Literally all my notes from Honors II, I know we don't need the argument stuff or the word banks at the end, but it's all my notes form last year **laughing and crying emoji**
4. SIMPLE SENTENCES
• has one independent clause, no dependent
clauses. has one subject and one verb. short does
not always mean simple and vice versa
5. COMPLEX SENTENCE
• contains one independent clause and at least one
dependent clause. The dependent clause could be
either an adverb or adjective
6. COMPOUND SENTENCE
• has two or more independent clauses but no
dependent clauses. FANBOYS or conjunctive
adverbs (therefore, consequently, therefore) are
used for relationship between ideas. Commas are
used. Has one subject. She ____, but she ____.
7. COMPOUND COMPLEX
SENTENCE
• has two or more independent clauses and at least
one dependent clause.
• IC + IC, SC
• DC= Dependent Clause or SC= Subordinate
Clause
• IC= Independent Clause or MC= Main Clause
9. NOUN CLAUSE
• subject and verb
• incomplete on its own
• used as a noun
• can show up as the subject, direct object, object of
preposition, indirect object, predicate nominative
10. ADJECTIVE CLAUSE
• subject and verb (incomplete on its own)
• used as an adjective to modify noun or pronoun
• usually followed by relative pronouns: who whom
whose which that
• Ex: The girl who won the game was nice
11. ADVERB CLAUSE
• used as an adverb to modify a verb, adjective, or
adverb
• tells how, when, where, or under what condition
• introduced by subordinating conjunctions: in order
that, when, as if, since, whenever, after, before,
unless, although, if, until, as, etc.
16. APPOSITIVE
• a noun or noun phrase that renames another noun
right beside it
• Ex: Nate, my husband, is tall
17. DIRECT OBJECT
• follows a transitive verb. can be a noun, pronoun,
phrases, or clauses
• subject + adverb + who/what = DO
• Ex: I bought a new car.
• *the car is being bought (what is being “verbed”)
18. INDIRECT OBJECT
• precedes the direct object and tells whom or for
whom the action of the verb is being done. it’s who
is receiving the direct object
• Ex: I gave my friend some advice.
• *always a noun or a pronoun that is not part of a
prepositional phrase
20. PREDICATE NOMINATIVE
• a noun or pronoun that follows the linking verb and
describes or renames the subject
• Ex: She is the tallest girl in the school.
21. PREDICATE ADJECTIVE
• describes and follows the linking verb and tells
something about the subject
• Ex: The trash smells bad.
22. OBJECT OF PREPOSITION
• noun(s) that follows preposition
• Ex: I Bought 6 flavors of ice cream.
DO P OP
23. ARTICLE
• a kind of adjective which is always used and gives
some information of a noun
• Ex: There is a cat.
• Ex: There is the cat.
30. COMPARATIVE ESSAY FORMAT
SUBJECT BY SUBJECT
• Intro:hook, background/main points, thesis (reason for comparison)
• Reason 1
• Ex. A Reason 2
• Reason 3
• Reason 4
• Reason 1
• Ex. B Reason 2
• Reason 3
• Reason 4
• Conclusion: restate thesis, summarize main points, clincher
31. COMPARATIVE ESSAY FORMAT
POINT BY POINT
• Intro:hook, background, subjects, thesis, spark interest }reason for comparison
• Reason 1 Ex. A
• Ex. B
• Reason 2 Ex. A
• Ex. B “Unlike A, B has ____”
• Reason 3 Ex. A
• Ex. B “In terms of reason 3, A ___”
• Reason 4 Ex. A
• Ex. B
• Conclusion: restate thesis, summarize main points, clincher
33. LITERARY DEVICES• Motif: repeated objects, phrases, ideas, to develop theme and tie
piece together
• Juxtaposition: putting two elements side by side for comparison
(often characters and setting)
• Symbol: something concrete that stands for something abstract
(usually a concept), can be an object, character, situation, or event.
Characteristics of a symbol align with concept
• Setting: time and place where an action is set. Physical and social
context are displayed. Time, place, and social environment. Evokes
mood or atmosphere. Traditional associations. Can reveal attitudes,
beliefs, values, and behaviors of characters. Makes plot move forward.
• Selection of Detail: information that the author chooses to include, or
purposely leaves out
34. LITERARY DEVICES CONT.
• Irony: using a word or phrase to mean the exact opposite of its literal meaning.
• dramatic: the reader sees the character’s mistakes
• verbal: writer says one thing but means another
• situational: great difference between the purpose of an action and its
outcome
• Allusion: A reference to a familiar person, place, thing, or event. Historical,
literary (Shakespeare), and biblical. Works figuratively by comparison.
• Anthropomorphism: when an object or animal does human things (actually
doing vs. seeming to)
• Personification: the object or animal seems to do human actions
• Intertextuality: ongoing interaction between old texts and new texts with
anything from oblique references to extensive quotations. Writers employ
materials from previous texts. More focused.
38. DICTION
• WHAT: one word
• HOW: denotation? connotation? striking? unusual?
formal? colloquial? jargon?
• WHY: impact or effect of choosing this word versus
choosing another word
39. IMAGERY
• WHAT: an image
• HOW: which of the five senses is evoked through
what words and details? Images from nature that
create a connection?
• WHY: What emotions or other impacts does the
imagery evoke? What’s the impact of evoking that
sense?
40. FIGURATIVE LANGUAGE
• WHAT: comparison
• HOW: qualities of topic vs. qualities of to what it’s
being compared
• WHY: Does this build understanding? Detail
further? Explain? Illustrate? Create tone?
Emphasize on an element?
41. ALLUSION
• WHAT: reference
• HOW: qualities of topic vs. qualities of the allusion
• WHY: What does this convey? What does this
achieve: detail further? Explanation? Tone?
Emphasis of a quality or characteristic?
42. SELECTION OF DETAIL
• WHAT: specific detail
• HOW: what information does this provide or not
provide?
• WHY: Why include this information? How does it
serve the bigger picture? What would change if it
was left out?
43. ARRANGEMENT
• WHAT: Observation about mode of development
or organizational structure; title; pivotal moments
• HOW: What particular feature is revealed through
the example (setting up conflict; leading to an
effect; ending a cyclical arrangement)?
• WHY: Why choose this pattern of development?
What point or impact is made through it (the
analogy, the classification/division, etc.)?
44. SYNTAX
• WHAT: Type of sentence, length of sentence, or other
device
• HOW: Features of the sentence construction (fewer
words as compared to other sentences; climax-
crescendos to most important idea; simple sentence
that contains universal truth, etc.)
• WHY: What is the effect or impact of such a sentence?
What does it emphasize or call attention to?
45. STEP 1 OF 3 RHETORICAL
ANALYSIS
• What: device + blended text
46. STEP 2 OF 3 RHETORICAL
ANALYSIS
• How:
• describe the process of building that example of device
• break apart how the device was made
• describe how the writer built that example of the device
• apply the definition of the device
• *think chronological, steps determine outcome, cause
and effect, order of importance, picture the steps from
the writer’s point of view
47. STEP 3 OF 3 RHETORICAL
ANALYSIS
• Why: why was the device used?
• what it accomplishes
• what its effect is
• why it matters
• specific outcome
47
49. ISSUE
• What is the problem? What has happened to bring
this argument forth? The controversy, the problem,
or an idea about which people hold differing views
• Ex: We should ban all cell phones in school
• Possible Issues: kids are using them to cheat, kids’
test scores are going down
50. CLAIM
• Thesis statement of an argument. What is the writer’s
opinion
• The position asserted on a debatable issue
• Claim of Fact: can be proved or verified
• Claim of Value: something is better than something
else
• Claim of Policy: advocate for a change to an existing
law or policy
52. AUDIENCE
• Build your argument around your audience
• Know the audience
• What do they currently believe and why?
• Are they biased? neutral? on the subject
• Are they educated? Without education?
54. SUPPORT
• Ideas and information intended to convince
readers claim is believable or sound
• Four types: Statistical, Expert, Personal, Analogical
(PEAS)
• Emotional Appeals: pathos
• Credibility of speaker/writer: ethos
56. BACKING
• any of the necessary to further the support
• The common sense rules people accept as true
• Laws and definitions
• Scientific principles or principles of a particular
area of study
57. COUNTER ARGUMENT
• The points or arguments the opposing side would
make against your claim
• Ex: Claim: WHS should ban cell phones
• Counter: parents need to be able to reach their
children in case of an emergency
58. COUNTER THE COUNTER
• Refutation: argues against the counter
• Acknowledgement: accommodate the opposing
view because it’s valid
• Accommodation: admit the counter has merit but
find a way to address it
59. RHETORICAL INTRO AND
CONCLUSION
• Introduction:
• Brief Hook: 2 sentences focused on main concept
and any situational information
• Thesis Statement
• “using rhetorical devices”
• Conclusion:
• Restate Thesis
61. INDICATE COMPARISON
• again
• and
• also
• as well (as)
• comparably
• corresponding
• equally
• furthermore
• in addition (to)
• in effect
• in the same
way
• like
• likewise
• moreover
• resembling
• similarly
• too
62. INDICATE CONTRAST
• after all
• although
• at least
• but
• by contrast
• conversely
• even so
• even though
• for all that
• granted
• however
• in contrast (to)
• in spite of
• nevertheless
• not only
• notwithstanding
• on the contrary
• on the other hand
• or
• otherwise
• still
• unlike
• whereas
• yet
63. INDICATE SEQUENCE OR TIME
• after
• afterward
• all this time
• as soon as
• at last
• at length
• at the same
time
• before
• currently
• during
• earlier
• eventually
• finally
• first
• second
• following
• formerly
• immediately
• in the first place
• in the future
• in the meantime
• last
• later
• lately
• meanwhile
• not long after
• next
• now
• presently
• previously
• shortly
• simultaneously
• since
• soon
• subsequently
• temporarily
• then
• thereafter
• thereupon
• until
• when
• while
64. INDICATE PLACE
• above
• adjacent to
• below
• beneath
• beside
• close by
• far away
• further back
• here
• in the distance
• in the
foreground
• near at hand
• nearby
• next door
• on the other
side
• opposite
• there
• to the right
• to the west
• under
65. INDICATE CAUSE AND EFFECT
• accordingly
• as a consequence
• as a result (of)
• because (of)
• consequently
• due to
• hence
• it follows that
• resulting from
• since
• so
• then
• therefore
• thereupon
• thus
66. INDICATE EMPHASIS
• assuredly
• certainly
• chiefly
• clearly
• equally
• especially
• even more
important
• evidently
• furthermore
• in addition
to
• in fact
• in particular
• in truth
• incidentally
• indeed
• it is true
• moreover
• perhaps
• naturally
• obviously
• of course
• really
• similarly
• surely
• to be sure
• truly
• understandably
• undoubtedly
• very likely
• without
doubt
67. INDICATE SUMMARY
• consequently
• finally
• in a word
• in brief
• in conclusion
• in effect
• in fact
• in other words
• in short
• in simpler terms
• in sum
• on the whole
• that is
• therefore
• thus
• to conclude
• to put it another way
• to sum up
• to summarize
68. INDICATE EXAMPLES
• an illustration
• as an example
• for example
• for instance
• in particular
• like
• namely
• specifically
• such as
• that is
• thus
• to illustrate
69. INDICATE QUALIFICATION
OR CONCESSION
• after all
• by and large
• for the most part
• granted
• I admit
• in most cases
• mainly
• naturally
• of course
• sometimes
• to be sure
• with few exceptions