Jaws was directed by Steven Spielberg and based on the novel by Peter Benchley. It tells the story of a great white shark that attacks swimmers near the New England resort town of Amity Island. Police chief Martin Brody investigates the shark attacks along with marine biologist Matt Hooper and shark hunter Quint. They set out on Quint's boat to hunt the shark, but their efforts are hampered by Quint's stubbornness and lack of adequate equipment. The climactic confrontation between Brody and the shark occurs when Quint's boat starts to sink.
The document analyzes magazine advertisements for albums by Adele, Jessie J, and Rihanna. For Adele's advertisement, it notes the similarities between the poster and album cover design. It also mentions the use of award winner text and an image of the album cover to entice sales. For Jessie J's poster, it discusses the use of gold and black colors to represent wealth and mentions promoting older songs. Finally, it analyzes Rihanna's dark color scheme and highlighted song titles as ways to catch attention and appeal to fans of specific songs.
Modern music videos are primarily used as marketing tools to promote the sales of songs. One of the earliest examples was a 1929 film of Bessie Smith performing "Saint Louis Blues" that was shown in theaters. In the 1950s, Tony Bennett claimed to have made one of the first music videos by filming himself walking during his song "Stranger in Paradise". The Beatles helped establish the basics of today's music videos with the musical segments in their 1964 film A Hard Day's Night. MTV's launch in 1981 further popularized the music video format by introducing them to a wider audience.
Luke used various technologies throughout the production of a music video. YouTube was used for inspiration, identifying conventions, and uploading the finished video. Microsoft Office, especially PowerPoint and Word, were used at all stages for organizing notes and presenting work. Phones were used to contact crew members, hold the script, and play music during filming. Google Earth helped find eye-catching locations quickly. A digital camera filmed the project and took photos as evidence. Sony Vegas Pro was used to edit the video, adding effects and fast cuts. Photoshop and GIMP were used to design ancillary texts, though GIMP's basic layout made it just as effective. SurveyMonkey conducted audience evaluations but was limited without a premium subscription
The document provides background information on the 1975 thriller film Jaws, directed by Steven Spielberg. It discusses Spielberg's career and influence as a director. It then analyzes some of the key cinematography and mise-en-scene techniques used in the opening scene. Specifically, it notes how the lighting, camera angles, and shots of the characters alone on the beach create tension and suspense as one character is dragged under water by an unseen threat. Conventions of the thriller genre like mystery, suspense, and extraordinary events unfolding in normal situations are also mentioned.
The opening scene of Jaws establishes horror film conventions through low lighting and shadows obscuring the characters. Two teenagers, a boy and a girl who do not know each other well, are shown running and then undressing, implying they will go swimming. However, the boy falls and appears drunk, while the girl swims farther out without realizing he cannot follow. Underwater shots show the girl enjoying her swim until she is suddenly pulled under the water by something, creating tension and mystery for the viewer about what is happening.
Analyse the ways spielberg uses the camera to create meaning in the film jawsPinkgirlchloe
This document summarizes and analyzes various shots from a film. It describes shots that establish settings, track characters, contrast expressions, isolate figures, suggest points of view, show layers of focus, and symbolize emotions. Key shots include an establishing shot of a beach setting, medium close-ups of a worried sheriff and happy swimmers, an extreme long shot of a vulnerable person floating alone at sea, and a contra-zoom shot revealing a sheriff's realization of a shark attack.
The document provides a detailed shot-by-shot analysis of a beach scene from the film Jaws. The first two shots establish the beach location and introduce characters, a mother and child, raising tension given the film's focus on shark attacks. Subsequent shots show the sheriff appearing concerned, no lifeguards on duty building more suspense, and children in the background unnoticed by distracted adults. Music and camerawork generate panic as the viewer realizes an attack on the boy playing with an inflatable tube is imminent. The final shot reveals the deflated and bloodied tube on the shore, symbolizing the child's death in a dramatic tonal shift from happiness to terror.
Jaws was directed by Steven Spielberg and based on the novel by Peter Benchley. It tells the story of a great white shark that attacks swimmers near the New England resort town of Amity Island. Police chief Martin Brody investigates the shark attacks along with marine biologist Matt Hooper and shark hunter Quint. They set out on Quint's boat to hunt the shark, but their efforts are hampered by Quint's stubbornness and lack of adequate equipment. The climactic confrontation between Brody and the shark occurs when Quint's boat starts to sink.
The document analyzes magazine advertisements for albums by Adele, Jessie J, and Rihanna. For Adele's advertisement, it notes the similarities between the poster and album cover design. It also mentions the use of award winner text and an image of the album cover to entice sales. For Jessie J's poster, it discusses the use of gold and black colors to represent wealth and mentions promoting older songs. Finally, it analyzes Rihanna's dark color scheme and highlighted song titles as ways to catch attention and appeal to fans of specific songs.
Modern music videos are primarily used as marketing tools to promote the sales of songs. One of the earliest examples was a 1929 film of Bessie Smith performing "Saint Louis Blues" that was shown in theaters. In the 1950s, Tony Bennett claimed to have made one of the first music videos by filming himself walking during his song "Stranger in Paradise". The Beatles helped establish the basics of today's music videos with the musical segments in their 1964 film A Hard Day's Night. MTV's launch in 1981 further popularized the music video format by introducing them to a wider audience.
Luke used various technologies throughout the production of a music video. YouTube was used for inspiration, identifying conventions, and uploading the finished video. Microsoft Office, especially PowerPoint and Word, were used at all stages for organizing notes and presenting work. Phones were used to contact crew members, hold the script, and play music during filming. Google Earth helped find eye-catching locations quickly. A digital camera filmed the project and took photos as evidence. Sony Vegas Pro was used to edit the video, adding effects and fast cuts. Photoshop and GIMP were used to design ancillary texts, though GIMP's basic layout made it just as effective. SurveyMonkey conducted audience evaluations but was limited without a premium subscription
The document provides background information on the 1975 thriller film Jaws, directed by Steven Spielberg. It discusses Spielberg's career and influence as a director. It then analyzes some of the key cinematography and mise-en-scene techniques used in the opening scene. Specifically, it notes how the lighting, camera angles, and shots of the characters alone on the beach create tension and suspense as one character is dragged under water by an unseen threat. Conventions of the thriller genre like mystery, suspense, and extraordinary events unfolding in normal situations are also mentioned.
The opening scene of Jaws establishes horror film conventions through low lighting and shadows obscuring the characters. Two teenagers, a boy and a girl who do not know each other well, are shown running and then undressing, implying they will go swimming. However, the boy falls and appears drunk, while the girl swims farther out without realizing he cannot follow. Underwater shots show the girl enjoying her swim until she is suddenly pulled under the water by something, creating tension and mystery for the viewer about what is happening.
Analyse the ways spielberg uses the camera to create meaning in the film jawsPinkgirlchloe
This document summarizes and analyzes various shots from a film. It describes shots that establish settings, track characters, contrast expressions, isolate figures, suggest points of view, show layers of focus, and symbolize emotions. Key shots include an establishing shot of a beach setting, medium close-ups of a worried sheriff and happy swimmers, an extreme long shot of a vulnerable person floating alone at sea, and a contra-zoom shot revealing a sheriff's realization of a shark attack.
The document provides a detailed shot-by-shot analysis of a beach scene from the film Jaws. The first two shots establish the beach location and introduce characters, a mother and child, raising tension given the film's focus on shark attacks. Subsequent shots show the sheriff appearing concerned, no lifeguards on duty building more suspense, and children in the background unnoticed by distracted adults. Music and camerawork generate panic as the viewer realizes an attack on the boy playing with an inflatable tube is imminent. The final shot reveals the deflated and bloodied tube on the shore, symbolizing the child's death in a dramatic tonal shift from happiness to terror.
This document outlines the script and storyboard for a music video. It describes various scenes showing the artist and her lover going through their daily lives together, from walking hand in hand to dancing alone at night. Many scenes depict intimate moments between the couple, like hugging on the doorstep, dancing in each other's arms, and relaxing on the couch together. The storyboard explores the artist's feelings for her lover through the lyrics of the song, showing how he makes her feel comfortable, beautiful, and loved in a way no one else can.
This document outlines the script and storyboard for a music video. It describes various scenes showing the artist and her lover going through their daily lives together, from walking hand in hand to dancing alone at night. Many scenes depict intimate moments between the couple, like hugging on the doorstep, dancing in each other's arms, and relaxing on the couch together. The storyboard utilizes different camera shots, filters, and locations to portray the artist lip syncing the song and their romantic relationship.
Here is an example of the props we plan to use in our music video. These are not identical representations of what we will be using, but do offer an idea of what we will try and base our final props on.
Here is an example of the type of costumes we would like to use in our music video for Nikki J's The Way You Do. These are not photo representative but give an idea of the sort of thing we are planning to use.
Here is a list of potential actors and actresses for our music video. These candidates all took part in an audition process to find our lead character.
Helen Claire Gould, an author and geologist, discussed various rock types on Luke Chillingsworth's Sunday radio show. She described basalt as the most common rock in the solar system, noting its dense and fluid nature. Vesicular basalt contains gas bubbles that escaped during cooling. Biotite granite contains visible minerals like mica, albite, and quartz. Gabbro forms coarse crystals and occurs in new island settings. Obsidian and snowflake obsidian are volcanic glasses. Pumice is very light due to its frothy, glassy nature. Agglomerate forms when volcanic debris of various sizes fuses together. Banded iron formation is an ancient rock with red chert and
This document analyzes and summarizes three album covers from the R&B genre. It notes that typical R&B conventions include sexually suggestive or revealing clothing to attract male attention, as seen on covers by Kelly and Nicki Minaj. References to wealth, like Chris Brown's suit and jewelry, are also common due to R&B's association with money. The covers match these stereotypes to promote the artists and their music in line with audience expectations of the genre.
This document contains a list of song titles grouped into different genres including rock, country, love, pop, blues. Some of the rock songs listed are "You know what they do to guys like us in Prison" by My Chemical Romance and "Sugar we’re going down" by Fall Out Boy. Country songs listed include "A Little less Conversation" by Elvis Presley and "Times a Wastin’" by June Carter and Carl Smith.
Bessie Smith appeared in a 1929 short film called Saint Louis Blues, which featured a dramatized performance of the song and was shown in theaters until 1932, making it one of the first music videos. The film was also notable as one of the earliest "talkies" or films that included sound.
The document provides a detailed shot-by-shot analysis of the opening minute of the Linkin Park music video for "Shadow of the Day". It describes the lighting, framing, and expressions of the main male character seen in various close-up and full-body shots. The analysis suggests the character begins with a mysterious and dark persona but later scenes in the bathroom imply a sense of purity or cleansing. Recreating the opening would aim to follow the original closely, though clothing the main character and perfectly achieving the dark backgrounds may be difficult.
The document summarizes the key elements and stylistic choices made for an opening movie sequence. It introduces the main characters Jordan, Sam, and Luke. It was inspired by the genres of action-thriller films like Taken, with elements like guns, balaclavas, and a chase scene. The sequence also hints at a reverse narrative style inspired by Memento. It aims to create tension and put the viewer on the protagonists' side through dark lighting and their portrayal as victims in the opening.
The document discusses location shots for the opening sequence of a movie about a house robbery. Shot 1 shows the exterior of the house and will be where the criminals are first seen and a chase scene occurs later. Shot 2 shows the doorbell and front door, which are important as that is how the criminals initially gain access. Shot 3 shows the landing where the initial attack and protagonist's chase down the stairs will happen. Shot 4 shows the bedroom and landing that will be used in the sequence. Shot 5 shows the protagonist's bedroom to establish his normality before the robbery. Shot 6 shows the kitchen, a key location where the woman is seen before answering the door and items are stolen. The locations were chosen to help spread out equipment
Crime stories often explore dark themes like murder, corruption, and moral ambiguity. They create a sense of mystery and intrigue by withholding key details and clues from the audience. Successful crime genre mood boards visually represent these common elements to help generate new story ideas or inspire the look and feel of crime-focused films, television shows, books, and other creative works.
This document outlines several health and safety risks identified for a two minute movie opening and measures to address them:
1) Tripping over the tripod during filming could injure actors, so locations of the tripod will be communicated to prevent this.
2) Filming by a road risks actors being hit by traffic, so they will be informed of risks and filming will avoid roads.
3) Members of the public could be hit during chase scenes, so filming will keep distance from the public and allow them to pass.
4) The camera dropping could damage equipment or injure people, so it will remain securely attached to the tripod.
This document discusses fonts for a movie opening sequence. A font from Family Guy is rejected because it symbolizes happiness rather than suspense needed for the movie. A font from Predator is a possibility as it conveys excitement and possible death. A Friday the 13th font is also rejected as it has a scary nature unsuitable for a thriller. A Tomb Raider font is selected as it is from an action/thriller genre and symbolizes excitement through bold letters fitting for the movie's fast-paced thriller genre.
The director conveys multiple genres in the opening scenes of Edward Scissorhands through the use of visual and auditory elements. Horror is shown through the snowy Twentieth Century Fox logo and creepy music, while fairy tale elements are displayed with gingerbread pieces and childish imagery. The film also transitions between tones, using scary music before shifting to a lighter tone to appeal to wider audiences. Romance is seen through the warm bedroom scene and relationship between the little girl and grandmother. Throughout the opening, the director juxtaposes shots of the gothic castle representing horror with scenes of the colorful neighborhood and use of comedy to counteract scary elements and attract different viewers.
This document analyzes how the film Back to the Future Part II portrays its futuristic setting. The costumes feature materials and functions not seen in 1989, such as clothes that dry themselves and alter in size, showing advanced technology. The sounds of the hoverboard and flying cars also demonstrate technologies not available at the time of filming. Camera shots showcase the modernized futuristic Hill Valley and close-ups of the hoverboard scenes show the intensity of futuristic contraptions. Special effects like the hovering hoverboard and smoke/flames from vehicles further cement the film's future setting through realistic depictions of gadgets not seen in modern times.
The director conveys multiple genres in the opening scenes of Edward Scissorhands through visual and auditory elements. Horror is shown through the snowy Twentieth Century Fox logo and creepy music, while fairy tale aspects are represented by gingerbread and childish imagery. The film also transitions between tones, using scary music before shifting to a lighter tone. Romance is seen through the relationship between the little girl and grandmother. The opening scenes juxtapose warm, colorful settings with the dark, Gothic castle to blend horror, comedy, fairy tale and romance genres.
The opening sequence of the film From Hell establishes the time period and setting of late 19th century London during the industrial revolution. Dark cinematography, costumes, and a ominous musical score set a dark and foreboding tone for a film about the Jack the Ripper murders. The sequence introduces the main character smoking alone on a street corner, hinting he may be the murderer, and also shows prostitutes by a run down pub on the outskirts of the city, establishing the social circumstances of the time.
Andreas Schleicher presents PISA 2022 Volume III - Creative Thinking - 18 Jun...EduSkills OECD
Andreas Schleicher, Director of Education and Skills at the OECD presents at the launch of PISA 2022 Volume III - Creative Minds, Creative Schools on 18 June 2024.
This document outlines the script and storyboard for a music video. It describes various scenes showing the artist and her lover going through their daily lives together, from walking hand in hand to dancing alone at night. Many scenes depict intimate moments between the couple, like hugging on the doorstep, dancing in each other's arms, and relaxing on the couch together. The storyboard explores the artist's feelings for her lover through the lyrics of the song, showing how he makes her feel comfortable, beautiful, and loved in a way no one else can.
This document outlines the script and storyboard for a music video. It describes various scenes showing the artist and her lover going through their daily lives together, from walking hand in hand to dancing alone at night. Many scenes depict intimate moments between the couple, like hugging on the doorstep, dancing in each other's arms, and relaxing on the couch together. The storyboard utilizes different camera shots, filters, and locations to portray the artist lip syncing the song and their romantic relationship.
Here is an example of the props we plan to use in our music video. These are not identical representations of what we will be using, but do offer an idea of what we will try and base our final props on.
Here is an example of the type of costumes we would like to use in our music video for Nikki J's The Way You Do. These are not photo representative but give an idea of the sort of thing we are planning to use.
Here is a list of potential actors and actresses for our music video. These candidates all took part in an audition process to find our lead character.
Helen Claire Gould, an author and geologist, discussed various rock types on Luke Chillingsworth's Sunday radio show. She described basalt as the most common rock in the solar system, noting its dense and fluid nature. Vesicular basalt contains gas bubbles that escaped during cooling. Biotite granite contains visible minerals like mica, albite, and quartz. Gabbro forms coarse crystals and occurs in new island settings. Obsidian and snowflake obsidian are volcanic glasses. Pumice is very light due to its frothy, glassy nature. Agglomerate forms when volcanic debris of various sizes fuses together. Banded iron formation is an ancient rock with red chert and
This document analyzes and summarizes three album covers from the R&B genre. It notes that typical R&B conventions include sexually suggestive or revealing clothing to attract male attention, as seen on covers by Kelly and Nicki Minaj. References to wealth, like Chris Brown's suit and jewelry, are also common due to R&B's association with money. The covers match these stereotypes to promote the artists and their music in line with audience expectations of the genre.
This document contains a list of song titles grouped into different genres including rock, country, love, pop, blues. Some of the rock songs listed are "You know what they do to guys like us in Prison" by My Chemical Romance and "Sugar we’re going down" by Fall Out Boy. Country songs listed include "A Little less Conversation" by Elvis Presley and "Times a Wastin’" by June Carter and Carl Smith.
Bessie Smith appeared in a 1929 short film called Saint Louis Blues, which featured a dramatized performance of the song and was shown in theaters until 1932, making it one of the first music videos. The film was also notable as one of the earliest "talkies" or films that included sound.
The document provides a detailed shot-by-shot analysis of the opening minute of the Linkin Park music video for "Shadow of the Day". It describes the lighting, framing, and expressions of the main male character seen in various close-up and full-body shots. The analysis suggests the character begins with a mysterious and dark persona but later scenes in the bathroom imply a sense of purity or cleansing. Recreating the opening would aim to follow the original closely, though clothing the main character and perfectly achieving the dark backgrounds may be difficult.
The document summarizes the key elements and stylistic choices made for an opening movie sequence. It introduces the main characters Jordan, Sam, and Luke. It was inspired by the genres of action-thriller films like Taken, with elements like guns, balaclavas, and a chase scene. The sequence also hints at a reverse narrative style inspired by Memento. It aims to create tension and put the viewer on the protagonists' side through dark lighting and their portrayal as victims in the opening.
The document discusses location shots for the opening sequence of a movie about a house robbery. Shot 1 shows the exterior of the house and will be where the criminals are first seen and a chase scene occurs later. Shot 2 shows the doorbell and front door, which are important as that is how the criminals initially gain access. Shot 3 shows the landing where the initial attack and protagonist's chase down the stairs will happen. Shot 4 shows the bedroom and landing that will be used in the sequence. Shot 5 shows the protagonist's bedroom to establish his normality before the robbery. Shot 6 shows the kitchen, a key location where the woman is seen before answering the door and items are stolen. The locations were chosen to help spread out equipment
Crime stories often explore dark themes like murder, corruption, and moral ambiguity. They create a sense of mystery and intrigue by withholding key details and clues from the audience. Successful crime genre mood boards visually represent these common elements to help generate new story ideas or inspire the look and feel of crime-focused films, television shows, books, and other creative works.
This document outlines several health and safety risks identified for a two minute movie opening and measures to address them:
1) Tripping over the tripod during filming could injure actors, so locations of the tripod will be communicated to prevent this.
2) Filming by a road risks actors being hit by traffic, so they will be informed of risks and filming will avoid roads.
3) Members of the public could be hit during chase scenes, so filming will keep distance from the public and allow them to pass.
4) The camera dropping could damage equipment or injure people, so it will remain securely attached to the tripod.
This document discusses fonts for a movie opening sequence. A font from Family Guy is rejected because it symbolizes happiness rather than suspense needed for the movie. A font from Predator is a possibility as it conveys excitement and possible death. A Friday the 13th font is also rejected as it has a scary nature unsuitable for a thriller. A Tomb Raider font is selected as it is from an action/thriller genre and symbolizes excitement through bold letters fitting for the movie's fast-paced thriller genre.
The director conveys multiple genres in the opening scenes of Edward Scissorhands through the use of visual and auditory elements. Horror is shown through the snowy Twentieth Century Fox logo and creepy music, while fairy tale elements are displayed with gingerbread pieces and childish imagery. The film also transitions between tones, using scary music before shifting to a lighter tone to appeal to wider audiences. Romance is seen through the warm bedroom scene and relationship between the little girl and grandmother. Throughout the opening, the director juxtaposes shots of the gothic castle representing horror with scenes of the colorful neighborhood and use of comedy to counteract scary elements and attract different viewers.
This document analyzes how the film Back to the Future Part II portrays its futuristic setting. The costumes feature materials and functions not seen in 1989, such as clothes that dry themselves and alter in size, showing advanced technology. The sounds of the hoverboard and flying cars also demonstrate technologies not available at the time of filming. Camera shots showcase the modernized futuristic Hill Valley and close-ups of the hoverboard scenes show the intensity of futuristic contraptions. Special effects like the hovering hoverboard and smoke/flames from vehicles further cement the film's future setting through realistic depictions of gadgets not seen in modern times.
The director conveys multiple genres in the opening scenes of Edward Scissorhands through visual and auditory elements. Horror is shown through the snowy Twentieth Century Fox logo and creepy music, while fairy tale aspects are represented by gingerbread and childish imagery. The film also transitions between tones, using scary music before shifting to a lighter tone. Romance is seen through the relationship between the little girl and grandmother. The opening scenes juxtapose warm, colorful settings with the dark, Gothic castle to blend horror, comedy, fairy tale and romance genres.
The opening sequence of the film From Hell establishes the time period and setting of late 19th century London during the industrial revolution. Dark cinematography, costumes, and a ominous musical score set a dark and foreboding tone for a film about the Jack the Ripper murders. The sequence introduces the main character smoking alone on a street corner, hinting he may be the murderer, and also shows prostitutes by a run down pub on the outskirts of the city, establishing the social circumstances of the time.
Andreas Schleicher presents PISA 2022 Volume III - Creative Thinking - 18 Jun...EduSkills OECD
Andreas Schleicher, Director of Education and Skills at the OECD presents at the launch of PISA 2022 Volume III - Creative Minds, Creative Schools on 18 June 2024.
Chapter wise All Notes of First year Basic Civil Engineering.pptxDenish Jangid
Chapter wise All Notes of First year Basic Civil Engineering
Syllabus
Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
Linear Measurements: Instruments used. Linear Measurement by Tape, Ranging out Survey Lines and overcoming Obstructions; Measurements on sloping ground; Tape corrections, conventional symbols. Angular Measurements: Instruments used; Introduction to Compass Surveying, Bearings and Longitude & Latitude of a Line, Introduction to total station.
Levelling: Instrument used Object of levelling, Methods of levelling in brief, and Contour maps.
Chapter 4
Buildings: Selection of site for Buildings, Layout of Building Plan, Types of buildings, Plinth area, carpet area, floor space index, Introduction to building byelaws, concept of sun light & ventilation. Components of Buildings & their functions, Basic concept of R.C.C., Introduction to types of foundation
Chapter 5
Transportation: Introduction to Transportation Engineering; Traffic and Road Safety: Types and Characteristics of Various Modes of Transportation; Various Road Traffic Signs, Causes of Accidents and Road Safety Measures.
Chapter 6
Environmental Engineering: Environmental Pollution, Environmental Acts and Regulations, Functional Concepts of Ecology, Basics of Species, Biodiversity, Ecosystem, Hydrological Cycle; Chemical Cycles: Carbon, Nitrogen & Phosphorus; Energy Flow in Ecosystems.
Water Pollution: Water Quality standards, Introduction to Treatment & Disposal of Waste Water. Reuse and Saving of Water, Rain Water Harvesting. Solid Waste Management: Classification of Solid Waste, Collection, Transportation and Disposal of Solid. Recycling of Solid Waste: Energy Recovery, Sanitary Landfill, On-Site Sanitation. Air & Noise Pollution: Primary and Secondary air pollutants, Harmful effects of Air Pollution, Control of Air Pollution. . Noise Pollution Harmful Effects of noise pollution, control of noise pollution, Global warming & Climate Change, Ozone depletion, Greenhouse effect
Text Books:
1. Palancharmy, Basic Civil Engineering, McGraw Hill publishers.
2. Satheesh Gopi, Basic Civil Engineering, Pearson Publishers.
3. Ketki Rangwala Dalal, Essentials of Civil Engineering, Charotar Publishing House.
4. BCP, Surveying volume 1
Beyond Degrees - Empowering the Workforce in the Context of Skills-First.pptxEduSkills OECD
Iván Bornacelly, Policy Analyst at the OECD Centre for Skills, OECD, presents at the webinar 'Tackling job market gaps with a skills-first approach' on 12 June 2024
This presentation was provided by Racquel Jemison, Ph.D., Christina MacLaughlin, Ph.D., and Paulomi Majumder. Ph.D., all of the American Chemical Society, for the second session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session Two: 'Expanding Pathways to Publishing Careers,' was held June 13, 2024.
This document provides an overview of wound healing, its functions, stages, mechanisms, factors affecting it, and complications.
A wound is a break in the integrity of the skin or tissues, which may be associated with disruption of the structure and function.
Healing is the body’s response to injury in an attempt to restore normal structure and functions.
Healing can occur in two ways: Regeneration and Repair
There are 4 phases of wound healing: hemostasis, inflammation, proliferation, and remodeling. This document also describes the mechanism of wound healing. Factors that affect healing include infection, uncontrolled diabetes, poor nutrition, age, anemia, the presence of foreign bodies, etc.
Complications of wound healing like infection, hyperpigmentation of scar, contractures, and keloid formation.
How Barcodes Can Be Leveraged Within Odoo 17Celine George
In this presentation, we will explore how barcodes can be leveraged within Odoo 17 to streamline our manufacturing processes. We will cover the configuration steps, how to utilize barcodes in different manufacturing scenarios, and the overall benefits of implementing this technology.
This presentation was provided by Rebecca Benner, Ph.D., of the American Society of Anesthesiologists, for the second session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session Two: 'Expanding Pathways to Publishing Careers,' was held June 13, 2024.
Philippine Edukasyong Pantahanan at Pangkabuhayan (EPP) CurriculumMJDuyan
(𝐓𝐋𝐄 𝟏𝟎𝟎) (𝐋𝐞𝐬𝐬𝐨𝐧 𝟏)-𝐏𝐫𝐞𝐥𝐢𝐦𝐬
𝐃𝐢𝐬𝐜𝐮𝐬𝐬 𝐭𝐡𝐞 𝐄𝐏𝐏 𝐂𝐮𝐫𝐫𝐢𝐜𝐮𝐥𝐮𝐦 𝐢𝐧 𝐭𝐡𝐞 𝐏𝐡𝐢𝐥𝐢𝐩𝐩𝐢𝐧𝐞𝐬:
- Understand the goals and objectives of the Edukasyong Pantahanan at Pangkabuhayan (EPP) curriculum, recognizing its importance in fostering practical life skills and values among students. Students will also be able to identify the key components and subjects covered, such as agriculture, home economics, industrial arts, and information and communication technology.
𝐄𝐱𝐩𝐥𝐚𝐢𝐧 𝐭𝐡𝐞 𝐍𝐚𝐭𝐮𝐫𝐞 𝐚𝐧𝐝 𝐒𝐜𝐨𝐩𝐞 𝐨𝐟 𝐚𝐧 𝐄𝐧𝐭𝐫𝐞𝐩𝐫𝐞𝐧𝐞𝐮𝐫:
-Define entrepreneurship, distinguishing it from general business activities by emphasizing its focus on innovation, risk-taking, and value creation. Students will describe the characteristics and traits of successful entrepreneurs, including their roles and responsibilities, and discuss the broader economic and social impacts of entrepreneurial activities on both local and global scales.
Evaluation Question 2 - How does your Opening Sequence represent particular Social Groups
1. Evaluation 2 – How does your Opening
Sequence represent social groups?
Luke Chillingsworth
2. Protagonist – Jordan
The character here is when he is a good
character and our protagonist. The use of blue
bedsheets shows the calm nature of this
character now and suggests we are safe around
him. The use of normal clothes also shows his
normal personality. The character is seen with
more high key lighting throughout.
This is when the character is still in the
gang several years previously. The use of
the hood shows suspicion and uncertainty
and shows we cannot trust this character.
The gun is also symbolic as it shows the
character has violent connotations and
definitely does not want to be messed with.
3. Woman – Maddy
The clear walls in the background
alongside the clear and blank top suggests
this character has a clear personality and
not the Black Thoughts which the
criminals obviously have. The character
has high key lighting throughout the
Opening Sequence suggesting we can feel
safe around her.
4. Antagonist – Sam
Throughout the Opening Sequence we very
rarely see the front of the antagonist, Sam. We
regularly see the back of him and other areas of
his body. The heavy use of black clothing
suggests he has the black thoughts of the
criminal. This also suggests that we cannot feel
comfortable with the character and feel safe
around them. The antagonist is often seen with
Low Key Lighting again suggesting that this is
an unsafe character. The balaclava is symbolic
to this character, balaclavas are usually used in
robberies and criminal behaviour so without
these events happening we can instantly
presume that’s what will happen later on. The
black door also suggests the character can blend
in and go unnoticed, a key trait of criminals
when needing to.
5. Antagonist – Luke
Firstly we see this character rom close up and then
behind before seeing his face. This builds up a
sense of mystery and suspense as we do not know
who we are dealing with. The first shot of this
character does show black gloves and a weapon so
we can definitely presume a lot about the character
from this shot. The black gloves could suggest he
also has the criminals black thoughts and is
someone unsafe to be around. The high key lighting
on the weapon shows its high importance in the
scene and further suggests this character is of high
danger.
When we see the characters face, the use of the
balaclava confirms he is working with the other
antagonist. The way the character is pointing the
gun at the camera shows a sign of aggression and
willingness to use it. The black car on the right is
also important, again suggesting that the character
can blend in and go unnoticed.
6. Ending
At the end we see Five Years Earlier. The
Antagonist Sam on the right of the screen is
wearing a grey hoodie with jeans. This is
important as it shows they are not taking
part in a robbery but shows the character is
not safe to be around either as his hoodie is
up, suggesting he does not wish to
communicate with anyone else and showing
he could potentially be a dangerous
character for the viewers at this moment.
The character on the left is also the same
suggesting these characters might be
considered dangerous. The use of the gun
again confirms this.