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Copyright and Fair Use in
the Digital Age
Andy Horbal
University of Maryland
ETS Brown Bag
February 18, 2015
Copyright Basics
• Exists to “[t]o promote the Progress of Science and
useful Arts” (U.S. Constitution)
• Copyright protects “original works of authorship
fixed in any tangible medium of expression” (17 U.S.
Code § 102)
• Requirements: independent creation, modest
amount of creativity
• Not required: novelty, intent to be original, ©
symbol
Exclusive Rights
1. Reproduce the copyrighted work
2. Prepare derivative works based upon the copyrighted work
3. Distribute copies to the public by sale or other transfer of
ownership, or by rental, lease, or lending
4. Perform the copyrighted work publicly
5. Display the copyrighted work publicly (includes “the individual
images of a motion picture or other audiovisual work”)
6. Perform the copyrighted work publicly by means of a digital
audio transmission (17 U.S. Code § 106)
Exceptions for Educators:
§ 110 (1)
“[P]erformance or display of a work by instructors or pupils
in the course of face-to-face teaching activities of a nonprofit
educational institution, in a classroom or similar place
devoted to instruction, unless, in the case of a motion picture
or other audiovisual work, the performance, or the display of
individual images, is given by means of a copy that was not
lawfully made under this title, and that the person
responsible for the performance knew or had reason to
believe was not lawfully made” (17 U.S. Code § 110)
Exceptions for Educators:
§ 110 (2): The TEACH Act
“[E]xcept with respect to a work produced or marketed primarily for performance or display as part of mediated instructional activities transmitted
via digital networks, or a performance or display that is given by means of a copy or phonorecord that is not lawfully made and acquired under this
title, and the transmitting government body or accredited nonprofit educational institution knew or had reason to believe was not lawfully made
and acquired, the performance of a nondramatic literary or musical work or reasonable and limited portions of any other work, or display of a work
in an amount comparable to that which is typically displayed in the course of a live classroom session, by or in the course of a transmission, if—
(A) the performance or display is made by, at the direction of, or under the actual supervision of an instructor as an integral part
of a class session offered as a regular part of the systematic mediated instructional activities of a governmental body or an
accredited nonprofit educational institution;
(B) the performance or display is directly related and of material assistance to the teaching content of the transmission;
(C) the transmission is made solely for, and, to the extent technologically feasible, the reception of such transmission is limited
to—
(i) students officially enrolled in the course for which the transmission is made; or
(ii) officers or employees of governmental bodies as a part of their official duties or employment; and
(D) the transmitting body or institution—
(i) institutes policies regarding copyright, provides informational materials to faculty, students, and relevant
staff members that accurately describe, and promote compliance with, the laws of the United States relating
to copyright, and provides notice to students that materials used in connection with the course may be
subject to copyright protection; and
(ii) in the case of digital transmissions—
(I) applies technological measures that reasonably prevent—
(aa) retention of the work in accessible form by recipients of the
transmission from the transmitting body or institution for longer than
the class session; and
(bb) unauthorized further dissemination of the work in accessible form by
such recipients to others; and
(II) does not engage in conduct that could reasonably be expected to interfere with
technological measures used by copyright owners to prevent such retention or
unauthorized further dissemination” (17 U.S. Code § 110)
Exceptions for Educators:
§ 107: Fair Use
“[T]he fair use of a copyrighted work, including such use by
reproduction in copies or phonorecords or by any other
means specified by that section, for purposes such as
criticism, comment, news reporting, teaching (including
multiple copies for classroom use), scholarship, or research,
is not an infringement of copyright.” (17 U.S. Code § 110)
Exceptions for Educators:
§ 107: Fair Use (cont.)
1) The purpose and character of the use, including whether such use is of
a commercial nature or is for nonprofit educational purposes
(2) The nature of the copyrighted work
(3) The amount and substantiality of the portion used in relation to the
copyrighted work as a whole
(4) The effect of the use upon the potential market for or value of the
copyrighted work (17 U.S. Code § 107)
More Information About
Exceptions for Teaching
http://blogs.library.duke.edu/scholcomm/20
06/12/26/copyright-exceptions-for-
teaching/
General Guidelines
• Assume that anything created after 1923 is under
copyright
• If it won’t ever leave your classroom, it’s probably
okay (exception: teaching materials)
• When in doubt, ask for permission!
• CC Search: http://search.creativecommons.org
Library Services/Resources
• Copyright Subject Guide:
http://lib.guides.umd.edu/copyright
• Course Reserves Copyright Guidelines:
http://www.lib.umd.edu/access/reserves-copyright
• ELMS Course Media Reserves:
http://www.lib.umd.edu/nonprint/services/elms-request-
page
Using Library Databases
More Information About
Exceptions for Teaching
http://www.slideshare.net/horbal125/copyr
ight-and-fair-use-in-the-digital-age
Questions? Contact Me!
Andrew Horbal
Media Resources Librarian
0300 Hornbake Library
University of Maryland
College Park, MD 20742
(301) 405-9227
ahorbal@umd.edu

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Copyright and fair use in the digital age

  • 1. Copyright and Fair Use in the Digital Age Andy Horbal University of Maryland ETS Brown Bag February 18, 2015
  • 2. Copyright Basics • Exists to “[t]o promote the Progress of Science and useful Arts” (U.S. Constitution) • Copyright protects “original works of authorship fixed in any tangible medium of expression” (17 U.S. Code § 102) • Requirements: independent creation, modest amount of creativity • Not required: novelty, intent to be original, © symbol
  • 3. Exclusive Rights 1. Reproduce the copyrighted work 2. Prepare derivative works based upon the copyrighted work 3. Distribute copies to the public by sale or other transfer of ownership, or by rental, lease, or lending 4. Perform the copyrighted work publicly 5. Display the copyrighted work publicly (includes “the individual images of a motion picture or other audiovisual work”) 6. Perform the copyrighted work publicly by means of a digital audio transmission (17 U.S. Code § 106)
  • 4. Exceptions for Educators: § 110 (1) “[P]erformance or display of a work by instructors or pupils in the course of face-to-face teaching activities of a nonprofit educational institution, in a classroom or similar place devoted to instruction, unless, in the case of a motion picture or other audiovisual work, the performance, or the display of individual images, is given by means of a copy that was not lawfully made under this title, and that the person responsible for the performance knew or had reason to believe was not lawfully made” (17 U.S. Code § 110)
  • 5. Exceptions for Educators: § 110 (2): The TEACH Act “[E]xcept with respect to a work produced or marketed primarily for performance or display as part of mediated instructional activities transmitted via digital networks, or a performance or display that is given by means of a copy or phonorecord that is not lawfully made and acquired under this title, and the transmitting government body or accredited nonprofit educational institution knew or had reason to believe was not lawfully made and acquired, the performance of a nondramatic literary or musical work or reasonable and limited portions of any other work, or display of a work in an amount comparable to that which is typically displayed in the course of a live classroom session, by or in the course of a transmission, if— (A) the performance or display is made by, at the direction of, or under the actual supervision of an instructor as an integral part of a class session offered as a regular part of the systematic mediated instructional activities of a governmental body or an accredited nonprofit educational institution; (B) the performance or display is directly related and of material assistance to the teaching content of the transmission; (C) the transmission is made solely for, and, to the extent technologically feasible, the reception of such transmission is limited to— (i) students officially enrolled in the course for which the transmission is made; or (ii) officers or employees of governmental bodies as a part of their official duties or employment; and (D) the transmitting body or institution— (i) institutes policies regarding copyright, provides informational materials to faculty, students, and relevant staff members that accurately describe, and promote compliance with, the laws of the United States relating to copyright, and provides notice to students that materials used in connection with the course may be subject to copyright protection; and (ii) in the case of digital transmissions— (I) applies technological measures that reasonably prevent— (aa) retention of the work in accessible form by recipients of the transmission from the transmitting body or institution for longer than the class session; and (bb) unauthorized further dissemination of the work in accessible form by such recipients to others; and (II) does not engage in conduct that could reasonably be expected to interfere with technological measures used by copyright owners to prevent such retention or unauthorized further dissemination” (17 U.S. Code § 110)
  • 6. Exceptions for Educators: § 107: Fair Use “[T]he fair use of a copyrighted work, including such use by reproduction in copies or phonorecords or by any other means specified by that section, for purposes such as criticism, comment, news reporting, teaching (including multiple copies for classroom use), scholarship, or research, is not an infringement of copyright.” (17 U.S. Code § 110)
  • 7. Exceptions for Educators: § 107: Fair Use (cont.) 1) The purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes (2) The nature of the copyrighted work (3) The amount and substantiality of the portion used in relation to the copyrighted work as a whole (4) The effect of the use upon the potential market for or value of the copyrighted work (17 U.S. Code § 107)
  • 8. More Information About Exceptions for Teaching http://blogs.library.duke.edu/scholcomm/20 06/12/26/copyright-exceptions-for- teaching/
  • 9. General Guidelines • Assume that anything created after 1923 is under copyright • If it won’t ever leave your classroom, it’s probably okay (exception: teaching materials) • When in doubt, ask for permission! • CC Search: http://search.creativecommons.org
  • 10. Library Services/Resources • Copyright Subject Guide: http://lib.guides.umd.edu/copyright • Course Reserves Copyright Guidelines: http://www.lib.umd.edu/access/reserves-copyright • ELMS Course Media Reserves: http://www.lib.umd.edu/nonprint/services/elms-request- page
  • 12. More Information About Exceptions for Teaching http://www.slideshare.net/horbal125/copyr ight-and-fair-use-in-the-digital-age
  • 13. Questions? Contact Me! Andrew Horbal Media Resources Librarian 0300 Hornbake Library University of Maryland College Park, MD 20742 (301) 405-9227 ahorbal@umd.edu