 Using the Scaffold Method
How to Build a Module in Odoo 17 Using the Scaffold Method
 
Executive Directors Chat Leveraging AI for Diversity, Equity, and Inclusion
Executive Directors Chat  Leveraging AI for Diversity, Equity, and InclusionExecutive Directors Chat  Leveraging AI for Diversity, Equity, and Inclusion
Executive Directors Chat Leveraging AI for Diversity, Equity, and Inclusion
 
MARY JANE WILSON, A “BOA MÃE” .
MARY JANE WILSON, A “BOA MÃE”           .MARY JANE WILSON, A “BOA MÃE”           .
MARY JANE WILSON, A “BOA MÃE” .
 
RPMS TEMPLATE FOR SCHOOL YEAR 2023-2024 FOR TEACHER 1 TO TEACHER 3
RPMS TEMPLATE FOR SCHOOL YEAR 2023-2024 FOR TEACHER 1 TO TEACHER 3RPMS TEMPLATE FOR SCHOOL YEAR 2023-2024 FOR TEACHER 1 TO TEACHER 3
RPMS TEMPLATE FOR SCHOOL YEAR 2023-2024 FOR TEACHER 1 TO TEACHER 3
 
Life upper-Intermediate B2 Workbook for student
Life upper-Intermediate B2 Workbook for studentLife upper-Intermediate B2 Workbook for student
Life upper-Intermediate B2 Workbook for student
 
Film vocab for eal 3 students: Australia the movie
Film vocab for eal 3 students: Australia the movieFilm vocab for eal 3 students: Australia the movie
Film vocab for eal 3 students: Australia the movie
 
C1 Rubenstein AP HuG xxxxxxxxxxxxxx.pptx
C1 Rubenstein AP HuG xxxxxxxxxxxxxx.pptxC1 Rubenstein AP HuG xxxxxxxxxxxxxx.pptx
C1 Rubenstein AP HuG xxxxxxxxxxxxxx.pptx
 
The basics of sentences session 6pptx.pptx
The basics of sentences session 6pptx.pptxThe basics of sentences session 6pptx.pptx
The basics of sentences session 6pptx.pptx
 
PIMS Job Advertisement 2024.pdf Islamabad
PIMS Job Advertisement 2024.pdf IslamabadPIMS Job Advertisement 2024.pdf Islamabad
PIMS Job Advertisement 2024.pdf Islamabad
 
Chapter 4 - Islamic Financial Institutions in Malaysia.pptx
Chapter 4 - Islamic Financial Institutions in Malaysia.pptxChapter 4 - Islamic Financial Institutions in Malaysia.pptx
Chapter 4 - Islamic Financial Institutions in Malaysia.pptx
 
A Independência da América Espanhola LAPBOOK.pdf
A Independência da América Espanhola LAPBOOK.pdfA Independência da América Espanhola LAPBOOK.pdf
A Independência da América Espanhola LAPBOOK.pdf
 
How to Manage Your Lost Opportunities in Odoo 17 CRM
How to Manage Your Lost Opportunities in Odoo 17 CRMHow to Manage Your Lost Opportunities in Odoo 17 CRM
How to Manage Your Lost Opportunities in Odoo 17 CRM
 

Evaluation Question Q1 v2

  • 1. In what ways does your media product use, develop or challenge forms and conventions of real media products? Evaluation Q1
  • 2. Narrative was the first subject we raised when working in our group. We had to allocate a genre in which we wanted our film to fall into. With all genre there are certain stock narratives, themes, characters and settings that need to be shown throughout the film.
  • 5. We wanted to include a fast pace film that would have the audience on the edge of their seats in anticipation. As a group we also had a good understanding of this genre as shown on our blog. (link to genre analysis). Our research allowed us to identify different elements we should include in order to make the film work for our genre.
  • 6. Textual Analysis: How I Live Now In my textual analysis of the film opening “How I Live Now” (2012) I focused on the development of characters to set the tone of the rest of the film and how they acted as a feature of the genre. The hostile approach felt by Daisy in the opening sets the tone of the overhanging threat that is soon to disrupt the activity of this group of youngsters. This can be seen to have an influence over the opening of our film. Ava starts the film being relaxed and enjoying herself and is met with the earth shattering news that not everything is always as it seems and that everyone can just disappear in a blink of an eye.
  • 7. Our Narrative Within the first 2 minutes of our film we establish that there is a disequilibrium where nothing is as it seems or as it should be, and this remains for the first act of the film according to Sid Field’s three-acts. During the first 20 minutes of the film (the first act) these unanswered question will continue to stack up. The narrative is driven by attempts to restore the equilibrium.
  • 8. Stock Characters Ava is the only main character that we meet in the opening. She is the stereotypical teenager at the beginning of the film and is thrown into the world of the unknown. The main protagonist then seeks out help from a much larger group that also have been landed in the same situation and share the same goals. This group then attempt to succeed at a much bigger target than previously thought about, much like in I am Legend (2007). Neville is devoted to understanding the creation that has developed after a bacterial plague that has infected everyone around him. His discovery of a cure which can heal the infected is in itself saving the whole world. These typical teenagers are thought to have everything figured out in their lives up until they are unexpectedly thrown into a world that leads them to question the very make-up of their lives. With this they find out that not everything is as clear as they previously thought it was. This is similar to the character Nathan in Abduction (2011), who discovers that his whole childhood is built on lies and he spends the rest of the film rediscovering who he really is.
  • 9. Stock Setting The storytelling starts out in a typical house in a suburban town where everything appears normal and content. The setting then continues to distort until it develops into a world that not even the characters can recognize.
  • 10. Stereotypes Met With the beginning of the film we wanted to paint a picture of a typical teenager and, to ensure this occurred, we had to consider many of the stereotypical opinions of a 16 year old teenage girl. The stereotypes we took into account where as follows: 1. Teenagers are always on their phones – she is clutching her phone on her walk home, it wakes her up and when she realises that everyone has gone the first thing she runs for is the phone. 2. Teenagers go out and drink – she staggers home late at night 3. Teenagers are reliant on their mothers – it is the first person she calls out to when she gets in and also when she wakes up.
  • 11. It was important to develop a clear layout of all the repertoire of elements for our genre so that we could ensure that we either directly linked to it or challenged it.
  • 12. SETTING • Urban cities • Suburbs • Darkness • Abandoned areas ICONOGRAPHY • Car chases • Guns and weaponry • Explosions • Deserted building • Low key lighting CHARACTERS • Ordinary citizen pulled into danger • Powerful villain • Supporting characters – who journey together, resulting in one of them betraying the rest of the group. NARRATIVE • Focus on the protagonist • Hero must overcome the problems • Good vs evil • Violence • Fast paced action • Unexpected plot twists • Uncertainty
  • 13. What we developed in our 2 minutes of film SETTING • Urban cities • Suburbs • Darkness • Abandoned areas ICONOGRAPHY • Car chases • Guns and weaponry • Explosions • Deserted building • Low key lighting CHARACTERS • Ordinary citizen pulled into danger • Powerful villain • Supporting characters – who journey together, resulting in one of them betraying the rest of the group. NARRATIVE • Focus on the protagonist • Hero must overcome the problems • Good vs evil • Violence • Fast paced action • Unexpected plot twists • Uncertainty
  • 14. What we developed in our 2 minutes of film SETTING • Urban cities • Suburbs • Darkness • Abandoned areas ICONOGRAPHY • Car chases • Guns and weaponry • Explosions • Deserted building • Low key lighting CHARACTERS • Ordinary citizen pulled into danger • Powerful villain • Supporting characters – who journey together, resulting in one of them betraying the rest of the group. NARRATIVE • Focus on the protagonist • Hero must overcome the problems • Good vs evil • Violence • Fast paced action • Unexpected plot twists • Uncertainty We gained the abandoned and desolated look by positioning our main character on the very left of a wide angle frame. This camera positioning was also used later to give a continuation feel of abandonment as the character developed the idea that she was all alone.
  • 15. What we developed in our 2 minutes of film SETTING • Urban cities • Suburbs • Darkness • Abandoned areas ICONOGRAPHY • Car chases • Guns and weaponry • Explosions • Deserted building • Low key lighting CHARACTERS • Ordinary citizen pulled into danger • Powerful villain • Supporting characters – who journey together, resulting in one of them betraying the rest of the group. NARRATIVE • Focus on the protagonist • Hero must overcome the problems • Good vs evil • Violence • Fast paced action • Unexpected plot twists • Uncertainty We gained the abandoned and desolated look by positioning our main character on the very left of a wide angle frame. This camera positioning was also used later to give a continuation feel of abandonment as the character developed the idea that she was all alone. Using a typical teenager we hope that the audience could relate to Ava and therefore increase their emotional attachment to the film.
  • 16. What we developed in our 2 minutes of film SETTING • Urban cities • Suburbs • Darkness • Abandoned areas ICONOGRAPHY • Car chases • Guns and weaponry • Explosions • Deserted building • Low key lighting CHARACTERS • Ordinary citizen pulled into danger • Powerful villain • Supporting characters – who journey together, resulting in one of them betraying the rest of the group. NARRATIVE • Focus on the protagonist • Hero must overcome the problems • Good vs evil • Violence • Fast paced action • Unexpected plot twists • Uncertainty We gained the abandoned and desolated look by positioning our main character on the very left of a wide angle frame. This camera positioning was also used later to give a continuation feel of abandonment as the character developed the idea that she was all alone. Using a typical teenager we hope that the audience could relate to Ava and therefore increase their emotional attachment to the film. Ava is the only speaking character that we meet in the first 2 minutes. With this we develop the idea of her as a leader and innovative thinker; she is the first to discover that not everything is as she thought it was.
  • 17. Codes and Conventions that we Challenged Most of the successful action films are based around strong willed fully grown male protagonists, for example James Bond and The Bourne series. However, Silence in the Streets follows a small teenaged girl as she fights to defeat a powerful government.