3. LDN Network Cia.
Enterprise
Rafael Bertrán
Creation
Art-Work
Jay M. / Raf B.
Media and Social Networks
Jay M./Raf B.
Reporters & Writers
MagXLondon
“Soul of the city”
T. +44 (0) 7917 966556
rafaelbertran@gmail.com
www.magxlondon.com
www.magxibz.com
MUSIC
8 CARL COX_SPACE CLOSING
10 CARL COX
14 COCOON _ ASYLUM
18 NEIL DARUWALA_ NEWS
20 TOP 10 _ NEIL DARUWALA
26 DJ AWARDS “LET’S DANCE”
30 PERFECT PITCH _ PART 3
32 2 VILAS _ INTERVIEW
34 STEEL YARD _ CREAMFIELDS
*Special thank you for everyone who contributed towards this
edition and also for all the promotional support for magazine
from social networks.
Thanks to all the artists for participating in this edition.
FASHION
36 RICK OWENS
38 CHRISTOPHER BAILY
39 MARC JACOB
40 MATTHEW MILLER
42 ALEXANDER MCQUEEN
43 RICKY OWENS
46 MAKEUP _ WINTER/17
48 ACCESORIES _ WINTER/17
4. PAELLAS _ SUSHI
MEDITERRANEAN FOOD
PAELLAS _ SUSHI
MEDITERRANEAN FOOD
EVERYDAY FROM 11AM...
EVERYDAY FROM 11AM...
APARTAMENTOS BOSSAMAR _ LOCAL 1
T. +34 871 517 662
07817 PLAYA D'EN BOSSA _ IBIZA
whitebeachibiza@gmail.com
6. Rafael Bertrán
Un artista que siempre a tenido su público que le ha seguido en
todos sus eventos y fiestas, pero referente al público en general,
debemos decir que la evolución en estos últimos años son más y
más..., en este año el público se ha lanzado en masa, acompañando
todos los martes a este genio de la música Carl Cox.
Pienso que el final de Space Ibiza, no es el final de Carl Cox, si no
de una era y que a buen seguro algunas sorpresas más quedan
por venir.
Queda muy claro que tiene ya un sitio reservado en el olimpo de
los grandes artistas de la música Techno, me atrevo a decir y no
es solo mi opinión, se lo a ganado, como persona y como artista...
OH YES, OH YES!!
Its incredible Carl Cox is in his last season at Space Ibiza hosting
his own party called, "The Final Chapter" the Revolution of Tech-
no. For many years we have seen the evolution of the event and
Carl Cox himself, but I must say that what we are experiencing this
summer is his best yet.
Moreover at 2am every week the club is rammed and no one can
get in. There is a sign saying full up.
An artist who has always had a faithful following him wherever,
he plays, but we must say that his evolution as an artist has been
buildling more and more in recent years ..., this year the public
has congragated in mass every Tuesday to see this musical genius
Carl Cox.
The end of Space Ibiza maybe the end of an era but not , the end
of Carl Cox, and surely there will be a few more surprises yet to
come.
It is very clear that Carl Cox is already a titan within the Technos-
cene something he earned as a person and as an artist ...
OH YES, OH YES!!
Increible Carl Cox en esta la última temporada de Space Ibiza, que
a bautizado como “The Final Chapter” el Revolution del Techno,
durante muchos años hemos visto la evolución de la fiesta y del
propio Carl Cox, pero hay que decir que lo que estamos viviendo
este verano desde la primera fiesta hasta hoy, esta a tope!!
Además viendo todas las semanas sobre las 2am el letrero de Com-
pleto, grande Carl!!
10 11
8. The party continues into the early hours for
Part 2 at the 02 Academy Liverpool, a brand
new venue for the after party hosted by 303.
Returning for a rare northern appearance is Timo
Mass whose three decade career shows no signs
of slowing down, he’ll be joined by DJ/Producer
Quivver, special guests DJ duo Dense & Pika
and completing the bill is 303 residents Samuel
Lamont, Stuart Hodson and Gemma Muir.
The philosophy behind The Asylum is
refreshingly simple; to build upon the city’s
already immense foundations as one of the
worlds true bastions of dance music culture and
take it to the next level, curating world beating
line ups in one of the UK’s most spectacular
locations for music.
Cocoon @ The Asylum
Saturday 29th October
Halloween Special
13 Hours.
INFO
www.asylumevent.com
www.facebook.com/
AsylumEvent
twitter.com/asylumevent
Following the last two sell out shows, we are
pleased to announce The Asylum returns to the
Old Newsham Park Hospital in Liverpool on
Saturday 29th October for another haunting 13
hour Halloween special.
This year’s instalment sees the return of techno
legend Sven Vath, renowned as a risk taking
visionary and innovator and master creator
of the infamous Cocoon parties, he’ll be at the
helm performing a very special extended set,
joined by one of the hottest techno artists on
the circuit, who following an array of famed sets
over the last few year and acclaimed productions
on Cocoon Recordings, has firmly established
himself as a major player - Ilario Alicante.
Bringing some northern clout to the proceedings
is Tim Green who makes his Asylum debut, his
ability to manoeuvre through the realms of house
and techno makes his sound unmistakable and
completing the bill is Asylum regular Jemmy.
Ticketmaster - www.ticketmaster.co.uk
Tel: 0844 847 1727
www.magxlondon.com
14 15
10. 18 19
2nuevas pistas de Neil Daruwuala en su propio
sello 69 Street Records.
Estas AA salidas individuales para abrir su men-
te, en un viaje tecnológico profundo en la con-
ciencia humana.
Partiendo de creativas vocales con un gran gan-
cho y tambores ingeniosos.
"Abra su Mente" esta pista tiene el potencial de
ser un gran éxito.
"Otro Sueño" es una pista deep house llevado
por vocales con esencia de ritmos futuristicos.
https://soundcloud.com/dj-neil-daruwala/
open-your-mind-and-another-dream
2great new track by Neil Daruwala on his own
imprint 69 Street Records.
This AA side single starts with Open your Mind,
a deep tech trip into the human consciousness.
Using clever vocal samples, a great hook and
some clever drum programming Open your
Mind has the potential to be a huge hit.
Another Dream is a vocal led deep house track
with special reference to futuristic stabs and
un-orthodox rhythm. A perfect track for anyone
looking for that something special.
NEWRELEASES
18
www.facebook.com/neil.daruwala
Contact mail to;
rafaelbertran@gmail.com
19
11. www.magxlondon.comwww.facebook.com/neil.daruwala
20
TOP10 _ October
1. Armen Miran & Hraach _ Aldebaran
2. Neil Daruwala _ Breath
3. Rampa _ Necesity
4. Brett Gould _ Body Language. Anthony
Attalla Remix
5. Bob Moses _ Like it or not. Joris Voorn
Remix
6. Charles Ramirez Luca M Just 2 _ Up Down
7. Hamza Dazzle _ On
8. P.A.C.O and the return of the Jaded _
Rumble Original mix
9. Mighty Dub Katz _ Let the Drums speak
(Butch remix)
10. Gorge _ Dont Give up Original Mix
21
12.
13. LUXURYRENTALCARS
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company developed to offer Luxury
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che, Range Rover, Mercedes, BMW,
Audi, Hummer, Mini, Jeep… Also we
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As part of our professional service
we include exclusive rentals in lu-
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private security, restaurants, night
Clubs, private parties with the best
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14. 26 27
“LET’S DANCE”
Emanuel Satie was the deserved winner
of Producer, having had a string of successful
releases, whilst Claptone received the kryptonite
for House. ANNA’s heavy hitting, yet seductive
style of techno saw her collect Breakthrough. The
eclectic Mr. Doriswon Ibiza DJ, Newcomer went to
Mihalis Safras and after his many years of pushing
the scene forward, John Acquaviva took the awards
for Electronic Music Pioneer.
The biggest cheer or the night went to Carl
Cox who picked up not one, but two awards
for Techno and International. Space became the
first recipient of the newly created Iconic Club
Award. Carl’s story has been intertwined with that
of Space so it was fitting that the day after the
historic club’s closing of Space he presented his
long time friend and colleague, Pepe Rosello, with
the award.
It was a night of good vibes and high
emotions as many of those who influence
the global dance music scene gathered for
the annual DJ Awards celebration at Pacha
Ibiza.
Des Paul and Lucy Horobin presided over
the ceremony as 21 awards were presented.
12 of which were categories that were voted
for by the music fans. There was incredible
support shown with the number of votes
increasing year on year. There were also
9 special awards which were chosen by
industry insiders to recognise those who
have contributed to the electronic music
culture.
Anabel Englund wowed the crowd during
the awards with a debut of one of her
forthcoming tracks, which acted as a taster
for what was to come in her extended
performance during the party.
WINNERS 2016
www.djawards.com
15. 28 29
MUSIC CATEGORIE
BASS _ AMINE EDGE & DANCE
BIG ROOM HOUSE _ HARDWELL
BREAKTHROUGH _ ANNA
DEEP HOUSE _ BLACK COFFEE
ELECTRONICA _ JAMIE XX
ELECTRONIC LIVE PERFORMER _ MATADOR
HOUSE _ CLAPTONE
INTERNATIONAL _ CARL COX
NEWCOMER _ MIHALIS SAFRAS
TECH HOUSE _ THE MARTINEZ BROTHERS
TECHNO _ CARL COX
TRANCE _ ARMIN VAN BUUREN
SPECIAL AWARDS
INTERNATIONAL FESTIVAL _ AWAKENINGS
CUTTING EDGE _ FUNKTION ONE
PRODUCER _ EMANUEL SATIE
IBIZA NIGHT _ WOOMOON
IBIZA DJ _ MR DORIS
RECORD LABEL OF THE YEAR _ SUARA
IBIZA MUSIC EVENT _ MOSIAC BY MACEO PLEX –
10 KEYS SPOTS IN IBIZA
ELECTRONIC MUSIC PIONEER _ JOHN ACQUAVIVA
www.djawards.com
16. 30
Language of Music
PERFECT PITCH
One advantage of having a pitch perfect ear is that it crea-
tes an immediate association between the order of the
sounds and its names. This arrangement is a key element of
the organization of internal hearing, which is the hearing ba-
sis of the absolute and relative. Another psychological advan-
tage is to provide some fixing on the eminently mobile field
sensitivity.
In practical terms it has the following advantages:
1. Quickly recognize the exact height of the notes when
they listen.
2. It allows, through writing, to set the actual height of sounds.
3. Facilitates intonation in singing and instruments.
4. Facilitates memory.
5. It helps to orientate in the modulations.
6. It is a great support for virtuosity, for the speed in the de-
sign of
sounds.
7. Allows to more easily orient themselves in modern works
of atonal character.
The dangers of absolute hearing are that, from the Psycholo-
gically point of view, absolute hearing relates a physiological
element (sound) with a conceptual element, the mind (note
name) without an emotional element involved, which is cru-
cial for music. Another danger is constituted by the fact that
favors the detrimental virtuoso’s musicality and expressive-
ness. The student runs the risk of singing out of tune, not un-
derstanding the relationships between sounds. www.magxlondon.com
GAES: http://www.gaes.es (Audiometrías Free)
Earprotech: http://www.earprotech.com
31
3nd Part
Often, hearing a sound or a chord the Students can say the
name of the notes but can not reproduce vocally the
26 sounds, due to auditory imaging unable to create the syn-
chronicity between the hearing and utterance.
An ear too absolute can prevent from playing a piano tuned
too high or low, sing in a choir that has fallen or hear old mu-
sic, for example, refined from a different current pitch.
In some tonalities, such as sol sharp minor, there may be diffi-
culty in saying the name fa double sharp, as its sound matches
the sol. Likewise, students with perfect pitch all have difficul-
ties with hearing and recognition of harmonic intervals and
chords as they move wrong in the field of relations between
sounds.
They have tested intervallic identification discrimination in
which it hasencountered greater difficulty in OA holders aga-
inst people without this skill, especially outside the key of C
major. Some authors point out the difficulty of many subjects
with PP intervals to identify a direct mode.
Teplov distinguishes two kinds of absolute pitch assets and
liabilities. The perfect pitch liability can recognize the height
of the sounds and give them their name. The perfect pitch ear
can recognize and reproduce the height of a sound from the
indication of its name (or height)
17. 44 45
carloshector
www.magxlondon.com
32
https://soundcloud.com/user-242858825/isla001-snippets
Little history from your beginnings to today ....
Hi readers of Magxibz, we are Carlos Vila and Hector Avila,
2 guys that after having the same tastes and a twist of fate,
8 years ago, just putting music together to create our first
after party in Ibiza, we feel that we glued musically and
we created 2Vilas. We were 2 kids who love music, and we
started to get together to create, gradually learning every
day.
What is your source of musical inspiration?
The truth is that we have a quite extensive source of ins-
piration, because our music does not have a set stylel,
both as djs or producers. We have influences of 90’s hou-
se, since we grew up with that music, Todd Terry, Kenny
Dope , Dj Sneak etc ... but also love and feel the influence of
techno, which we soaked up much and admire artist like
Ricardo Villalobos, Rhadoo, Raresh ...
What is your dynamic for B2B sets and producing?
From the first day we got together in the studio or the dj
booth, we feel we are one, only with 4 hands .... Many ti-
mes during our set, we don’t talk, or we sit for hours and
study, each with its own inspiration. Everything flows ...
we feel very comfortable working with each other.
What is your opinion on the future of music and te-
chnology?
We think it is great that all the new technology is coming
out, although we are like our old ways ... We use almost all
vinyl in our sets, and in our studio, all the machines are
old, we like to work with all analog.
Representing the icon for you as dj_productores Ibi-
za?
For us, ibiza is our home, this is where we have always
been, Hector from Ibiza and therefore he has it inside. Car-
los is from Mallorca, but has spent many years living in
ibiza. Our whole life is here, and all our passion for music
comes from across this island.
INTERVIEW
2NEWTALENTSOFELECTRONICMUSIC
33
www.magxlondon.comwww.magxlondon.com
18. Following the success of this year’s Creamfields, which
saw 70,000 people flock to Daresbury in Cheshire
for one of the biggest weekends in the festival calendar,
fans attending witnessed the birth of the ‘Steel Yard’ and
we are pleased to announce its return for a very special
10,000 capacity show at Central Docks, Liverpool Waters
on the city’s waterfront on Saturday 26th November
headlined by one of the world’s biggest electronic acts
Axwell & Ingrosso.
With over 10 colossal arenas on site, there was one
which dominated the landscape and as their most
ambitious production concept to date, the Steel Yard
superstructure exceeded all expectations, becoming one
of this year’s festival highlights. Designed exclusively
for Creamfields and the largest of its kind in Europe, the
20m high structure has undoubtedly redefined festival
production as we know it, featuring newly developed
automated technology which brought this living,
breathing behemoth to life.
‘The Steel Yard presents Axwell & Ingrosso’ is the first of
a series of special events planned ahead of the festival’s
20th Anniversary celebrations in 2017 and sees the
return of the Creamfields brand to its spiritual home in
over a decade.
34
Steel Yard
Axwell & Ingrosso
Saturday 26th November
Central Docks at Liverpool Waters
http://bit.ly/2c8pUwX
Joe Anderson, Mayor of Liverpool, said: “Liverpool
is synonymous with music and we have a wonderful
heritage, but while celebrating the past it is also
important to keep our offer fresh and progressive so
this is great news. Cream is one of Liverpool’s biggest
and most iconic brands and is world famous and has a
reputation for pushing the boundaries. So to know that
Creamfields is coming back to the city is music to my
ears, because this is its spiritual home. Steel Yard is sure
to excite many people and my hope is that it is something
that can become a regular fixture in the city’s annual
music calendar.”
Ian Pollitt, assistant project director at Liverpool
Waters, said: “Steel Yard is a really innovative concept
and having it at Central Docks in Liverpool Waters
so close to the river will make it a truly memorable
experience for everyone attending. I am delighted that
we are working with Cream and able to find them a
place on the waterfront, which I hope will become their
regular venue for years to come.”
Pre-sale tickets will be available from 10am
Thursday 1st September, to register go to http://
www.creamfields.com/steelyard. General tickets
go on sale 10am Friday 2nd September 2016.
www.magxlondon.com
35