New Wine in Old Bottles: “Films without Celluloid” and Making the Most of the Spaces You’ve Got
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"Lightning Talk" presentation given at The Innovative Library Classroom conference in Radford, VA on May 12, 2015
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<div class="player-unavailable"><h1 class="message">An error occurred.</h1><div class="submessage"><a href="http://www.youtube.com/watch?v=RjtXXypztyw" target="_blank">Try watching this video on www.youtube.com</a>, or enable JavaScript if it is disabled in your browser.</div></div>
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Motion Pictures.You have earned 0 point(s) out of 0 point(s) thu.docx
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The New Grammar of Motion Pictures.
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I. Motion Pictures are a mass medium that had to develop its audience to understand it's product.
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a. Earliest films were short and simple, usually only a single scene, such as this.
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0:42
<div class="player-unavailable"><h1 class="message">An error occurred.</h1><div class="submessage"><a href="http://www.youtube.com/watch?v=RjtXXypztyw" target="_blank">Try watching this video on www.youtube.com</a>, or enable JavaScript if it is disabled in your browser.</div></div>
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<div class="player-unavailable"><h1 class="message">An error occurred.</h1><div class="submessage"><a href="http://www.youtube.com/watch?v=zuto7qWrplc" target="_blank">Try watching this video on www.youtube.com</a>, or enable JavaScript if it is disabled in your browser.</div></div>
c. The big-budget film "Intolerance" failed because it's plot with 4 parallel stories was too difficult for audiences to understand then. Intolerance
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Preservation of born digital commercial films
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- 1. New Wine in Old Bottles: “Films without Celluloid” + Making the Most of the Spaces You’ve Got Andy Horbal University of Maryland The Innovative Library Classroom May 12, 2015
- 2. A Brief History of Library Media Services
- 3. The Problems • Current spaces not ideal for multimedia production instruction • Designed for media consumption, not production • No instruction lab • Not enough cameras to go around • No money for new equipment or construction
- 4. Assets • Plenty of software options • Adobe Premiere, Final Cut Pro, iMovie, etc. • Expertise • Film Studies/Media Resources Librarian • Full-time Multimedia Production Specialist • Enthusiasm!
- 5. “Films without Celluloid” Movie poster for Intolerance (1916) in public domain. Picture of scissors retrieved from http://pixabay.com/en/scissors-isolated-white-background-213700/ + used according to the terms of a CC0 (public domain) license. Picture of Lev Kuleshov (1925) found on p.81 of Lev Kuleshov: Fifty Years in Film (Raduga Publishers, 1987) + used according to 17 USC § 107.
- 6. Lessons • You don’t need a camera to plan a film shoot • You don’t need a camera to experiment with filmmaking • Experimentation is the key to media literacy
- 7. What We Did 1 2 3 4
- 8. Benefits • Active learning! • Shifts focus to core media literacy concepts • Less pressure to produce a polished finished product • Production software = means to an end
- 9. Applications Imaged retrieved from http://commons.wikimedia.org/wiki/File:Video_Camera.JPG + used according to the terms of a CC0 (public domain) license
- 10. Contact Andy Horbal Head of Learning Commons 1101 McKeldin Library University of Maryland College Park, MD 20742 (301) 405-9227 ahorbal@umd.edu http://www.slideshare.net/horbal125/new-wine-in- old-bottles
Editor's Notes
- Instruction history focused on finding materials in collection Mandate to move “from being containers for information toward platforms for learning”
- Media literacy = defined by ACRL as “a set of abilities that enables an individual to effectively find, interpret, evaluate, use, and create images and visual media”
- Show a short film clip (Psycho as example) Hand out paper versions of the same clip (one page for each shot) Exercise which varies by class a. Tell a different story using these same shots b. Tell the same story using 1/2 or 1/3 the number of shots b. Storyboarding exercise: what additional info would you have need to *shoot* this scene? (camera placement, movement, etc.) 4. “Film festival” 5. Generally followed by group production or post-production work, time permitting
- Drawbacks = If there *is* a media production assignment, must be supplemented with one-on-one support
- What’s your “camera”?