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Descent Crash scene Editing
Pacing part 1
The pacing of the scene when Sarah is talking to
Jessica and Paul is about 3 seconds a shot. From this
we see their strong relationships. The pace also gives
the scene a sense of being very calm and tense,
knowing also that this is a horror movie you’re
expecting something to happening.
Slow cut editing
This is point of view shot
of the daughter as she
looks on to see the
incoming van. The scene
is again very slow with
only the cars that are
moving. This slow cut
editing lets you focus
more on what's going on
in the scene between
the family in the car.
Pacing Part 2
CGI
This scene uses CGI in the form of poles being
projected through the wind shield. CGI was
used as it was not possible to project poles
through a window without putting the actors
in danger.
Computer-generated imagery (CGI) is the
application of computer graphics to create or
contribute to images in art, printed media,
video games, films, television programs,
commercials, videos, and simulators.
Transitions

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Descent car crash editing

  • 2. Pacing part 1 The pacing of the scene when Sarah is talking to Jessica and Paul is about 3 seconds a shot. From this we see their strong relationships. The pace also gives the scene a sense of being very calm and tense, knowing also that this is a horror movie you’re expecting something to happening.
  • 3. Slow cut editing This is point of view shot of the daughter as she looks on to see the incoming van. The scene is again very slow with only the cars that are moving. This slow cut editing lets you focus more on what's going on in the scene between the family in the car.
  • 5. CGI This scene uses CGI in the form of poles being projected through the wind shield. CGI was used as it was not possible to project poles through a window without putting the actors in danger. Computer-generated imagery (CGI) is the application of computer graphics to create or contribute to images in art, printed media, video games, films, television programs, commercials, videos, and simulators.