SLIDE 2
 Aristotle was an Ancient Greek philosopher of the classical period and
scientist who is still considered one of the greatest thinkers in politics,
psychology and ethics.
 He was considered as the Father of Western philosophy.
 When Aristotle turned 17, he enrolled in Plato’s Academy.
 In 338, he began tutoring Alexander the Great.
 In 335, Aristotle founded his own school, the Lyceum, in Athens, where
he spent most of the rest of his life studying, teaching and writing.
 Some of his most notable works include: Rhetoric,
Politics, Metaphysics, Poetics and Prior Analytics.
SLIDE 3
 One of his lasting contributions to literature is his work on 'poetics,'
which considers how literature should be structured for maximum
effect.
 Poetics is a scientific study of writing and poetry where Aristotle
observes, analyzes and defines mostly tragedy and epic poetry.
 Aristotle's influence on literature today is still profound. His Poetics has
been used as a guide for creating effective stories and constructing
effective characters. His ideas about characterization, plot structure,
and style have shaped the way many authors approach writing.
 Additionally, Aristotle's approach to spectacle or thought-provoking
ideas still influences many works of fiction and non-fiction alike,
challenging readers to think more critically about the world around
them.
SLIDE 4
 Aristotle’s definition of “Tragedy,” “is an imitation (it came from
imitative poetry so it is an imitation) of an action (there should be a
main action) that is serious (it should arose pity and fear), complete (it
should have a beginning, middle or end), and of a certain magnitude(it
sholud not be too short or too long), in language embellished with each
kind of artistic ornament (meaning the rhyme, meter, etc. Which is used
to enrich the language), the several kinds being found in separate parts
of the play; in the form of action, not of narrative;through pity and fear
effecting the proper purgation [catharsis] of these emotions.”
SLIDE 6 to 7
ELEMENTS OF TRAGEDY:
1. Representation of Human Action: Tragedy primarily explains human
actions, focusing on the choices and behaviors of individuals. It shows how
these actions lead to consequences, particularly in the face of adversity or
conflict.
2. Serious Consequences and Elevated Characters: Tragic actions lead to
serious and often disastrous outcomes. The characters involved are
typically of high social status, such as kings, queens, or noble figures.Their
high status shows the importance of their actions and the impact of their
choices on society.
3. Complete and Coherent Plot: A tragedy's plot is carefully established,
resulting in a united and coherent whole. It unfolds over time, enabling an
accurate representation of the reversal of the hero’s fortune, termed as
peripeteia.
4. Heightened Language: Tragedies use meaningful and poetic language, as
well as literary elements like metaphors, similes, and other figures of
speech. The language used can often be deep and complicated, which
enhances the piece's emotional depth and intensity.
5. Dramatic Mode of Imitation: Tragedy is presented in a dramatic form,
emphasizing dialogue, action, and performance rather than narration. This
dramatic mode allows for a more direct and emotional experience for the
audience.
6. Arousal of Pity, Fear, and Catharsis: Tragedy aims to evoke strong
emotional responses in the audience, particularly feelings of pity and fear.
Through witnessing the downfall of the tragic hero and the accompanying
suffering, the audience experiences catharsis—a purging or purification of
these emotions. This cathartic effect serves to provide emotional release
and insight, leaving the audience with a sense of emotional resolution and
enlightenment.
SLIDE 8
 According to Aristotle, plot is the most important element of a story
or drama — it is what ties all of the components together and allows us
to follow the narrative. He defines plot as "the arrangement of
incidents" within a story. Aristotle stresses that plots should be
structured logically and in a manner that follows a beginning, middle,
and end.
 Climax is the most exciting and important part of a story, play, or movie
that occurs usually at or near the end.
 reversal is a change of something so that it is the opposite of what it
was.
SLIDE 9
 Acts are large portions of a play. Acts contain the main action and
reveal the conflict, complications, climax, and resolution. Acts are
divided into smaller portions called scenes. Scenes usually change from
one to the next when there is a change in the play's setting or
characters.
SLIDE 10
 Aristotle states that characters should be developed deeply so they
appear more lifelike and believable to the audience. Characterization
involves giving a character personality traits, emotions, motivations,
values, and goals that will shape how they view the world and how they
act within it.
 Thought is one of the objects of tragedy–the representation of the
rational processes of the characters and of the values and ideas
articulated in the play.
SLIDE 11
 According to Aristotle's Poetics, dialogue and style refer to the use of
language in order to convey meaning. Aristotle suggests that a writer
should use simple, straightforward language that is appropriate for
the tone and atmosphere of the story. He also argues
that metaphors and other literary devices can be used to enhance the
value of a work.
 Spectacle refers to the visual elements of a theatrical production,
including costumes, scenery, lighting, and special effects. While
Aristotle doesn't emphasize spectacle as much as other elements, it can
still enhance the overall experience of a tragedy.
 In Greek drama, music was often used to accompany choral plays,
adding emotional depth and intensity to the performance. The rhythms
and melodies of the music could enhance the mood of the scenes,
emphasizing moments of tragedy, celebration, or reflection. Music
could also help transition between scenes or highlight important
moments in the plot. Overall, music in tragedy serves to engage the
audience's senses and heighten their emotional responses to the action
on stage.

ENGLISH._docx_____________________________________

  • 1.
    SLIDE 2  Aristotlewas an Ancient Greek philosopher of the classical period and scientist who is still considered one of the greatest thinkers in politics, psychology and ethics.  He was considered as the Father of Western philosophy.  When Aristotle turned 17, he enrolled in Plato’s Academy.  In 338, he began tutoring Alexander the Great.  In 335, Aristotle founded his own school, the Lyceum, in Athens, where he spent most of the rest of his life studying, teaching and writing.  Some of his most notable works include: Rhetoric, Politics, Metaphysics, Poetics and Prior Analytics. SLIDE 3  One of his lasting contributions to literature is his work on 'poetics,' which considers how literature should be structured for maximum effect.  Poetics is a scientific study of writing and poetry where Aristotle observes, analyzes and defines mostly tragedy and epic poetry.  Aristotle's influence on literature today is still profound. His Poetics has been used as a guide for creating effective stories and constructing effective characters. His ideas about characterization, plot structure, and style have shaped the way many authors approach writing.  Additionally, Aristotle's approach to spectacle or thought-provoking ideas still influences many works of fiction and non-fiction alike, challenging readers to think more critically about the world around them. SLIDE 4  Aristotle’s definition of “Tragedy,” “is an imitation (it came from imitative poetry so it is an imitation) of an action (there should be a main action) that is serious (it should arose pity and fear), complete (it should have a beginning, middle or end), and of a certain magnitude(it sholud not be too short or too long), in language embellished with each kind of artistic ornament (meaning the rhyme, meter, etc. Which is used to enrich the language), the several kinds being found in separate parts of the play; in the form of action, not of narrative;through pity and fear effecting the proper purgation [catharsis] of these emotions.” SLIDE 6 to 7 ELEMENTS OF TRAGEDY: 1. Representation of Human Action: Tragedy primarily explains human actions, focusing on the choices and behaviors of individuals. It shows how these actions lead to consequences, particularly in the face of adversity or conflict.
  • 2.
    2. Serious Consequencesand Elevated Characters: Tragic actions lead to serious and often disastrous outcomes. The characters involved are typically of high social status, such as kings, queens, or noble figures.Their high status shows the importance of their actions and the impact of their choices on society. 3. Complete and Coherent Plot: A tragedy's plot is carefully established, resulting in a united and coherent whole. It unfolds over time, enabling an accurate representation of the reversal of the hero’s fortune, termed as peripeteia. 4. Heightened Language: Tragedies use meaningful and poetic language, as well as literary elements like metaphors, similes, and other figures of speech. The language used can often be deep and complicated, which enhances the piece's emotional depth and intensity. 5. Dramatic Mode of Imitation: Tragedy is presented in a dramatic form, emphasizing dialogue, action, and performance rather than narration. This dramatic mode allows for a more direct and emotional experience for the audience. 6. Arousal of Pity, Fear, and Catharsis: Tragedy aims to evoke strong emotional responses in the audience, particularly feelings of pity and fear. Through witnessing the downfall of the tragic hero and the accompanying suffering, the audience experiences catharsis—a purging or purification of these emotions. This cathartic effect serves to provide emotional release and insight, leaving the audience with a sense of emotional resolution and enlightenment. SLIDE 8  According to Aristotle, plot is the most important element of a story or drama — it is what ties all of the components together and allows us to follow the narrative. He defines plot as "the arrangement of incidents" within a story. Aristotle stresses that plots should be structured logically and in a manner that follows a beginning, middle, and end.  Climax is the most exciting and important part of a story, play, or movie that occurs usually at or near the end.  reversal is a change of something so that it is the opposite of what it was. SLIDE 9  Acts are large portions of a play. Acts contain the main action and reveal the conflict, complications, climax, and resolution. Acts are divided into smaller portions called scenes. Scenes usually change from one to the next when there is a change in the play's setting or characters.
  • 3.
    SLIDE 10  Aristotlestates that characters should be developed deeply so they appear more lifelike and believable to the audience. Characterization involves giving a character personality traits, emotions, motivations, values, and goals that will shape how they view the world and how they act within it.  Thought is one of the objects of tragedy–the representation of the rational processes of the characters and of the values and ideas articulated in the play. SLIDE 11  According to Aristotle's Poetics, dialogue and style refer to the use of language in order to convey meaning. Aristotle suggests that a writer should use simple, straightforward language that is appropriate for the tone and atmosphere of the story. He also argues that metaphors and other literary devices can be used to enhance the value of a work.  Spectacle refers to the visual elements of a theatrical production, including costumes, scenery, lighting, and special effects. While Aristotle doesn't emphasize spectacle as much as other elements, it can still enhance the overall experience of a tragedy.  In Greek drama, music was often used to accompany choral plays, adding emotional depth and intensity to the performance. The rhythms and melodies of the music could enhance the mood of the scenes, emphasizing moments of tragedy, celebration, or reflection. Music could also help transition between scenes or highlight important moments in the plot. Overall, music in tragedy serves to engage the audience's senses and heighten their emotional responses to the action on stage.