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22/12/2017
AmyLouise Wilkins
No One Wants That Phonecall
Pre-Production Evaluation
From October3rd
2017 until 19th
December2017, myself andHarry Tinkler workedtogetherasa
teamto create an ad depictingthe dangersof alcohol ordrugabuse,specificallyfocusingon
teenagersandyoungadults,asit wouldbe usedwithinschoolsand/or collegesif successful,in
associationwithClevelandFire Brigade (CFB).
My initial conceptwasafixedcamera,followingthree separatenightsinateenage girl’sroom, with
the firsttwo nightsendingsafely,andthe lastone resultinginherdeathorharm downto drugsshes
she’dbeenpressuredintobringingwithher.
As a production,Ifeltitwentextremelywell.There were afew problemsatthe verystart once
productionactuallystarted,asmypiece wasn’tinitiallychosenbyCFB.But as the writeranddirector
was ill quite alotduringthe earlystages,we easily switchedpiecestomine,andthusmanageditin
the short timeframe we were leftwith.
In hindsight,Iwouldhave allottedmore time toeachtask,meaningwe wouldn’tbe workingupuntil
the veryendof the deadline,butregardless,we didhititdownto hardwork and teamwork. I would
alsosetaside time to recordaudioina professional setting,insteadof justusingthe MediaEditing
Suite andthe thingswe had on our person.
Overall,though,Iamextremelyhappywithhow itturnedout,andhow well myself andHarry
workedtogetherinordertocreate what I feltwasa successful piece,worthyof presentingfor
ClevelandFireBrigade inDecember2017.

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Evaluation

  • 1. 22/12/2017 AmyLouise Wilkins No One Wants That Phonecall Pre-Production Evaluation From October3rd 2017 until 19th December2017, myself andHarry Tinkler workedtogetherasa teamto create an ad depictingthe dangersof alcohol ordrugabuse,specificallyfocusingon teenagersandyoungadults,asit wouldbe usedwithinschoolsand/or collegesif successful,in associationwithClevelandFire Brigade (CFB). My initial conceptwasafixedcamera,followingthree separatenightsinateenage girl’sroom, with the firsttwo nightsendingsafely,andthe lastone resultinginherdeathorharm downto drugsshes she’dbeenpressuredintobringingwithher. As a production,Ifeltitwentextremelywell.There were afew problemsatthe verystart once productionactuallystarted,asmypiece wasn’tinitiallychosenbyCFB.But as the writeranddirector was ill quite alotduringthe earlystages,we easily switchedpiecestomine,andthusmanageditin the short timeframe we were leftwith. In hindsight,Iwouldhave allottedmore time toeachtask,meaningwe wouldn’tbe workingupuntil the veryendof the deadline,butregardless,we didhititdownto hardwork and teamwork. I would alsosetaside time to recordaudioina professional setting,insteadof justusingthe MediaEditing Suite andthe thingswe had on our person. Overall,though,Iamextremelyhappywithhow itturnedout,andhow well myself andHarry workedtogetherinordertocreate what I feltwasa successful piece,worthyof presentingfor ClevelandFireBrigade inDecember2017.