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Internet Governance Forum – IGF

    A2K@IGF Dynamic Coalition

Impact of technological restrictions to
    enforce copyright and "Digital
Rights Management" systems on access to
               knowledge


             Pedro Paranaguá
               FGV DIREITO RIO

           pedro.paranagua@fgv.br


        Rio de Janeiro, 14 November 2007
what I will talk about ?
T P M
we could be in real rio . . .
piano player



    1898: piano player




    editors: went to the US Congress




    prohibit the piano player
what did the US Congress do ? ? ?
piano player


    denied the request


    however: US$ 0.02 per piano player roll




                         levy




    consequence: much more $, more creators, more
    music, more public
Sony Betamax



    1984: US Supreme Court



    capable of non-infringing uses




                    time-shifting
result ? ? ?
Sony Betamax



    Hollywood broadened its reach




    earned $ with renting movies / VHS
DRM/TPM



    DRM (digital rights management)



    TPM (technological protection measure)



    controls access and use of digital information


    uses cryptography
Content-Scrambling System (CSS)




   1996: type of TPM used on some DVDs
1. if you are a teenager



2. if you are a tech. researcher



3. if you know how to search on Google
if you are a teenager . . .
DeCSS




1999: decrypted CSS
if you are a researcher . . .
Dmitry Sklyarov

PhD: "eBook security — theory and practice"
Dmitry Sklyarov


    read it on your laptop or in another PC
    other than the first one where you read it



    read it on your PDA



    print it to read on paper



    read your eBook on GNU/Linux



    lend to a friend
DVD region code
if you are not a specialist ...
only Microsoft Windows



       WMA/DRM
song
song
song




                            WAV or MP3


       http://megastore.uol.com.br
“Qual a diferença entre as músicas do Musig e as gratuitas
                 que estão na internet?


As músicas que você encontra gratuitamente na internet são
 ilegais. Ao baixar uma música que não segue o padrão de
 ilegais
DRM você está colaborando com a pirataria. Já as músicas
do Musig seguem o DRM e por isso são legais protegendo os
direitos autorais dos artistas, gravadoras e editoras. A
     qualidade das músicas também é muito superior às
         encontradas gratuitamente na internet.”

                 musig 08 de fevereiro de 2007
Interoperability
                   Apple's iTunes hits a sour note in Europe (FT)


                                             iTunes (Apple)


Norway


Germany


Holland


Finland


France
http://www.ft.com/cms/s/b6d322a2-af3d-11db-a446-0000779e2340.html
interoperability + DRM/TPM




“Thoughts on Music”
               Steve Jobs


          6 February 2007




  http://www.apple.com/hotnews/thoughtsonmusic/
“Big labels are f*cked, and DRM is dead”




                      Peter Jenner


                (first Pink Floyd agent,
         The Clash, Disposable Heroes etc.)




     http://www.theregister.co.uk/2006/11/03/peter_jenner/
is he right ? ? ?
“The CD as it is right now is dead”




                           Alain Levy
                     EMI´s former CEO
                          October 2006




http://www.cbc.ca/technology/story/2006/10/27/tech-cddead-061027.html
then . . .




“Big   labels are f*cked, and DRM is dead”
“Music is never going to be protected, and anybody
who tells you that is not being honest. Yes, you can
put up speed bumps, but the people who really want
to steal music are going to steal it. So you’re just
making it hard for people who want to do the right
thing to get the music they legitimately purchased
   on the devices and services that they want.”



                      David Goldberg
                        Yahoo! Music
                         October 2006

              http://www.publicknowledge.org/node/683
then . . .




“Big labels are f*cked, and   DRM is dead”
just some (more) examples . . .
Access to Knowledge (A2K)


FGV School of Law Access to Knowledge
         in Rio                 (A2K)




                    +


         www.a2kbrasil.org.br
obrigado !


  Pedro Paranaguá

pedro.paranagua@fgv.br

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DRM - IGF 2007 Rio

  • 1. Internet Governance Forum – IGF A2K@IGF Dynamic Coalition Impact of technological restrictions to enforce copyright and "Digital Rights Management" systems on access to knowledge Pedro Paranaguá FGV DIREITO RIO pedro.paranagua@fgv.br Rio de Janeiro, 14 November 2007
  • 2. what I will talk about ?
  • 4. we could be in real rio . . .
  • 5.
  • 6.
  • 7. piano player  1898: piano player  editors: went to the US Congress  prohibit the piano player
  • 8. what did the US Congress do ? ? ?
  • 9. piano player  denied the request  however: US$ 0.02 per piano player roll levy  consequence: much more $, more creators, more music, more public
  • 10.
  • 11.
  • 12.
  • 13. Sony Betamax  1984: US Supreme Court  capable of non-infringing uses time-shifting
  • 15. Sony Betamax  Hollywood broadened its reach  earned $ with renting movies / VHS
  • 16. DRM/TPM  DRM (digital rights management)  TPM (technological protection measure)  controls access and use of digital information  uses cryptography
  • 17. Content-Scrambling System (CSS) 1996: type of TPM used on some DVDs
  • 18. 1. if you are a teenager 2. if you are a tech. researcher 3. if you know how to search on Google
  • 19. if you are a teenager . . .
  • 21. if you are a researcher . . .
  • 22. Dmitry Sklyarov PhD: "eBook security — theory and practice"
  • 23. Dmitry Sklyarov  read it on your laptop or in another PC other than the first one where you read it  read it on your PDA  print it to read on paper  read your eBook on GNU/Linux  lend to a friend
  • 24.
  • 26. if you are not a specialist ...
  • 27.
  • 28.
  • 29.
  • 30.
  • 31.
  • 32.
  • 33.
  • 34.
  • 36. song
  • 37. song
  • 38. song WAV or MP3 http://megastore.uol.com.br
  • 39. “Qual a diferença entre as músicas do Musig e as gratuitas que estão na internet? As músicas que você encontra gratuitamente na internet são ilegais. Ao baixar uma música que não segue o padrão de ilegais DRM você está colaborando com a pirataria. Já as músicas do Musig seguem o DRM e por isso são legais protegendo os direitos autorais dos artistas, gravadoras e editoras. A qualidade das músicas também é muito superior às encontradas gratuitamente na internet.” musig 08 de fevereiro de 2007
  • 40. Interoperability Apple's iTunes hits a sour note in Europe (FT) iTunes (Apple) Norway Germany Holland Finland France http://www.ft.com/cms/s/b6d322a2-af3d-11db-a446-0000779e2340.html
  • 41. interoperability + DRM/TPM “Thoughts on Music” Steve Jobs 6 February 2007 http://www.apple.com/hotnews/thoughtsonmusic/
  • 42. “Big labels are f*cked, and DRM is dead” Peter Jenner (first Pink Floyd agent, The Clash, Disposable Heroes etc.) http://www.theregister.co.uk/2006/11/03/peter_jenner/
  • 43. is he right ? ? ?
  • 44. “The CD as it is right now is dead” Alain Levy EMI´s former CEO October 2006 http://www.cbc.ca/technology/story/2006/10/27/tech-cddead-061027.html
  • 45. then . . . “Big labels are f*cked, and DRM is dead”
  • 46. “Music is never going to be protected, and anybody who tells you that is not being honest. Yes, you can put up speed bumps, but the people who really want to steal music are going to steal it. So you’re just making it hard for people who want to do the right thing to get the music they legitimately purchased on the devices and services that they want.” David Goldberg Yahoo! Music October 2006 http://www.publicknowledge.org/node/683
  • 47. then . . . “Big labels are f*cked, and DRM is dead”
  • 48. just some (more) examples . . .
  • 49.
  • 50.
  • 51.
  • 52.
  • 53.
  • 54.
  • 55.
  • 56.
  • 57. Access to Knowledge (A2K) FGV School of Law Access to Knowledge in Rio (A2K) + www.a2kbrasil.org.br
  • 58.
  • 59. obrigado ! Pedro Paranaguá pedro.paranagua@fgv.br