Live Music Now was founded to use music to transform lives and bring live music to those who don't have access to it. They bring professional musicians into communities to perform for 3,000+ workshops annually, serving groups like those with special needs, in healthcare, justice systems, and early childhood programs. Their goals are to provide high quality musical experiences and support young musicians' careers through training and performances.
Live Music Now was founded to use music to transform lives and bring live music to those who don't have access to it. They bring professional musicians into communities to perform for 3,000+ workshops annually, serving groups like those with special needs, in healthcare, justice systems, and early childhood programs. Their goals are to provide high quality musical experiences and support young musicians' careers through training and performances.
Some instrumente traditionale romanesti-enBaris Ekici
This document provides information on traditional musical instruments from Romania. It describes various woodwind and brass instruments that are integral parts of Romanian folk music traditions, including panpipes (nai), flutes (fluier, caval), bagpipes (cimpoi), and alpine horns (bucium). The document discusses the origins and regional variations of these instruments and how they are used to accompany traditional dances and shepherding calls. It also notes the cultural influences from surrounding regions like Turkey and how certain instruments like the panpipes were reintroduced via the Ottoman Empire.
This thesis analyzes 40 Turkish art music songs from 4 randomly selected maqams using fractal dimension. The songs are restricted to the sofyan rhythmic form to check statistical significance. The fractal dimensions of the songs are calculated using two different methods and scattering diagrams. Standard deviation and mean fractal dimensions are also calculated to check the relationship between fractal dimension and maqam. Statistical tests are applied to analyze the results. The study finds that fractal dimension can provide information about the nonlinear dynamical nature of the songs. It also finds that maqams may have distinct fractal dimensions at low resolutions but similar dimensions at high resolutions.
This document provides an overview of the contents of a book about Turkish art music. It includes a table of contents that lists 8 chapters covering topics like the historical context and evolution of Turkish notation, the classical tradition in contemporary practice, intervalic structure, tonal centers and their sequence, modulation between musical modes, and stereotyped motives and phrases. The introduction gives a brief historical background on Turkish art music and discusses how it draws from a rich Ottoman musical tradition but also faces ideological opposition from those who reject Ottoman culture.
Turkey has a rich musical heritage that includes both classical and folk traditions. Turkish classical music developed from the musical traditions of neighboring regions and is based on melodic modes and human voices. It uses various instruments and can be divided into religious and non-religious styles. The history of Turkish music spans different periods starting from the Ottoman Empire and includes the modernization efforts of the early Turkish Republic. Today, Turkish music blends classical, folk, Ottoman and Western influences and remains an integral part of Turkish culture.
This document summarizes the activities of the Romanian Cultural Association Horizon Cultural T, founded in 2006. It organizes cultural events and educational programs with the goals of promoting European cultural values, fighting social disadvantage, and raising awareness of issues in the EU. Some of its projects include ones focused on audiovisual languages for young adults, intergenerational solidarity in Portugal, and integrating adults through music in Turkey. It involves learners of all ages in programs about European citizenship, cultural diversity, and developing international connections. Horizon Cultural T also participates in the Comenius Regio network through the Dolj County Council in Romania.
This document summarizes projects undertaken by the Romanian Cultural Association Horizon Cultural T between 2006-2012. It was involved in several European Commission funded programs focused on culture, education, and social inclusion. Key projects included developing intergenerational learning activities, promoting cultural heritage and diversity, and addressing issues like marginalization. The association organized cultural events, workshops, and exchanges with other countries to pursue its goals of social inclusion and recognizing Europe's shared cultural values.
Turkish art music has developed in two areas: classical and folk music. It originated from Ottoman court music which was influenced by Arabic, Persian, and Turkish styles and based on modes and human voices. There are approximately 24 unequal intervals and over 200 musical modes in Turkish music. Many traditional instruments are used like the ud, tanbur, kemence, ney, kanun, and kudum. Turkish music is also categorized into religious, military, mosque, and mystical styles. The history of Turkish art music spans from the 9th century to today and progressed through pre-classical, classical, romantic, and contemporary periods as musical notation was introduced.
The document lists various locations throughout Portugal including cities, regions, and tourist attractions. Some of the places mentioned include Viana do Castelo, Guimarães, Braga, Porto, Aveiro, Coimbra, Sintra, Lisbon, Évora, the Algarve region, the Azores Islands, Madeira Island, and various cultural sites throughout the country. It provides a high-level overview of tourism destinations in Portugal in a brief listing format.
Associação de cultura musical de lousada (4)Baris Ekici
The Associação de Cultura Musical de Lousada was founded in 1975 to manage the Wind Band created in 1855. It oversees the Banda de Música with 58 musicians under 25, the Conservatório do Vale do Sousa music school founded in 1994 which now has 418 students and 40 teachers, and newer groups like the Lousada Big Band formed in 2009 and ballet started in 2005.
Tanburi Cemil Bey was an influential Turkish musician born in 1873 in Istanbul who greatly contributed to the taksim genre of Ottoman classical music. He was a virtuoso of multiple string instruments including the tanbur, kemençe, and lavta. He reformed the playing technique of the tanbur and was also the inventor of the bowed tanbur. Though a sensitive person, he suffered from alcoholism later in life. Many of his compositions were preserved in his recordings.
Münir Nurettin Selçuk was a renowned Turkish classical musician and tenor singer born in 1900 in Istanbul. He studied music in Hungary as a youth before returning to Turkey to become a musician. Selçuk furthered his musical education in Paris in 1927 and later worked at the Istanbul Conservatory, where he served as director for sixteen years. He is remembered as establishing the role of lead singer in Turkish music and for his two musically talented sons before passing away in 1981.
Dede Efendi (1778-1846) was a renowned Turkish composer of classical music who studied under Mehmed Emin Efendi and Ali Nutki Dede. He composed hundreds of songs and Mevlevi rituals, mastering all forms of Turkish music and developing new musical modes. Considered one of Turkey's greatest composers, over 200 of his compositions survive today.
Haci Arif Bey (1831-1885) was a prolific Turkish composer known for şarkı compositions. He studied under Dede Efendi and taught at the Imperial Military Music School. He fell in love with and had children with concubines in the sultan's harem
The document discusses two traditional Turkish musical instruments:
The tambur is a fretted string instrument that is played with a plectrum or bow. It has a semi-spherical wooden body made of strips of wood joined together.
The ney is an end-blown flute that is prominent in Middle Eastern music. It is made of hollow cane or reed with finger and thumb holes. The ney is considered one of the oldest instruments still in use today.
Oud is a pear-shaped stringed instrument used in Middle Eastern music that descended from a common ancestor as the European lute. It is distinguished by its lack of frets and smaller neck. The ancient Turkic peoples had a similar instrument called the kopuz, which was thought to have magical powers and was used in military bands. Today's oud differs from old prototypes and the Turkish oud has a different playing style and shape than the Arabic oud, developed by a Greek luthier in Istanbul in the late 19th century.
1. Doruleţ, doruleţule!
Melodie populară
Versuri populare
Allegretto = 88
mp
S. + A. 2
4
1. Frun zu li ţă, frun za mea,
2. Du pă du rii, du în zbor,
3. Du-l mai iu te, frun za mea,
4. Ea îm bra că-n şu ba groa să
5. Dru mul iar na tro ie neş te
mp
T. 2
4
8
1. Frun zu li ţă, frun za mea,
2. Du pă du rii, du în zbor,
3. Du-l mai iu te, frun za mea,
4. Ea îm bra că-n şu ba groa să
5. Dru mul iar na tro ie neş te
sf mp
B. 2
4
8
1.-5. Măi, do ru le ţu le!
5 mf
Do ru leţ, do ru le ţu le, Vân tul când te-o le gă na.
Do ru leţ, do ru le ţu le, Cân te cul de drag şi dor!
Do ru leţ, do ru le ţu le, Pân' nu vi ne iar na grea.
Do ru leţ, do ru le ţu le, Şi pă du rea mea fru moa să.
Do ru leţ, do ru le ţu le, Do rul meu nu mai răz beş te.
mf
8
Do ru leţ, do ru le ţu le, Vân tul când te-o le gă na.
Do ru leţ, do ru le ţu le, Cân te cul de drag şi dor!
Do ru leţ, do ru le ţu le, Pân' nu vi ne iar na grea.
Do ru leţ, do ru le ţu le, Şi pă du rea mea fru moa să.
Do ru leţ, do ru le ţu le, Do rul meu nu mai răz beş te.
mf
8
Dor, do ru le ţu le, dor,
2. 9 p p cresc.
Do ru leţ, do ru le ţu le. Do ru leţ, do ru leţ,
p p
8
Do ru leţ, do ru le ţu le. Do ru leţ, do ru leţ,
p sf p
8
Dor, do ru le ţu le, dor! Do ru
12 mf
do ru le ţu le, Do ru leţ, do ru le ţu
mf
8
do ru le ţu le, Do ru leţ, do ru le ţu
sf mf
8
leţ, dor, Do ru
sf sf sf
14 p cresc.
le, I ha! Do ru leţ, dor,
sf sf
p
8
le, I ha! Do ru leţ, do ru leţ, do ru le ţu le,
f p
8
le, do ru leţ Do ru leţ, do ru leţ, do ru le ţu le
17 mf dim. sf
do ru le! Măi!
mf sf
8
dor, do ru le ţu le! Măi!
mf sf sf
8
do ru le ţu le! Măi, Măi!
