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C U B I S M
Reporters (BPED-2101)
2
SHARMAINE ARCE ROMMEL EVANGELIO
CUBISM
+ It was the first abstract style of modern art.
+ Cubism is an early 20th century art movement
which brought European painting and
sculpture historically forward toward 20th
century Modern art.
+ Cubism in its various forms inspired related
movements in music, literature and
characteristics.
3
+ The artists of Cubism also known
as “Cubists” challenged the
perspective aspect of art with
the intention of developing a new
way of seeing.
4
The main influences
and spreaders of
cubism are
5
6
GEORGE BRAQUE
(1882-1963)
PABLO PICASSO
(1881-1973)
BASIC CHARACTERISTICS
+ In Cubist artwork, objects are analyzed,
broken up and reassembled in an abstracted
form-instead of depicting objects from a
single viewpoint, the artists depicts the
subject from a multitude of viewpoints to
represent the subject in a greater context.
7
DEVELOPMENT OF CUBISM
The works of Paul Cezanne inspired
Picasso and Braque in the early 20th
century. Particularly, they examined
the fragmented space of Cezanne’s
paintings.
8
9
10
11
12
SOME IMPORTANT ASPECTS OF CUBISM INCLUDE
+ Facetted forms
+ Very limited palette
+ Multiple views of the subject
+ The cubist style emphasized the flat, two-
dimensional surface of the picture plane,
rejecting the traditional techniques of
perspective.
13
14
TWO TYPES
OF CUBISM
ANALYTICAL CUBISM (1908-1911)
+ It analyzed the form of objects by shattering them
into fragments spread out on the canvas.
+ This creates the illusion of movement.
+ The artist achieves this kaleidoscope like effect.
+ The colors in analytical cubism are usually neutral and
muted. Changes in value, or shading, within the many
angles help create interest and a sense of density.
+ Subject matter is often ambiguous, or hard to
determine.
15
16
PABLO PICASSO’S
ARTWORK
Les Demoiselles
d’Avignon, 1907
Portrait of Ambrose
Vollard, 1910
Portrait of Daniel-
Henry Kahnweller, 1910
17
La Guitare, 1910-10 Violin and Candlestick, 1910
P
A
B
L
O
PICASSO
18
Ma Jolie, 1911
(Pablo Picasso)
La Portuguese (The Emigrant),
1911-12 (Georges Braque)
SYNTHETIC CUBISM (1912)
+ Colour was re-introduced with two technical
innovations called papier Colle & Collage.
+ Papier colle involves sticking colored paper.
+ Collage was subsequently by Picasso and
involved including all kinds of material such as
newspaper or fabric in the painting.
+ Both techniques bridged the gap between art
and life.
19
20
Picasso’s first
collage Still
Life with Chair
Caning was
created in
May of 1912
(Musee
Picasso,
paris)
21
Braque’s first
Papier Colle
(pasted paper)
Fruit Dish with
Glass was
created in
September of
1912 (Boston
Museum of Fine
Arts)
22
Guitar Newspaper Glass Bottle
(Pablo Picasso)
Three Musicians, 1921
(Pablo Picasso)
23
Fruit dish ace clubs
(Georges Braque)
Bowl of Fruit (The Fruit Dish), 1912
(Pablo Picasso)
24
Violin
Melodie,
1914
(George
s
Braque)
25
MAIN
CUBISTS
26
GEORGE BRAQUE PABLO
PICASSO
27
ANDRE LOTHE
JEAN METZINGER
28
ALBERT GLEIZES ROBERT
DELAUNAY
29
FERNAND LEGER
JUAN GRIS
SCULPTURES
+ Cubist sculpture developed in parallel
with Cubist painting, beginning in
Paris around 1909 with its photo
Cubist phase, and evolving through
the early 1920s.
30
31
Pierrot with
Clarinet Man with a Mendoline
Guitar Player in Chair
CUBIST SCULPTURE
Jacques Lipchitz
End of cubism
+ It came to an end when WORLD WAR 1
erupted in Europe.
+ Cubism gave the world a new view on
realism with its distortion and overlapping.
+ Cubism can be seen as the starting point
for, or an essential element in several other
modern art movements, including ….
32
+ Futurism (1904-14)
+ Orphism (1910-13)
+ Vorticism (1914-15)
+ Constructivism (1919-1932)
+ Purism (1920-25)
33
“Cubism is like standing at a certain point
on a mountain and looking around. If you go
higher, things will look different; if you go
lower, again they will look different. It is a
point of view.”
-Jacques Lipchitz
Cubist sculpture
34
35
THANK YOU FOR
LISTENING!

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