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Bamboora 
“For 
me, 
this 
year’s 
highlights 
were 
playing 
a 
packed 
stage 
at 
Counter 
Point 
Music 
Fes<val, 
ge>ng 
my 
first 
original 
played 
on 
Hardwell 
and 
Dannic's 
radio 
shows, 
playing 
on 
Evolu<on 
and 
I 
Heart 
Radio, 
and 
playing 
back 
at 
Mullins 
Center 
in 
Amherst 
aHer 
a 
two-­‐year 
ban 
on 
shows.”
D-Lux 
“The 
absolute 
highlight 
for 
me 
was 
having 
my 
first 
produc<on 
included 
in 
the 
Dancing 
on 
the 
Charles 
Vol. 
II 
compila<on 
on 
Soul 
Clap 
Records. 
It's 
been 
an 
exci<ng 
process, 
aHer 
all 
these 
years 
DJing, 
to 
start 
over 
as 
a 
producer. 
Opening 
the 
main 
room 
at 
RISE 
for 
Mike 
Swells, 
opening 
for 
DJ 
Tennis 
at 
RE:SET’s 
3-­‐year 
anniversary, 
and 
My 
Favorite 
Robot 
at 
Bijou 
were 
my 
favorite 
performances 
this 
year.”
Mike Swells 
“In 
my 
eyes, 
2014 
is 
the 
year 
where 
our 
new 
genera<on 
of 
American 
electronic 
music 
fans 
started 
to 
grow 
up. 
No 
longer 
are 
‘EDM’ 
and 
‘bro-­‐step’ 
the 
flavors 
du 
jour. 
Deep 
house 
and 
techno 
have 
gained 
momentum, 
thanks 
largely 
to 
the 
genres 
being 
made 
more 
accessible 
by 
ar<sts 
like 
Claude 
von 
Stroke 
and 
Richie 
Haw<n. 
Much 
credit 
must 
also 
be 
given 
to 
event 
producers/promoters 
like 
Insomniac 
(EDC), 
Made 
Event 
(Electric 
Zoo), 
and 
Ultra 
Music 
Fes<val, 
all 
of 
whom 
diversified 
their 
fes<val 
programming 
with 
forward-­‐ 
thinking 
sounds 
from 
around 
the 
world. 
We 
all 
knew 
that 
EDM 
would 
be 
the 
gateway; 
it’s 
great 
to 
see 
new 
faces 
finally 
star<ng 
to 
discover 
deeper 
shades 
of 
sound.” 
Photo 
by 
Roger 
Piche
LeahV 
“I’ve 
had 
a 
monumental 
year 
of 
bookings. 
My 
best 
yet 
-­‐ 
opening 
for 
A-­‐trak, 
Jacques 
Greene, 
Omar 
S, 
and 
the 
legendary 
Francois 
K 
-­‐ 
were 
individually 
amazing 
experiences, 
but 
my 
crown 
jewel 
of 
2014 
was 
being 
direct 
support 
for 
James 
Murphy 
of 
LCD 
Soundsystem 
at 
The 
Museum 
of 
Fine 
Arts. 
[James] 
was 
the 
most 
humble 
and 
kind 
dude 
I've 
had 
the 
pleasure 
of 
working 
with. 
He 
came 
through 
early 
to 
check 
out 
my 
set 
-­‐ 
kind 
of 
rare 
for 
ar<sts 
of 
his 
magnitude 
– 
brought 
me 
many 
flutes 
of 
champagne, 
and 
complained 
about 
the 
lame 
requests 
he 
was 
probably 
going 
to 
get 
and 
how 
he 
wasn't 
going 
to 
play 
any 
of 
them. 
It 
was 
a 
glorious 
moment. 
I 
leave 
2014 
feeling 
grateful, 
mo<vated, 
and 
ready 
to 
bring 
more 
ruckus 
to 
Boston's 
scene.”
GLOWKIDS 
“Playing 
around 
the 
country, 
growing 
with 
the 
iExperia 
tour, 
building 
our 
interna<onally 
renowned 
blog, 
and 
gaining 
a 
loyal 
following 
along 
the 
way.” 
Photo 
by 
Chorale 
Miles
DJ Dolo 
“Personally, 
I'd 
have 
to 
say 
being 
featured 
on 
‘Sway 
In 
The 
Morning’ 
on 
Shade 
45 
was 
my 
biggest 
highlight. 
Music 
industry-­‐wise, 
the 
rise 
of 
SoundCloud 
is 
really 
helping 
producers’ 
careers.” 
Photo 
by 
Dawn 
Kingston
Damien Paul 
“2014 
brought 
a 
tremendous 
amount 
of 
change 
for 
me, 
both 
personally 
and 
professionally. 
Leaving 
one 
of 
my 
longest 
standing 
club 
residencies 
gave 
me 
the 
opportunity 
to 
focus 
on 
developing 
my 
sound 
and 
style 
while 
branching 
out 
to 
new 
venues 
throughout 
New 
England. 
The 
most 
pivotal 
moments 
this 
year 
happened 
at 
an 
aHer-­‐hours 
club 
called 
Therapy 
in 
Providence, 
Rhode 
Island. 
Being 
given 
the 
opportunity 
to 
play 
two 
gigs, 
both 
alongside 
notable 
ar<sts 
who 
have 
inspired 
me 
throughout 
my 
DJ 
career, 
stands 
out 
as 
a 
tremendous 
honor 
that 
I’m 
quite 
thankful 
for. 
I 
opened 
for 
Pleasurehead, 
one 
of 
my 
first 
inspira<ons 
in 
trance 
music 
and 
a 
huge 
contributor 
to 
the 
underground 
electronic 
scene 
in 
the 
Northeast. 
Another 
night, 
I 
played 
alongside 
the 
interna<onal 
techno 
legend, 
Jay 
Lumen.” 
Photo 
by 
Dave 
Yang
Mr. McNeill 
“2014 
has 
been 
a 
bit 
of 
a 
strange 
year 
for 
myself 
and 
DJ’ing. 
It 
had 
to 
take 
a 
back 
seat 
for 
the 
first 
half 
of 
the 
year 
while 
I 
was 
finishing 
up 
my 
last 
semester 
in 
school. 
Even 
though 
the 
par<es 
were 
going 
well 
through 
it, 
my 
enthusiasm 
for 
DJ’ing 
itself 
was 
waning 
a 
bit 
by 
the 
the 
<me 
school 
had 
wound 
down. 
But, 
I 
found 
myself 
buying 
vinyl 
again 
and 
playing 
strictly 
vinyl 
sets. 
It 
helped 
me 
get 
my 
mind 
back 
into 
the 
music 
and 
gave 
me 
back 
the 
sense 
of 
apprecia<on 
I 
had 
for 
DJ’ing 
when 
I 
first 
started 
years 
ago. 
I 
started 
hun<ng 
vinyl 
down 
again 
and 
looking 
for 
records 
that 
wouldn't 
make 
it 
to 
a 
digital 
release 
so 
I 
could 
really 
make 
my 
sets 
stand 
out. 
Vinyl 
saved 
my 
DJ 
life 
in 
2014. 
That 
was 
the 
biggest 
thing 
to 
happen 
to 
me 
this 
year 
in 
DJ’ing. 
As 
for 
best 
party 
moment, 
I'd 
have 
to 
say 
the 
party 
we 
just 
did 
with 
Felix 
Da 
Housecat. 
Best 
vibe 
and 
crowd 
I've 
seen 
in 
Boston 
in 
a 
long 
<me. 
We 
need 
more 
of 
that!” 
Photo 
by 
Dilven 
Photography
Deadpool 
“Opening 
for 
Sick 
Individuals 
and 
Stafford 
Brothers 
at 
Prime, 
and 
playing 
at 
Tight 
Crew’s 
DDR 
party.” 
Photo 
by 
Dave 
Yang
Case & Point 
“All 
of 
the 
stuff 
we've 
been 
able 
to 
do 
with 
the 
label 
we 
are 
on, 
Monstercat, 
has 
really 
helped 
us 
grow. 
They 
have 
a 
great 
outlook 
on 
the 
music 
industry, 
and 
the 
right 
a>tude 
for 
working 
with 
ar<sts 
and 
fans 
alike.”
Kyle Pike 
“Seeing 
Gesaffelstein 
at 
Electric 
Zoo. 
I 
bought 
a 
single 
day 
<cket 
strictly 
for 
him 
and 
he 
didn't 
disappoint. 
Also, 
moving 
to 
Boston 
because 
I 
get 
to 
hop 
on 
Spectrum 
Radio 
every 
week 
with 
one 
of 
my 
good 
friends, 
Mikey 
Maags.” 
Photo 
by 
Conor 
Olmsted
Jonny Dougs 
“Personally, 
having 
the 
chance 
to 
play 
in 
New 
York/New 
Jersey 
for 
Life 
In 
Color 
was 
a 
defining 
moment 
for 
me. 
I 
entered 
a 
mix 
into 
a 
contest 
and 
the 
winner 
was 
chosen 
based 
on 
votes, 
mix 
quality, 
and 
song 
selec<on. 
Although 
I 
placed 
5th 
in 
votes, 
the 
people 
at 
Wavo 
and 
Life 
in 
Color 
actually 
took 
the 
<me 
to 
listen 
to 
the 
mix 
and 
chose 
me 
as 
a 
winner. 
It 
was 
extremely 
refreshing 
to 
know 
they 
don't 
just 
pick 
the 
person 
who 
gets 
a 
million 
people 
on 
Facebook 
to 
vote 
for 
them, 
but 
they 
actually 
look 
for 
a 
quality 
mix. 
I 
got 
to 
bring 
my 
girlfriend 
and 
two 
best 
friends 
along 
with 
me, 
back 
stage 
and 
everything, 
it 
was 
an 
experience 
to 
this 
day 
I 
s<ll 
think 
was 
a 
dream. 
As 
far 
as 
for 
the 
music 
industry 
in 
general, 
I 
love 
silencing 
the 
people 
who 
keep 
wai<ng 
for 
the 
EDM 
‘bubble’ 
to 
pop. 
Yes, 
there 
was 
a 
point 
where 
ar<sts 
and 
producers 
were 
just 
pu>ng 
out 
cookie 
cuqer 
versions 
of 
other 
songs. 
But 
to 
me 
that 
was 
a 
blessing 
in 
disguise. 
Ar<sts 
were 
forced 
to 
become 
even 
more 
experimental 
and 
more 
original 
to 
differen<ate 
themselves 
from 
what 
became 
a 
very 
similar 
sound. 
Carl 
Cox 
said 
it 
best 
when 
sta<ng, 
‘EDM's 
an 
entry 
level 
to 
dance 
music.’ 
Whether 
you 
agree 
or 
hate 
on 
the 
pop 
versions 
of 
EDM, 
it 
opens 
the 
doors 
for 
people 
to 
discover 
more 
electronic-­‐based 
dance 
music. 
I 
started 
out 
playing 
mostly 
hip-­‐hop 
and 
top 
40 
for 
very 
generic 
bars. 
I 
had 
that 
entry 
level 
experience 
with 
some 
popular 
dance 
music 
and 
was 
instantly 
hooked. 
Now 
as 
a 
DJ, 
I 
dig 
a 
bit 
deeper 
to 
expand 
my 
musical 
selec<on 
to 
honor 
places 
that 
play 
it 
like 
RISE 
and 
Therapy. 
These 
are 
the 
best 
places 
to 
find 
the 
hidden 
secrets 
of 
electronic 
dance 
music.” 
Photo 
by 
Sam 
Dahlstedt
Breeazy 
“2014 
has 
been 
a 
great 
year 
for 
me. 
I 
experienced 
one 
of 
the 
most 
monumental 
achievements 
I 
could 
have 
ever 
set 
out 
to 
do: 
played 
the 
main 
stage 
of 
a 
major 
fes<val 
by 
opening 
EDC 
Mexico 
City. 
The 
feeling 
is 
one 
I 
cannot 
put 
into 
words. 
It 
was 
just 
majes<c. 
I 
have 
also 
been 
a 
part 
of 
many 
amazing 
shows 
in 
the 
Boston 
area, 
being 
on 
support 
for 
major 
touring 
DJs 
and 
producers 
including 
Eric 
Prydz, 
Deorro, 
PVD, 
Showtek, 
DJ 
Snake, 
Borgore, 
Madeon, 
Galan<s, 
and 
many 
more. 
It 
has 
just 
been 
an 
unreal 
year 
for 
me 
and 
I 
hope 
2015 
can 
hold 
a 
candle 
to 
it.” 
Photo 
by 
Ancelis 
Nunez
VOLTRAN 
“Flying 
down 
to 
Atlanta, 
Georgia, 
to 
play 
with 
my 
homie 
Bamboora 
at 
the 
Counterpoint 
music 
fes<val 
and 
opening 
for 
Skrillex 
at 
the 
Mullins 
Center. 
2014 
was 
a 
big 
year 
for 
music 
and 
breaking 
away 
from 
the 
mainstream 
bubble. 
I'm 
excited 
to 
hear 
the 
new 
underground 
sounds 
that 
will 
be 
filling 
in 
this 
void. 
From 
future 
bass 
to 
future 
house, 
I'm 
excited 
to 
see 
how 
far 
we 
can 
push 
the 
envelope.” 
Photo 
by 
Gina 
Manning
Lenore 
“An 
important 
highlight 
for 
Elements 
was 
having 
our 
15-­‐year 
anniversary 
in 
January.” 
Photo 
by 
Evan 
Smith
B3RAO 
“Playing 
several 
gigs 
in 
Ibiza. 
Definitely 
a 
check 
off 
the 
bucket 
list, 
and 
with 
the 
countless 
days/weeks/months 
I 
spend 
in 
the 
studio 
grinding 
away 
on 
music, 
I 
hope 
to 
be 
back 
there 
soon 
enough.”
Godoii & Davvid 
“Headlining 
Crush! 
University 
was 
a 
huge 
sign 
of 
faith 
in 
us 
as 
a 
budding 
DJ 
Duo 
from 
Mike 
O’Malley, 
the 
promoter 
who 
gave 
us 
our 
first 
chance 
back 
in 
March 
to 
open 
for 
Sound 
Remedy. 
We 
were 
honestly 
in 
shock 
that 
in 
a 
mere 
few 
months 
we 
went 
from 
a 
9:00pm 
opening 
set 
for 
Sound 
Remedy, 
to 
headlining 
our 
own 
first 
show. 
It 
was 
a 
huge 
success 
and 
opened 
the 
door 
for 
us 
to 
subsequently 
DJ 
at 
Machine, 
Prime, 
Candibar, 
Naga, 
and 
RISE. 
Each 
one 
of 
our 
gigs 
has 
progressively 
had 
a 
beqer 
atmosphere 
as 
we’ve 
grown 
more 
c omf o r t a b l e 
DJ ’ i n g 
i n 
d iffe r e n t 
environments 
and 
has 
definitely 
aided 
in 
our 
development 
as 
ar<sts. 
Each 
and 
every 
single 
one 
of 
our 
gigs 
is 
very 
special 
to 
us 
because 
of 
every 
fan 
and 
friend 
who 
stood 
there 
with 
us 
and 
made 
us 
feel 
like 
home 
in 
the 
booth. 
We 
are 
very 
thankful 
mainly 
to 
them 
because 
they 
are 
the 
ones 
who 
brought 
us 
here.” 
Photo 
by 
Kevin 
Du
Scratch ‘n’ Sniff 
“The 
most 
amazing 
thing 
in 
the 
DJ 
community 
was 
the 
2014 
Red 
Bull 
Thre3style 
compe<<on. 
Undoubtedly 
the 
most 
crea<ve 
and 
technically 
advanced 
DJ 
performances 
in 
the 
history 
of 
the 
art. 
These 
guys 
are 
completely 
redefining 
the 
rules 
of 
DJ’ing.”
Jaminic 
“Opening 
for 
Claude 
VonStroke 
at 
Therapy. 
It 
was 
one 
of 
the 
first 
weekends 
the 
club 
was 
open.”
JesseJess! 
“Personally, 
when 
I 
decided 
to 
quit 
my 
day 
job 
to 
pursue 
DJ’ing 
full-­‐<me, 
and 
shortly 
thereaHer, 
I 
landed 
a 
residency 
with 
Big 
Night 
Entertainment 
Group. 
In 
terms 
of 
the 
industry, 
a 
big 
moment 
for 
me 
was 
when 
A-­‐Trak 
put 
out 
a 
PSA 
to 
draw 
a 
line 
between 
DJs 
and 
Producers 
with 
his 
‘Real 
DJ’ing’ 
campaign.” 
Photo 
by 
Kevin 
Du
Moduloktopus 
“Finding 
myself 
in 
music 
again 
and 
not 
caring 
about 
likes, 
plays, 
comments, 
etc. 
Once 
you 
put 
everything 
you 
got 
into 
what 
you 
do 
and 
don't 
get 
dragged 
by 
the 
currents 
of 
social 
media, 
you 
understand 
why 
the 
people 
you 
admire 
are 
where 
they 
are 
and 
where 
they’re 
not.” 
Photo 
by 
Nicky 
Digital
Wubson 
“I 
don’t 
do 
house 
par<es 
that 
much 
anymore, 
but 
the 
homie 
who 
asked 
me 
to 
play 
is 
an 
incredible 
human 
being 
that 
I 
love 
dearly. 
AHer 
[playinh], 
I 
honestly 
couldn’t 
tell 
you 
how 
long, 
I 
think 
it 
was 
two 
hours? 
I 
put 
on 
a 
long 
track 
to 
see 
about 
ge>ng 
the 
next 
DJ 
a 
chance 
to 
play. 
Upon 
turning 
around, 
I 
realized 
the 
amazing 
horror 
of 
that 
par<cular 
set. 
The 
room 
had 
at 
least 
tripled 
in 
popula<on. 
This 
wasn’t 
a 
crowd. 
This 
was 
a 
Hive-­‐mind 
Party 
Monster... 
Nine 
months 
later, 
people 
in 
Western 
Mass 
who 
I 
don’t 
even 
know 
s<ll 
come 
up 
to 
me 
and 
talk 
about 
how 
much 
fun 
they 
had 
at 
that 
party.” 
Photo 
by 
Siouxside
Alyce Currier 
“Decibel 
Fes<val 
in 
Seaqle 
really 
reinvigorated 
my 
love 
for 
dance 
music 
aHer 
a 
bit 
of 
a 
slump; 
for 
the 
last 
two 
years 
it's 
been 
a 
major 
music 
highlight 
for 
me. 
They 
really 
manage 
to 
meld 
all 
of 
the 
best 
parts 
of 
electronic 
music 
culture 
into 
one 
event, 
and 
the 
Ostgut 
Ton 
label 
night, 
Anjunadeep 
boat 
party, 
Max 
Cooper's 
two 
sets, 
Recondite, 
and 
just 
the 
energy 
of 
Seaqle 
were 
super 
inspiring.” 
Photo 
by 
Adrienne 
Berlin
Andrew Garcia 
“The 
best 
moment 
in 
2014 
for 
me 
was 
the 
release 
of 
Porter 
Robinson's 
album. 
It 
really 
influenced 
a 
lot 
of 
people, 
me 
included, 
and 
is 
really 
where 
I 
feel 
the 
future 
of 
electronic 
music 
is 
going. 
I 
think 
another 
huge 
moment 
for 
me, 
personally, 
were 
opportuni<es 
to 
be 
able 
to 
play 
the 
music 
I 
love 
for 
people 
who 
appreciate 
it; 
that 
just 
makes 
all 
the 
hard 
work 
worth 
it.” 
Photo 
by 
Conor 
Olmsted
Richard Fraioli 
“For 
myself 
in 
2014, 
some 
of 
most 
memorable 
moments 
were 
playing 
at 
Ultra 
Music 
Fes<val 
Miami 
for 
the 
8th 
year 
in 
a 
row, 
and 
finally 
ge>ng 
to 
open 
for 
one 
of 
my 
mentors, 
Laidback 
Luke. 
It's 
been 
a 
really 
busy 
year 
for 
me 
with 
ge>ng 
ready 
to 
release 
a 
string 
of 
original 
tracks 
for 
2015, 
and 
furthering 
my 
brand, 
That 
MOTHER 
F#%KING 
House 
Music 
(TMFHM). 
As 
for 
the 
industry, 
one 
of 
the 
most 
significant 
things 
to 
happen 
in 
this 
scene 
was 
the 
massive 
amount 
of 
collabora<ons 
between 
ar<sts 
and 
a 
lot 
of 
cross-­‐genre 
produc<ons. 
It's 
so 
good 
to 
see 
all 
different 
styles 
and 
ar<sts 
come 
together 
to 
make 
something 
unique 
and 
different. 
It's 
all 
about 
the 
music.”
A1exxxan 
“Discovering, 
at 
Arisia 
2014, 
that 
the 
second 
love 
of 
scifi 
nerds 
is 
deep 
house. 
Also, 
being 
a 
part 
of 
the 
Together 
staff 
(again) 
was 
a 
fantas<c 
and 
produc<ve 
experience.” 
Photo 
by 
Darkwell 
Studios
Massacur 
“This 
year 
has 
brought 
successes, 
not 
only 
in 
my 
live 
performances 
at 
top-­‐level 
venues 
with 
some 
of 
the 
scene’s 
biggest 
talents, 
but 
also 
in 
the 
management 
of 
myself 
as 
an 
ar<st. 
2014 
has 
been 
a 
year 
where, 
despite 
a 
rigorous 
live, 
I’ve 
had 
the 
opportunity 
and 
pleasure 
of 
breaking 
onto 
the 
regional 
and 
interna<onal 
radio 
scenes 
as 
well 
as 
spending 
countless 
hours 
developing 
both 
my 
original 
studio 
produc<on 
as 
well 
as 
my 
branding. 
Of 
my 
150 
events 
so 
far 
this 
year, 
over 
80% 
were 
performed 
in 
headlining 
roles 
which 
has 
been 
an 
honor 
when 
considering 
that 
only 
just 
two 
years 
ago, 
I 
was 
liqle 
more 
than 
a 
college 
kid 
with 
a 
laptop 
and 
a 
few 
friends.” 
Photo 
by 
David 
Blazze
Ju Lee 
“I 
got 
to 
play 
at 
WMC 
for 
the 
first 
<me, 
headline 
RISEAHer-­‐hours, 
and 
become 
a 
resident 
at 
the 
Colosseum 
in 
Providence, 
RI. 
One 
of 
the 
most 
memorable 
moments 
was 
during 
my 
set 
at 
FractalFest 
-­‐ 
the 
energy 
was 
unbelievable 
and 
Aaron 
Fractaltribe, 
the 
person 
who 
taught 
me 
to 
DJ, 
came 
to 
the 
stage, 
gave 
me 
a 
hug, 
and 
told 
me 
he 
was 
proud 
of 
me. 
It 
meant 
the 
world.” 
Photo 
by 
Kevin 
Du
Sir Matty V 
“For 
the 
industry, 
the 
emergence 
of 
so 
many 
young 
ar<sts. 
Guys 
like 
Heldens, 
Tom 
Newson, 
Will 
Sparks, 
and 
Madeon 
are 
really 
helping 
shape 
so 
many 
different 
aspects 
of 
electronic 
music, 
which 
is 
refreshing. 
Personally, 
DJ’ing 
at 
Fenway 
park 
for 
the 
Reebok 
Spartan 
Race. 
That 
was 
super 
<ght.” 
Photo 
by 
James 
Coleqa
Noya 
“Ali 
G 
in 
the 
house 
stole 
my 
tune 
for 
their 
commercial, 
and 
I 
opened 
for 
Alvin 
Risk 
at 
Therapy 
with 
Michael 
Savant, 
which 
was 
probably 
the 
best 
set 
I've 
ever 
played.”
Batwings 
“2014 
brought 
the 
advent 
of 
our 
Dusk 
Till 
Done 
crew, 
throwing 
secret 
and 
not-­‐so-­‐ 
secret 
events 
in 
and 
around 
Boston 
and 
impor<ng 
talents 
such 
as 
La 
Fleur, 
Danny 
Howells, 
and 
Mr. 
C. 
With 
one 
chapter 
beginning, 
another 
one 
of 
mine 
is 
either 
closing 
or 
hopefully 
just 
changing. 
Concluding 
my 
residency 
DJ’ing 
for 
a 
na<onal 
ar<st 
showcase 
in 
Boston, 
I 
had 
the 
pleasure 
of 
mee<ng 
and 
mixing 
for 
some 
of 
our 
city's 
finest 
photographers, 
graphic 
and 
performance 
ar<sts, 
musicians, 
drag 
queens... 
you 
name 
it. 
With 
our 
director 
resigning 
from 
the 
na<onal 
organiza<on, 
a 
new/improved 
event 
may 
be 
rising 
from 
the 
ashes 
to 
give 
even 
more 
back 
to 
the 
ar<sts 
with 
each 
showcase. 
For 
my 
first 
ever 
real 
travel 
for 
a 
fes<val, 
I 
embarked 
to 
Moogfest 
in 
NC. 
Personal 
fave 
was 
seeing 
both 
an 
80+ 
year-­‐old 
woman 
and 
an 
awkward 
high-­‐school 
kid 
killing 
the 
dance 
floor 
to 
Egyp<an 
Lover.”
Wil Trahan 
“2014 
was 
the 
year 
I 
started 
to 
see 
so 
many 
new 
faces 
on 
the 
dance 
floor 
and 
that's 
what 
made 
this 
past 
year 
so 
great. 
From 
my 
classics 
party 
at 
Bijou, 
to 
the 
10-­‐hour 
set 
at 
Therapy, 
there 
was 
so 
much 
energy 
and 
that’s 
what 
kept 
me 
pushing 
forward.” 
Photo 
by 
Evan 
Smith
DUDEnGUY 
“We 
had 
a 
goal 
to 
play 
at 
Royale; 
we 
achieved 
that 
goal 
and 
became 
monthly 
residents. 
Also 
over 
the 
course 
of 
the 
year 
through 
our 
social 
media 
outlets, 
we've 
been 
receiving 
more 
and 
more 
random 
comments 
– 
we 
have 
a 
hard 
<me 
believing 
we 
have 
fans, 
so 
let’s 
call 
them 
new 
followers 
and 
friends.”
Igor Stelea 
“For 
me, 
the 
whole 
year 
was 
really 
a 
launchpad 
into 
my 
Boston 
club 
gigs, 
star<ng 
with 
Storyville 
and 
ending 
with 
RISE, 
thanks 
to 
Oxeat 
and 
Shikhar 
in 
par<cular. 
Of 
all 
those, 
the 
highlight 
so 
far 
has 
been 
playing 
at 
Bijou 
on 
July 
4th, 
along 
with 
Alex 
Villa 
and 
Richie 
Santana. 
In 
terms 
of 
music 
industry 
changes, 
I 
think 
in 
general, 
2014 
is 
the 
year 
of 
deep 
house 
rising 
to 
popularity 
in 
the 
US, 
as 
it's 
ge>ng 
bigger 
and 
bigger 
here. 
Techno 
is 
also 
leaving 
a 
larger 
footprint, 
which 
I'm 
very 
passionate 
about, 
having 
lived 
in 
Detroit. 
I'm 
pumped 
the 
Time 
Warp 
fes<val 
just 
came 
to 
the 
US 
in 
NYC.” 
Photo 
by 
Dylan 
Mullen
REDgreenBLUE 
“On 
a 
personal 
level, 
finally 
having 
a 
label 
get 
back 
to 
me 
about 
a 
demo 
in 
a 
posi<ve 
way 
was 
a 
highlight 
of 
2014. 
It 
was 
so 
valida<ng 
aHer 
years 
of 
hard 
work 
honing 
my 
producing 
ability 
to 
have 
someone 
completely 
third 
party 
to 
me 
tell 
me 
they 
thought 
something 
I 
made 
was 
worth 
releasing. 
On 
an 
industry 
level, 
a 
high 
point 
to 
me 
was 
when 
Beatport 
released 
a 
graph 
that 
showed 
deep 
house 
had 
become 
one 
of 
the 
top 
sellers. 
It 
made 
me 
really 
giddy 
and 
excited 
that 
it's 
ge>ng 
the 
recogni<on 
it 
deserves. 
Addi<onally, 
hearing 
deep 
house-­‐influenced 
tracks 
on 
the 
radio 
is 
kind 
of 
a 
trip, 
too! 
I 
don't 
listen 
oHen, 
but 
I'm 
preqy 
sure 
I 
caught 
the 
Robin 
Schulz 
remix 
of 
“Waves” 
a 
few 
<mes 
over 
the 
airwaves 
in 
the 
car.” 
Photo 
by 
Rachel 
Lynch
Mikey Maags 
“I 
had 
two 
big 
highlights 
this 
year, 
both 
part 
of 
Beandream 
Produc<ons’ 
monthly 
Binary 
party. 
The 
first 
was 
having 
my 
own 
featured 
night 
at 
the 
end 
of 
June, 
for 
which 
I 
played 
in 
between 
Kyle 
Pike 
(who 
opened) 
and 
Convoi 
(who 
closed). 
It 
was 
a 
phenomenal 
<me! 
My 
second 
highlight 
was 
the 
party’s 
one-­‐year 
anniversary. 
Aaron 
Roy, 
supported 
by 
The 
Brain 
Trust, 
put 
his 
faith 
in 
myself 
and 
two 
other 
great 
DJs, 
B3RAO 
and 
Convoi, 
last 
summer 
to 
create 
an 
awesome 
monthly 
dance 
party. 
Celebra<ng 
a 
full 
year 
of 
success 
for 
all 
of 
us 
was 
proper 
with 
great 
sound 
and 
even 
beqer 
people 
is 
definitely 
something 
I 
will 
never 
forget.” 
Photo 
by 
Parikhal 
Photo
Convoi 
“TomorrowWorld 
impacted 
me 
musically 
as 
far 
as 
experiencing 
techno 
goes. 
Throughout 
the 
weekend, 
the 
stages 
focusing 
on 
techno 
got 
bigger 
and 
beqer, 
both 
produc<on-­‐wise 
and 
musically. 
Whether 
it 
was 
inten<onal 
or 
not, 
TomorrowWorld 
maintained 
a 
solid 
and 
most 
importantly, 
CONSISTENT, 
vibe 
throughout 
the 
weekend. 
It 
was 
definitely 
felt 
and 
appreciated 
by 
anyone 
who 
chased 
techno 
the 
whole 
<me.” 
Photo 
by 
Siouxside
Sterling Golden 
“From 
the 
final 
run 
of 
the 
LEGACY 
dance 
night, 
to 
Sterling 
Sinn 
Radio, 
to 
joining 
the 
Dirty 
Water 
News 
squad, 
it's 
been 
an 
incredible 
12 
months. 
My 
personal 
2014 
highlight 
has 
to 
be 
working 
as 
music 
director 
& 
DJ 
for 
this 
year's 
Boston 
Fashion 
Awards, 
the 
biggest 
night 
on 
the 
Boston 
fashion 
community's 
calendar.” 
Photo 
by 
Derek 
Image
Achille 
“My 
favorite 
moments 
of 
2014 
werplaying 
Rise 
for 
the 
first 
<me, 
and 
running 
visuals 
in 
Icon’s 
main 
room. 
I 
got 
to 
play 
at 
an 
ins<tu<on 
of 
Boston 
nightlife 
and 
help 
open 
Boston’s 
newest 
club.” 
Photo 
by 
Beantown 
Boogiedown

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2014 Reviewed by Boston DJs

  • 1.
  • 2. Bamboora “For me, this year’s highlights were playing a packed stage at Counter Point Music Fes<val, ge>ng my first original played on Hardwell and Dannic's radio shows, playing on Evolu<on and I Heart Radio, and playing back at Mullins Center in Amherst aHer a two-­‐year ban on shows.”
  • 3. D-Lux “The absolute highlight for me was having my first produc<on included in the Dancing on the Charles Vol. II compila<on on Soul Clap Records. It's been an exci<ng process, aHer all these years DJing, to start over as a producer. Opening the main room at RISE for Mike Swells, opening for DJ Tennis at RE:SET’s 3-­‐year anniversary, and My Favorite Robot at Bijou were my favorite performances this year.”
  • 4. Mike Swells “In my eyes, 2014 is the year where our new genera<on of American electronic music fans started to grow up. No longer are ‘EDM’ and ‘bro-­‐step’ the flavors du jour. Deep house and techno have gained momentum, thanks largely to the genres being made more accessible by ar<sts like Claude von Stroke and Richie Haw<n. Much credit must also be given to event producers/promoters like Insomniac (EDC), Made Event (Electric Zoo), and Ultra Music Fes<val, all of whom diversified their fes<val programming with forward-­‐ thinking sounds from around the world. We all knew that EDM would be the gateway; it’s great to see new faces finally star<ng to discover deeper shades of sound.” Photo by Roger Piche
  • 5. LeahV “I’ve had a monumental year of bookings. My best yet -­‐ opening for A-­‐trak, Jacques Greene, Omar S, and the legendary Francois K -­‐ were individually amazing experiences, but my crown jewel of 2014 was being direct support for James Murphy of LCD Soundsystem at The Museum of Fine Arts. [James] was the most humble and kind dude I've had the pleasure of working with. He came through early to check out my set -­‐ kind of rare for ar<sts of his magnitude – brought me many flutes of champagne, and complained about the lame requests he was probably going to get and how he wasn't going to play any of them. It was a glorious moment. I leave 2014 feeling grateful, mo<vated, and ready to bring more ruckus to Boston's scene.”
  • 6. GLOWKIDS “Playing around the country, growing with the iExperia tour, building our interna<onally renowned blog, and gaining a loyal following along the way.” Photo by Chorale Miles
  • 7. DJ Dolo “Personally, I'd have to say being featured on ‘Sway In The Morning’ on Shade 45 was my biggest highlight. Music industry-­‐wise, the rise of SoundCloud is really helping producers’ careers.” Photo by Dawn Kingston
  • 8. Damien Paul “2014 brought a tremendous amount of change for me, both personally and professionally. Leaving one of my longest standing club residencies gave me the opportunity to focus on developing my sound and style while branching out to new venues throughout New England. The most pivotal moments this year happened at an aHer-­‐hours club called Therapy in Providence, Rhode Island. Being given the opportunity to play two gigs, both alongside notable ar<sts who have inspired me throughout my DJ career, stands out as a tremendous honor that I’m quite thankful for. I opened for Pleasurehead, one of my first inspira<ons in trance music and a huge contributor to the underground electronic scene in the Northeast. Another night, I played alongside the interna<onal techno legend, Jay Lumen.” Photo by Dave Yang
  • 9. Mr. McNeill “2014 has been a bit of a strange year for myself and DJ’ing. It had to take a back seat for the first half of the year while I was finishing up my last semester in school. Even though the par<es were going well through it, my enthusiasm for DJ’ing itself was waning a bit by the the <me school had wound down. But, I found myself buying vinyl again and playing strictly vinyl sets. It helped me get my mind back into the music and gave me back the sense of apprecia<on I had for DJ’ing when I first started years ago. I started hun<ng vinyl down again and looking for records that wouldn't make it to a digital release so I could really make my sets stand out. Vinyl saved my DJ life in 2014. That was the biggest thing to happen to me this year in DJ’ing. As for best party moment, I'd have to say the party we just did with Felix Da Housecat. Best vibe and crowd I've seen in Boston in a long <me. We need more of that!” Photo by Dilven Photography
  • 10. Deadpool “Opening for Sick Individuals and Stafford Brothers at Prime, and playing at Tight Crew’s DDR party.” Photo by Dave Yang
  • 11. Case & Point “All of the stuff we've been able to do with the label we are on, Monstercat, has really helped us grow. They have a great outlook on the music industry, and the right a>tude for working with ar<sts and fans alike.”
  • 12. Kyle Pike “Seeing Gesaffelstein at Electric Zoo. I bought a single day <cket strictly for him and he didn't disappoint. Also, moving to Boston because I get to hop on Spectrum Radio every week with one of my good friends, Mikey Maags.” Photo by Conor Olmsted
  • 13. Jonny Dougs “Personally, having the chance to play in New York/New Jersey for Life In Color was a defining moment for me. I entered a mix into a contest and the winner was chosen based on votes, mix quality, and song selec<on. Although I placed 5th in votes, the people at Wavo and Life in Color actually took the <me to listen to the mix and chose me as a winner. It was extremely refreshing to know they don't just pick the person who gets a million people on Facebook to vote for them, but they actually look for a quality mix. I got to bring my girlfriend and two best friends along with me, back stage and everything, it was an experience to this day I s<ll think was a dream. As far as for the music industry in general, I love silencing the people who keep wai<ng for the EDM ‘bubble’ to pop. Yes, there was a point where ar<sts and producers were just pu>ng out cookie cuqer versions of other songs. But to me that was a blessing in disguise. Ar<sts were forced to become even more experimental and more original to differen<ate themselves from what became a very similar sound. Carl Cox said it best when sta<ng, ‘EDM's an entry level to dance music.’ Whether you agree or hate on the pop versions of EDM, it opens the doors for people to discover more electronic-­‐based dance music. I started out playing mostly hip-­‐hop and top 40 for very generic bars. I had that entry level experience with some popular dance music and was instantly hooked. Now as a DJ, I dig a bit deeper to expand my musical selec<on to honor places that play it like RISE and Therapy. These are the best places to find the hidden secrets of electronic dance music.” Photo by Sam Dahlstedt
  • 14. Breeazy “2014 has been a great year for me. I experienced one of the most monumental achievements I could have ever set out to do: played the main stage of a major fes<val by opening EDC Mexico City. The feeling is one I cannot put into words. It was just majes<c. I have also been a part of many amazing shows in the Boston area, being on support for major touring DJs and producers including Eric Prydz, Deorro, PVD, Showtek, DJ Snake, Borgore, Madeon, Galan<s, and many more. It has just been an unreal year for me and I hope 2015 can hold a candle to it.” Photo by Ancelis Nunez
  • 15. VOLTRAN “Flying down to Atlanta, Georgia, to play with my homie Bamboora at the Counterpoint music fes<val and opening for Skrillex at the Mullins Center. 2014 was a big year for music and breaking away from the mainstream bubble. I'm excited to hear the new underground sounds that will be filling in this void. From future bass to future house, I'm excited to see how far we can push the envelope.” Photo by Gina Manning
  • 16. Lenore “An important highlight for Elements was having our 15-­‐year anniversary in January.” Photo by Evan Smith
  • 17. B3RAO “Playing several gigs in Ibiza. Definitely a check off the bucket list, and with the countless days/weeks/months I spend in the studio grinding away on music, I hope to be back there soon enough.”
  • 18. Godoii & Davvid “Headlining Crush! University was a huge sign of faith in us as a budding DJ Duo from Mike O’Malley, the promoter who gave us our first chance back in March to open for Sound Remedy. We were honestly in shock that in a mere few months we went from a 9:00pm opening set for Sound Remedy, to headlining our own first show. It was a huge success and opened the door for us to subsequently DJ at Machine, Prime, Candibar, Naga, and RISE. Each one of our gigs has progressively had a beqer atmosphere as we’ve grown more c omf o r t a b l e DJ ’ i n g i n d iffe r e n t environments and has definitely aided in our development as ar<sts. Each and every single one of our gigs is very special to us because of every fan and friend who stood there with us and made us feel like home in the booth. We are very thankful mainly to them because they are the ones who brought us here.” Photo by Kevin Du
  • 19. Scratch ‘n’ Sniff “The most amazing thing in the DJ community was the 2014 Red Bull Thre3style compe<<on. Undoubtedly the most crea<ve and technically advanced DJ performances in the history of the art. These guys are completely redefining the rules of DJ’ing.”
  • 20. Jaminic “Opening for Claude VonStroke at Therapy. It was one of the first weekends the club was open.”
  • 21. JesseJess! “Personally, when I decided to quit my day job to pursue DJ’ing full-­‐<me, and shortly thereaHer, I landed a residency with Big Night Entertainment Group. In terms of the industry, a big moment for me was when A-­‐Trak put out a PSA to draw a line between DJs and Producers with his ‘Real DJ’ing’ campaign.” Photo by Kevin Du
  • 22. Moduloktopus “Finding myself in music again and not caring about likes, plays, comments, etc. Once you put everything you got into what you do and don't get dragged by the currents of social media, you understand why the people you admire are where they are and where they’re not.” Photo by Nicky Digital
  • 23. Wubson “I don’t do house par<es that much anymore, but the homie who asked me to play is an incredible human being that I love dearly. AHer [playinh], I honestly couldn’t tell you how long, I think it was two hours? I put on a long track to see about ge>ng the next DJ a chance to play. Upon turning around, I realized the amazing horror of that par<cular set. The room had at least tripled in popula<on. This wasn’t a crowd. This was a Hive-­‐mind Party Monster... Nine months later, people in Western Mass who I don’t even know s<ll come up to me and talk about how much fun they had at that party.” Photo by Siouxside
  • 24. Alyce Currier “Decibel Fes<val in Seaqle really reinvigorated my love for dance music aHer a bit of a slump; for the last two years it's been a major music highlight for me. They really manage to meld all of the best parts of electronic music culture into one event, and the Ostgut Ton label night, Anjunadeep boat party, Max Cooper's two sets, Recondite, and just the energy of Seaqle were super inspiring.” Photo by Adrienne Berlin
  • 25. Andrew Garcia “The best moment in 2014 for me was the release of Porter Robinson's album. It really influenced a lot of people, me included, and is really where I feel the future of electronic music is going. I think another huge moment for me, personally, were opportuni<es to be able to play the music I love for people who appreciate it; that just makes all the hard work worth it.” Photo by Conor Olmsted
  • 26. Richard Fraioli “For myself in 2014, some of most memorable moments were playing at Ultra Music Fes<val Miami for the 8th year in a row, and finally ge>ng to open for one of my mentors, Laidback Luke. It's been a really busy year for me with ge>ng ready to release a string of original tracks for 2015, and furthering my brand, That MOTHER F#%KING House Music (TMFHM). As for the industry, one of the most significant things to happen in this scene was the massive amount of collabora<ons between ar<sts and a lot of cross-­‐genre produc<ons. It's so good to see all different styles and ar<sts come together to make something unique and different. It's all about the music.”
  • 27. A1exxxan “Discovering, at Arisia 2014, that the second love of scifi nerds is deep house. Also, being a part of the Together staff (again) was a fantas<c and produc<ve experience.” Photo by Darkwell Studios
  • 28. Massacur “This year has brought successes, not only in my live performances at top-­‐level venues with some of the scene’s biggest talents, but also in the management of myself as an ar<st. 2014 has been a year where, despite a rigorous live, I’ve had the opportunity and pleasure of breaking onto the regional and interna<onal radio scenes as well as spending countless hours developing both my original studio produc<on as well as my branding. Of my 150 events so far this year, over 80% were performed in headlining roles which has been an honor when considering that only just two years ago, I was liqle more than a college kid with a laptop and a few friends.” Photo by David Blazze
  • 29. Ju Lee “I got to play at WMC for the first <me, headline RISEAHer-­‐hours, and become a resident at the Colosseum in Providence, RI. One of the most memorable moments was during my set at FractalFest -­‐ the energy was unbelievable and Aaron Fractaltribe, the person who taught me to DJ, came to the stage, gave me a hug, and told me he was proud of me. It meant the world.” Photo by Kevin Du
  • 30. Sir Matty V “For the industry, the emergence of so many young ar<sts. Guys like Heldens, Tom Newson, Will Sparks, and Madeon are really helping shape so many different aspects of electronic music, which is refreshing. Personally, DJ’ing at Fenway park for the Reebok Spartan Race. That was super <ght.” Photo by James Coleqa
  • 31. Noya “Ali G in the house stole my tune for their commercial, and I opened for Alvin Risk at Therapy with Michael Savant, which was probably the best set I've ever played.”
  • 32. Batwings “2014 brought the advent of our Dusk Till Done crew, throwing secret and not-­‐so-­‐ secret events in and around Boston and impor<ng talents such as La Fleur, Danny Howells, and Mr. C. With one chapter beginning, another one of mine is either closing or hopefully just changing. Concluding my residency DJ’ing for a na<onal ar<st showcase in Boston, I had the pleasure of mee<ng and mixing for some of our city's finest photographers, graphic and performance ar<sts, musicians, drag queens... you name it. With our director resigning from the na<onal organiza<on, a new/improved event may be rising from the ashes to give even more back to the ar<sts with each showcase. For my first ever real travel for a fes<val, I embarked to Moogfest in NC. Personal fave was seeing both an 80+ year-­‐old woman and an awkward high-­‐school kid killing the dance floor to Egyp<an Lover.”
  • 33. Wil Trahan “2014 was the year I started to see so many new faces on the dance floor and that's what made this past year so great. From my classics party at Bijou, to the 10-­‐hour set at Therapy, there was so much energy and that’s what kept me pushing forward.” Photo by Evan Smith
  • 34. DUDEnGUY “We had a goal to play at Royale; we achieved that goal and became monthly residents. Also over the course of the year through our social media outlets, we've been receiving more and more random comments – we have a hard <me believing we have fans, so let’s call them new followers and friends.”
  • 35. Igor Stelea “For me, the whole year was really a launchpad into my Boston club gigs, star<ng with Storyville and ending with RISE, thanks to Oxeat and Shikhar in par<cular. Of all those, the highlight so far has been playing at Bijou on July 4th, along with Alex Villa and Richie Santana. In terms of music industry changes, I think in general, 2014 is the year of deep house rising to popularity in the US, as it's ge>ng bigger and bigger here. Techno is also leaving a larger footprint, which I'm very passionate about, having lived in Detroit. I'm pumped the Time Warp fes<val just came to the US in NYC.” Photo by Dylan Mullen
  • 36. REDgreenBLUE “On a personal level, finally having a label get back to me about a demo in a posi<ve way was a highlight of 2014. It was so valida<ng aHer years of hard work honing my producing ability to have someone completely third party to me tell me they thought something I made was worth releasing. On an industry level, a high point to me was when Beatport released a graph that showed deep house had become one of the top sellers. It made me really giddy and excited that it's ge>ng the recogni<on it deserves. Addi<onally, hearing deep house-­‐influenced tracks on the radio is kind of a trip, too! I don't listen oHen, but I'm preqy sure I caught the Robin Schulz remix of “Waves” a few <mes over the airwaves in the car.” Photo by Rachel Lynch
  • 37. Mikey Maags “I had two big highlights this year, both part of Beandream Produc<ons’ monthly Binary party. The first was having my own featured night at the end of June, for which I played in between Kyle Pike (who opened) and Convoi (who closed). It was a phenomenal <me! My second highlight was the party’s one-­‐year anniversary. Aaron Roy, supported by The Brain Trust, put his faith in myself and two other great DJs, B3RAO and Convoi, last summer to create an awesome monthly dance party. Celebra<ng a full year of success for all of us was proper with great sound and even beqer people is definitely something I will never forget.” Photo by Parikhal Photo
  • 38. Convoi “TomorrowWorld impacted me musically as far as experiencing techno goes. Throughout the weekend, the stages focusing on techno got bigger and beqer, both produc<on-­‐wise and musically. Whether it was inten<onal or not, TomorrowWorld maintained a solid and most importantly, CONSISTENT, vibe throughout the weekend. It was definitely felt and appreciated by anyone who chased techno the whole <me.” Photo by Siouxside
  • 39. Sterling Golden “From the final run of the LEGACY dance night, to Sterling Sinn Radio, to joining the Dirty Water News squad, it's been an incredible 12 months. My personal 2014 highlight has to be working as music director & DJ for this year's Boston Fashion Awards, the biggest night on the Boston fashion community's calendar.” Photo by Derek Image
  • 40. Achille “My favorite moments of 2014 werplaying Rise for the first <me, and running visuals in Icon’s main room. I got to play at an ins<tu<on of Boston nightlife and help open Boston’s newest club.” Photo by Beantown Boogiedown