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Festival dances in the Philippines celebrate unity amid cultural diversity and bountiful harvests. They benefit communities by boosting local economies through tourism and entertainment. Festivals attract both domestic and foreign visitors, elevating the quality of life for Filipinos. Traditional instruments like the bamboo karatong enhance musical ensembles during festivals.
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PH FOLK DANCE.pptx
The document provides an overview of Philippine folk dance, including its history and classifications. It discusses that Philippine folk dancing incorporates influences from immigrants and conquerors while maintaining Filipino roots. There are five major classifications of Philippine folk dances: Cordillera dances from mountain tribes, Spanish-influenced dances, Muslim dances influenced by Middle Eastern traders, tribal dances of indigenous ethnic groups, and rural dances performed in village fiestas. Overall, Philippine folk dances reflect Philippine culture, traditions, and daily life.
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* Top Festival Dances around
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Culture has a significant impact on tourism. Cultural factors like art, music, dance, handicrafts, and local industries all contribute to the tourist appeal of a destination. Understanding and experiencing a place's culture is a major motivation for travelers. However, cultural differences can also lead to culture shock for those unaccustomed to the local customs and foods. Promoting cultural tourism and cultural exchanges between places can help foster international cooperation and understanding between societies.
LESSON 4 - FESTIVAL DANCES in the different Regions in the Philippines
Festival dances are cultural dances performed with the strong beat of percussion instruments by the people in the community sharing the same culture. It is usually done in honor of a Patron Saint as thanksgiving for a bountiful harvest. Festival dances may be religious or secular in nature, but the best thing about festivals is that they add to the merry-making and festivities of the place. The reason why they are called festival dances after all. Festival dances draw the people’s culture by portraying the people’s way of life through movements and costumes.
Filipinos do festivals primarily to celebrate unity amidst diversity of cultures. The value of industry and hard work that brings about bountiful yield is also one of the reasons for the celebration. Festivals have been a consistent crowd-drawing activity which in a way uplifts the economy of one’s place due to its tourism and entertainment value.
Folk dances
Folk dances developed naturally from the everyday lives and activities of the people. They include national dances unique to a country as well as regional and character dances. Teaching Philippine folk dances aims to foster patriotism, appreciation of Philippine music and dance, health, improved posture, and preservation of indigenous dances and music. Characteristics of Philippine folk dances include dancers standing apart, little bodily contact, pairs or couples dancing, important hand movements, long formations, and beginning and ending with "saludo."
significance of philippine folk dance.pptx
Philippine folk dances connect people to their culture and history. They evolved from different regions and reflect local religions and traditions. Most folk dances are performed by pairs or groups with hand movements and formations beginning and ending with "saludo". They preserve cultural traditions and unite the Philippine people by passing culture to new generations. Folk dances are important for keeping cultural traditions alive.
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Folk dances in the Philippines refer to dances created and performed by ordinary people, including ethnic dances from different cultural communities across the country like those in the Cordillera, Mindoro, Palawan, Sulu, and Mindanao. These dances also include rural or lowland Christian dances from groups like the Ilocano, Pangasinan, Tagalog, Pampango, Bicolano, Ilongo, and Waray. The document discusses the fundamental positions of the feet and arms in Philippine folk dances and emphasizes the importance of preserving folk dance as part of the country's culture and traditions. Students are then assigned to study a specific Philippine folk dance from Bicol.
Festival Dance in the Philippines Grade 9
This document provides information about festival dances in the Philippines. It defines festival dances as cultural dances performed by communities to percussion music sharing the same culture. Festival dances serve to add merriment during celebrations, portray culture and ways of life, and celebrate unity and harvests. They are also a form of tourism. The document outlines that festival dances fall into two categories: religious dances honoring patron saints and harvests, and secular dances commemorating people and events. It notes the Sinulog festival in April and asks readers to identify dances as religious or secular.
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PH FOLK DANCE.pptx
The document provides an overview of Philippine folk dance, including its history and classifications. It discusses that Philippine folk dancing incorporates influences from immigrants and conquerors while maintaining Filipino roots. There are five major classifications of Philippine folk dances: Cordillera dances from mountain tribes, Spanish-influenced dances, Muslim dances influenced by Middle Eastern traders, tribal dances of indigenous ethnic groups, and rural dances performed in village fiestas. Overall, Philippine folk dances reflect Philippine culture, traditions, and daily life.
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Culture has a significant impact on tourism. Cultural factors like art, music, dance, handicrafts, and local industries all contribute to the tourist appeal of a destination. Understanding and experiencing a place's culture is a major motivation for travelers. However, cultural differences can also lead to culture shock for those unaccustomed to the local customs and foods. Promoting cultural tourism and cultural exchanges between places can help foster international cooperation and understanding between societies.
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Festival dances are cultural dances performed with the strong beat of percussion instruments by the people in the community sharing the same culture. It is usually done in honor of a Patron Saint as thanksgiving for a bountiful harvest. Festival dances may be religious or secular in nature, but the best thing about festivals is that they add to the merry-making and festivities of the place. The reason why they are called festival dances after all. Festival dances draw the people’s culture by portraying the people’s way of life through movements and costumes.
Filipinos do festivals primarily to celebrate unity amidst diversity of cultures. The value of industry and hard work that brings about bountiful yield is also one of the reasons for the celebration. Festivals have been a consistent crowd-drawing activity which in a way uplifts the economy of one’s place due to its tourism and entertainment value.
Folk dances
Folk dances developed naturally from the everyday lives and activities of the people. They include national dances unique to a country as well as regional and character dances. Teaching Philippine folk dances aims to foster patriotism, appreciation of Philippine music and dance, health, improved posture, and preservation of indigenous dances and music. Characteristics of Philippine folk dances include dancers standing apart, little bodily contact, pairs or couples dancing, important hand movements, long formations, and beginning and ending with "saludo."
significance of philippine folk dance.pptx
Philippine folk dances connect people to their culture and history. They evolved from different regions and reflect local religions and traditions. Most folk dances are performed by pairs or groups with hand movements and formations beginning and ending with "saludo". They preserve cultural traditions and unite the Philippine people by passing culture to new generations. Folk dances are important for keeping cultural traditions alive.
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Folk dances in the Philippines refer to dances created and performed by ordinary people, including ethnic dances from different cultural communities across the country like those in the Cordillera, Mindoro, Palawan, Sulu, and Mindanao. These dances also include rural or lowland Christian dances from groups like the Ilocano, Pangasinan, Tagalog, Pampango, Bicolano, Ilongo, and Waray. The document discusses the fundamental positions of the feet and arms in Philippine folk dances and emphasizes the importance of preserving folk dance as part of the country's culture and traditions. Students are then assigned to study a specific Philippine folk dance from Bicol.
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This document provides information about festival dances in the Philippines. It defines festival dances as cultural dances performed by communities to percussion music sharing the same culture. Festival dances serve to add merriment during celebrations, portray culture and ways of life, and celebrate unity and harvests. They are also a form of tourism. The document outlines that festival dances fall into two categories: religious dances honoring patron saints and harvests, and secular dances commemorating people and events. It notes the Sinulog festival in April and asks readers to identify dances as religious or secular.
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Shrustii Multicultural Centre, members of IOV, CID and IEFA a non profitable organization registered under section 25,are the promoters of World Folk, Classical and Theatre Ensembles to various International stages ( France, Poland, Finland, Netherland, Italy, Hungary etc. since 2005.
International Ethnic Folklore Festival-2015 is the first edition in the heart of India’s Capital & Union territory New Delhi, City of Djinns. Our Festival hosts the finest Folklore Ensembles from all corners of the Globe, where the dance and cultures of the World UNITE.
The Festival showcases 10 International Folklore Ensembles with 5 National Ensembles. The festival will be a highlight of the New Delhi’s Cultural diversity and it expects an exceptional line up which brings over 600 artists together with the massive crowd over 20,000 to 50,000 patrons by hitting the biggest grounds & Auditoriums of New Delhi and NCR Regions.
We truly believe that you will provide your valuable support to this festival. We look forward for positive response of sponsorship from you to make this event successful. We have included a event presentation for your review. Please contact us on our official number for further information.
Thank you.
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We are organizing IEFF-INDIA -2015, in Delhi-NCR regions, from Aug 21 to 27, 2015. Festival hosts 10 finest International Folklore Ensembles from (USA, Poland, Mexico, Lithuania, Egypt, Bolivia, Israel, Singapore, Senegal, Peru) and 3 National Ensembles (Punjab, Rajasthan & Gujarat), where dance and cultures of the World UNITE with the exquisite creative collision of dance performances, traditional music, workshops and discussions forums which portray the ethnic ancestral traditions with royal costumes forming a unique cultural diversity.
We have an exceptional line up of 400 artists, expected crowd over 50,000 patrons. IEFF provides a great opportunity to explore and to mingle with various ethnic cultures under one roof on Indian Stages.
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This powerpoint presentation discusses Philippine festivals and theatrical forms. It begins by stating that festivals are events that Filipinos enjoy as they are art-loving and fun-loving people. Festivals also serve as a way to express thanksgiving. The presentation then notes that Philippine festivals help preserve culture and promote tourism. It provides terminology related to festivals, theater, and dance drama. The presentation separates festivals into religious and non-religious categories. It provides examples for each category and assigns a group activity to create a graphic organizer about a specific festival in the Philippines. It concludes by assigning students to research and list non-religious Philippine festivals.
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The document discusses Philippine folk dances. It begins with a prayer asking for guidance in learning. It then provides background on Francisca Reyes-Aquino, who collected folk dances in the 1920s to preserve cultural heritage. The document categorizes major folk dance types and provides examples: Cordillera dances reflect rituals; Spanish dances show European influence; Muslim dances use intricate movements; tribal dances portray beliefs and nature; rural dances depict work and celebration. It defines key terms like folk dance and explains their significance in reflecting Filipino life. Examples like the Maglalatik war dance and Oasiwas fishing dance are described. The document stresses the importance of preserving cultural heritage through folk dances.
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The Aliwan Fiesta is an annual festival held in Pasay City that celebrates the diverse cultures of the Philippines' regions. Contingents from 18 regions compete in a cultural street dance competition, float parade, and beauty pageant. The festival aims to showcase Philippine culture and heritage both domestically and internationally. It is organized by several groups including the Manila Broadcasting Company and Cultural Center of the Philippines. Cash prizes are awarded to the top contingents in the dance and float competitions.
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This document provides information on contemporary arts from the Cordillera Administrative Region (CAR) of the Philippines. It discusses the region's terrain, history, culture, dances, musical instruments, art venues, and notable artists. CAR is a mountainous landlocked region inhabited by ethnic groups like the Kalinga, Benguet, and Ifugao who practice traditions like animism, agriculture, and crafts like woodcarving, weaving and tattooing. Famous dances include the Banga pot dance and Ragragsakan dance which depicts women carrying loads. Musical instruments include the gangsa gong, diwdiw-as bamboo raft and nose flute. Notable art venues and artists showc
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This document discusses Philippine folk dances, including their definition, characteristics, classification, and history. It defines folk dances as traditional dances that are passed down through generations, expressing the culture of a specific group. It outlines the values of studying Philippine folk dances, such as strengthening nationalism. It also classifies folk dances based on factors like geographical location, nature, movements, formation, and provides examples of different ethnic dance types from rituals to occupations. The document was a comprehensive overview of Philippine folk dance.
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The Toronto Lechon Fiesta 2017 is a grand and colourful event that will bring the traditional Filipino Fiesta to the area in ways that will transport the visitor to the Philippines. It will be a showcase of Filipino culture that aims to strengthen the ties that bind Filipino-Canadians with the whole community.
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The document discusses the Cultural Center of the Philippines (CCP) and Ballet Philippines. It provides background information on the establishment and history of CCP and its facilities. It also details Ballet Philippines' history and development from the Alice Reyes Dance Company. The summary discusses Ballet Philippines' performances, programs, fundraising activities, artists, compensation issues, and main concerns around growing the audience and generating more revenue.
Nature and origin of festival dances
This document discusses several important festival dances in the Philippines, including the Ati-Atihan festival in Kalibo, Aklan and the Moriones festival in Marinduque. The Ati-Atihan festival honors the infant Jesus and involves tribal dancing, music, and costumes depicting the Aeta people. It inspired similar festivals in Cebu and Iloilo. The Moriones festival is celebrated during Holy Week and features masked participants depicting Roman soldiers from the Passion of Christ story. It involves the roaming of masked "Moriones" through towns for a week in search of Longinus. Both festivals blend religious and cultural traditions specific to their locations.
PE-Slides-3Q.pptx
1. The document discusses several important festival dances in the Philippines, including their origins, religious or cultural significance, and typical month of celebration.
2. Major festival dances described include the Sinulog Festival in Cebu honoring Santo Niño in January, the Dinagyang Festival in Iloilo also honoring Santo Niño in January, and the Ati-atihan Festival in Kalibo honoring Santo Niño in January.
3. These festivals celebrate important religious figures and typically incorporate strong percussion music and community dancing.
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This document discusses religious and secular festival dances in the Philippines. It defines festival dances as cultural dances performed by communities to honor patrons or harvests, and explains that they can be religious or secular. Religious festivals are in honor of religious icons, while secular festivals celebrate industry and bountiful harvests. Some examples of famous Philippine festivals provided include the Sinulog, Dinagyang, Ati-atihan, and Masskara festivals. Festivals are said to celebrate unity and culture, as well as boost local economies through tourism. Both religious and secular festivals reflect community unity.
Philippine Folk Dance.pptx.ppt
The document discusses Philippine folk dances, which evolved naturally from everyday activities, occupations, customs, festivals and rituals. There are five major classifications: Cordillera dances from mountain tribes featuring gongs and rituals; Spanish-influenced dances incorporating European styles; Muslim dances using intricate hand movements; tribal dances reflecting rituals and beliefs; and rural dances performed in festivals depicting work and village life. The costumes worn vary between regions but commonly feature patadyongs, malongs, chambras and other traditional garments. Folk dances are passed down between generations as part of Philippine cultural heritage.
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These documents describe several traditional dance festivals celebrated in the Philippines. Some of the major festivals discussed include the Ati-Atihan festival in Aklan, which features tribal dance and costumes honoring the infant Jesus. The Dinagyang festival in Iloilo and Moriones festival in Marinduque both incorporate elaborate costumes and masks reenacting biblical scenes. Many festivals celebrate regional harvests and culture through dance performances, like the Panagbenga flower festival in Baguio and Mango festival in Zambales.
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This powerpoint presentation discusses Philippine festivals and theatrical forms. It begins by stating that festivals are events that Filipinos enjoy as they are art-loving and fun-loving people. Festivals also serve as a way to express thanksgiving. The presentation then notes that Philippine festivals help preserve culture and promote tourism. It provides terminology related to festivals, theater, and dance drama. The presentation separates festivals into religious and non-religious categories. It provides examples for each category and assigns a group activity to create a graphic organizer about a specific festival in the Philippines. It concludes by assigning students to research and list non-religious Philippine festivals.
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Nature and origin of festival dances
This document discusses several important festival dances in the Philippines, including the Ati-Atihan festival in Kalibo, Aklan and the Moriones festival in Marinduque. The Ati-Atihan festival honors the infant Jesus and involves tribal dancing, music, and costumes depicting the Aeta people. It inspired similar festivals in Cebu and Iloilo. The Moriones festival is celebrated during Holy Week and features masked participants depicting Roman soldiers from the Passion of Christ story. It involves the roaming of masked "Moriones" through towns for a week in search of Longinus. Both festivals blend religious and cultural traditions specific to their locations.
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1. The document discusses several important festival dances in the Philippines, including their origins, religious or cultural significance, and typical month of celebration.
2. Major festival dances described include the Sinulog Festival in Cebu honoring Santo Niño in January, the Dinagyang Festival in Iloilo also honoring Santo Niño in January, and the Ati-atihan Festival in Kalibo honoring Santo Niño in January.
3. These festivals celebrate important religious figures and typically incorporate strong percussion music and community dancing.
FESTIVAL DANCE POWERPOINT.pptx
This document discusses religious and secular festival dances in the Philippines. It defines festival dances as cultural dances performed by communities to honor patrons or harvests, and explains that they can be religious or secular. Religious festivals are in honor of religious icons, while secular festivals celebrate industry and bountiful harvests. Some examples of famous Philippine festivals provided include the Sinulog, Dinagyang, Ati-atihan, and Masskara festivals. Festivals are said to celebrate unity and culture, as well as boost local economies through tourism. Both religious and secular festivals reflect community unity.
Philippine Folk Dance.pptx.ppt
The document discusses Philippine folk dances, which evolved naturally from everyday activities, occupations, customs, festivals and rituals. There are five major classifications: Cordillera dances from mountain tribes featuring gongs and rituals; Spanish-influenced dances incorporating European styles; Muslim dances using intricate hand movements; tribal dances reflecting rituals and beliefs; and rural dances performed in festivals depicting work and village life. The costumes worn vary between regions but commonly feature patadyongs, malongs, chambras and other traditional garments. Folk dances are passed down between generations as part of Philippine cultural heritage.
GAWAD SA MANLIL-WPS Office.pptx
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PROMOTIONS OF ARTS FROM THE REGIONS.pptx
The document discusses the support systems for Philippine art. It identifies 10 major organizations that promote and preserve Philippine art, including the National Commission for Culture and Arts, which is the overall policymaking body for Philippine arts. Other support systems mentioned are the Cultural Center of the Philippines, National Museum, Metropolitan Museum, Ben Cab Museum, Art Fair Philippines, ManilArt, Finale Art File, Kublai Art Gallery and Davao Contemporary Art Gallery, and the Thirteen Artists Awards. These institutions work to develop, exhibit, and study Philippine artworks and culture.
CONTEMPO_PPT_W1_2ND-SEM._DIMA.pptx
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festivaldances-180102050323.pptx
These documents describe several traditional dance festivals celebrated in the Philippines. Some of the major festivals discussed include the Ati-Atihan festival in Aklan, which features tribal dance and costumes honoring the infant Jesus. The Dinagyang festival in Iloilo and Moriones festival in Marinduque both incorporate elaborate costumes and masks reenacting biblical scenes. Many festivals celebrate regional harvests and culture through dance performances, like the Panagbenga flower festival in Baguio and Mango festival in Zambales.
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- 2. Why do Filipinos do festival?
- 3. •Filipinos do festivals primarily to celebrate •We celebrate our unity amidst the diversity of cultures and; •We celebrate our industry bringing about a bountiful harvest.
- 4. What are the benefits from doing festival dances?
- 5. BENEFITS FROM DOING FESTIVAL DANCES: •Festivals have been a consistent crowd-producing activity leading to the up-liftment of a community’s economy due to its tourism and entertainment value.
- 6. It attracts foreign and domestic tourists to visit a place eventually leading to the elevation of the Filipino’s quality life.
- 7. KARATONG- This is a percussive instrument made of bamboo internode. - Our local Hinunangnons in ancient times had displayed exemplary contributions in making Bamboo Percussion that are very useful even in the present times.
- 8. OBJECTIVES: A. Execute the skills involved in the dance together with the accompaniment of the percussion/drum instrument B. Incorporate the Karatong into local musical ensembles - Bamboo Percussion (Karatong) DCLM VI-B1
- 10. FESTIVAL DANCES ARE REFLECTION OF THE UNITY OF THE FILIPINO COMMUNITY