Editing concepts
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The document discusses several important editing concepts used in filmmaking including establishing shots, the 180-degree rule, shot-reverse shot, eye-line match, match on action, and montage. Establishing shots orient the audience to the setting. The 180-degree rule maintains camera positioning on the same side of an imaginary line between subjects. Shot-reverse shot shows conversations by alternating between characters' perspectives. Eye-line match follows a character's gaze to reveal what they are looking at. Match on action cuts between shots to seamlessly continue an action. Montage uses rapid editing to compress time and emphasize meaning through juxtaposed scenes.
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Film opening analysis inception
1) The opening scene of Inception uses ellipsis to transition from the main character lying on the beach to being taken into a room by guards without showing how he got there.
2) A flashback is shown through changes in lighting, theme, and sound to reflect on the character's past.
3) Various camera shots and techniques like the 180 degree rule, mid shots, close ups, continuity editing, and shot reverse shots are used to establish scenes, emphasize characters, show emotions, create realism and tension, and depict conversations.
Continuity editing
Continuity editing is a process that takes place during film production to seamlessly join shots together and tell a coherent narrative. It uses techniques like match-on-action editing, shot/reverse shot cutting, and following the 180-degree rule to make the viewer forget they are watching something artificial and engage with the story. Match-on-action editing matches the same action, like tossing a ball, across two shots from different angles. Shot/reverse shot cutting shows the perspective of two characters conversing back and forth. The 180-degree rule maintains the spatial relationship between characters and objects in a scene. Together, these techniques create a sense of realism and believable storytelling.
Editing
The document discusses various film editing techniques such as shot/reverse shot, eyeline match, jump cuts, parallel editing, and dissolve transitions. It explains how individual shots are framed and linked together through editing to tell a story efficiently. Specific techniques are defined, like cutaways that show parallel action, and inserts that emphasize a different aspect of the scene. Cutting on action, or action matching, is described as editing between shots that match the energy and continuation of an action.
Continuity editing
This document discusses several techniques used in film editing to maintain continuity and prevent viewer disorientation, including:
1) Diegetic sound that overlaps cuts to imply temporal continuity.
2) Matching actions before and after cuts, such as someone tossing a ball, to preserve continuity.
3) Establishing shots that show the entire scene space to help orient viewers before complex sequences of cuts.
4) Techniques like the 180 degree rule and eye line matching to guide viewer perspective between shots.
~ Continuity editing Powerpoint ~
This document discusses the rules and benefits of continuity editing in filmmaking. The rules establish shots and angles to maintain spatial and temporal continuity between scenes. Following these rules through techniques like match cuts, eyeline matches, and re-establishing shots allows the narrative to flow seamlessly and be easy for the audience to understand. An example video demonstrates the match on action editing technique.
Research
This document discusses and demonstrates three film techniques: the 180-degree rule, shot/reverse shot, and match on action. It provides definitions and examples of each technique. For the 180-degree rule, it explains how the camera must stay on one side of an imaginary axis between characters. It shows an example from The Shining that breaks this rule. Shot/reverse shot involves alternating shots between two characters in a conversation. Match on action involves cutting between shots where the action begins in one shot and continues in the next. It provides a video example demonstrating all three techniques.
Continuity editing
Continuity editing is a system of film editing that maintains a clear and continuous narrative through a set of rules. The rules include establishing shots, shot/reverse shot editing, the 180-degree rule, the 30-degree rule, crosscutting, match on action editing, eyeline matching, and re-establishing shots. Following these rules helps the narrative have structure, allows shot sequences to flow seamlessly, and makes the film easier to follow.
Shot types
The document discusses four different shot types used in filmmaking:
1. Establishing shots establish the location of a scene and provide context for the audience.
2. Master shots keep all actors in a scene in view but also sometimes serve as establishing shots.
3. Tracking shots move the camera alongside their subject to make the audience feel like they are present.
4. Cutaway shots interrupt continuously filmed action by inserting unrelated views, then cutting back, and are used to help editing and provide additional context.
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Film opening analysis inception
1) The opening scene of Inception uses ellipsis to transition from the main character lying on the beach to being taken into a room by guards without showing how he got there.
2) A flashback is shown through changes in lighting, theme, and sound to reflect on the character's past.
3) Various camera shots and techniques like the 180 degree rule, mid shots, close ups, continuity editing, and shot reverse shots are used to establish scenes, emphasize characters, show emotions, create realism and tension, and depict conversations.
Continuity editing
Continuity editing is a process that takes place during film production to seamlessly join shots together and tell a coherent narrative. It uses techniques like match-on-action editing, shot/reverse shot cutting, and following the 180-degree rule to make the viewer forget they are watching something artificial and engage with the story. Match-on-action editing matches the same action, like tossing a ball, across two shots from different angles. Shot/reverse shot cutting shows the perspective of two characters conversing back and forth. The 180-degree rule maintains the spatial relationship between characters and objects in a scene. Together, these techniques create a sense of realism and believable storytelling.
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The document discusses various film editing techniques such as shot/reverse shot, eyeline match, jump cuts, parallel editing, and dissolve transitions. It explains how individual shots are framed and linked together through editing to tell a story efficiently. Specific techniques are defined, like cutaways that show parallel action, and inserts that emphasize a different aspect of the scene. Cutting on action, or action matching, is described as editing between shots that match the energy and continuation of an action.
Continuity editing
This document discusses several techniques used in film editing to maintain continuity and prevent viewer disorientation, including:
1) Diegetic sound that overlaps cuts to imply temporal continuity.
2) Matching actions before and after cuts, such as someone tossing a ball, to preserve continuity.
3) Establishing shots that show the entire scene space to help orient viewers before complex sequences of cuts.
4) Techniques like the 180 degree rule and eye line matching to guide viewer perspective between shots.
~ Continuity editing Powerpoint ~
This document discusses the rules and benefits of continuity editing in filmmaking. The rules establish shots and angles to maintain spatial and temporal continuity between scenes. Following these rules through techniques like match cuts, eyeline matches, and re-establishing shots allows the narrative to flow seamlessly and be easy for the audience to understand. An example video demonstrates the match on action editing technique.
Research
This document discusses and demonstrates three film techniques: the 180-degree rule, shot/reverse shot, and match on action. It provides definitions and examples of each technique. For the 180-degree rule, it explains how the camera must stay on one side of an imaginary axis between characters. It shows an example from The Shining that breaks this rule. Shot/reverse shot involves alternating shots between two characters in a conversation. Match on action involves cutting between shots where the action begins in one shot and continues in the next. It provides a video example demonstrating all three techniques.
Continuity editing
Continuity editing is a system of film editing that maintains a clear and continuous narrative through a set of rules. The rules include establishing shots, shot/reverse shot editing, the 180-degree rule, the 30-degree rule, crosscutting, match on action editing, eyeline matching, and re-establishing shots. Following these rules helps the narrative have structure, allows shot sequences to flow seamlessly, and makes the film easier to follow.
Shot types
The document discusses four different shot types used in filmmaking:
1. Establishing shots establish the location of a scene and provide context for the audience.
2. Master shots keep all actors in a scene in view but also sometimes serve as establishing shots.
3. Tracking shots move the camera alongside their subject to make the audience feel like they are present.
4. Cutaway shots interrupt continuously filmed action by inserting unrelated views, then cutting back, and are used to help editing and provide additional context.
Principles of continuity
This document discusses techniques for filming continuity including match on action, shot/reverse shot, and the 180 degree rule. It provides instructions for a filming task demonstrating these techniques by having a character enter a room, sit across from another, and exchange dialogue. Match on action and shot/reverse shot create a sense of continuity by matching the viewing angle to the action. The 180 degree rule maintains the left-right relationship between characters to avoid confusing the audience.
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Shot reverse shot is a film technique where one character is shown looking at another from over their shoulder, and then the other character is shown looking back in the same shot type, presenting the characters as engaging with each other. The 180 degree rule suggests keeping the camera inside 180 degrees on one side of an invisible line between two filmed people to avoid confusing viewers about which direction the characters are facing. Match on action requires that if a scene cuts to a different shot, the same action must be occurring to maintain continuity for the audience.
Evaluation question 7
The document discusses various cinematography techniques used in filmmaking such as the 180 degree rule, match on action, and shot/reverse shot. It provides examples of how these techniques were applied in shooting scenes for a film about a doctor's killing spree. Specifically, it discusses using the 180 degree rule to film the doctor driving away from the hospital to begin his murders and showing the casino from his point of view. It also explains using match on action to show the doctor preparing to leave work and his first steps outside the casino for a murder. However, shot/reverse shot was not needed since only one character was present in the opening scene.
Editing
Continuity editing aims to make transitions between shots seem smooth and provide a clear narrative. It follows rules like the 180-degree rule and 30-degree rule to avoid confusing the audience's understanding of scenes. Some key techniques in continuity editing include establishing shots, shot-reverse-shot editing, cross-cutting between locations, point-of-view shots, and jump cuts which should be avoided and replaced with angle changes of at least 30 degrees. Transitions like straight cuts, contrast cuts and L-cuts change between scenes and can be used to juxtapose or imply the simultaneity of actions.
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The document defines continuity editing as a system of cutting used to maintain a clear and continuous narrative. It discusses several rules of continuity editing including establishing shots, shot/reverse shot, the 180-degree rule, the 30-degree rule, crosscutting, match on action, eyeline match, and re-establishing shots. Following these rules helps structure the narrative, allow for seamless shot sequencing, and makes the film easier to follow.
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The document defines continuity editing as a system of cutting used to maintain a clear and continuous narrative. It discusses several rules of continuity editing including establishing shots, shot/reverse shot, the 180-degree rule, the 30-degree rule, crosscutting, match on action, eyeline match, and re-establishing shots. Following these rules helps structure the narrative, allow for seamless shot sequencing, and makes the film easier to follow.
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This document discusses various types of shots that can be used in filmmaking and evaluates examples of their usage. It describes establishing shots, over the shoulder shots, reaction shots, long shots, match on action, the 180-degree rule, and reverse shots. Each example is evaluated as either successful or unsuccessful based on whether it effectively uses the shot type. Overall, the document provides guidance on using different shot types to improve storytelling and aid the audience's understanding.
Film techniques
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Film Techniques
In filmmaking, there are several important techniques used for editing scenes together smoothly. The 180-degree rule keeps the camera on the same side of an invisible line between characters to avoid disorienting the audience. Shot reverse shot alternates between characters looking at each other to imply a conversation. Match on action ensures continuity by cutting between shots that match the same action. Cut aways interrupt scenes to provide context clues through inserted views before cutting back.
Editing concepts
The document defines several editing concepts used in filmmaking. Match on action refers to overlapping action between two shots using repetition or multiple cameras. The 180 degree rule states that the camera should stay on one side of an invisible line between subjects to avoid confusion. Shot reverse shot alternates between views of actors in a conversation. An establishing shot establishes the location of a scene from a distance. Cross cutting or parallel editing alternates between simultaneous scenes in different locations. Eye line matching aligns the direction characters look in different shots to maintain continuity.
Analysing Preliminary Task
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unit 21- editing techniques
Unit 21 discusses different types of editing techniques in cinema. There are two main types: continuity editing, which stitches shots together logically and seamlessly to direct viewer attention along a linear storyline, and non-continuity editing, which intentionally disrupts time/space continuity to draw attention to the editing process. Examples are given of how different techniques like cross-cutting build suspense. Specific movie scenes like from The Hangover, X-Men: First Class, Interstellar, and Inglorious Basterds are analyzed in detail to illustrate perfect continuity editing, training montages, cross-cutting, and a bomb-planting montage respectively.
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The 180-degree rule is a basic filmmaking guideline that establishes an imaginary line called the axis between characters or an object within a scene. The camera must stay on one side of this axis for every shot, keeping the first character frame right of the second character who is frame left. Crossing the axis or shooting on both sides is called "jumping the line" or "shooting in the round" and breaks the 180-degree rule. The rule keeps characters grounded on one side of the screen and looking at one another when only one is shown.
Progression from the preliminary task
The document discusses how a preliminary task helped the author and others learn and practice various filmmaking techniques like shot reverse shot, match on action, and the 180 degree rule. They were able to apply these techniques in their final film opening. Through trial and error in the preliminary task, they gained confidence in including these shots and rules. They also learned additional techniques like overlapping scenes and using sound/music while editing which helped progress their skills for the final product. The preliminary task was beneficial for practicing basics like camera angles and helped prepare them to apply these skills to their own thriller film.
Editing concepts.docx khalid
The document discusses several key editing concepts used in filmmaking. The 180° rule states that characters or elements should maintain the same left/right relationship between shots. Eye line matching creates the illusion that a character is looking at an object in another shot. Shot reverse shot cuts between two characters, making it seem they are looking at each other. Cross cutting and point-of-view shots also create the illusion of a character looking at an object or scene. Continuity editing aims to smoothly connect shots through logical coherence. Match on action connects shots based on continuing or mirroring the same action. Montage involves piecing together separate film sections into a continuous whole.
Preliminary task2
The document discusses three media techniques: the 180 degree rule, shot/reverse shot, and match on action.
The 180 degree rule establishes orientation by keeping characters on the same side of an imaginary axis between them. Breaking this axis can disorient viewers. Shot/reverse shot shows one character looking at another and then vice versa to depict a conversation. Match on action edits two shots together where an action begun in one is continued in the next, like raising a glass to the mouth, to preserve continuous motion.
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Continuity editing helps ensure a consistent and smooth flow between shots through various techniques. Shot reverse shot shows two characters facing each other to indicate conversation. Establishing shots introduce new scenes by showing the location. The 180-degree rule dictates that the camera stay on the same side of an imaginary line between characters during a conversation. Matching on action cuts between shots to depict the same action in more or less detail. Eye line matching cuts from a character's gaze to what they are looking at. Cross-cutting edits between two simultaneous actions in different locations. Montage editing uses frequent cuts, dissolves and jumps to convey messages through compressed sequences of shots.
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Principles of continuity
This document discusses techniques for filming continuity including match on action, shot/reverse shot, and the 180 degree rule. It provides instructions for a filming task demonstrating these techniques by having a character enter a room, sit across from another, and exchange dialogue. Match on action and shot/reverse shot create a sense of continuity by matching the viewing angle to the action. The 180 degree rule maintains the left-right relationship between characters to avoid confusing the audience.
Preliminary tasks AS Media
Shot reverse shot is a film technique where one character is shown looking at another from over their shoulder, and then the other character is shown looking back in the same shot type, presenting the characters as engaging with each other. The 180 degree rule suggests keeping the camera inside 180 degrees on one side of an invisible line between two filmed people to avoid confusing viewers about which direction the characters are facing. Match on action requires that if a scene cuts to a different shot, the same action must be occurring to maintain continuity for the audience.
Evaluation question 7
The document discusses various cinematography techniques used in filmmaking such as the 180 degree rule, match on action, and shot/reverse shot. It provides examples of how these techniques were applied in shooting scenes for a film about a doctor's killing spree. Specifically, it discusses using the 180 degree rule to film the doctor driving away from the hospital to begin his murders and showing the casino from his point of view. It also explains using match on action to show the doctor preparing to leave work and his first steps outside the casino for a murder. However, shot/reverse shot was not needed since only one character was present in the opening scene.
Editing
Continuity editing aims to make transitions between shots seem smooth and provide a clear narrative. It follows rules like the 180-degree rule and 30-degree rule to avoid confusing the audience's understanding of scenes. Some key techniques in continuity editing include establishing shots, shot-reverse-shot editing, cross-cutting between locations, point-of-view shots, and jump cuts which should be avoided and replaced with angle changes of at least 30 degrees. Transitions like straight cuts, contrast cuts and L-cuts change between scenes and can be used to juxtapose or imply the simultaneity of actions.
Continuity editing
The document defines continuity editing as a system of cutting used to maintain a clear and continuous narrative. It discusses several rules of continuity editing including establishing shots, shot/reverse shot, the 180-degree rule, the 30-degree rule, crosscutting, match on action, eyeline match, and re-establishing shots. Following these rules helps structure the narrative, allow for seamless shot sequencing, and makes the film easier to follow.
Media definitions
The document defines continuity editing as a system of cutting used to maintain a clear and continuous narrative. It discusses several rules of continuity editing including establishing shots, shot/reverse shot, the 180-degree rule, the 30-degree rule, crosscutting, match on action, eyeline match, and re-establishing shots. Following these rules helps structure the narrative, allow for seamless shot sequencing, and makes the film easier to follow.
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The document discusses watching the first 15 minutes of the 2004 drama film "Sex Traffic" which is about two young Moldovan sisters who are kidnapped and trafficked through Europe. It then provides examples of different film editing techniques like cut, shot reverse shot, match on action, and fade to black and discusses how they are used to transition between scenes and shots in dramatic films.
Preliminary task
This document discusses various types of shots that can be used in filmmaking and evaluates examples of their usage. It describes establishing shots, over the shoulder shots, reaction shots, long shots, match on action, the 180-degree rule, and reverse shots. Each example is evaluated as either successful or unsuccessful based on whether it effectively uses the shot type. Overall, the document provides guidance on using different shot types to improve storytelling and aid the audience's understanding.
Film techniques
In filmmaking, there are several important techniques used for editing scenes together smoothly. The 180-degree rule keeps the camera on the same side of an invisible line connecting characters to avoid disorienting the audience. Shot reverse shot alternates between characters looking at each other to imply a conversation. Match on action ensures continuity by cutting between shots that match the same action. Cut aways interrupt scenes to provide context clues through inserted views before cutting back.
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In filmmaking, there are several important techniques used for editing scenes together smoothly. The 180-degree rule keeps the camera on the same side of an invisible line between characters to avoid disorienting the audience. Shot reverse shot alternates between characters looking at each other to imply a conversation. Match on action ensures continuity by cutting between shots that match the same action. Cut aways interrupt scenes to provide context clues through inserted views before cutting back.
Editing concepts
The document defines several editing concepts used in filmmaking. Match on action refers to overlapping action between two shots using repetition or multiple cameras. The 180 degree rule states that the camera should stay on one side of an invisible line between subjects to avoid confusion. Shot reverse shot alternates between views of actors in a conversation. An establishing shot establishes the location of a scene from a distance. Cross cutting or parallel editing alternates between simultaneous scenes in different locations. Eye line matching aligns the direction characters look in different shots to maintain continuity.
Analysing Preliminary Task
What I have learnt using the three techniques: 180 degree rule, Match on action and Shot Reverse Shot
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Unit 21 discusses different types of editing techniques in cinema. There are two main types: continuity editing, which stitches shots together logically and seamlessly to direct viewer attention along a linear storyline, and non-continuity editing, which intentionally disrupts time/space continuity to draw attention to the editing process. Examples are given of how different techniques like cross-cutting build suspense. Specific movie scenes like from The Hangover, X-Men: First Class, Interstellar, and Inglorious Basterds are analyzed in detail to illustrate perfect continuity editing, training montages, cross-cutting, and a bomb-planting montage respectively.
The 180° rule
The 180-degree rule is a basic filmmaking guideline that establishes an imaginary line called the axis between characters or an object within a scene. The camera must stay on one side of this axis for every shot, keeping the first character frame right of the second character who is frame left. Crossing the axis or shooting on both sides is called "jumping the line" or "shooting in the round" and breaks the 180-degree rule. The rule keeps characters grounded on one side of the screen and looking at one another when only one is shown.
Progression from the preliminary task
The document discusses how a preliminary task helped the author and others learn and practice various filmmaking techniques like shot reverse shot, match on action, and the 180 degree rule. They were able to apply these techniques in their final film opening. Through trial and error in the preliminary task, they gained confidence in including these shots and rules. They also learned additional techniques like overlapping scenes and using sound/music while editing which helped progress their skills for the final product. The preliminary task was beneficial for practicing basics like camera angles and helped prepare them to apply these skills to their own thriller film.
Editing concepts.docx khalid
The document discusses several key editing concepts used in filmmaking. The 180° rule states that characters or elements should maintain the same left/right relationship between shots. Eye line matching creates the illusion that a character is looking at an object in another shot. Shot reverse shot cuts between two characters, making it seem they are looking at each other. Cross cutting and point-of-view shots also create the illusion of a character looking at an object or scene. Continuity editing aims to smoothly connect shots through logical coherence. Match on action connects shots based on continuing or mirroring the same action. Montage involves piecing together separate film sections into a continuous whole.
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The document discusses three media techniques: the 180 degree rule, shot/reverse shot, and match on action.
The 180 degree rule establishes orientation by keeping characters on the same side of an imaginary axis between them. Breaking this axis can disorient viewers. Shot/reverse shot shows one character looking at another and then vice versa to depict a conversation. Match on action edits two shots together where an action begun in one is continued in the next, like raising a glass to the mouth, to preserve continuous motion.
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เทคนิคและการทบทวนวรรณกรรมและการพัฒนากรอบแนวคิดงานวิจัย (ผศ.ดร.กชพร นำมาผล)
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Screenshots TBGS
The document discusses several filmmaking techniques used in scene transitions and shot composition. It provides examples of "match on action," where a cut between shots matches the action taking place, like opening a door. It also discusses the "180 degree rule" for positioning cameras and characters during a conversation to avoid confusion. Another technique described is "shot reverse shot" where the camera alternates between shots of a character walking toward and away from it. Finally, it discusses "eye-line matches" which show what one character sees by cutting to the other character's point of view. These techniques are used to create continuity and realism when transitioning between shots.
Preliminary Task 2
This document outlines the continuity techniques that will be used and demonstrated in a short film sequence, including match on action, eyeline match, cross-cutting, shot/reverse-shot, and the 180-degree rule. It provides examples of each technique from classic films. It also includes details of the short film such as the story, script, storyboards, crew, and editing process. The goal is to film a scene showing a character entering a cafe and discovering their partner talking to someone else, demonstrating continuity through editing.
Preliminary Task
This document outlines the continuity techniques that will be used and demonstrated in a short film sequence, including match on action, eyeline match, cross-cutting, shot/reverse shot, and the 180 degree rule. It provides examples of each technique from classic films. It also includes details of the short film such as the story, script, storyboards, crew, and editing process. The goal is to film a character walking into a café, discovering their partner with another person, and confronting them, utilizing proper continuity techniques.
Continuity task research
This document discusses different continuity editing techniques that will be used in a film project. It defines match on action, shot reverse shot, and the 180 degree rule. For match on action, it provides an example of cutting between shots that continue the same action. Shot reverse shot is explained as alternating between shots of characters looking at each other. The 180 degree rule maintains the left/right relationship between characters within 180 degrees. The document notes specific scenes where these techniques will be applied, such as a conversation using continuous shot reverse shot.
Video Continuity Research
The document discusses three video continuity techniques:
1) The 180 degree rule which keeps characters on the same side of an imaginary axis to maintain orientation.
2) Shot/reverse shot which cuts between shots of two characters talking, looking at and listening to each other.
3) Match on action where one shot cuts to another continuing the same action to create continuity.
Examples are provided from movies like Heat and The Matrix to demonstrate how each technique is applied.
Editing technique for mr rosen
This document discusses several editing techniques used in filmmaking:
1) The 180 degree rule establishes an imaginary axis between characters where the camera stays on one side to avoid confusing the audience.
2) Eye line matching cuts from a character's look off screen to what they are looking at to involve the audience.
3) Establishing shots provide a wide view of the scene setting and relationships between characters and objects.
4) Shot reverse shot cuts between two characters facing each other during dialogue to show facial expressions.
5) A montage uses short clips edited together to condense time, space, and information for the audience.
Preliminary Task 2
The student produced a half-minute video clip demonstrating media techniques including match on action, eyeline match, cross-cutting, shot/reverse shot, and the 180-degree rule. The video shows a student interacting with teachers in the hallway and classroom. Various shots and editing techniques were used to clearly show the techniques while maintaining continuity and telling a cohesive story.
_Continuity Video Task.pptx
The student produced a half-minute video clip demonstrating media techniques including match on action, eyeline match, cross-cutting, shot/reverse shot, and the 180-degree rule. The video shows a student interacting with teachers in the hallway and classroom. Various shots and editing techniques were used to comply with continuity standards and convey the story clearly.
5 preliminary presentation draft 2
The document discusses various filmmaking techniques including:
- The 180 degree rule which states that characters should maintain the same left/right relationship in a scene to avoid confusion.
- Match on action which matches shots to give the illusion of continuous movement across cuts.
- Common camera shots like establishing shots, close-ups, and over the shoulder shots and their purposes.
- Differences between a first draft script that lacked details and a final draft that included stage directions, camera shots, and character emotions.
Preliminary task 1
The document discusses various filmmaking techniques including:
- The 180 degree rule which states that characters should maintain the same left/right relationship in a scene to avoid confusion.
- Match on action which matches shots to give the illusion of continuous movement across cuts.
- Common camera shots like establishing shots, close-ups, and two shots.
It also discusses improvements made from a first draft script to the final draft, such as adding stage directions, camera shot directions, and character emotions.
Evaluation question 7
A match on action is a film editing technique where two shots of the same action are cut together to make the motion seem continuous. The action should begin in one shot and end in the other. In the preliminary task, there was too long of a gap between the first shot of a girl approaching a door and the second shot of her inside the room, disrupting continuity. Shot/reverse shot alternates between characters, such as in an over the shoulder shot, to show both sides of a conversation. In the opening sequence, a match on action was used to cut between shots of a character getting out of a car. The edits in this task were faster and did not disturb continuity as much as in the preliminary task.
Understanding of continuity principles
Cutting between shots that match the action, such as a man walking up to a door and reaching for the knob, helps provide continuity in film editing. The 180 degree rule and shot reverse shot techniques also aid continuity by maintaining the spatial relationship between characters and objects in a scene from different camera angles.
Preliminary Task.pptx
The document provides instructions for a media studies project to film a continuity sequence demonstrating editing techniques. It outlines that the sequence should film a character walking down a corridor, opening a door, crossing a room, and sitting in a chair to exchange dialogue with another character. It then defines and explains the techniques of match on action, eye-line match, cross-cutting, shot/reverse shot, and the 180-degree rule that must be demonstrated in the filmed and edited sequence.
Preliminary Task AS Level Media Studies.pptx
The document provides instructions for a media studies project to film a continuity sequence demonstrating editing techniques. It outlines that the sequence should film a character walking down a corridor, opening a door, crossing a room, and sitting in a chair to exchange dialogue with another character. It then defines and explains the editing techniques of match on action, eye-line match, cross-cutting, shot/reverse shot, and the 180-degree rule that must be utilized in the filmed and edited sequence.
Evaluation question 7
The document discusses continuity techniques used in filmmaking, including the 180 degree rule, match on action, and shot reverse shot. It provides examples of how these techniques were used in the author's preliminary project and opening sequence to improve continuity. The author analyzes improvements made from the preliminary project to the opening sequence in areas like camera work, editing, mise-en-scene, and title design. In conclusion, the author learned the importance of continuity principles and how to effectively incorporate them through practice.
Filming techniques group_work-finished_work[1]
The document discusses various filming techniques used for shooting conversations, including reverse shots, match on action cuts, the 180-degree rule, over-the-shoulder shots, and two-shots. It explains that these techniques are used to clearly show facial expressions and the emotional reactions between subjects, maintain spatial relationships between characters, and give the audience a sense of continuous time. Following these basic cinematography principles is important for shooting a clear and coherent preliminary conversation scene.
Evaluation question 7
The document discusses various continuity techniques used in filmmaking such as the 180 degree rule, match on action, and shot reverse shot. It provides examples of how these techniques were used in the author's preliminary project and opening sequence to improve continuity. The author analyzes improvements made from having more practice with camera angles, movement, and editing techniques on Final Cut Express. Mise-en-scene and title design are also discussed. In conclusion, the author learned the importance of continuity principles and improved filmmaking skills through practice.
Editing definition
This document discusses various film editing techniques including:
- The 180-degree rule which keeps the camera on one side of an imaginary axis between characters.
- Eye line matching which cuts to what a character is looking at to involve the audience.
- Establishing shots which set the scene at the beginning of a sequence.
- Shot reverse shot which cuts between two characters in dialogue over their shoulders.
- Montages which condense time and information through a sequence of short shots.
- Matching action which connects shots to make the action flow seamlessly.
Continuity editing presentation
Continuity editing helps ensure a consistent and smooth flow between shots through various techniques. This includes shot reverse shot which cuts between two characters facing each other to imply a conversation, establishing shots which set the scene location at the start of a scene, and the 180 degree rule which keeps the camera on the same side of an imaginary line between subjects to maintain continuity. Matching on action cuts from a wide shot to a close-up of the same action to show it in more detail.
Cinematography by Noor Sharif
Cinematography refers to the art of photography and camerawork in filmmaking. It involves camera shots and angles, editing, sound, and mise-en-scene. Camera shots show different aspects of the film and include extreme close-ups, medium shots, long shots, and establishing shots. Camera angles provide different perspectives like high angles, low angles, and eye level. Editing manipulates clips to add effects and change tempo. Sound, including diegetic and non-diegetic sounds, sets the mood. Mise-en-scene encompasses lighting, props, settings, costumes, and more to establish the scene.
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Editing concepts
- 2. Establishing shot Establishing shot/re-establishing shot is an opening shot of a new scene that establishes the environment, setting of a show or scene. The establishing shot usually has a wide field of view and serves to orient the audience to the surroundings of the situation they are about to see. Establishing shot in Pursuit of Happyness
- 3. The 180° rule The 180° rule is a rule stating that a camera should remain the same side of the invisible line of a shot containing two people filmed in a scene. If The camera is placed on one side of the line first and then changes to the other side, the rule is broken which will result in confusing the audience and it wouldn't look right. In this scene of Eastenders, this is an example of the 180° rule. The camera angle remains on the same side of the performers.
- 4. Shot-reverse shot This shot is used in conversations or a person looking at another person or an object. A shot showing one character looking at another character with the camera angle over the shoulder and then is followed by the other character looking back. In the film pursuit of happyness, this scene shows theses characters having a conversation with each other. The camera angle changes from one characters perspective to the others to show the audience that they are looking at each other and show their reactions during a conversation.
- 5. Eye-line match Eye-line match is an technique which shows the a character looking at something or someone and then the next shot is of what they are seeing. In the film Men in Black, in this scene the first shot shows the character looking at the alien then the next shot is showing the audience what he was looking at. The second shot is close up shot which shows the audience clearly what he is looking at and focuses on it.
- 6. Match on action Match on action is an editing technique for continuity editing, in the first shot we see the performer begins to move then the shot cuts portraying the action of the subject in the first shot. In the film Stomp The Yard, this is scene is an example of match on action. In the first shot we see this character from behind walking towards the other character and then the camera moves from behind to in front of the character walking towards the other character shouting to him.
- 7. Montage A montage is an editing technique of different shots which are juxtaposed in a fast-pace fashion that compresses time, by combining different scenes together it emphasis their meaning. Disney Pixar’s Up - Married Life This short 5 minute clip is a montage, a range of shots edited together which shows their married life from the beginning to the end. The montage edit compresses the years of their married life, each shot relates to what happened within their life. As the has no dialogue the sequence of shots helps the audience understand the story.