When it comes to writing the short story there are two important structural guidelines to remember – the ‘beginning and ending'. Here are six tips for creating a dynamic opening for a short story.
The document discusses effective techniques for opening stories, including using a hook to engage the reader with a question or description. Some examples are given of openings that introduce characters, settings, actions, or dialogue. It emphasizes that openings should establish when and where the story takes place and who the characters are, while also including a hook to invite the reader to continue.
1) The opening of a story is important to set the tone and hook the reader to keep reading.
2) Successful openings introduce characters, setting, or pose a question to invite the reader to learn more.
3) Examples from popular books demonstrate different types of effective openings, such as describing characters, settings, including dialogue or action, or asking a question.
The document discusses the importance of story openings and provides examples of different types of effective openings. It notes that the first lines should set the tone, leave the reader with a question to encourage reading more, and introduce the characters, setting, and style. Openings discussed include describing a character, setting, both character and setting, starting with action, dialogue, a question, or statement. The opening should tell when and where the story is set, who the characters are, and the style/mood to hook the reader.
The document provides potential story ideas and elements for writing stories, including titles like "Lost in a tropical rainforest" and characters like "Crazy pirate" or "Mysterious twins". It also suggests possible story beginnings like "Once upon a time..." and story endings like "...happily ever after". The document aims to inspire creative writing by giving ideas for plots, settings, characters, and other components of crafting fictional tales.
1) The opening of a story is important to set the tone and hook the reader to continue reading.
2) Successful openings introduce characters, setting, or pose a question to intrigue the reader.
3) Examples from popular books demonstrate different types of effective openings, including descriptions of characters, settings, actions, dialogue, or posing intriguing questions.
1) The opening of a story is important to set the tone and hook the reader to keep reading.
2) Successful openings introduce characters, setting, or pose a question to invite the reader to learn more.
3) Examples of openings include descriptions of characters, settings, actions, dialogue, or posing a question to the reader.
The document provides tips for writing engaging story openings in 3 sentences or less. It discusses how the first lines should set the tone, leave the reader with a question to encourage reading more, and introduce the characters, setting, and mood. A variety of example openings are given using descriptions, actions, dialogue, and questions to hook the reader. The document stresses the importance of drawing the reader in from the very beginning.
In Chapter 11 of The Woman in Black, Samuel Daily reluctantly reveals the story of Jennet Humfrye to Kipps. Jennet Humfrye's illegitimate son Nathaniel and others drowned in the Eel Marsh six years ago. Whenever Jennet Humfrye's ghost is seen in Crythin Gifford, a local child dies under violent or dreadful circumstances. Kipps encounters the woman in black not just visually but through haunted dreams and sounds of a drowned child, leaving him in a disturbed mental state.
The document discusses effective techniques for opening stories, including using a hook to engage the reader with a question or description. Some examples are given of openings that introduce characters, settings, actions, or dialogue. It emphasizes that openings should establish when and where the story takes place and who the characters are, while also including a hook to invite the reader to continue.
1) The opening of a story is important to set the tone and hook the reader to keep reading.
2) Successful openings introduce characters, setting, or pose a question to invite the reader to learn more.
3) Examples from popular books demonstrate different types of effective openings, such as describing characters, settings, including dialogue or action, or asking a question.
The document discusses the importance of story openings and provides examples of different types of effective openings. It notes that the first lines should set the tone, leave the reader with a question to encourage reading more, and introduce the characters, setting, and style. Openings discussed include describing a character, setting, both character and setting, starting with action, dialogue, a question, or statement. The opening should tell when and where the story is set, who the characters are, and the style/mood to hook the reader.
The document provides potential story ideas and elements for writing stories, including titles like "Lost in a tropical rainforest" and characters like "Crazy pirate" or "Mysterious twins". It also suggests possible story beginnings like "Once upon a time..." and story endings like "...happily ever after". The document aims to inspire creative writing by giving ideas for plots, settings, characters, and other components of crafting fictional tales.
1) The opening of a story is important to set the tone and hook the reader to continue reading.
2) Successful openings introduce characters, setting, or pose a question to intrigue the reader.
3) Examples from popular books demonstrate different types of effective openings, including descriptions of characters, settings, actions, dialogue, or posing intriguing questions.
1) The opening of a story is important to set the tone and hook the reader to keep reading.
2) Successful openings introduce characters, setting, or pose a question to invite the reader to learn more.
3) Examples of openings include descriptions of characters, settings, actions, dialogue, or posing a question to the reader.
The document provides tips for writing engaging story openings in 3 sentences or less. It discusses how the first lines should set the tone, leave the reader with a question to encourage reading more, and introduce the characters, setting, and mood. A variety of example openings are given using descriptions, actions, dialogue, and questions to hook the reader. The document stresses the importance of drawing the reader in from the very beginning.
In Chapter 11 of The Woman in Black, Samuel Daily reluctantly reveals the story of Jennet Humfrye to Kipps. Jennet Humfrye's illegitimate son Nathaniel and others drowned in the Eel Marsh six years ago. Whenever Jennet Humfrye's ghost is seen in Crythin Gifford, a local child dies under violent or dreadful circumstances. Kipps encounters the woman in black not just visually but through haunted dreams and sounds of a drowned child, leaving him in a disturbed mental state.
W.P. Kinsella is a Canadian author born in 1935 on a farm in Northern Alberta. He did not receive his BA in creative writing until age 39, as before that he held various odd jobs. While beginning to write short fiction at 17, Kinsella did not see publication until 1979. He became widely known with his 1982 novel Shoeless Joe, about an Iowa man who builds a baseball field in his cornfield, which was adapted into the popular 1989 film Field of Dreams.
This document discusses different types of leads or opening sentences that can be used when writing a story. It provides examples of action leads, snapshot leads, dialogue leads, thinking leads, misleading leads, and setup leads. The document also discusses the Bulwer-Lytton Fiction Contest, which challenges entrants to write intentionally bad opening sentences to imaginary novels. Finally, it encourages practicing different lead styles by reimagining well-known fairy tales from different perspectives.
The document discusses different types of leads or opening sentences that can be used when writing a story. It provides examples of action leads, snapshot leads, dialogue leads, thinking leads, misleading leads, and setup leads. It also discusses the Bulwer-Lytton Fiction Contest, which challenges entrants to write intentionally bad opening sentences. The document advises against using question leads and encourages experimenting with different lead types when writing fairytales like Little Red Riding Hood or Goldilocks.
Mary Tan reviewed The Wizard of Oz for her primary 2 English class. She summarized the plot, which follows Dorothy getting caught in a cyclone and transported to the Land of Oz, where she meets the Scarecrow, Tin Man, and Lion on her journey to see the Wizard. Mary's favorite part was when Dorothy meets the Tin Man. She recommends the book because it is exciting and adventurous, keeping the reader engaged to find out what happens next. Students are assigned to create a book review presentation by April 13th for a chance to win prizes.
Kipps wakes up after fainting at Eel Marsh house. Daily takes him back to his home where Kipps uses a packet of letters to piece together the story of the Woman in Black. Daily then reluctantly tells Kipps the truth - that she kills children out of vengeance for her own son's death. Kipps then falls ill for twelve days. When he recovers, Stella has arrived.
The document provides character summaries for the novel The Invisible Man:
- Griffin, the title character, is an obsessed, selfish, and angry scientist who becomes invisible through an experiment but then finds himself unable to enjoy normal life comforts.
- Dr. Kemp is a rational scientist who tries to help capture Griffin but also makes mistakes.
- Mrs. Hall is the polite yet strong-willed innkeeper who initially rents to Griffin but then refuses to serve him further.
- The other characters described are minor figures like the constable Jaffers, Dr. Cuss the curious physician, Marvel the cowardly tramp, Colonel Adye the brave police chief, and Mr.
The document provides information about studying The Woman in Black for an English Literature GCSE exam. It discusses the structure of the exam, which will include a question on The Woman in Black, and what students need to know and show to do well. This includes understanding themes, characters, settings, language techniques, and being able to analyze details from the text and context to support responses. It also gives background on author Susan Hill and why she set the story in the late 19th century Victorian era.
The document provides a summary of the novel "The Invisible Man" by H.G. Wells. It describes the setting as Iping, England in 1890. It outlines some of the main characters and events in the first chapter, including the strange bandaged man arriving at an inn. It also provides brief descriptions of some of the main characters, literary elements like themes of moral corruption, and quotes from the novel. Finally, it includes biographical information about author H.G. Wells and his background in science fiction writing.
The Woman in Black is a 2012 film based on the novel of the same name. It follows Arthur Kipps, a lawyer who travels to a remote village to sell a house called Eel Marsh House. However, he soon discovers the house is haunted by the spirit of Jennet Humfrye, a woman who drowned her children and herself after losing custody of her son. Throughout the film, Jennet causes children in the village to commit suicide. To stop more deaths and protect his own son, Arthur must discover Jennet's tragic backstory and reunite her with her lost child.
The document provides a summary of the plot and characters of H.G. Wells' 1897 novel The Invisible Man. The invisible man, Griffin, conducts experiments that render him invisible. He terrorizes a small English town, forcing others to help him and committing burglaries. When his former friend Dr. Kemp discovers his identity, Griffin declares his plans to begin a "Reign of Terror" but Kemp alerts authorities. Griffin attacks Kemp and others before being assaulted by a crowd and knocked unconscious, ending his invisible rampage.
This document provides background information on H.G. Wells and his 1897 science fiction novel The Invisible Man. It summarizes that Wells was a teacher and journalist who is most famous for his science fiction novels, including The Invisible Man, which tells the story of a scientist named Griffin who makes himself invisible but cannot reverse the process. It also provides brief summaries of the plot and main characters, including Griffin, Dr. Kemp, Thomas Marvel, and others involved in the story.
This document discusses Oscar Wilde and queer history. It references Wilde's works The Importance of Being Earnest and his trials for sodomy in 1895. It also mentions the struggle for LGBTQ rights in the century following Wilde's conviction. Additionally, it provides quotes from Wilde's works and references RuPaul, drag queens, and the beginning of living openly as LGBTQ.
Folk tales originate from oral tradition and often feature animals with human characteristics depicting everyday life lessons. They appeal to young children with themes of empowerment, adventure, and good triumphing over evil. Fairy tales are a subgenre of folk tales that always involve magic and good winning. They feature fantastical elements like witches, giants, talking animals and magical objects. Cinderella stories originated through oral storytelling and can be found in many cultures around the world with similar themes of a mistreated girl being helped by magic to overcome hardship and be rewarded in the end.
The document discusses different types of stories that can be used to teach children, including folk tales, fairy tales, myths, legends, nursery rhymes, parables, and picture books. It provides examples and definitions for each type of story, explaining their purposes, common themes, and cultural significance. The document also offers guidance on how to use these stories to develop literacy and critical thinking skills in children through activities like reading aloud, drama, crafts, and exploring cultural contexts.
The document provides character summaries of key characters in the novel "The Invisible Man". It describes Griffin as the invisible man who became interested in invisibility after studying refractive indexes. He successfully makes himself invisible but then turns to a life of crime to survive. It also summarizes Thomas Marvel as the first person Griffin tries to use as an accomplice. Dr. Kemp is introduced as a former associate of Griffin's who is not willing to help with his schemes. Other characters from the small village like the Halls, Teddy Henfrey, and Fearenside are mentioned who notice strange events and start rumors about the invisible man. The document concludes by briefly introducing other characters like Cuss, the Bunt
The document provides information about H.G. Wells' novel "The Invisible Man". It includes a summary of Chapter 4 where Mr. Cuss interviews the mysterious stranger at the inn. It also gives background on the setting, characters, and provides analysis of themes and literary elements in the novel. Biographical information is given on H.G. Wells, noting he is considered the father of science fiction and wrote influential works in that genre including "The Invisible Man".
The legend tells of a handsome man who sees a beautiful maiden in the forest but insults her when he cannot find her again. The maiden, who is actually a fairy, curses the man to become a firefly. As a firefly, he searches endlessly for a woman more beautiful than the fairy, carrying a light to help in his nighttime search, in hopes of breaking the curse and becoming human again.
This document provides information about elements of short stories and myths/legends from different Philippine regions. It includes texts of two Philippine legends - the origin of fireflies from the legend of Alitaptap, as well as a legend from Bataan. The document outlines learning tasks related to defining terms, answering comprehension questions, group work, and finding additional stories for homework. It addresses short story elements, character analysis, and the importance of storytelling.
This document outlines ideas and research for a horror film. It discusses elements that could be included, such as a possession or stalker plot. Possible locations like a college or park are mentioned. Sound effects and cinematography techniques are also listed, along with things the document's author needs to learn to create the film's trailer.
1) The document analyzes John Steinbeck's novella "The Red Pony" and how it uses symbolism and simple language to explore the inevitable topic of death.
2) It discusses how the story is told from the perspective of a young boy, Jody, whose simple thoughts and questions about death mirror how children process complex issues.
3) Key symbols like the colors red and gold/green are used to represent death and life throughout the story, particularly in the descriptions of the titular red pony who becomes sick.
4) The analysis argues the simple language and symbolism come together to generate a thoughtful tone about facing mortality and whether people will be defeated by death or rise above it.
The passage provides instructions for building a sandcastle in 3 steps: 1) Dig up and pile sand to fill several pails, 2) Scoop sand into pails and compact it to construct towers, placing each mound 12 inches apart to form a square base. 3) Connect the towers by building connecting walls between them.
This document provides a reading log summarizing 7 works of children's literature and modern fantasy read by Karen Field. The entries include the author, title, genre, format and a brief 1-3 sentence summary of each work's plot. Strategies are also suggested for how teachers could incorporate each text into their lesson plans.
W.P. Kinsella is a Canadian author born in 1935 on a farm in Northern Alberta. He did not receive his BA in creative writing until age 39, as before that he held various odd jobs. While beginning to write short fiction at 17, Kinsella did not see publication until 1979. He became widely known with his 1982 novel Shoeless Joe, about an Iowa man who builds a baseball field in his cornfield, which was adapted into the popular 1989 film Field of Dreams.
This document discusses different types of leads or opening sentences that can be used when writing a story. It provides examples of action leads, snapshot leads, dialogue leads, thinking leads, misleading leads, and setup leads. The document also discusses the Bulwer-Lytton Fiction Contest, which challenges entrants to write intentionally bad opening sentences to imaginary novels. Finally, it encourages practicing different lead styles by reimagining well-known fairy tales from different perspectives.
The document discusses different types of leads or opening sentences that can be used when writing a story. It provides examples of action leads, snapshot leads, dialogue leads, thinking leads, misleading leads, and setup leads. It also discusses the Bulwer-Lytton Fiction Contest, which challenges entrants to write intentionally bad opening sentences. The document advises against using question leads and encourages experimenting with different lead types when writing fairytales like Little Red Riding Hood or Goldilocks.
Mary Tan reviewed The Wizard of Oz for her primary 2 English class. She summarized the plot, which follows Dorothy getting caught in a cyclone and transported to the Land of Oz, where she meets the Scarecrow, Tin Man, and Lion on her journey to see the Wizard. Mary's favorite part was when Dorothy meets the Tin Man. She recommends the book because it is exciting and adventurous, keeping the reader engaged to find out what happens next. Students are assigned to create a book review presentation by April 13th for a chance to win prizes.
Kipps wakes up after fainting at Eel Marsh house. Daily takes him back to his home where Kipps uses a packet of letters to piece together the story of the Woman in Black. Daily then reluctantly tells Kipps the truth - that she kills children out of vengeance for her own son's death. Kipps then falls ill for twelve days. When he recovers, Stella has arrived.
The document provides character summaries for the novel The Invisible Man:
- Griffin, the title character, is an obsessed, selfish, and angry scientist who becomes invisible through an experiment but then finds himself unable to enjoy normal life comforts.
- Dr. Kemp is a rational scientist who tries to help capture Griffin but also makes mistakes.
- Mrs. Hall is the polite yet strong-willed innkeeper who initially rents to Griffin but then refuses to serve him further.
- The other characters described are minor figures like the constable Jaffers, Dr. Cuss the curious physician, Marvel the cowardly tramp, Colonel Adye the brave police chief, and Mr.
The document provides information about studying The Woman in Black for an English Literature GCSE exam. It discusses the structure of the exam, which will include a question on The Woman in Black, and what students need to know and show to do well. This includes understanding themes, characters, settings, language techniques, and being able to analyze details from the text and context to support responses. It also gives background on author Susan Hill and why she set the story in the late 19th century Victorian era.
The document provides a summary of the novel "The Invisible Man" by H.G. Wells. It describes the setting as Iping, England in 1890. It outlines some of the main characters and events in the first chapter, including the strange bandaged man arriving at an inn. It also provides brief descriptions of some of the main characters, literary elements like themes of moral corruption, and quotes from the novel. Finally, it includes biographical information about author H.G. Wells and his background in science fiction writing.
The Woman in Black is a 2012 film based on the novel of the same name. It follows Arthur Kipps, a lawyer who travels to a remote village to sell a house called Eel Marsh House. However, he soon discovers the house is haunted by the spirit of Jennet Humfrye, a woman who drowned her children and herself after losing custody of her son. Throughout the film, Jennet causes children in the village to commit suicide. To stop more deaths and protect his own son, Arthur must discover Jennet's tragic backstory and reunite her with her lost child.
The document provides a summary of the plot and characters of H.G. Wells' 1897 novel The Invisible Man. The invisible man, Griffin, conducts experiments that render him invisible. He terrorizes a small English town, forcing others to help him and committing burglaries. When his former friend Dr. Kemp discovers his identity, Griffin declares his plans to begin a "Reign of Terror" but Kemp alerts authorities. Griffin attacks Kemp and others before being assaulted by a crowd and knocked unconscious, ending his invisible rampage.
This document provides background information on H.G. Wells and his 1897 science fiction novel The Invisible Man. It summarizes that Wells was a teacher and journalist who is most famous for his science fiction novels, including The Invisible Man, which tells the story of a scientist named Griffin who makes himself invisible but cannot reverse the process. It also provides brief summaries of the plot and main characters, including Griffin, Dr. Kemp, Thomas Marvel, and others involved in the story.
This document discusses Oscar Wilde and queer history. It references Wilde's works The Importance of Being Earnest and his trials for sodomy in 1895. It also mentions the struggle for LGBTQ rights in the century following Wilde's conviction. Additionally, it provides quotes from Wilde's works and references RuPaul, drag queens, and the beginning of living openly as LGBTQ.
Folk tales originate from oral tradition and often feature animals with human characteristics depicting everyday life lessons. They appeal to young children with themes of empowerment, adventure, and good triumphing over evil. Fairy tales are a subgenre of folk tales that always involve magic and good winning. They feature fantastical elements like witches, giants, talking animals and magical objects. Cinderella stories originated through oral storytelling and can be found in many cultures around the world with similar themes of a mistreated girl being helped by magic to overcome hardship and be rewarded in the end.
The document discusses different types of stories that can be used to teach children, including folk tales, fairy tales, myths, legends, nursery rhymes, parables, and picture books. It provides examples and definitions for each type of story, explaining their purposes, common themes, and cultural significance. The document also offers guidance on how to use these stories to develop literacy and critical thinking skills in children through activities like reading aloud, drama, crafts, and exploring cultural contexts.
The document provides character summaries of key characters in the novel "The Invisible Man". It describes Griffin as the invisible man who became interested in invisibility after studying refractive indexes. He successfully makes himself invisible but then turns to a life of crime to survive. It also summarizes Thomas Marvel as the first person Griffin tries to use as an accomplice. Dr. Kemp is introduced as a former associate of Griffin's who is not willing to help with his schemes. Other characters from the small village like the Halls, Teddy Henfrey, and Fearenside are mentioned who notice strange events and start rumors about the invisible man. The document concludes by briefly introducing other characters like Cuss, the Bunt
The document provides information about H.G. Wells' novel "The Invisible Man". It includes a summary of Chapter 4 where Mr. Cuss interviews the mysterious stranger at the inn. It also gives background on the setting, characters, and provides analysis of themes and literary elements in the novel. Biographical information is given on H.G. Wells, noting he is considered the father of science fiction and wrote influential works in that genre including "The Invisible Man".
The legend tells of a handsome man who sees a beautiful maiden in the forest but insults her when he cannot find her again. The maiden, who is actually a fairy, curses the man to become a firefly. As a firefly, he searches endlessly for a woman more beautiful than the fairy, carrying a light to help in his nighttime search, in hopes of breaking the curse and becoming human again.
This document provides information about elements of short stories and myths/legends from different Philippine regions. It includes texts of two Philippine legends - the origin of fireflies from the legend of Alitaptap, as well as a legend from Bataan. The document outlines learning tasks related to defining terms, answering comprehension questions, group work, and finding additional stories for homework. It addresses short story elements, character analysis, and the importance of storytelling.
This document outlines ideas and research for a horror film. It discusses elements that could be included, such as a possession or stalker plot. Possible locations like a college or park are mentioned. Sound effects and cinematography techniques are also listed, along with things the document's author needs to learn to create the film's trailer.
1) The document analyzes John Steinbeck's novella "The Red Pony" and how it uses symbolism and simple language to explore the inevitable topic of death.
2) It discusses how the story is told from the perspective of a young boy, Jody, whose simple thoughts and questions about death mirror how children process complex issues.
3) Key symbols like the colors red and gold/green are used to represent death and life throughout the story, particularly in the descriptions of the titular red pony who becomes sick.
4) The analysis argues the simple language and symbolism come together to generate a thoughtful tone about facing mortality and whether people will be defeated by death or rise above it.
The passage provides instructions for building a sandcastle in 3 steps: 1) Dig up and pile sand to fill several pails, 2) Scoop sand into pails and compact it to construct towers, placing each mound 12 inches apart to form a square base. 3) Connect the towers by building connecting walls between them.
This document provides a reading log summarizing 7 works of children's literature and modern fantasy read by Karen Field. The entries include the author, title, genre, format and a brief 1-3 sentence summary of each work's plot. Strategies are also suggested for how teachers could incorporate each text into their lesson plans.
The narrator awakens on Myst Island with no memory. They explore various strange locations and ages, finding clues in red and blue books. By solving puzzles, the narrator retrieves pages from each age for the men in the books, Sirrus and Achenar. Sirrus promises a reward for the last red page, while Achenar warns against it and offers a reward for the last blue page instead. The narrator must now decide whether to trust Sirrus or Achenar.
1) The book "Found" by Margaret Peterson Haddix follows the story of Jonah Skidmore who discovers through a mysterious letter that he is one of 36 babies from the future that were found on an abandoned plane.
2) Jonah and the other missing children must decide whether to return to their original families in the past or be reborn as babies in the future.
3) Jonah and his sister Katherine work to save their friends Chip and Alex who were sent back to the past against their will, restoring the proper timeline with the approval of a Time Peacekeeper.
This document provides reading logs and summaries for several children's books, along with suggested teaching strategies for each. For the book "Catwings," the summary describes how four kittens are born with wings and fly away to escape danger in the city, eventually being taken in by two children. Teaching strategies proposed include having students compare and contrast the lives of normal vs winged kittens, or writing stories about animals with unusual traits.
This document discusses an upcoming writing assignment where students will write stories based on different genres including fantasy, myth, legend, and adventure. Examples of each genre are provided, such as Lord of the Rings for fantasy and the legend of the Sleeping Bear. Students will brainstorm examples in groups and participate in an experiment about myths. They will then choose a genre to write a story or poem about for the assignment.
This document summarizes key literary elements that make up stories: setting, characters, plot, climax, theme, and resolution. It provides examples and definitions for each element. The setting establishes where and when the story takes place. Characters can be major or minor, round or flat. The plot involves an inciting incident, rising action, climax, and resolution. Conflict and theme are also essential components of any narrative.
The document provides an overview of key elements of short stories, including setting, characters, plot, point of view, and theme. It discusses how setting can be used to describe the location and atmosphere of a story. It also outlines different types of characters, such as round vs flat characters, and methods of characterization like direct and indirect characterization. The document then covers components of plot structure, including the introduction, rising action, climax, falling action, and resolution. It also discusses types of conflict that can drive the plot. Finally, it examines different points of view a story can be told from, such as first, second, and third person perspectives.
The document provides an overview of key elements of short stories, including setting, characters, plot, point of view, and theme. It discusses how setting can be used to describe the location and atmosphere of a story. It also outlines different types of characters, such as round vs flat characters, and methods of characterization like direct and indirect characterization. The document then covers components of plot structure, including the introduction, rising action, climax, falling action, and resolution. It also discusses types of conflict that can drive the plot. Finally, it examines different points of view a story can be told from, such as first, second, and third person perspectives.
The document discusses how children's literature contains common archetypes and borrows elements from other stories. It notes that fairy tales often involve a lost younger couple facing tragic events they did not cause and temptation. The document advises writers that they do not need to directly recreate old stories, but can draw inspiration from the patterns and details found in classics like Alice in Wonderland and Wind in the Willows. It also argues that modern audiences want new stories to feel both familiar and unfamiliar at the same time.
The document provides an overview of key elements of short stories, including setting, characters, plot, point of view, theme, irony, symbolism, flashback, and foreshadowing. It defines these elements and provides examples from short stories to illustrate how authors use each element in crafting their works.
This document discusses using mentor texts to teach writing. Mentor texts act as coaches and partners for students and teachers to bring joy to writing. They help students envision the type of writer they can become and help teachers advance students' overall writing skills rather than just individual pieces. Writers can imitate mentor texts and find new ways to develop their own writing.
This document discusses tips and strategies for encouraging children's love of reading. It provides examples of families that engage in weekly book discussions, set reading goals and incentives for their children, and utilize the library and digital books. Experts also offer advice on reading wordless picture books and recommend popular children's titles across different genres.
This document discusses feminism in literature and how gender roles are portrayed. It defines feminism as distinguishing between sex and gender to argue that qualities of femininity are socially constructed rather than biological. Feminist analysis examines how patriarchy operates in different spheres including literature. Two examples are provided of "boy books" and "girl books" that exemplify typical narrative patterns for each gender. The document encourages analyzing literature in terms of the gender of characters, authors, intended audiences, and how plots are structured.
This story describes the terrifying Ms. Toulsky, a third grade teacher known for her extreme teaching methods and motto "They will learn one way or the other." Most students do not last long in her class. The story focuses on know-it-all Donald Donaldson, one of the few students who had survived so far. However, during a history lesson Donald openly criticizes the subject, causing Ms. Toulsky to fly into a rage. The story cuts off just as Ms. Toulsky marches toward Donald with her history book, leaving the reader to imagine the frightening consequences.
Creative non-fiction is a genre that uses storytelling techniques to deliver factual information in an engaging way. It requires the research skills of journalism combined with the narrative skills of fiction writing. By making information vivid and emotional, creative non-fiction aims to give readers a deeper understanding than just presenting verifiable facts. Examples show how it uses vivid language, emotions, and the reader's imagination to stimulate thought and arrive at larger truths beyond mere facts. Creative non-fiction has applications in history, travel writing, profiles, memoirs, journalism, and even business where storytelling can be persuasive.
Andreas Schleicher presents PISA 2022 Volume III - Creative Thinking - 18 Jun...EduSkills OECD
Andreas Schleicher, Director of Education and Skills at the OECD presents at the launch of PISA 2022 Volume III - Creative Minds, Creative Schools on 18 June 2024.
How Barcodes Can Be Leveraged Within Odoo 17Celine George
In this presentation, we will explore how barcodes can be leveraged within Odoo 17 to streamline our manufacturing processes. We will cover the configuration steps, how to utilize barcodes in different manufacturing scenarios, and the overall benefits of implementing this technology.
Elevate Your Nonprofit's Online Presence_ A Guide to Effective SEO Strategies...TechSoup
Whether you're new to SEO or looking to refine your existing strategies, this webinar will provide you with actionable insights and practical tips to elevate your nonprofit's online presence.
THE SACRIFICE HOW PRO-PALESTINE PROTESTS STUDENTS ARE SACRIFICING TO CHANGE T...indexPub
The recent surge in pro-Palestine student activism has prompted significant responses from universities, ranging from negotiations and divestment commitments to increased transparency about investments in companies supporting the war on Gaza. This activism has led to the cessation of student encampments but also highlighted the substantial sacrifices made by students, including academic disruptions and personal risks. The primary drivers of these protests are poor university administration, lack of transparency, and inadequate communication between officials and students. This study examines the profound emotional, psychological, and professional impacts on students engaged in pro-Palestine protests, focusing on Generation Z's (Gen-Z) activism dynamics. This paper explores the significant sacrifices made by these students and even the professors supporting the pro-Palestine movement, with a focus on recent global movements. Through an in-depth analysis of printed and electronic media, the study examines the impacts of these sacrifices on the academic and personal lives of those involved. The paper highlights examples from various universities, demonstrating student activism's long-term and short-term effects, including disciplinary actions, social backlash, and career implications. The researchers also explore the broader implications of student sacrifices. The findings reveal that these sacrifices are driven by a profound commitment to justice and human rights, and are influenced by the increasing availability of information, peer interactions, and personal convictions. The study also discusses the broader implications of this activism, comparing it to historical precedents and assessing its potential to influence policy and public opinion. The emotional and psychological toll on student activists is significant, but their sense of purpose and community support mitigates some of these challenges. However, the researchers call for acknowledging the broader Impact of these sacrifices on the future global movement of FreePalestine.
This document provides an overview of wound healing, its functions, stages, mechanisms, factors affecting it, and complications.
A wound is a break in the integrity of the skin or tissues, which may be associated with disruption of the structure and function.
Healing is the body’s response to injury in an attempt to restore normal structure and functions.
Healing can occur in two ways: Regeneration and Repair
There are 4 phases of wound healing: hemostasis, inflammation, proliferation, and remodeling. This document also describes the mechanism of wound healing. Factors that affect healing include infection, uncontrolled diabetes, poor nutrition, age, anemia, the presence of foreign bodies, etc.
Complications of wound healing like infection, hyperpigmentation of scar, contractures, and keloid formation.
Leveraging Generative AI to Drive Nonprofit InnovationTechSoup
In this webinar, participants learned how to utilize Generative AI to streamline operations and elevate member engagement. Amazon Web Service experts provided a customer specific use cases and dived into low/no-code tools that are quick and easy to deploy through Amazon Web Service (AWS.)
Juneteenth Freedom Day 2024 David Douglas School District
Creative destination slideshow 1
1. Image. Magical Book. Bykst. Pixabay
Six Tips for Creating a Dynamic Opening for a Short Story
2. Six Tips For Creating a Dynamic Opening
for a Story.
A story’s opening paragraph should be designed to
capture a reader’s imagination and inspire them to
read more. It also acts as a pivotal gateway through
which your reader must enter so that they can
journey successfully through your story.
There are many ways of beginning a story: setting,
character description, action, a statement, an idea, or
posing an question.
4. Tip One
● 1. SETTING
Your setting could be a location: a windswept beach, a dark
dystopian city, a magical underwater world, or a simple
hobbit’s hole as described by J. R. R. Tolkien in the
opening page of The Hobbit – “In a hole in the ground
there lived a hobbit. Not a nasty, dirty, wet hole, filled with
the ends of worms and an oozy smell, nor yet a dry, bare,
sandy hole with nothing in it to sit down on or eat: It was a
hobbit-hole, and that means comfort.”
6. Tip Two
● 2. CHARACTER DESCRIPTION
The opening lines can introduce your main protagonist, for
example – “Ella leaned back against the cold damp stone
wall. Her porcelain skin was pale and drawn, with deep
lines etched around her eyes and mouth, and her once
glorious golden hair hung in matted tendrils around her
face.”
8. Tip Three
● 3. ACTION
● Starting your story with strong action is a great choice as it
thrusts the reader into the thick of the story. “The baying
of the hunting dogs drew closer as she dashed through the
thickly wooded forest. Like a mad woman, she fought her
way through the close knit trees, until she was suddenly
redeemed by a burst of bright sunlight as she stumbled out
of the forest into a small clearing.”
10. Tip Four
● 4. A STATEMENT
● The iconic opening statement in Charles Dickens’ A Tale
of Two Cities is dramatic, poetic and memorable, “It was
the best of times, it was the worst of times, it was the age of
wisdom, it was the age of foolishness, it was the epoch of
belief, it was the epoch of incredulity, it was the season of
Light, it was the season of Darkness, it was the spring of
hope, it was the winter of our despair, we had everything
before us, we had nothing before us, we were all going
direct to Heaven, we were all going direct the other way . .
”
12. Tip Five
● 5. AN IDEA
● How about Jane Austen’s opening line in the classic novel,
Pride and Prejudice – “It is a truth universally
acknowledged, that a single man in possession of a good
fortune, must be in want of a wife.”
Starting your story with an idea can really get your reader
thinking. Although they may not agree with your idea,
they can be compelled to read on to see where this idea will
take them.
14. Tip Six
● 6. A QUESTION
● “Where’s Papa going with that axe?” said Fern to her
mother as they were setting the table for breakfast.”
Charlotte’s Web, E.B. White.
Beginning your story with a question sets up intrigue in the
reader’s mind. You have provided them with a question
that needs to be answered and they must commit to the
whole story to discover the answer.
15. To explore the creative possibilities for your writing, visit
www.creativedestination.com.au