Deadheads powerpoint research part 2
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Deadheads is a 2011 zombie comedy film where the main character Mike wakes up as a zombie but is still able to think and talk normally. He goes on a road trip with another zombie named Brent to find Mike's true love Ellie. The trailer uses conventions of the zombie genre like scenes of zombies eating flesh and blood coming from their mouths. It also uses fast-paced editing between scenes to create excitement and intrigue for the viewer about what happens in the film.
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Deadheads powerpoint research part 2
Deadheads is a 2011 zombie comedy film where the main character Mike, played by Michael McKiddy, wakes up as a zombie but is still able to think and talk normally. He goes on a road trip with another zombie named Brent to find Mike's true love Ellie. The film trailer uses conventions of the zombie genre like scenes of zombies eating flesh and blood coming from their mouths. It also uses fast-paced editing between scenes to create excitement and intrigue for the viewer about what happens in the film.
Deadheads powerpoint research part 2 (updated)
Deadheads is a 2011 zombie comedy film about a man named Mike who is turned into a zombie but can still think and talk normally. He goes on a road trip with another zombie named Brent to find his true love Ellie. The film was produced by FroBro films, a small production company known for producing short films and smaller feature films. It was distributed in the UK by G2 Pictures, also known for distributing smaller productions.
Questionnaire results
The document contains the results of a survey about horror film preferences. It includes pie charts showing respondents' gender, age, how often they watch horror films, preferred subgenres, and where and with what they find most captivating. The concluding paragraph analyzes the results, noting that comedy horror and gore are most popular subgenres, sound is most captivating element, and familiar settings are most effective. This information will be used to incorporate popular elements into the opening of a new horror film.
Zombie pitch
The document outlines a narrative concept for a short film about a zombie seeking companionship in a discriminatory world. It includes 5 scenes: 1) the zombie is alone in an alley and screams when noticed; 2) the zombie sits on a park bench but a couple reacts with fear; 3) the zombie walks alone down the street while people react with disgust; 4) the zombie finds and cooks a human arm at home; 5) the zombie watches a love movie alone. It also proposes two alternative endings: 1) the zombie finds love at a speed dating event with another zombie; or 2) the zombie is tricked by an online dating scheme and remains alone eating its arm.
Who will save the world?
Two ex-policemen who used to be a "dream team" but whose lives went downhill after their first failed case now do nothing but play video games and smoke in their grungy flat. However, they are unaware that a zombie apocalypse has occurred outside. When one of them accidentally turns on the news, they see that half the world has been wiped out by man-eating zombies. The two former officers must bounce back and use their skills to try to save the remaining survivors through their travels, finding humor in even the most serious of situations.
Part 1 horror film (zombie land) 2
The document provides an analysis of the zombie horror film "Zombie Land". It summarizes the plot, which follows four main characters traveling across a zombie-infested America. It then analyzes the film using various film theories, including Todorov's narrative structure theory and Propp's character archetypes. Finally, it discusses how the film uses techniques like mise-en-scene, cinematography, editing, and sound design to portray realistic zombie threats and create entertainment for audiences. Overall, the analysis examines how "Zombie Land" blends horror and comedy genres to tell an engaging story and achieve commercial success.
Pr3 how we respond to media products
The document provides analysis of the films Leon and Pulp Fiction:
- It summarizes the plot and structure of Leon, focusing on the relationship between Leon and Mathilda and how Leon trains her in self-defense.
- Key details about the director, year, and main characters in Pulp Fiction are given. Postmodern elements like intertextuality through references to other films and self-referentiality are discussed.
Media
The document summarizes how the opening of a horror film conveys the genre through establishing calm conditions that are disrupted by the introduction of a zombie. The characters make the poor decision to flee into the woods, creating suspense and anxiety for the audience. During the ensuing chase scene, tension builds as the zombie is portrayed as faster than the victims, resulting in a character's death. Main characters are introduced as a group of vulnerable female friends to set them up as victims. A transition is used between scenes to unsettle the audience and convey the passage of time since the terrifying events.
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Deadheads powerpoint research part 2
Deadheads is a 2011 zombie comedy film where the main character Mike, played by Michael McKiddy, wakes up as a zombie but is still able to think and talk normally. He goes on a road trip with another zombie named Brent to find Mike's true love Ellie. The film trailer uses conventions of the zombie genre like scenes of zombies eating flesh and blood coming from their mouths. It also uses fast-paced editing between scenes to create excitement and intrigue for the viewer about what happens in the film.
Deadheads powerpoint research part 2 (updated)
Deadheads is a 2011 zombie comedy film about a man named Mike who is turned into a zombie but can still think and talk normally. He goes on a road trip with another zombie named Brent to find his true love Ellie. The film was produced by FroBro films, a small production company known for producing short films and smaller feature films. It was distributed in the UK by G2 Pictures, also known for distributing smaller productions.
Questionnaire results
The document contains the results of a survey about horror film preferences. It includes pie charts showing respondents' gender, age, how often they watch horror films, preferred subgenres, and where and with what they find most captivating. The concluding paragraph analyzes the results, noting that comedy horror and gore are most popular subgenres, sound is most captivating element, and familiar settings are most effective. This information will be used to incorporate popular elements into the opening of a new horror film.
Zombie pitch
The document outlines a narrative concept for a short film about a zombie seeking companionship in a discriminatory world. It includes 5 scenes: 1) the zombie is alone in an alley and screams when noticed; 2) the zombie sits on a park bench but a couple reacts with fear; 3) the zombie walks alone down the street while people react with disgust; 4) the zombie finds and cooks a human arm at home; 5) the zombie watches a love movie alone. It also proposes two alternative endings: 1) the zombie finds love at a speed dating event with another zombie; or 2) the zombie is tricked by an online dating scheme and remains alone eating its arm.
Who will save the world?
Two ex-policemen who used to be a "dream team" but whose lives went downhill after their first failed case now do nothing but play video games and smoke in their grungy flat. However, they are unaware that a zombie apocalypse has occurred outside. When one of them accidentally turns on the news, they see that half the world has been wiped out by man-eating zombies. The two former officers must bounce back and use their skills to try to save the remaining survivors through their travels, finding humor in even the most serious of situations.
Part 1 horror film (zombie land) 2
The document provides an analysis of the zombie horror film "Zombie Land". It summarizes the plot, which follows four main characters traveling across a zombie-infested America. It then analyzes the film using various film theories, including Todorov's narrative structure theory and Propp's character archetypes. Finally, it discusses how the film uses techniques like mise-en-scene, cinematography, editing, and sound design to portray realistic zombie threats and create entertainment for audiences. Overall, the analysis examines how "Zombie Land" blends horror and comedy genres to tell an engaging story and achieve commercial success.
Pr3 how we respond to media products
The document provides analysis of the films Leon and Pulp Fiction:
- It summarizes the plot and structure of Leon, focusing on the relationship between Leon and Mathilda and how Leon trains her in self-defense.
- Key details about the director, year, and main characters in Pulp Fiction are given. Postmodern elements like intertextuality through references to other films and self-referentiality are discussed.
Media
The document summarizes how the opening of a horror film conveys the genre through establishing calm conditions that are disrupted by the introduction of a zombie. The characters make the poor decision to flee into the woods, creating suspense and anxiety for the audience. During the ensuing chase scene, tension builds as the zombie is portrayed as faster than the victims, resulting in a character's death. Main characters are introduced as a group of vulnerable female friends to set them up as victims. A transition is used between scenes to unsettle the audience and convey the passage of time since the terrifying events.
Fictional film codes and conventions
This document summarizes conventions of the crime genre seen in the films The Silence of the Lambs and Seven. It discusses how both films set the story in a city to create tension, with Seven portraying an unnamed rainy city where newspaper headlines show ongoing crimes. It also examines how the films use conventions like the villain being "one step ahead" through psychological manipulation and clues. Cinematography techniques like low-key lighting are discussed in relation to how they build mystery and show the power of antagonists in key scenes from both films.
Pr3
This document provides an in-depth analysis of the 1994 film Leon: The Professional using genre theory. It summarizes the film's narrative, characters, setting, iconography, and style. It then discusses how these elements fit within the genres of crime drama and action according to theorist Nick Lacey's model of the five genre elements. The summary analyzes Leon's setting in New York City, its main characters including Leon, Mathilda, and Stansfield, and how iconography, cinematography, and a linear narrative structure are used.
Fictional film codes and conventions RESUB
This document analyzes conventions in the crime genre films The Silence of the Lambs and Seven. It discusses how the films establish settings that increase tension by making threats feel relatable. Both films also feature protagonists who are constantly one step behind the antagonists, generating suspense. Cinematography conventions like low-key lighting are used in scenes to add mystery and highlight the power of villains over heroes. Character introductions and interactions carefully set up dynamics of power between the characters through shot framing and perspective.
Zombieland analysis newwww
The title sequence of Zombieland establishes the key settings of America through depictions of highways, cars, prisons, and money. It portrays themes of comedy, horror, violence, and social anarchy through scenes of zombies attacking people from all walks of life. The iconography follows horror/comedy conventions through its use of gore, depictions of societal power structures being overturned, and zombies pursuing innocent victims.
Propp's Character Roles and Functions Task
This document discusses two soap opera trailers and analyzes them using Propp's character roles and narrative functions. For the EastEnders trailer, it is difficult to identify character roles as no clear villain or hero is shown. Each character is presented as potentially credible for the killing to build suspense. For the Hollyoaks trailer, initially a male seems like the hero but is later shown in rage, making all characters seem like villains. Both trailers allow the audience to speculate on who committed the crime and connect through social media. The EastEnders trailer depicts villainy and violation of interdiction. The Hollyoaks trailer shows struggle and punishment at the end, suggesting one character as the killer.
Task 8: narrative sructure
The opening sequence of the film The Woman in Black establishes the disruption of two girls playing happily being ordered to jump from a window by the villain, the Woman in Black. This sequence sets up the binary opposition of good vs. evil and the mystery or "enigma codes" around who the Woman in Black is and why she is threatening innocent people. The opening of The Purge shows extreme violence and chaos from the start, establishing the disruption of the film's setting where all crime is legal for 12 hours. This opening lacks character introduction or explanation of the conflict. The beginning of Submarine provides little information about the narrative through brief shots of a messy teenage boy's room, leaving many questions unanswered and an unclear sense of conflict or
Pr3
Leon is a 1994 film directed by Luc Besson about a 12-year-old girl, Mathilda, who befriends a professional hitman named Leon after her family is murdered. She sees Leon as a father figure but later develops romantic feelings for him. The film follows Mathilda seeking revenge against the man who killed her family with Leon's help, and their confrontation against corrupt DEA agent Stansfield. The narrative structure establishes the characters and setting in the first 20 minutes and includes events like Leon training Mathilda and their final showdown with Stansfield. Leon is set in the iconic location of New York City and explores unconventional representations like Mathilda's attachment to the much older Leon.
Mise en-scene analysis
The document provides a detailed mise-en-scene analysis of the opening sequence of the film "Bitten". It analyzes various shots that establish the horror and zombie genre conventions. These include a montage introducing the mystery of a running man, shots of blood and a dead body, a zombie hand smearing blood on a wall. Later shots introduce the teenage protagonists watching a zombie film, their stereotypical clothes, a zombie attack in an underpass, and the reveal of the zombie's appearance. The analysis concludes by summarizing the chase scene, killing of the zombie, reveal of one character being bitten, and a newspaper revealing the seriousness of the situation to come.
Assignment 10
This document provides an analysis of visual elements common in zombie films. It notes that shots of fire and smoke show turmoil within a scene without leadership. Large abandoned spaces create tension by not knowing what could be around corners. Close-ups of gory zombie makeup make attacks look realistic. Titles using bold red letters directly reference blood and violence. Surprising elements like child zombies make the threat more unsettling. Ambulances ironically running people over shows societal collapse. Large zombie crowds display the skill needed for survivors to persist against such odds. Clever title editing using blowing blood enhances the horror genre experience. Overall these techniques suit zombie films known for blood and gore.
Zombie land overview new
In this scene analysis of Zombie Land, the following key details are provided:
- Columbus is at a gas station representing the rules of survival as zombies chase him, showing the comedic tone. The abandoned gas station is set at night to build suspense.
- A new character is introduced, shocking Columbus and the audience as they believed he was the only human. This character's background is mysterious.
- The scene of their meeting is on an abandoned road with many abandoned cars, representing the tragedy of what has occurred and how many lives were lost.
How do we analye film
This document discusses methods for analyzing films, including genre analysis and auteur theory. Genre analysis examines common elements in different genres like horror films, while auteur theory looks at directors who put their own style on films across genres. Examples are given of auteur directors like Quentin Tarantino, Ridley Scott, Tim Burton, and Wes Craven who infuse their signature style into various film genres. The document also outlines the seven key areas to examine when determining a film's genre, such as codes/conventions, characters, themes, and ideological messages.
Deadpool holiday work
Deadpool is a 2016 Marvel superhero film directed by Tim Miller. It stars Ryan Reynolds as a man who undergoes an experimental and illegal medical procedure to cure his cancer, but is left mutated. The movie is known for its comedy, violence, and breaking of the fourth wall. It uses slapstick humor, references to films being produced by "asshats" and directed by an "overpaid tool", and depicts the titular character Deadpool as childish and immature in his speech and actions.
Zombie land overview new
In this scene analysis of the movie Zombie Land, Columbus is at a gas station talking about the rules of survival as zombies chase him. The gas station is abandoned to show the aftermath of the zombie outbreak. When a new character is introduced, it is shocking because they thought they were the only humans left. This scene is set on an abandoned road surrounded by empty cars to portray the tragedy of what has occurred. Throughout the film, heavy metal music plays during both dialogue and action scenes to match the zombie horror genre. Editing is used to demonstrate the survival rules and special effects show gory zombie killings.
Zombieland analysis newwww
The title sequence of Zombieland establishes the setting as America through depictions of highways, cars, prisons, and money. It portrays themes of comedy, horror, and violence through scenes of zombies attacking people in gruesome yet humorous ways. The style uses slow motion and non-diegetic music to make the graphic violence and gore comedic rather than terrifying.
Zombie land overview new
In this scene from Zombie Land, Columbus is at a gas station talking about the rules of survival from zombies. As he explains the rules, zombies appear and chase after him. The gas station is abandoned, representing the aftermath of the zombie outbreak. Later, a new character is introduced, shocking Columbus and the audience. This character is mysterious as his backstory and survival tactics are unknown. This scene is set on an abandoned road surrounded by empty cars, showing the tragedy and loss from the zombie situation.
PR3: Final
This document provides an analysis of the film Leon using concepts from film theory, including genre, narrative, semiotics, and representation. It analyzes how the film fits genres such as thriller/action and establishes characters, settings, and plot elements quickly. It discusses the film's narrative structure and use of symbols. Additional films like Pulp Fiction and Lord of the Rings are briefly analyzed using similar concepts. The document also explores how postmodernism and changes in production technology have impacted parody and pastiche in films.
9frame
The opening scene uses shallow focus and slow panning to show the burning White House, establishing a sense of unease. Next, a zombie charges the camera in front of the White House, setting up the main conflict of zombies attacking humans. CGI is then used to pull back and show the destroyed planet, with no signs of resistance against the zombies. Several shots throughout establish "rules" for surviving the zombie apocalypse, like shooting zombies or following safety protocols, as violations of these rules put the humans in danger. CGI is also used heavily to depict dangerous zombie encounters and the consequences of not following the rules.
Treatment sheet
The document discusses setting ideas and props for a horror film involving a ghost seeking revenge who is only visible in mirrors. Common horror film tropes like dark forests and bedrooms will be used as settings, along with fake knives and blood to portray violent scenes of revenge. Costumes will consist of dark clothing to fit the genre.
Film poster research
The document summarizes and analyzes film posters and trailers for the movies Crazy Stupid Love and Easy A. For the Crazy Stupid Love poster, the author likes that it shows the actors' photos and identifies the main characters. They also appreciate the cinematography and how it reflects the film's title. For the trailer, different scenes are described that introduce characters and show their personalities and relationships. Particular emphasis is placed on scenes that demonstrate love and craziness between characters. Inspiration is drawn from the Easy A poster for how it attracts teenagers and hints at the plot. The Friends With Benefits poster is also cited for its minimal colors, lighting, and hand gestures that reflect the film's title in a
Pdi
Este documento describe las ventajas de una pizarra digital interactiva como un recurso educativo que puede aumentar la eficiencia y motivación en el aula, al permitir una enseñanza flexible y adaptable a diferentes estrategias docentes mientras proporciona una fuente inagotable de información multimedia e interactiva. Sin embargo, también requiere de una infraestructura adecuada, formación docente y tiene un costo elevado.
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Fictional film codes and conventions
This document summarizes conventions of the crime genre seen in the films The Silence of the Lambs and Seven. It discusses how both films set the story in a city to create tension, with Seven portraying an unnamed rainy city where newspaper headlines show ongoing crimes. It also examines how the films use conventions like the villain being "one step ahead" through psychological manipulation and clues. Cinematography techniques like low-key lighting are discussed in relation to how they build mystery and show the power of antagonists in key scenes from both films.
Pr3
This document provides an in-depth analysis of the 1994 film Leon: The Professional using genre theory. It summarizes the film's narrative, characters, setting, iconography, and style. It then discusses how these elements fit within the genres of crime drama and action according to theorist Nick Lacey's model of the five genre elements. The summary analyzes Leon's setting in New York City, its main characters including Leon, Mathilda, and Stansfield, and how iconography, cinematography, and a linear narrative structure are used.
Fictional film codes and conventions RESUB
This document analyzes conventions in the crime genre films The Silence of the Lambs and Seven. It discusses how the films establish settings that increase tension by making threats feel relatable. Both films also feature protagonists who are constantly one step behind the antagonists, generating suspense. Cinematography conventions like low-key lighting are used in scenes to add mystery and highlight the power of villains over heroes. Character introductions and interactions carefully set up dynamics of power between the characters through shot framing and perspective.
Zombieland analysis newwww
The title sequence of Zombieland establishes the key settings of America through depictions of highways, cars, prisons, and money. It portrays themes of comedy, horror, violence, and social anarchy through scenes of zombies attacking people from all walks of life. The iconography follows horror/comedy conventions through its use of gore, depictions of societal power structures being overturned, and zombies pursuing innocent victims.
Propp's Character Roles and Functions Task
This document discusses two soap opera trailers and analyzes them using Propp's character roles and narrative functions. For the EastEnders trailer, it is difficult to identify character roles as no clear villain or hero is shown. Each character is presented as potentially credible for the killing to build suspense. For the Hollyoaks trailer, initially a male seems like the hero but is later shown in rage, making all characters seem like villains. Both trailers allow the audience to speculate on who committed the crime and connect through social media. The EastEnders trailer depicts villainy and violation of interdiction. The Hollyoaks trailer shows struggle and punishment at the end, suggesting one character as the killer.
Task 8: narrative sructure
The opening sequence of the film The Woman in Black establishes the disruption of two girls playing happily being ordered to jump from a window by the villain, the Woman in Black. This sequence sets up the binary opposition of good vs. evil and the mystery or "enigma codes" around who the Woman in Black is and why she is threatening innocent people. The opening of The Purge shows extreme violence and chaos from the start, establishing the disruption of the film's setting where all crime is legal for 12 hours. This opening lacks character introduction or explanation of the conflict. The beginning of Submarine provides little information about the narrative through brief shots of a messy teenage boy's room, leaving many questions unanswered and an unclear sense of conflict or
Pr3
Leon is a 1994 film directed by Luc Besson about a 12-year-old girl, Mathilda, who befriends a professional hitman named Leon after her family is murdered. She sees Leon as a father figure but later develops romantic feelings for him. The film follows Mathilda seeking revenge against the man who killed her family with Leon's help, and their confrontation against corrupt DEA agent Stansfield. The narrative structure establishes the characters and setting in the first 20 minutes and includes events like Leon training Mathilda and their final showdown with Stansfield. Leon is set in the iconic location of New York City and explores unconventional representations like Mathilda's attachment to the much older Leon.
Mise en-scene analysis
The document provides a detailed mise-en-scene analysis of the opening sequence of the film "Bitten". It analyzes various shots that establish the horror and zombie genre conventions. These include a montage introducing the mystery of a running man, shots of blood and a dead body, a zombie hand smearing blood on a wall. Later shots introduce the teenage protagonists watching a zombie film, their stereotypical clothes, a zombie attack in an underpass, and the reveal of the zombie's appearance. The analysis concludes by summarizing the chase scene, killing of the zombie, reveal of one character being bitten, and a newspaper revealing the seriousness of the situation to come.
Assignment 10
This document provides an analysis of visual elements common in zombie films. It notes that shots of fire and smoke show turmoil within a scene without leadership. Large abandoned spaces create tension by not knowing what could be around corners. Close-ups of gory zombie makeup make attacks look realistic. Titles using bold red letters directly reference blood and violence. Surprising elements like child zombies make the threat more unsettling. Ambulances ironically running people over shows societal collapse. Large zombie crowds display the skill needed for survivors to persist against such odds. Clever title editing using blowing blood enhances the horror genre experience. Overall these techniques suit zombie films known for blood and gore.
Zombie land overview new
In this scene analysis of Zombie Land, the following key details are provided:
- Columbus is at a gas station representing the rules of survival as zombies chase him, showing the comedic tone. The abandoned gas station is set at night to build suspense.
- A new character is introduced, shocking Columbus and the audience as they believed he was the only human. This character's background is mysterious.
- The scene of their meeting is on an abandoned road with many abandoned cars, representing the tragedy of what has occurred and how many lives were lost.
How do we analye film
This document discusses methods for analyzing films, including genre analysis and auteur theory. Genre analysis examines common elements in different genres like horror films, while auteur theory looks at directors who put their own style on films across genres. Examples are given of auteur directors like Quentin Tarantino, Ridley Scott, Tim Burton, and Wes Craven who infuse their signature style into various film genres. The document also outlines the seven key areas to examine when determining a film's genre, such as codes/conventions, characters, themes, and ideological messages.
Deadpool holiday work
Deadpool is a 2016 Marvel superhero film directed by Tim Miller. It stars Ryan Reynolds as a man who undergoes an experimental and illegal medical procedure to cure his cancer, but is left mutated. The movie is known for its comedy, violence, and breaking of the fourth wall. It uses slapstick humor, references to films being produced by "asshats" and directed by an "overpaid tool", and depicts the titular character Deadpool as childish and immature in his speech and actions.
Zombie land overview new
In this scene analysis of the movie Zombie Land, Columbus is at a gas station talking about the rules of survival as zombies chase him. The gas station is abandoned to show the aftermath of the zombie outbreak. When a new character is introduced, it is shocking because they thought they were the only humans left. This scene is set on an abandoned road surrounded by empty cars to portray the tragedy of what has occurred. Throughout the film, heavy metal music plays during both dialogue and action scenes to match the zombie horror genre. Editing is used to demonstrate the survival rules and special effects show gory zombie killings.
Zombieland analysis newwww
The title sequence of Zombieland establishes the setting as America through depictions of highways, cars, prisons, and money. It portrays themes of comedy, horror, and violence through scenes of zombies attacking people in gruesome yet humorous ways. The style uses slow motion and non-diegetic music to make the graphic violence and gore comedic rather than terrifying.
Zombie land overview new
In this scene from Zombie Land, Columbus is at a gas station talking about the rules of survival from zombies. As he explains the rules, zombies appear and chase after him. The gas station is abandoned, representing the aftermath of the zombie outbreak. Later, a new character is introduced, shocking Columbus and the audience. This character is mysterious as his backstory and survival tactics are unknown. This scene is set on an abandoned road surrounded by empty cars, showing the tragedy and loss from the zombie situation.
PR3: Final
This document provides an analysis of the film Leon using concepts from film theory, including genre, narrative, semiotics, and representation. It analyzes how the film fits genres such as thriller/action and establishes characters, settings, and plot elements quickly. It discusses the film's narrative structure and use of symbols. Additional films like Pulp Fiction and Lord of the Rings are briefly analyzed using similar concepts. The document also explores how postmodernism and changes in production technology have impacted parody and pastiche in films.
9frame
The opening scene uses shallow focus and slow panning to show the burning White House, establishing a sense of unease. Next, a zombie charges the camera in front of the White House, setting up the main conflict of zombies attacking humans. CGI is then used to pull back and show the destroyed planet, with no signs of resistance against the zombies. Several shots throughout establish "rules" for surviving the zombie apocalypse, like shooting zombies or following safety protocols, as violations of these rules put the humans in danger. CGI is also used heavily to depict dangerous zombie encounters and the consequences of not following the rules.
Treatment sheet
The document discusses setting ideas and props for a horror film involving a ghost seeking revenge who is only visible in mirrors. Common horror film tropes like dark forests and bedrooms will be used as settings, along with fake knives and blood to portray violent scenes of revenge. Costumes will consist of dark clothing to fit the genre.
Film poster research
The document summarizes and analyzes film posters and trailers for the movies Crazy Stupid Love and Easy A. For the Crazy Stupid Love poster, the author likes that it shows the actors' photos and identifies the main characters. They also appreciate the cinematography and how it reflects the film's title. For the trailer, different scenes are described that introduce characters and show their personalities and relationships. Particular emphasis is placed on scenes that demonstrate love and craziness between characters. Inspiration is drawn from the Easy A poster for how it attracts teenagers and hints at the plot. The Friends With Benefits poster is also cited for its minimal colors, lighting, and hand gestures that reflect the film's title in a
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Este documento describe las ventajas de una pizarra digital interactiva como un recurso educativo que puede aumentar la eficiencia y motivación en el aula, al permitir una enseñanza flexible y adaptable a diferentes estrategias docentes mientras proporciona una fuente inagotable de información multimedia e interactiva. Sin embargo, también requiere de una infraestructura adecuada, formación docente y tiene un costo elevado.
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El documento celebra el Día Internacional de la Eliminación de la Violencia contra la Mujer resaltando la importancia continua de la igualdad, la coeducación y la no violencia hacia las mujeres. Reconoce la lucha de Malala Yousafzai por la educación de las niñas y expresa solidaridad con ella, su familia y todas las mujeres y niñas que siguen luchando por la igualdad en todo el mundo.
Ailen rosetani 2.
Este documento describe las diferentes barras de herramientas disponibles en una presentación de PowerPoint, incluyendo barras para alinear, clasificar diapositivas, configurar en 3D, dibujar, formato de texto, imágenes, insertar, líneas y rellenos, objetos 3D, presentación y tablas. También describe opciones para mostrar u ocultar reglas, guías, encabezados, pies de página y comentarios.
Music videos
The document discusses the aims and narrative elements of music videos. It notes that music videos generally aim to sell the artist and song, showcase the star, and reflect the song's lyrics. Narratives in music videos tend to be enigmatic and incomplete, only suggesting a story. Videos without clear narratives instead focus on quick cuts between the performing band to maintain audience interest. The interpretation of any narrative is ultimately up to the viewer based on their reading of the visuals and lyrics.
What have you learned from your audience
From audience feedback gathered through questionnaires and social media, the author learned that their target audience was interested in a story about everyday technology and how it could be used against people, which scared them. This feedback informed the author to focus their story on technology and make some changes to the music and scene order based on comments received on Facebook.
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Primeras teorias de la modernidad pedagógica obliga 5
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Similar to Deadheads powerpoint research part 2
Zombie horror films
This document summarizes the evolution of the zombie horror genre from its origins in voodoo folklore to modern flesh-eating depictions. It traces key developments like George Romero introducing zombies as cannibals in Night of the Living Dead, redefining them. Romero's films established tropes like zombies infecting others through bites and only being killed by head injuries. The genre became popular in the 70s-80s before diversifying with comedy takes like Shaun of the Dead in the 2000s. Overall, the document outlines how zombie movies transitioned from voodoo themes to the living dead archetypes seen in films today.
Zombieland
The document provides an analysis of the 2009 comedy horror film Zombieland. It discusses the film's narrative, which follows a group of survivors in a post-apocalyptic United States overrun by zombies. It also analyzes the film's genres, including horror and dark comedy. Additionally, it examines elements of the film like mise-en-scene, cinematography, sound, and editing techniques. The document also discusses the film's intended audience, messages around tolerance and perseverance, and its purpose of entertaining viewers of the horror and comedy genres.
Zaombieland2
The opening credits of Zombieland use horror elements such as zombies attacking and eating humans to establish the terrifying tone of the film. Intercut with these scenes are comic moments that provide brief relief from the horror. Throughout, the credits are presented in a way that makes the audience feel immersed in the action, such as using camera angles that appear to show zombies running toward the viewer. The credits also set up the rules and guide for surviving the zombie apocalypse portrayed in the film.
Media studies essay
The document discusses conventions used in zombie films, including narrative structure, mis-en-scene, camera work, characters, and special effects. It analyzes films like Dawn of the Dead (1978/2004), comparing trailers, plots, and techniques. Research on zombie film conventions informed the development of the student's own zombie film project.
Media studies essay
The document discusses conventions used in zombie films, including narrative structure, mis-en-scene, camera work, characters, and special effects. It analyzes films like Dawn of the Dead (1978/2004), comparing trailers, plots, and techniques. Research on zombie film conventions informed the development of the student's own zombie media product.
Presentation FOR bay
This document analyzes the trailer for the film Warm Bodies. It examines elements at both the micro and macro level. At the micro level, it analyzes aspects like mise-en-scene, camerawork, editing, and sound design. It finds the trailer uses dark colors and lighting to build suspense, close shots to show emotion, and quick cuts to keep pace. At the macro level, it determines the genre is a thriller/romance. It also analyzes the narrative, representation of characters, and target audience of ages 15-24.
GENRE: Research
The document discusses the history and evolution of the zombie subgenre in horror films. It traces the origins of zombies from early 20th century films involving voodoo magic. George Romero transformed zombies into flesh-eating monsters in Night of the Living Dead, establishing the modern archetype. Zombie films grew increasingly gory and popular through the 1970s-80s before subgenres like zombie comedies emerged in the 2000s. The definition and transmission of zombies has changed dramatically over the decades from magical reanimation to virus outbreaks.
Zombieland cinematography
The document analyzes and summarizes five shots from the film Zombieland. Shot 1 establishes suspense with an upside down burning car. Shot 2 shows guns on the floor to foreshadow violence. Shot 3 features an extreme close-up of a zombie covered in blood and cuts after eating a human. Shot 4 uses a close-up of two exhausted and frightened characters to make the viewer feel uncomfortable. Shot 5 employs a low camera angle of a blood-covered female character looking concernedly at a zombie on the ground. Overall, the performances in Zombieland represent a mix of horror and comedy genres.
Evaluation question 1
The document provides summaries of similarities between the opening sequence "Beaten" and various horror films and media. Some key similarities highlighted include use of bars/cages to restrict characters, building tension through editing techniques like slow initial pacing, disturbing zombie makeup and behaviors, lighting choices like red to indicate danger, and sounds of zombies to create an unsettling atmosphere. Costuming zombies in everyday clothes they died in and facial expressions showing desperation for food sources are also noted similarities.
Zombieland toderovs
The document discusses the narrative structure of the movie Zombieland. It begins with the protagonist Columbus living a normal teenage life, juxtaposing the typical beginning of a zombie movie. The disruption occurs right at the start of the movie before any normalcy is shown. Recognition of threats from zombies is an ongoing process throughout the movie, such as when Columbus realizes his neighbor has turned. Restoration also occurs throughout as the main characters bond as a family, though the overall zombie crisis remains unsolved.
Zombieland analysis
The title sequence of Zombieland establishes it as both a horror and comedy film through various indicators. It shows iconic horror elements like gore and the colors red and black. However, it also depicts comedic conventions, such as a zombie interrupting a wedding. While the sequence exposes viewers to many scenes and characters, it does not clearly convey the narrative or main protagonists. The slow-motion cinematography adds humor and offsets the gore.
Eval question 1 powerpoint
This document compares the filmmaker's thriller "Beaten" to other media works that use zombie conventions such as 28 Days Later, The Descent, Michael Jackson's "Thriller" music video, and the video game Left 4 Dead. It analyzes similarities and differences between the works in terms of plotlines, characters, editing techniques, camerawork, titles, and action sequences. Overall, the document shows how "Beaten" both develops typical zombie genres conventions while also challenging some conventions through its unique story elements and filmmaking choices.
Compare and contrast 28 days later with shaun of the dead, commenting on the ...
1) Shaun of the Dead differs from typical post-apocalyptic horror films by adding elements of comedy through breaking genre conventions.
2) The zombies are portrayed differently in each film - 28 Days Later depicts fast-moving zombies that increase fear, while Shaun of the Dead shows the typical slow, mindless zombies.
3) The films also differ in the weapons used against zombies, with Shaun of the Dead featuring normal household objects and 28 Days Later showing more dangerous weapons like guns.
Textual Analysis- Warm Bodies
R is the main zombie character who is different from stereotypical aggressive zombies due to his soft-spoken nature. The opening scene uses close-ups of R's face and wide shots showing the run-down airport setting and other zombies to build suspense around who and what R is. While R looks like a typical zombie, his dialogue subverts expectations. The film establishes R as the protagonist who will lead the zombies, while also hinting at a coming change and an unknown opposition or threat that R must face.
Film analysis 1
The document provides an analysis of the film Zombieland focusing on its set/locations, costumes, color/props/lighting, cinematography, and sound/editing. The film is set in various locations across America including Washington D.C., a football stadium, New York City, a toilet stall, and suburban homes. Costumes establish the time period as present or near future while making characters relatable. Dark colors and low lighting create an unsettling tone while important elements like the American flag stand out brightly. Various camera shots like close-ups and point of view shots build tension and reality. Sound includes a humorous voiceover, zombie burping for comedy, and screams/gunshots for seriousness
Evaluation part 1
The document summarizes a student's media project creating a horror movie trailer. It discusses how the trailer uses conventions of real horror movies such as having a typical male hero character and slow-moving zombie enemies. It also incorporates some comedy elements to differentiate it from a completely serious horror trailer. The pacing of the trailer builds suspense like a typical horror trailer. The student aimed to make an original zombie story without directly recreating any existing trailer. The most distinctive aspect is the gory zombie killings and deaths featured.
Question 1
We decided to make a zombie horror film by first researching popular zombie films like Zombieland and Dawn of the Dead to analyze their conventions and techniques without directly copying them. We looked at similarities in mise-en-scene and cinematography between the two films and tried applying them to our own film, such as shooting in an abandoned factory to give the surrounding area a broken down feel. Another convention we implemented was building mystery and tension around the zombie threat by only revealing it partially at first and keeping the full reveal until the end.
Script for pitch
Chloe will make a short zombie film for her final major project. She has taken inspiration from shows like The Walking Dead and films like Shaun of the Dead. The story follows a woman who lives alone in a safe house and takes in survivors, but it is revealed that she kills them and takes their body parts to her dead husband chained in the cellar. Chloe aims to make the film suspenseful through diegetic and non-diegetic music. She must focus on realistic zombie makeup to distinguish them from living humans. The target audience is older teens to young adults, and the film will include typical zombie conventions like blood and suspenseful moments. Chloe will use different camera angles and Adobe software to edit
Script for pitch
Chloe will make a short zombie film for her final major project. She has taken inspiration from shows like The Walking Dead and films like Shaun of the Dead. The story follows a woman who lives alone in a safe house and takes in survivors, but it is revealed that she kills them and takes their body parts to her dead husband chained in the cellar. Chloe aims to make the film suspenseful through diegetic and non-diegetic music. She must focus on realistic zombie makeup to distinguish them from living humans. The target audience is older teens to young adults, and the film will include typical zombie conventions like blood and suspenseful moments to meet their expectations. Chloe will use different camera angles and Ad
Zombieland analysis
The title sequence of Zombieland establishes that the film is set in a post-apocalyptic America overrun by zombies through imagery of American icons like prisons, money, and firefighters. It also establishes the film's genre as a horror comedy through its use of gory and graphic zombie attacks shown in a slow motion, humorous way, with conventions of both genres represented. The sequence does not introduce any main human characters but establishes the zombies as antagonists and sets expectations that society has collapsed with no one safe from the zombies.
Similar to Deadheads powerpoint research part 2 (20)
Compare and contrast 28 days later with shaun of the dead, commenting on the ...
Compare and contrast 28 days later with shaun of the dead, commenting on the ...
More from Aston Hinson
Conventions eval part 1
The document discusses conventions used in a horror film product. It focuses on using a young possessed girl as the victim, as is conventional, and a secluded house as the setting. While some shots use unconventional angles, tracking shots follow the girl, conforming to horror film standards. The poster and magazine layouts also conform to conventions to clearly associate them with the main film product.
Media evaluation – part 3
From gathering audience feedback on a film trailer, the author learned that it is difficult to get a large number of responses. Feedback from survey monkey and wallwisher provided some useful information but answers were often basic and limited. Key strengths identified were the engaging storyline and appropriate costumes, but weaknesses were that the horror genre was not clear from the lighting and sound effects used. If changing the trailer, the author would emphasize the horror-comedy genre more and alter the lighting and sound effects to better convey the genre. Audience feedback would be valuable for a product release to identify needed changes and gain promotion through word-of-mouth if viewers recommend it to others.
Institutions research updated
Columbia Pictures is an American film production and distribution company owned by Sony Pictures Entertainment, which is a subsidiary of Sony. Founded in 1946, Columbia Pictures produces films across many genres including romantic comedies, superhero films, horror films, and films that combine genres. They aim to appeal to broad audiences by releasing diverse films and avoiding repeating the same genre.
Institutions research updated
Columbia Pictures is an American film production and distribution company owned by Sony Pictures Entertainment, which is a subsidiary of Sony. Founded in 1919 as Cohn-Brandt-Cohn, Columbia Pictures was later purchased by Coca-Cola in 1982 and merged with TriStar Pictures to form Columbia Pictures Entertainment in 1987, before being acquired by Sony in 1989. Columbia Pictures produces films across many genres, including romantic comedies, superhero films, horror films, and sci-fi films, to appeal to a broad audience.
Production pitch
This document contains a plot summary and pitch for the horror film "The Move." The plot follows a young girl named Sarah who is reluctant to move house with her mother. Strange occurrences begin happening in the new house, and Sarah believes the house is haunted. Sarah starts acting differently and becomes possessed by an evil presence. The pitch argues that the film will be successful because it is similar to other Hammer Films productions. It also explains that the target audience of 15-25 year olds will connect with the plot of moving house and be drawn in by the supernatural elements and spooky storyline. Conventions of the horror genre like blood and dismembered toys will be used to show the corruption of Sarah's innocence.
Research presentation aston
Aston Hinson has researched similar horror-comedy trailers, posters, and magazine covers to understand conventions. Audience research found the target audience wants humor and uses social media. This research will help plan and produce a successful trailer, poster, and magazine cover by including scenes, characters, humor, and marketing through social media sites to appeal to the target audience.
My survey results
Most of the people surveyed in Aston Hinson's survey were teenagers between 13-19 years old and liked watching horror-comedy movies. Respondents expected to see more humor than gore or scary scenes. Shaun of the Dead was the most favorite horror-comedy movie. People wanted to see adult characters and a hero/villain in horror-comedy movies and most watched movie trailers and films on DVD or online platforms like YouTube.
Institutions research
Columbia Pictures is an American film production and distribution company owned by Sony Pictures Entertainment, which is a subsidiary of Sony founded in 1946. Columbia Pictures produces films in a variety of genres, including romantic adventure comedies, superhero films, comedies, science fiction action comedies, supernatural horror films, and coming-of-age comedies, in order to appeal to a broad audience.
Final Media Evaluation
The document describes the design choices made for different elements of a student-created magazine called "Encore". For the front cover, one main image was used along with two smaller supporting images. The contents page used columns to organize the listings in an orderly fashion, mirroring real magazines. A double-page spread placed the main image on one side and article text in columns on the other, matching professional magazine layout conventions. The magazine aimed to entertain 16-18 year olds with content relevant to their interests.
Final Media Evaluation
The document describes the layout and design conventions used in the creation of the magazine cover, contents page, and double page spread. Specifically, it mentions using one large central image with two smaller supporting images on the cover, employing columns on the contents page for organization, and placing the main image on the right page with accompanying text on the left for the double page spread - all following typical magazine design standards.
Evaluation
The document reflects on Aston Lilyrose Hinson's media magazine project "Encore", noting ways the magazine used and developed conventions of real music magazines through its color scheme, layout of content pages and covers, and representation of particular social groups like teenagers interested in alternative music. The student also learned new skills using Macbooks, fonts from the internet, and improved significantly from a preliminary task by incorporating bolder colors, varied fonts, and a front page image.
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Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
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Leonardo DiCaprio House: Hollywood Hills Hideaway
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Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
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Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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本公司拥有海外各大学样板无数，能完美还原。
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
【主营项目】
一.毕业证【q微741003700】成绩单、使馆认证、教育部认证、雅思托福成绩单、学生卡等！
二.真实使馆公证(即留学回国人员证明,不成功不收费)
三.真实教育部学历学位认证（教育部存档！教育部留服网站永久可查）
四.办理各国各大学文凭(一对一专业服务,可全程监控跟踪进度)
如果您处于以下几种情况：
◇在校期间，因各种原因未能顺利毕业……拿不到官方毕业证【q/微741003700】
◇面对父母的压力，希望尽快拿到；
◇不清楚认证流程以及材料该如何准备；
◇回国时间很长，忘记办理；
◇回国马上就要找工作，办给用人单位看；
◇企事业单位必须要求办理的
◇需要报考公务员、购买免税车、落转户口
◇申请留学生创业基金
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Abraham Laboriel Records ‘The Bass Walk’ at Evergreen Stage
A legendary musician records an intricate song designed to show off his expert bass guitar chops at a historical Los Angeles studio.
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一比一原版(AUT毕业证)奥克兰理工大学毕业证如何办理
AUT毕业证假文凭【微信95270640】购买（奥克兰理工大学毕业证成绩单硕士学历）Q微信95270640代办AUT学历认证留信网伪造奥克兰理工大学学位证书精仿奥克兰理工大学本科/硕士文凭证书补办奥克兰理工大学 diplomaoffer,Transcript购买奥克兰理工大学毕业证成绩单购买AUT假毕业证学位证书购买伪造奥克兰理工大学文凭证书学位证书,专业办理雅思、托福成绩单，学生ID卡，在读证明，海外各大学offer录取通知书，毕业证书，成绩单，文凭等材料:1:1完美还原毕业证、offer录取通知书、学生卡等各种在读或毕业材料的防伪工艺（包括 烫金、烫银、钢印、底纹、凹凸版、水印、防伪光标、热敏防伪、文字图案浮雕，激光镭射，紫外荧光，温感光标）学校原版上有的工艺我们一样不会少，不论是老版本还是最新版本，都能保证最高程度还原，力争完美以求让所有同学都能享受到完美的品质服务。
办国外奥克兰理工大学奥克兰理工大学毕业证文凭证书教育部学历学位认证留信认证大使馆认证留学回国人员证明修改成绩单信封申请学校offer录取通知书在读证明offer letter。
快速办理高仿国外毕业证成绩单：
1奥克兰理工大学毕业证+成绩单+留学回国人员证明+教育部学历认证（全套留学回国必备证明材料给父母及亲朋好友一份完美交代）;
2雅思成绩单托福成绩单OFFER在读证明等留学相关材料（申请学校转学甚至是申请工签都可以用到）。
3.毕业证 #成绩单等全套材料从防伪到印刷从水印到钢印烫金高精仿度跟学校原版100%相同。
专业服务请勿犹豫联系我！联系人微信号：95270640诚招代理：本公司诚聘当地代理人员如果你有业余时间有兴趣就请联系我们。
国外奥克兰理工大学奥克兰理工大学毕业证文凭证书办理过程：
1客户提供办理信息：姓名生日专业学位毕业时间等（如信息不确定可以咨询顾问：我们有专业老师帮你查询）；
2开始安排制作毕业证成绩单电子图；
3毕业证成绩单电子版做好以后发送给您确认；
4毕业证成绩单电子版您确认信息无误之后安排制作成品；
5成品做好拍照或者视频给您确认；
6快递给客户（国内顺丰国外DHLUPS等快读邮寄）。蜿蜒小溪一直都是山娃和小伙伴们盛夏的天然泳场水不深碎石底石缝里总有摸不尽的鱼虾活蹦乱跳的还有乌龟和王八贼头贼脑的倒也逗人喜爱日上三竿时山娃总爱窜进自家瓜棚里跟小伙伴们坐着聊天聊着聊着便忍不住往瓜田里逡巡一番抱起一只硕大的西瓜用石刀劈开抑或用拳头砸开每人抱起一大块就啃啃得满嘴满脸猴屁股般的红艳大家一个劲地指着对方吃吃地笑瓜裂得古怪奇形怪状却丝毫不影响瓜味甜丝丝的满嘴生津遍地都是瓜横七竖八的活像掷满这
The Gallery of Shadows, In the heart of a bustling city
In the heart of a bustling city, hidden away from the modern chaos …
created with AI assistance…
定制(mu毕业证书)美国迈阿密大学牛津分校毕业证学历证书原版一模一样
原版定制【微信:bwp0011】《(mu毕业证书)美国迈阿密大学牛津分校毕业证学历证书》【微信:bwp0011】成绩单 、雅思、外壳、留信学历认证永久存档查询，采用学校原版纸张、特殊工艺完全按照原版一比一制作（包括：隐形水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠，文字图案浮雕，激光镭射，紫外荧光，温感，复印防伪）行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备，十五年致力于帮助留学生解决难题，业务范围有加拿大、英国、澳洲、韩国、美国、新加坡，新西兰等学历材料，包您满意。
【业务选择办理准则】
一、工作未确定，回国需先给父母、亲戚朋友看下文凭的情况，办理一份就读学校的毕业证【微信bwp0011】文凭即可
二、回国进私企、外企、自己做生意的情况，这些单位是不查询毕业证真伪的，而且国内没有渠道去查询国外文凭的真假，也不需要提供真实教育部认证。鉴于此，办理一份毕业证【微信bwp0011】即可
三、进国企，银行，事业单位，考公务员等等，这些单位是必需要提供真实教育部认证的，办理教育部认证所需资料众多且烦琐，所有材料您都必须提供原件，我们凭借丰富的经验，快捷的绿色通道帮您快速整合材料，让您少走弯路。
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
【关于价格问题（保证一手价格）】
我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
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Deadheads powerpoint research part 2
- 2. Deadheads is a 2011 film classed as a Zombedy (Zombie Comedy). Mike one of the main characters played by Michael McKiddy, wakes up to find that he has been transformed into a zombie yet he is still able to talk normally and think like an alive person. He then finds another Zombie, Brent, that joins him on a road trip to find his true love Ellie.
- 3. In this first image it shows a two shot of a ‘zombie’ and Mike which clearly shows that Mike is scared but also the zombie is scared which isn’t conventional of what would usually happen. In the second image its shows a close up of one of the zombies eating a heart, this shows that zombies like to feed on blood and flesh and is slightly typical actions of what a zombie may do in the perception of them.
- 4. Towards the end of the trailer fast paced editing is used and cutting. The fast paced editing is used to cut to and from many different scenes from the film giving it a an edge to make sure you see as many scenes to make the viewer want to watch the film and not just the trailer. It cuts straight from this scene (top) to the bottom scene within 2 seconds. In the first scene you can see that there is a zombie child and then in the next scene a person is on fire. Which is very different.
- 5. In the first image to the right, you can see how make up is used within the movie as he has blood coming from his mouth. This is conventional of what zombies tend to look like in zombie films as you can see in my research part 1 because there is a zombie with blood coming from his mouth. Also there is low key lighting used as it is night time which makes the zombie look worse and scarier. In the second image you can see the effect of make up because they have very pale white faces with dry blood which shows significant signs of attack on them from zombies or they have been transformed into a zombie. You can also see that they are wearing typical normal everyday clothes.
- 6. There are typical sounds used that shows that they are zombies as there are screams used and lots of noises that are very slow. Also the dialogue that is used brings the comedy sense to the trailer as they make a joke about zombies being ‘everywhere’ when they are on the phone. By making it sound like a joke it shows the comedy element to the comedy horror genre.
- 7. In this first image you can see the typical convention of how zombies are usually tried to be killed with sticks and with things stabbed through them. Which shows the conventions of a zombie film. As you can see in this image it shows a person eating a hand which is usually conventional of what zombies do as they eat flesh. This is what you would expect to see in a trailer for films with a horror comedy element as it gives a sense of both genre’s together.