This project on Colonial Architecture in India will help us to :
Develop skills to gather data, investigate different view points and reach to a logical justification.
Appreciate the idea of architecture used by the Britishers.
Understand various features of British Architecture and respect the assimilation of different styles of buildings.
This project on Colonial Architecture in India will help us to :
Develop skills to gather data, investigate different view points and reach to a logical justification.
Appreciate the idea of architecture used by the Britishers.
Understand various features of British Architecture and respect the assimilation of different styles of buildings.
An Overview about Imperial Mughal Style in Bengal (AD 1608-AD1703) respecting Hussaini Dalan, Bara Katra, Lalbagh Fort Mosque Tomb Of Paribibi, Chhota Katra. By Muhammad Golam Sami & Mahmuda Yasmin Dola, DoA, KUET.
Lecture 06: Islamic Architecture in India_Khilji DynastyKowshik Roy
This is a class lecture on Islamic Architecture in India. Architecture of Khilji Dynasty has covered in this lecture.
Course Title: Architectural Heritage-IV
Architecture Discipline,
Khulna University, Khulna
Lecture 07: Islamic Architecture in India_Tughlaq DynastyKowshik Roy
This is a class lecture on Islamic Architecture in India. Architecture of Tughlaq Dynasty has covered in this lecture.
Course Title: Architectural Heritage-IV
Architecture Discipline,
Khulna University, Khulna
influenced by architecture during islamic period in INDIA . the architectural features of islamic period mainly the mughal structures .
the designing pattern of great str like city of fatehpur sikri and more .
An Overview about Imperial Mughal Style in Bengal (AD 1608-AD1703) respecting Hussaini Dalan, Bara Katra, Lalbagh Fort Mosque Tomb Of Paribibi, Chhota Katra. By Muhammad Golam Sami & Mahmuda Yasmin Dola, DoA, KUET.
Lecture 06: Islamic Architecture in India_Khilji DynastyKowshik Roy
This is a class lecture on Islamic Architecture in India. Architecture of Khilji Dynasty has covered in this lecture.
Course Title: Architectural Heritage-IV
Architecture Discipline,
Khulna University, Khulna
Lecture 07: Islamic Architecture in India_Tughlaq DynastyKowshik Roy
This is a class lecture on Islamic Architecture in India. Architecture of Tughlaq Dynasty has covered in this lecture.
Course Title: Architectural Heritage-IV
Architecture Discipline,
Khulna University, Khulna
influenced by architecture during islamic period in INDIA . the architectural features of islamic period mainly the mughal structures .
the designing pattern of great str like city of fatehpur sikri and more .
The Ancient Monuments and Archaeological Sites and Remains Act, 1958 defines an ‘ Ancient Monument ’ as follows:-
Ancient Monument means any structure, erection or monument, or any tumulus or place of interment, or any cave, rock-sculpture, inscription or monolith which is of historical, archaeological or artistic interest and which has been in existence for not less than 100 years and includes—
#1 Remains of an ancient monument,
#2 Site of an ancient monument,
#3 Such portion of land adjoining the site of an ancient monument as
may be required for fencing or covering in or otherwise preserving such monument, a
#4 The means of access to, and convenient inspection of, an ancient monument;
Development of the Mughal architecture under the different rulers Namgay Wangmo
The Development of Mughal Architecture under different rulers of - Jahangir, Shahjahan and Aurangzeb with some case examples each about the buildings built by the respective rulers.
Islamic Architecture in India: Imperial styleAr. TANIA BERA
The earliest appearance of Islamic architecture in India is referred to as the Imperial style. Indo-Islamic architecture may be divided into few phases starting from the twelfth century to sixteenth century. The sultanate of Delhi was undergone the regular change as five dynasties rose & fell; namely Slave dynasty, Khalji dynasty, Tughluq dynasty, Sayyid & Lodi dynasty.
Islamic architecture and influence on India, concept of the char bagh and the buildings of Fatehpur Sikri ....
Fatehpur Sikri is a town in the Agra District of Uttar Pradesh, India. The city itself was founded as the capital of Mughal Empire in 1571 by Emperor Akbar, serving this role from 1571 to 1585, when Akbar abandoned it due to a campaign in Punjab and was later completely abandoned in 1610.
CONTAINS PHOTOS AND ILLUSTRATIONS ABOUT JALIS MADE ON FACADE AND RAILING OF:
TAJ MAHAL
RED FORT, AGRA
DEEG PALACE, BHARATPUR
FATEHPUR SIKRI
FOR MORE INFO VISIT:
curatorhall.wordpress.com
Students(30 nos) of VI sem B had gone for educational trip to Chennai, Pondicherry, Auroville & Coorg along with 3 faculty members. A brief report of the same highlighting the places visited by them along with its Architectural importance is attached.
A high level conference was organized by Institute of Development management where from our university Ar. Gaurav Agarwal attended and expressed views on RIGHT OF PEDESTRIANS, in the wake of recent death of a senior bureaucrat on road. It was attended by many dignitaries at Govt. & Private level.
The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
The Art Pastor's Guide to Sabbath | Steve ThomasonSteve Thomason
What is the purpose of the Sabbath Law in the Torah. It is interesting to compare how the context of the law shifts from Exodus to Deuteronomy. Who gets to rest, and why?
Ethnobotany and Ethnopharmacology:
Ethnobotany in herbal drug evaluation,
Impact of Ethnobotany in traditional medicine,
New development in herbals,
Bio-prospecting tools for drug discovery,
Role of Ethnopharmacology in drug evaluation,
Reverse Pharmacology.
This is a presentation by Dada Robert in a Your Skill Boost masterclass organised by the Excellence Foundation for South Sudan (EFSS) on Saturday, the 25th and Sunday, the 26th of May 2024.
He discussed the concept of quality improvement, emphasizing its applicability to various aspects of life, including personal, project, and program improvements. He defined quality as doing the right thing at the right time in the right way to achieve the best possible results and discussed the concept of the "gap" between what we know and what we do, and how this gap represents the areas we need to improve. He explained the scientific approach to quality improvement, which involves systematic performance analysis, testing and learning, and implementing change ideas. He also highlighted the importance of client focus and a team approach to quality improvement.
Read| The latest issue of The Challenger is here! We are thrilled to announce that our school paper has qualified for the NATIONAL SCHOOLS PRESS CONFERENCE (NSPC) 2024. Thank you for your unwavering support and trust. Dive into the stories that made us stand out!
1. EDUCATIONAL TRIP REPORT
•FAT E H P U R S I K R I
•S I K A N D R A F O R T
•TA J M A H A L
•K E O L A D E O B I R D S A N C T U A RY
2. FATEHPUR SIKRI
Fatehpur Sikri is a city and a municipal board in Agra district in the state
of Uttar Pradesh, India. It was first named Sikrigarh, constructed by
Sikriwal Rajput Rajas last Emperor Maharana Sangram Singh beginning
in 1500. At Seventh attack of Akbar Sikriwal Rajput left Palace after that
Sikrigarh was named Fateh(victory) pur Sikri.There was a temple of
Sikriwal Rajputs Kuldevi(Named Chamad Devi)In front of Lal Darwaja of
Sikrigarh(at present Fatehpur Sikri).After victory on sikrigarh Akber
served as the capital from 1571 to 1585. He was named Salim to honour
the saint and would later rule the empire as Emperor Jahangir. Here
after the second birthday of Jahangir in 1571, Akbar then 28 years
old, decided to shift his capital from Agra to the Sikri ridge, to honor
Salim Chishti, and commenced the construction of a planned walled city
which took the next fifteen years in planning and construction of a series
royal palaces, harem, courts, a mosque, private quarters and other utility
buildings.
3. He named the city, Fatehabad, with Fateh, a word of Arabic origin in
Persian, meaning "victory", it was later called Fatehpur Sikri. It is at Fatehpur
Sikri that the legends of Akbar and his famed courtiers, the nine jewels or
Navaratnas, were born . One of them, musician and singer Tansen is said to
have performed on an island in the middle of the pool Anup Talao.Built during
the 16th century, the Fatehpur Sikri is one of the best preserved collection of
Mughal architecture in India.
5. Fatehpur Sikri sits on rocky ridge, 3 kilometres (1.9 mi) in length and 1 km (0.62 mi)
wide, and palace city is surrounded by a 6 km (3.7 mi) wall on three side with the
fourth being a lake at the time. Its architect was Tuhir Das and was constructed
using Indian principles. The buildings of Fatehpur Sikri show a synthesis of various
regional schools of architectural craftsmanship such as Gujarat and Bengal.
This was because indigenous craftsmen from various regions were used for the
construction of the buildings. Influences from Hindu and Jain architecture are seen
hand in hand with Islamic elements. The building material used in all the buildings
at Fatehpur Sikri, palace city complex, is the locally quarried red sandstone, known
as 'Sikri sandstone'.
It is accessed through gates along the five-mile long fort wall, namely, Delhi Gate, the
Lal Gate, the Agra Gate, Birbal's Gate, Chandanpal Gate, The Gwalior Gate, the
Tehra Gate, the Chor Gate and the Ajmere Gate.
7. Buland Darwaza: Set into the south wall of congregational mosque, the Jama Masjid at
Fatehpur Sikri, this stupendous piece of architecture is 54 metre high, from the outside,
gradually making a transition to a human scale in the inside. The gate was added some
Five years later after the completion of the mosque ca. 1576-1577 as an 'victory arch', to
commemorate the Akbar's successful Gujarat campaign. It carries two inscriptions in the
archway, one of which reads: "Isa(Jesus) Son of Mary said: The world is a bridge, pass
over it, but build no houses on it. He who hopes for an hour may hope for eternity. The
worldendures but an hour. Spend it in prayer, for the rest is unseen“ .The central portico
comprises three arched entrances, with the largest one, in the centre, is known locally as
the Horseshoe Gate, after the custom of nailing horseshoes to its large wooden doors for
luck. Outside the giant steps of the Buland Darwaza to left is deep well.
9. Jama Masjid: It is a Jami Mosque meaning the Friday Mosque
congregational mosque, and was perhaps one of the first buildings to
come up in the complex, as its epigraph gives AH 979 (A.D. 1571-72)
as the date of its completion, with a massive entrance to the
courtyard, the Buland-Darwaza added some five years later.[13] It
was built in the manner of Indian mosques, with iwans around a
central courtyard. A distinguishing feature is the row of chhatri over
the sanctuary. There are three mihrabs in each of the seven
bays, while the large central mihrab is covered by a dome, it is
decorated with white marble inlay, in geometric patterns.
11. Tomb of Salim Chishti: A white marble encased tomb of the Sufi saint, Salim
Chisti (1478–1572), within the Jama Masjid's sahn, courtyard. The single-
storey structure is built around a central square chamber, with has the
grave of the saint, under an ornate wooden canopy, encrusted with mother-
of pearl mosaic. Surrounding it is covered passageway for
circumambulation, with carved Jalis, stone pierced screens all around with
intricate geometric design, and an entrance to the south. The tomb is
influenced by earlier mausolea of the early 15th century Gujarat Sultanate
period. Other striking features of the tomb are white marble serpentine
brackets, which support sloping eaves around the parapet.
On the left of the tomb, to the east, stands a red sandstone tomb of Islam
Khan I, son of Shaikh Badruddin Chisti and grandson of Shaikh Salim
Chishti, who became a general in the Mughal army in the reign of Jahangir.
The tomb is topped by a dome and thirty-six small domed chattris, and
contains a number of graves, some unnamed, all male descendants of
Shaikh Salim Chisti.
13. The Taj Mahal , from Persian/Urdu: crown of palaces", pronounced ;
also "the Taj ” is a white marble mausoleum located in Agra, Uttar
Pradesh, India. It was built by Mughal emperor Shah Jahan in memory of
his third wife, Mumtaz Mahal. The Taj Mahal is widely recognized as "the
jewel of Muslim art in India and one of the universally admired masterpieces
of the world's heritage".
Taj Mahal is regarded by many as the finest example of Mughal
architecture, a style that combines elements from Islamic, Persian, Ottoman
Turkish and Indian architectural styles.
In 1983, the Taj Mahal became a UNESCO World Heritage Site. While the
white domed marble mausoleum is the most familiar component of the Taj
Mahal, it is actually an integrated complex of structures. The construction
began around 1632 and was completed around 1653, employing thousands of
artisans and craftsmen. The construction of the Taj Mahal was entrusted to a
board of architects under imperial supervision, including Abd ul-Karim
Ma'mur Khan, Makramat Khan, and Ustad Ahmad Lahauri. Lahauri is
generally considered to be the principal designer.
14. ARCHITECTURE
Tomb
The tomb is the central focus of the entire complex of the Taj Mahal. This
large, white marble structure stands on a square plinth and consists of a
symmetrical building with an iwan (an arch-shaped doorway) topped by a large
dome and finial. Like most Mughal tombs, the basic elements are Persian in
origin.
The Taj Mahal seen from the banks of river Yamuna
The base structure is essentially a large, multi-chambered cube with chamfered
corners, forming an unequal octagon that is approximately 55 metres (180 ft) on
each of the four long sides. On each of these sides, a huge pishtaq, or vaulted
archway, frames the iwan with two similarly shaped, arched balconies stacked
on either side. This motif of stacked pishtaqs is replicated on the chamfered
corner areas, making the design completely symmetrical on all sides of the
building. Four minarets frame the tomb, one at each corner of the plinth facing
the chamfered corners. The main chamber houses the false sarcophagi of
Mumtaz Mahal and Shah Jahan; the actual graves are at a lower level.
15. Viewed from the west at sunset
The marble dome that surmounts the tomb is the most spectacular
feature. Its height of around 35 metres (115 ft) is about the same as
the length of the base, and is accentuated as it sits on a cylindrical
"drum" which is roughly 7 metres (23 ft) high. Because of its
shape, the dome is often called an onion dome or amrud (guava
dome). The top is decorated with a lotus design, which also serves to
accentuate its height. The shape of the dome is emphasised by four
smaller domed chattris (kiosks) placed at its corners, which
replicate the onion shape of the main dome. Their columned bases
open through the roof of the tomb and provide light to the interior.
Tall decorative spires (guldastas) extend from edges of base
walls, and provide visual emphasis to the height of the dome. The
lotus motif is repeated on both the chattris and guldastas. The
dome and chattris are topped by a gilded finial, which mixes
traditional Persian and Hindustani decorative elements.
17. Exterior decoration
The exterior decorations of the Taj Mahal are
among the finest in Mughal architecture. As the
surface area changes the decorations are refined
proportionally. The decorative elements were
created by applying paint, stucco, stone
inlays, or carvings. In line with the Islamic
prohibition against the use of anthropomorphic
forms, the decorative elements can be grouped
into either calligraphy, abstract forms or
vegetative motifs.
Throughout the complex, passages from the
Qur'an are used as decorative elements. Recent
scholarship suggests that the passages were
chosen by Amanat Khan.
18. Keoladeo National Park
The Keoladeo National Park or Keoladeo Ghana National Park formerly known as
the Bharatpur Bird Sanctuary in Bharatpur, Rajasthan, India is a famous avifauna
sanctuary that plays host to thousands of birds especially during the winter season.
Over 230 species of birds are known to have made the National Park their home. It
is also a major tourist centre with scores of ornithologists arriving here in the
hibernal season. It was declared a protected sanctuary in 1971. It is also a declared
World Heritage Site.
Keoladeo Ghana National Park is a man-made and man-managed wetland and one
of the national parks of India. The reserve protects Bharatpur from frequent
floods, provides grazing grounds for village cattle and earlier was primarily used as
a waterfowl hunting ground. The 29 km (18 mi) reserve is locally known as
Ghana, and is a mosaic of dry grasslands, woodlands, woodland swamps, and
wetlands. These diverse habitats are home to 366 bird species, 379 floral species, 50
species of fish, 13 species of snakes, 5 species of lizards, 7 amphibian species,7
turtle species, and a variety of other invertebrates.
19. Every year thousands of migratory waterfowl visit the park for wintering
breeding etc. The Sanctuary is one of the richest bird areas in the world.
It is known for nesting of its resident birds and visiting migratory birds
including water birds. The rare Siberian cranes used to winter in this
park but this central population of Siberian Cranes is now extinct.
According to Sir Peter Scott Keoladeo Sanctuary is the world’s best bird
area.
20. ARCHITECTURE
Keoladeo (Bharatpur) National Park (27°10'N, 77°31'E) is a World Heritage Site
situated in eastern Rajasthan. The park is 2 kilometers (km) south-east of
Bharatpur and 50 km west of Agra. The Park is spread over approx 29 square
kilometer area. One third of the Keoladeo National Park habitat is wetland
systems with varying types of microhabitats having trees, mounds, dykes and
open water with or without submerged or emergent plants. The uplands have
grasslands (savannas) of tall species of grass together with scattered trees and
shrubs present in varying density.[4]
A similar habitat with short grasses, such as Cynodon dactylon and Dicanthium
annulatum also exists. Woodlands with thickets of huge Kadam trees
(Neolamarckia cadamba) are distributed in scattered pockets. Richness and
diversity of plant life inside the Park is remarkable. The Park’s flora consists of
379 species of flowering plants of which 96 are wetland species. The Wetland is a
part of the Indo- Gangetic Great Plains.
21. In an area characterized by sparse vegetation, the park is the only spot
which has dense vegetation and trees. The principal vegetation types are
tropical dry deciduous forests intermixed with dry grasslands. Where the
forest has degraded, the greater part of the area is covered with shrubs
and medium sized trees. The park is a fresh water swamp and is flooded
during the monsoon. For most part of the year, effective wetland is only
10 km2. The rest of the area remains dry.
Dykes divide the wetland into ten units. Each unit has a system of sluice
gates to control its water level. Depth of water ranges from 1 metre to 2
metre during rains (July, August and September). In subsequent
months, October to January, the level gets lowered. The area starts drying
from February. In May and June, the entire area dries. Water remains
only in some depressions. This alternate wetting and drying helps to
maintain the ecology of the fresh water swamp, ideal for water-fowl and
resident water birds. Arrangement to pump water from deep tube wells to
fill small depressions to save seeds, spores and other aquatic life also
exist. They are also helpful in extreme years of drought.