The trailer uses dramatic voice overs and music to build suspense and tension. Imagery of a damaged TARDIS is used to concern audiences about harm to a main character. The electronic soundtrack sets a sci-fi tone familiar to audiences. At the end, a TV announcer provides air time details to fully inform viewers. Overall, the trailer engages audiences in the Doctor Who narrative through dramatic techniques.
Grace Crawford reflects on techniques she finds effective for horror genre trailers and films. She likes using color filters, low key lighting, focus pulls, extreme close-ups, contrasting high and low camera angles, zoom ins/outs, and 180-degree shots to build tension, suspense and engage audiences. While some techniques like the 180-degree shot may be difficult to implement within the time constraints of a teaser trailer, experimenting with these techniques could make her trailer appealing and prompt audiences to watch the full film.
The document discusses the types and conventions of teaser trailers. It begins by defining a teaser trailer as a short promotional video released long before a film's release to generate hype. It then explores the key differences between teaser trailers and longer theatrical trailers. Teaser trailers are 30-60 seconds while theatrical trailers are 2-3 minutes. Teaser trailers may contain footage that is later cut from the final film. The document also examines common conventions of teaser trailers, such as focusing on the main characters, using dramatic music and footage to create atmosphere, and leaving viewers on a cliffhanger.
The document discusses how the media products conform to and challenge conventions of their forms.
For the film trailer, conventions such as logos, taglines, and editing techniques like fade to blacks and jump cuts were followed. However, some conventions were challenged, like including institutional information in the middle rather than beginning.
Mise en scene, shots like point of view and extreme close ups, and a lack of dialogue also conformed to thriller conventions for the trailer. But clothing of characters and inclusion of a montage sequence challenged expectations.
The film poster used long shots and low lighting to build tension but included standard elements like billing, title, and reviews. The magazine cover followed conventions with its masthead, tag
The document analyzes the trailer for the movie "Source Code" and discusses its effective use of mise-en-scene, editing, camera angles/shots, and sound to engage the audience. It notes that the main character's suit distinguishes him from others on the train and that realistic details make the sci-fi concepts seem plausible. Fast editing and a blurred opening sequence build mystery while dialogue and sound effects enhance the story. Varied camera shots against conventions further intrigue viewers. Non-diegetic music also adds excitement.
This presentation summarizes a student film project called "Grounded" that was a thriller. It outlines the camera shots, editing techniques, dialogue, and criticisms of the final product. The dialogue helped explain the plot but revealed too much information. Camera shots like overhead angles made a character look vulnerable. Editing techniques like cross-cutting and dissolves added suspense. Issues with lighting and audio quality could have been improved with a bigger budget. Overall the film achieved suspense through a cliffhanger ending and mystery of what happened to the main character.
The document provides details about the production of a radio play called "Everything Happens Twice" aimed at a middle-aged audience. It discusses conventions used such as limiting characters, using sound effects to set the scene, and structuring the script. It also describes challenges like using a thriller genre and younger actors. The target audience is engaged through these elements and the use of modern sounds. Recording and editing techniques used include recording scenes individually, adding effects like echo and amplifying sounds, and inserting silence between lines.
The document analyzes the visual, narrative, enigma, and audio codes used in the trailers for three gangster films: Black Mass, Legend, and Gangster Squad. For each film, the analysis summarizes how the trailer uses visual techniques like lighting and shot structure, a voiceover narrative, ambiguous clips to generate questions, and an intense musical score to engage audiences while hinting at but not fully revealing the plot. The goal of these codes in all three trailers is to draw viewers in without giving away the entire story.
The document discusses the title credits that will be featured at the end of a film trailer. It provides details on the main cast and crew that will be listed in the credits, including font style and color choices to make the text easily visible against a yellow background. It also mentions the production companies involved and describes how the film title "Scratching the Surface" will be presented in the credits in a way that continues the horror genre conventions established throughout the trailer.
Grace Crawford reflects on techniques she finds effective for horror genre trailers and films. She likes using color filters, low key lighting, focus pulls, extreme close-ups, contrasting high and low camera angles, zoom ins/outs, and 180-degree shots to build tension, suspense and engage audiences. While some techniques like the 180-degree shot may be difficult to implement within the time constraints of a teaser trailer, experimenting with these techniques could make her trailer appealing and prompt audiences to watch the full film.
The document discusses the types and conventions of teaser trailers. It begins by defining a teaser trailer as a short promotional video released long before a film's release to generate hype. It then explores the key differences between teaser trailers and longer theatrical trailers. Teaser trailers are 30-60 seconds while theatrical trailers are 2-3 minutes. Teaser trailers may contain footage that is later cut from the final film. The document also examines common conventions of teaser trailers, such as focusing on the main characters, using dramatic music and footage to create atmosphere, and leaving viewers on a cliffhanger.
The document discusses how the media products conform to and challenge conventions of their forms.
For the film trailer, conventions such as logos, taglines, and editing techniques like fade to blacks and jump cuts were followed. However, some conventions were challenged, like including institutional information in the middle rather than beginning.
Mise en scene, shots like point of view and extreme close ups, and a lack of dialogue also conformed to thriller conventions for the trailer. But clothing of characters and inclusion of a montage sequence challenged expectations.
The film poster used long shots and low lighting to build tension but included standard elements like billing, title, and reviews. The magazine cover followed conventions with its masthead, tag
The document analyzes the trailer for the movie "Source Code" and discusses its effective use of mise-en-scene, editing, camera angles/shots, and sound to engage the audience. It notes that the main character's suit distinguishes him from others on the train and that realistic details make the sci-fi concepts seem plausible. Fast editing and a blurred opening sequence build mystery while dialogue and sound effects enhance the story. Varied camera shots against conventions further intrigue viewers. Non-diegetic music also adds excitement.
This presentation summarizes a student film project called "Grounded" that was a thriller. It outlines the camera shots, editing techniques, dialogue, and criticisms of the final product. The dialogue helped explain the plot but revealed too much information. Camera shots like overhead angles made a character look vulnerable. Editing techniques like cross-cutting and dissolves added suspense. Issues with lighting and audio quality could have been improved with a bigger budget. Overall the film achieved suspense through a cliffhanger ending and mystery of what happened to the main character.
The document provides details about the production of a radio play called "Everything Happens Twice" aimed at a middle-aged audience. It discusses conventions used such as limiting characters, using sound effects to set the scene, and structuring the script. It also describes challenges like using a thriller genre and younger actors. The target audience is engaged through these elements and the use of modern sounds. Recording and editing techniques used include recording scenes individually, adding effects like echo and amplifying sounds, and inserting silence between lines.
The document analyzes the visual, narrative, enigma, and audio codes used in the trailers for three gangster films: Black Mass, Legend, and Gangster Squad. For each film, the analysis summarizes how the trailer uses visual techniques like lighting and shot structure, a voiceover narrative, ambiguous clips to generate questions, and an intense musical score to engage audiences while hinting at but not fully revealing the plot. The goal of these codes in all three trailers is to draw viewers in without giving away the entire story.
The document discusses the title credits that will be featured at the end of a film trailer. It provides details on the main cast and crew that will be listed in the credits, including font style and color choices to make the text easily visible against a yellow background. It also mentions the production companies involved and describes how the film title "Scratching the Surface" will be presented in the credits in a way that continues the horror genre conventions established throughout the trailer.
The trailer summarizes the plot of the film "The Woman in Black: Angel of Death" which follows a group of evacuees haunted by the Woman in Black at Eel Marsh House during World War 2. It establishes the setting and introduces the main characters through dialogue and establishing shots. Tension is built through the use of fast editing, ominous music, and ambiguous references to "she".
The document provides an analysis of the short thriller film "Grounded" including criticisms and credits. It discusses the camera shots, editing techniques, and skills used in the film. Specific scenes like the opening shots, kidnap scene, buried scene, and family scenes are examined. Problems encountered during production like lighting and rushed dialogue are also outlined. Overall, the document evaluates what was successful in creating suspense and leaving the audience with unanswered questions through the use of techniques like parallel editing and enigma.
The document provides an analysis of the short thriller film "Grounded" including criticisms and credits. It summarizes the camera shots, editing techniques, and production elements used in the film. Key points included the opening shots establishing tension, the kidnapping scene raising questions, parallel editing between the victim buried and her family, and ending on a cliffhanger to intrigue the audience. Some criticisms were the rushed dialogue, lighting issues, and potential problems with the phone plot point. Overall it assessed both what was successful in creating suspense and areas that could be improved.
This presentation summarizes the camera shots, editing techniques, successes and areas for improvement in the short thriller film "Grounded". It outlines the use of overhead shots to portray vulnerability, point-of-view shots for audience empathy. Cross-cutting between scenes maintained suspense. Issues with dialogue quality, lighting and software limitations were noted. Overall enigma and cliffhangers were achieved through questioning plot points.
The document discusses techniques used in creating a teaser trailer for a teen drama film. It examines shots, lighting, editing styles from other teen films as inspiration. Close-ups are used to focus on characters and relationships while maintaining suspense. Cross-cutting between characters and high-key lighting create realism and tension. Inspiration is drawn from films like "Warm Bodies" and "Fish Tank" to engage the target audience.
The document provides an evaluation of the student film "Grounded" including criticisms and credits. It summarizes the dialogue, camerawork, editing, sound, and lighting used in the thriller. The dialogue helped explain the plot but revealed too much information. Camera angles like overhead shots made characters seem vulnerable. Editing with cross-cutting and dissolves built suspense. Sound and lighting had some issues due to equipment and time constraints. Overall the film achieved mystery and cliffhangers but the students would improve the dialogue and lighting given more experience and resources.
The trailer begins by establishing the suburban location of the characters and their journey to an isolated cabin in the woods. Various shots are used to introduce the characters and build an atmosphere of tension and suspense. When they arrive at the run-down cabin, strange noises and a sense of being watched put the characters on edge. The trailer then reveals that the characters are unknowingly in a controlled experiment and are being stalked by unknown antagonists. Intense action shots show the characters coming under attack, increasing the tension until the final disturbing shot of a character screaming.
(1) This document describes the shots and editing decisions made in creating an opening sequence for a horror film based on Little Red Riding Hood. It provides details on each shot, including camera angles, lighting, movement, and how they advance the plot and build tension.
(2) The sequence begins by establishing the dark, ominous forest setting through various landscape shots. It then introduces the main character and follows her journey through the woods as she grows more fearful. Suspense is built through close-ups of claw marks and disturbed objects that imply danger.
(3) The character is startled by an unseen stalker, and the point-of-view shots and music ramp up tension. She discovers blood on
This document describes the shots and sequence of scenes in an opening film sequence. It introduces the protagonist Lauren and apparent antagonist Tinika through a series of shots showing Lauren receiving a cryptic text, encountering Tinika on a path, calling a friend for help, and then running from and eventually confronting Tinika at a house in increasing tension and confusion, leaving the audience with many unanswered questions at the end.
The document discusses conventions used in film trailers and how the author's trailer challenges some of those conventions. Some key conventions discussed are the use of voiceovers, music, establishing shots, cuts between short clips, and green preview screens. The author's trailer challenges conventions by using long shots to establish scenes, unusual atmospheric music at the beginning, and including relevant statistics in captions. The purpose is to create more tension, mystery, and draw the audience in compared to typical trailers.
The document discusses the effectiveness of a film's main product and ancillary texts in achieving its goals. It summarizes the filmmaker's goals for their horror film, which were to entertain but also frighten audiences through techniques like music, editing and mature themes. It then discusses how the film's poster and radio trailer represented these goals through conventions like dark lighting, suspenseful music and hints at the plot without revealing too much. Feedback indicated the poster and trailer successfully conveyed the film was a horror and intrigued audiences to watch without giving away the entire story.
1) The document compares the teaser trailers for The Blair Witch Project and The Conjuring 2, identifying similarities and differences in their structures and editing techniques.
2) Key similarities include the use of text, production logos, narrative information, and end screens promoting the film's website and social media.
3) Differences include length, with Blair Witch being much shorter, and editing complexity, with Conjuring 2 using more filters and effects.
4) Lessons for creating the author's own teaser trailer involve balancing conventions with uniqueness and adapting elements like editing to best represent the film's genre and themes.
The film trailer follows a conventional structure, introducing the adopted child Esther who seems troubled. Settings like schools and homes create realism and appeal to the target psychological horror audience. Lighting starts bright but gets darker, reflecting a change from normal to something wrong with Esther. Diegetic sounds like dialogue and non-diegetic music build tension and suspense for viewers. Editing speeds up gradually to create excitement and a final burst of action to intrigue viewers.
This document discusses how the research into film genre conventions helped the student's group create a successful horror trailer and poster. It analyzes screenshots from the trailer and poster, showing how various elements like camera shots, lighting, locations, characters, and props follow genre conventions to appeal to audiences. These conventional elements include establishing shots, close-ups, low-key lighting, dark clothing, weapon props, young main characters, and a dark, grungy visual style. Adhering to conventions helped tell an understandable and engaging story while challenging some conventions, like a point-of-view shot, further drew in viewers.
1) The document discusses the effectiveness of a film's poster and radio trailer in representing the film's genre and storyline without revealing major plot points.
2) Research of similar films' advertising helped inform the creation of the poster and radio trailer, which aimed to attract the target horror film audience through suspense and scare tactics.
3) Audience feedback indicated the poster and radio trailer successfully conveyed the film was a horror and intrigued viewers without providing too many details, achieving the goals of representing the film's genre and enticing audiences.
Voiceovers are used to guide listeners through horror radio trailers and explain the film's content, giving the trailer a professional feel. Music is included to set the mood but must not overpower the narration, while sinister, eerie sounds suit psychological horror genres. Radio trailers should last 30-40 seconds to engage listeners yet include essential information like release dates and production companies. Sound effects can build suspense and indicate to listeners what to expect from the film.
The document discusses how the media products created for a university project used and challenged conventions of real media. It analyzes a teaser trailer, poster, and magazine cover created for the project. For the teaser trailer, it examines conventions like editing style, sound use, text/graphics, and duration. It finds the teaser trailer uses a montage editing style and intense sound design common in real trailers. The poster and magazine cover also emulate conventions from real examples, like centering the title on the poster and featuring an exclusive interview on the magazine. Overall, the analysis finds the student media products successfully utilized many standard conventions from real media counterparts.
The student created a horror film titled "K.S.G.S" for a media studies assignment. The film uses conventions of the horror genre like point-of-view camera shots and an ambiguous monster. Music and sound effects were created to increase tension. Through the process, the student learned skills with video editing software and converting file formats for uploading media. Feedback from peers and teachers helped improve the final project.
The document discusses how the media product challenges and develops conventions of horror film trailers and marketing. Specifically:
1) The trailer uses unconventional music and flashbacks to set tone and provoke emotion. Shot types like close-ups are used deliberately.
2) Marketing incorporates social media hashtags and online clips to create buzz around the film in a way atypical for horror genres.
3) Ancillary products adopt some atypical conventions like a black and white magazine cover presenting the main character, and landscape posters differing from the usual portrait style. Overall, the media product challenges genres conventions in its narrative techniques, marketing strategies, and ancillary product designs.
The document provides an analysis of three film trailers: James Cameron's Avatar, Annabelle, and Into the Woods. For each trailer, the author analyzes elements like target audience, distribution platforms, atmosphere, music, special effects, props, backgrounds, camera angles, logos/companies, and characters. The overall document is assessing how different components of each trailer would appeal to and attract audiences.
The document analyzes the trailer for the horror film The Conjuring. It discusses the use of sound, camerawork, mise-en-scene, editing, and conventions of the horror genre employed in the trailer. Regarding sound, it notes the use of dialogue, noises, and music to create tension and scare audiences. The camerawork uses handheld footage to imply real events, with short and long takes building tension. Mise-en-scene features old, isolated settings and props that establish the creepy atmosphere. Editing employs transitions, montages, and eyeline matches to gradually increase intrigue and pace. Overall, the analysis describes how the trailer utilizes various film techniques common to the horror genre to attract
The document analyzes the cinematography, editing, sound design, and mise-en-scene techniques used in the trailer for the horror film The Conjuring. It discusses how these elements appeal to audiences and relate to conventions of the horror genre, such as using low-key lighting, isolated settings, ominous music, and visuals of harm or injury to create atmosphere and tension. Short takes, montages, and changes in camera movement are used to build shock and scare the audience. Mise-en-scene elements like old props and costumes further set the time period and creepy tone. The trailer employs editing techniques like eyeline matches and title screens to draw viewers in and make them want to watch the full
The trailer summarizes the plot of the film "The Woman in Black: Angel of Death" which follows a group of evacuees haunted by the Woman in Black at Eel Marsh House during World War 2. It establishes the setting and introduces the main characters through dialogue and establishing shots. Tension is built through the use of fast editing, ominous music, and ambiguous references to "she".
The document provides an analysis of the short thriller film "Grounded" including criticisms and credits. It discusses the camera shots, editing techniques, and skills used in the film. Specific scenes like the opening shots, kidnap scene, buried scene, and family scenes are examined. Problems encountered during production like lighting and rushed dialogue are also outlined. Overall, the document evaluates what was successful in creating suspense and leaving the audience with unanswered questions through the use of techniques like parallel editing and enigma.
The document provides an analysis of the short thriller film "Grounded" including criticisms and credits. It summarizes the camera shots, editing techniques, and production elements used in the film. Key points included the opening shots establishing tension, the kidnapping scene raising questions, parallel editing between the victim buried and her family, and ending on a cliffhanger to intrigue the audience. Some criticisms were the rushed dialogue, lighting issues, and potential problems with the phone plot point. Overall it assessed both what was successful in creating suspense and areas that could be improved.
This presentation summarizes the camera shots, editing techniques, successes and areas for improvement in the short thriller film "Grounded". It outlines the use of overhead shots to portray vulnerability, point-of-view shots for audience empathy. Cross-cutting between scenes maintained suspense. Issues with dialogue quality, lighting and software limitations were noted. Overall enigma and cliffhangers were achieved through questioning plot points.
The document discusses techniques used in creating a teaser trailer for a teen drama film. It examines shots, lighting, editing styles from other teen films as inspiration. Close-ups are used to focus on characters and relationships while maintaining suspense. Cross-cutting between characters and high-key lighting create realism and tension. Inspiration is drawn from films like "Warm Bodies" and "Fish Tank" to engage the target audience.
The document provides an evaluation of the student film "Grounded" including criticisms and credits. It summarizes the dialogue, camerawork, editing, sound, and lighting used in the thriller. The dialogue helped explain the plot but revealed too much information. Camera angles like overhead shots made characters seem vulnerable. Editing with cross-cutting and dissolves built suspense. Sound and lighting had some issues due to equipment and time constraints. Overall the film achieved mystery and cliffhangers but the students would improve the dialogue and lighting given more experience and resources.
The trailer begins by establishing the suburban location of the characters and their journey to an isolated cabin in the woods. Various shots are used to introduce the characters and build an atmosphere of tension and suspense. When they arrive at the run-down cabin, strange noises and a sense of being watched put the characters on edge. The trailer then reveals that the characters are unknowingly in a controlled experiment and are being stalked by unknown antagonists. Intense action shots show the characters coming under attack, increasing the tension until the final disturbing shot of a character screaming.
(1) This document describes the shots and editing decisions made in creating an opening sequence for a horror film based on Little Red Riding Hood. It provides details on each shot, including camera angles, lighting, movement, and how they advance the plot and build tension.
(2) The sequence begins by establishing the dark, ominous forest setting through various landscape shots. It then introduces the main character and follows her journey through the woods as she grows more fearful. Suspense is built through close-ups of claw marks and disturbed objects that imply danger.
(3) The character is startled by an unseen stalker, and the point-of-view shots and music ramp up tension. She discovers blood on
This document describes the shots and sequence of scenes in an opening film sequence. It introduces the protagonist Lauren and apparent antagonist Tinika through a series of shots showing Lauren receiving a cryptic text, encountering Tinika on a path, calling a friend for help, and then running from and eventually confronting Tinika at a house in increasing tension and confusion, leaving the audience with many unanswered questions at the end.
The document discusses conventions used in film trailers and how the author's trailer challenges some of those conventions. Some key conventions discussed are the use of voiceovers, music, establishing shots, cuts between short clips, and green preview screens. The author's trailer challenges conventions by using long shots to establish scenes, unusual atmospheric music at the beginning, and including relevant statistics in captions. The purpose is to create more tension, mystery, and draw the audience in compared to typical trailers.
The document discusses the effectiveness of a film's main product and ancillary texts in achieving its goals. It summarizes the filmmaker's goals for their horror film, which were to entertain but also frighten audiences through techniques like music, editing and mature themes. It then discusses how the film's poster and radio trailer represented these goals through conventions like dark lighting, suspenseful music and hints at the plot without revealing too much. Feedback indicated the poster and trailer successfully conveyed the film was a horror and intrigued audiences to watch without giving away the entire story.
1) The document compares the teaser trailers for The Blair Witch Project and The Conjuring 2, identifying similarities and differences in their structures and editing techniques.
2) Key similarities include the use of text, production logos, narrative information, and end screens promoting the film's website and social media.
3) Differences include length, with Blair Witch being much shorter, and editing complexity, with Conjuring 2 using more filters and effects.
4) Lessons for creating the author's own teaser trailer involve balancing conventions with uniqueness and adapting elements like editing to best represent the film's genre and themes.
The film trailer follows a conventional structure, introducing the adopted child Esther who seems troubled. Settings like schools and homes create realism and appeal to the target psychological horror audience. Lighting starts bright but gets darker, reflecting a change from normal to something wrong with Esther. Diegetic sounds like dialogue and non-diegetic music build tension and suspense for viewers. Editing speeds up gradually to create excitement and a final burst of action to intrigue viewers.
This document discusses how the research into film genre conventions helped the student's group create a successful horror trailer and poster. It analyzes screenshots from the trailer and poster, showing how various elements like camera shots, lighting, locations, characters, and props follow genre conventions to appeal to audiences. These conventional elements include establishing shots, close-ups, low-key lighting, dark clothing, weapon props, young main characters, and a dark, grungy visual style. Adhering to conventions helped tell an understandable and engaging story while challenging some conventions, like a point-of-view shot, further drew in viewers.
1) The document discusses the effectiveness of a film's poster and radio trailer in representing the film's genre and storyline without revealing major plot points.
2) Research of similar films' advertising helped inform the creation of the poster and radio trailer, which aimed to attract the target horror film audience through suspense and scare tactics.
3) Audience feedback indicated the poster and radio trailer successfully conveyed the film was a horror and intrigued viewers without providing too many details, achieving the goals of representing the film's genre and enticing audiences.
Voiceovers are used to guide listeners through horror radio trailers and explain the film's content, giving the trailer a professional feel. Music is included to set the mood but must not overpower the narration, while sinister, eerie sounds suit psychological horror genres. Radio trailers should last 30-40 seconds to engage listeners yet include essential information like release dates and production companies. Sound effects can build suspense and indicate to listeners what to expect from the film.
The document discusses how the media products created for a university project used and challenged conventions of real media. It analyzes a teaser trailer, poster, and magazine cover created for the project. For the teaser trailer, it examines conventions like editing style, sound use, text/graphics, and duration. It finds the teaser trailer uses a montage editing style and intense sound design common in real trailers. The poster and magazine cover also emulate conventions from real examples, like centering the title on the poster and featuring an exclusive interview on the magazine. Overall, the analysis finds the student media products successfully utilized many standard conventions from real media counterparts.
The student created a horror film titled "K.S.G.S" for a media studies assignment. The film uses conventions of the horror genre like point-of-view camera shots and an ambiguous monster. Music and sound effects were created to increase tension. Through the process, the student learned skills with video editing software and converting file formats for uploading media. Feedback from peers and teachers helped improve the final project.
The document discusses how the media product challenges and develops conventions of horror film trailers and marketing. Specifically:
1) The trailer uses unconventional music and flashbacks to set tone and provoke emotion. Shot types like close-ups are used deliberately.
2) Marketing incorporates social media hashtags and online clips to create buzz around the film in a way atypical for horror genres.
3) Ancillary products adopt some atypical conventions like a black and white magazine cover presenting the main character, and landscape posters differing from the usual portrait style. Overall, the media product challenges genres conventions in its narrative techniques, marketing strategies, and ancillary product designs.
The document provides an analysis of three film trailers: James Cameron's Avatar, Annabelle, and Into the Woods. For each trailer, the author analyzes elements like target audience, distribution platforms, atmosphere, music, special effects, props, backgrounds, camera angles, logos/companies, and characters. The overall document is assessing how different components of each trailer would appeal to and attract audiences.
The document analyzes the trailer for the horror film The Conjuring. It discusses the use of sound, camerawork, mise-en-scene, editing, and conventions of the horror genre employed in the trailer. Regarding sound, it notes the use of dialogue, noises, and music to create tension and scare audiences. The camerawork uses handheld footage to imply real events, with short and long takes building tension. Mise-en-scene features old, isolated settings and props that establish the creepy atmosphere. Editing employs transitions, montages, and eyeline matches to gradually increase intrigue and pace. Overall, the analysis describes how the trailer utilizes various film techniques common to the horror genre to attract
The document analyzes the cinematography, editing, sound design, and mise-en-scene techniques used in the trailer for the horror film The Conjuring. It discusses how these elements appeal to audiences and relate to conventions of the horror genre, such as using low-key lighting, isolated settings, ominous music, and visuals of harm or injury to create atmosphere and tension. Short takes, montages, and changes in camera movement are used to build shock and scare the audience. Mise-en-scene elements like old props and costumes further set the time period and creepy tone. The trailer employs editing techniques like eyeline matches and title screens to draw viewers in and make them want to watch the full
The trailer for The Woman in Black uses various film techniques to build mystery and intrigue around the thriller genre. It begins by establishing the dark and isolated setting through point-of-view shots. Unsettling close-ups of toys and a child's ominous nursery rhyme voiceover create an atmosphere of suspense. As the trailer progresses, it ramps up tension through fast editing, minimal sound, and ominous music and weather. These techniques leave just enough unanswered to encourage viewers to see the film.
The trailer for The Woman in Black uses various film techniques to build mystery and intrigue around the thriller genre. It begins by establishing the dark and isolated setting through the use of point-of-view shots. Unsettling close-ups of toys are paired with a child's ominous nursery rhyme voiceover. As the tension rises through fast-paced editing and minimal sound, the trailer leaves viewers questioning what they witnessed to encourage seeing the full film.
The document analyzes the trailer for the 2004 horror film "Saw." Some key points made:
- The trailer is 1 minute and 57 seconds long and effectively conveys the genre and basic plot in a short time through techniques like camera angles, audio, and transitions.
- Locations shown are dark, run-down places that set the horror atmosphere. Lighting is also dark to create suspense.
- Sound effects like heartbeats and screams build tension. Dialogue provides narrative and background on the killer Jigsaw.
- Mis en scene details like the victims' scruffy clothing versus Jigsaw's suit imply a power dynamic.
- The trailer leaves many questions un
The document analyzes the trailer for the 2004 horror film "Saw". It summarizes the key techniques used in the trailer to convey the narrative and genre. These include using dark lighting and isolated locations to set an atmospheric and suspenseful tone. Dialogue and sound effects are relied on over music to draw the audience in. Jump scares and a building musical score increase tension. While brief, the trailer leaves viewers questioning and wanting to learn more, achieving its goal of enticing people to watch the full film.
The document analyzes the trailer for the 2004 horror film "Saw." Some key points made:
- The trailer is 1 minute and 57 seconds long and effectively conveys the genre and basic plot in a short time through techniques like camera angles, audio, and transitions.
- Locations shown are dark, run-down places that set the horror atmosphere. Lighting is also dark to create suspense.
- Sound effects like heartbeats and screams build tension. Dialogue provides narrative and background on the killer Jigsaw.
- Mis en scene details like the victims' scruffy clothing versus Jigsaw's suit imply a power dynamic.
- The trailer leaves the audience with
The trailer uses effective camera work, editing, lighting, sound, and props to create suspense without revealing too much of the plot. It begins by establishing a normal setting but gradually shifts to darker lighting and handheld shots that make the viewer feel engaged yet unsure of what will happen. Fast pacing and brief shots maintain mystery around the antagonist while close-ups of characters' scared reactions heighten tension. Throughout, conventional horror trailer techniques like distorted sound, blurred images and a building sense of dread leave the audience wanting to learn more.
This document analyzes elements of film trailers for horror movies. It discusses the use of cinematography, editing, sound, and mise-en-scene in the trailers for The Purge, The Strangers, and Paranormal Activity 3. Close-ups, lighting, music, and masks are some of the techniques described that set the tone for horror and build tension in viewers.
The document analyzes and summarizes the opening title sequence of the film "The Purge". It notes that the sequence uses CCTV footage to set an unsettling tone and establish the horror/thriller genre. Various film techniques like editing, music, and camera work are discussed to show how they build tension and mystery for the audience. The purpose of an effective title sequence is also addressed.
The document analyzes the opening title sequence of the film "The Purge" across multiple categories:
- It effectively sets the tone as a horror/thriller through CCTV footage style shots of violent attacks.
- The genre is clearly thriller/horror due to the violent crimes shown and fast-paced editing.
- Elements like dim lighting, weapons, and characters participating in violence immediately set the mood.
- The contrasting classical music against the violence creates an uneasy mood conveying the horror genre.
The document discusses conventions of horror movie trailers. It analyzes teaser trailers for The Ring and Sorority Row films. Typical conventions discussed include using quick cuts that don't provide context, dark lighting, changes in music/pace to build tension, and revealing the female lead through transitions but not giving details about the threat. The Sorority Row trailer introduces more characters but still builds mystery, while The Ring trailer focuses more on the mysterious threat. Both trailers effectively employ conventions to intrigue audiences without fully explaining the plots.
The document analyzes the codes used in the trailers for the films Black Mass and Legend. It discusses the visual, narrative, enigma, and audio codes employed. For visual codes, both trailers begin with establishing shots and use lighting and shots to set tone and pace. Narrative codes are more implied to build intrigue. Enigma codes include ambiguous clips and a voiceover to generate questions. Audio codes combine a voiceover, music, and film clips to create tension and draw the audience in.
The document analyzes several movie trailers and discusses techniques used in each. Some key points made:
- Trailers use establishing shots, music, and fast pacing to set the tone and encourage viewers to watch the full film.
- Character introductions, recognizable locations, and references to previous successful films appeal to existing fans.
- Limited dialogue and frequent cuts reveal just enough to intrigue viewers without giving too much away.
- Emphasis on action, suspense, and special effects showcase what audiences want to see.
- Cinematography techniques like close-ups, lighting, and shot composition are discussed in terms of meaning and impact.
- New technologies allow for innovative visual
The document analyzes several movie trailers and discusses techniques used in each. It notes establishing shots, lighting, costumes, music, and editing choices that set tone, highlight characters, and intrigue viewers without revealing too much of the plot. The analysis aims to understand effective trailer conventions to apply to the author's own work, such as using action scenes, suspense, and mystery to encourage audiences to watch the full film.
This document provides an analysis of two soap opera trailers from EastEnders and Hollyoaks. For the EastEnders trailer, the analysis notes the emotional soundtrack, lack of dialogue, and Peggy Mitchell's white costume signifying the end of her suffering. Special effects, voiceovers, and lighting are discussed for the Hollyoaks trailer to create mystery and drama. The document concludes by stating elements from each trailer that would be repeated or exploited in the author's own soap opera trailer, such as soundtracks, visual effects, and shot reverse shots.
Genre research. Analysis of 3 trailers. dilaratasd
The document provides an in-depth analysis of the trailer for the horror film "The Conjuring". It examines the conventions of the horror genre used in the trailer, including the narrative, characters, locations, sound, editing, camera work, and mise-en-scene. Specifically, it notes the trailer's use of screams, darkness, whispers and slow pace to set a chilling atmosphere. The analysis also discusses how the editing, camera movements, and lighting are employed to build tension and unease in the viewer.
The trailer uses a variety of shots including close-ups, long shots, and tracking shots to follow the characters. Fast-paced editing with transitions creates comedy and tension. Well-known comedic actors like Ben Stiller and Jonah Hill are featured to attract audiences. Non-diegetic music and sound effects paired with dialogue demonstrate the science fiction comedy genre.
The document analyzes the opening sequences of the films Trick 'r Treat and Hide and Seek. It discusses how both openings use techniques like montage editing, changes in music and pace, and unconventional text to set the tone and build tension. Specific techniques highlighted include jump cuts in Trick 'r Treat and flashing images in Hide and Seek to pique audience interest without revealing too much. The document also examines the use of black and montage editing to depict themes of mystery, grief and the scope of terror without showing full details.
The document analyzes three horror movie trailers across four categories: cinematography, sound, mise-en-scene, and editing. For each trailer, the analysis identifies conventions used in that category to create tension and establish the horror genre. Close-ups, establishing shots, and changes in camera movement are discussed for cinematography. Elements of sound design like non-diegetic music and ambient noise are examined. Settings, costumes, and props are considered for mise-en-scene. Editing techniques like fast pacing and fades are identified. Overall, the document analyzes how these filmmaking elements come together in movie trailers to effectively convey horror and build suspense for the audience.
THE SACRIFICE HOW PRO-PALESTINE PROTESTS STUDENTS ARE SACRIFICING TO CHANGE T...indexPub
The recent surge in pro-Palestine student activism has prompted significant responses from universities, ranging from negotiations and divestment commitments to increased transparency about investments in companies supporting the war on Gaza. This activism has led to the cessation of student encampments but also highlighted the substantial sacrifices made by students, including academic disruptions and personal risks. The primary drivers of these protests are poor university administration, lack of transparency, and inadequate communication between officials and students. This study examines the profound emotional, psychological, and professional impacts on students engaged in pro-Palestine protests, focusing on Generation Z's (Gen-Z) activism dynamics. This paper explores the significant sacrifices made by these students and even the professors supporting the pro-Palestine movement, with a focus on recent global movements. Through an in-depth analysis of printed and electronic media, the study examines the impacts of these sacrifices on the academic and personal lives of those involved. The paper highlights examples from various universities, demonstrating student activism's long-term and short-term effects, including disciplinary actions, social backlash, and career implications. The researchers also explore the broader implications of student sacrifices. The findings reveal that these sacrifices are driven by a profound commitment to justice and human rights, and are influenced by the increasing availability of information, peer interactions, and personal convictions. The study also discusses the broader implications of this activism, comparing it to historical precedents and assessing its potential to influence policy and public opinion. The emotional and psychological toll on student activists is significant, but their sense of purpose and community support mitigates some of these challenges. However, the researchers call for acknowledging the broader Impact of these sacrifices on the future global movement of FreePalestine.
This document provides an overview of wound healing, its functions, stages, mechanisms, factors affecting it, and complications.
A wound is a break in the integrity of the skin or tissues, which may be associated with disruption of the structure and function.
Healing is the body’s response to injury in an attempt to restore normal structure and functions.
Healing can occur in two ways: Regeneration and Repair
There are 4 phases of wound healing: hemostasis, inflammation, proliferation, and remodeling. This document also describes the mechanism of wound healing. Factors that affect healing include infection, uncontrolled diabetes, poor nutrition, age, anemia, the presence of foreign bodies, etc.
Complications of wound healing like infection, hyperpigmentation of scar, contractures, and keloid formation.
This presentation was provided by Racquel Jemison, Ph.D., Christina MacLaughlin, Ph.D., and Paulomi Majumder. Ph.D., all of the American Chemical Society, for the second session of NISO's 2024 Training Series "DEIA in the Scholarly Landscape." Session Two: 'Expanding Pathways to Publishing Careers,' was held June 13, 2024.
CapTechTalks Webinar Slides June 2024 Donovan Wright.pptxCapitolTechU
Slides from a Capitol Technology University webinar held June 20, 2024. The webinar featured Dr. Donovan Wright, presenting on the Department of Defense Digital Transformation.
Temple of Asclepius in Thrace. Excavation resultsKrassimira Luka
The temple and the sanctuary around were dedicated to Asklepios Zmidrenus. This name has been known since 1875 when an inscription dedicated to him was discovered in Rome. The inscription is dated in 227 AD and was left by soldiers originating from the city of Philippopolis (modern Plovdiv).
Leveraging Generative AI to Drive Nonprofit InnovationTechSoup
In this webinar, participants learned how to utilize Generative AI to streamline operations and elevate member engagement. Amazon Web Service experts provided a customer specific use cases and dived into low/no-code tools that are quick and easy to deploy through Amazon Web Service (AWS.)
A Visual Guide to 1 Samuel | A Tale of Two HeartsSteve Thomason
These slides walk through the story of 1 Samuel. Samuel is the last judge of Israel. The people reject God and want a king. Saul is anointed as the first king, but he is not a good king. David, the shepherd boy is anointed and Saul is envious of him. David shows honor while Saul continues to self destruct.
2. Dog soldiers
During a british army training mission a small group of soldiers
become hunted by a pack of werewolves, and have to defend a
small cottage house until dawn.
Format: Trailer, would be shown on television.
Genre: Horror, Thriller, Comedy.
Gender: Male.
Age: 25-39.
Social Grade: C2,D,E.
Link to video.
3. Voice Over
Adding dramatic lines to the trailer helps build suspense and tension to the scene to make the audience feel more
excited about the story and to get them to want to know what is going to happen in the full film making them feel more
involved in the story. This is very useful in this trailer as not much of the narration is shown, it also help to introduce
characters and give some insight as to what the audience is viewers so they do not feel confused and left out. it helps
to set the pace for the clips being used to make the montage feel more natural.
(00:29) “This is no ordinary enemy”
This line helps to give insight for the
audience as well as adding mystery
to what the monsters are, hopefully
causing the viewer to be curious
enough to buy the film to find out
more about the narrative.
4. Music
The trailer uses high pitched music behind its clips and narration this is conventional of the horror genre as it adds
tension in the scenes and creates a erire atmosphere for the audience make them feel more immersed in the clips
being used. The music also sets the pace for the trailer giving more for an impact and meaning to scenes making the
trailer feel for natural to the audience.
(00:10) The high pitched music used in this scene add to
make the shots for the wolves running in the forest feel
intense for the audience as they feel the music build into
the other scenes.
5. Lighting
Low key lighting is often used in horror to create a creepy eerie atmosphere, as darkness is associated with fear and
evil, making people feel vulnerable as audiences tend to fear and feel threatened by the unknown and unseen, the use
of shadows are also used in horror to the same effect. The trailer uses this to full effect by using heavy amounts of low
key lighting to create fear and tension with the audience. This also complies with horror conventions of lighting by
keeping a dark unknowing fear within the trailer.
(00:26) low key lighting is used in this
scene to make the character look more
sinister and frightening. the lighting also
suggests that the character is a villain to
the audience by how the dark clings to
him possibly foreshadowing future
events for the viewers engaging and
involving them in the story.
6. Montage
The trailer uses montage editing to show a brief narrative of the film in a short amount of time while displaying many
horror conventions to enhance the meaning of the scenes to the audience.
Shots of darkly lit characters making the film seem serious to the audience. Shots filled with gore to reinforce the horror
and shock of the trailer while also giving indentation of the age group the film is aimed at. Close up shots of the
characters looking shaken and scared to show that the film is focused on using strong emotions to make the audience
more immersed in the scenes by making the character look more human. Using fast pace shot of the monsters lets the
audience know the film will have action to its story while keeping the whole view of the monsters hidden to give some
mystery to the finale film so the audience does not feel the film has been spoiled.
7. Conclusion
It is very clear that this trailer is of a horror film from the the conventions of horror they use within the trailer, such as
their use of low key lighting to create an atmosphere of tension and eeriness and the high pitch screeching music to set
pace and reinforce the atmosphere of the scenes and music. Because of this I believe it fulfils its purpose of bringing in
a wider audience for the film by enticing the viewers.
8. Star Wars: Episode VII
Link to video.
Star Wars: Episode VII is the next installment in the Star
Wars franchise set 30 years after the Star Wars films.The
actual plot of the film has not being released yet due to film
not being out.
Format: Teaser Trailer, Would be shown on the internet on a
video streaming site e.g. youtube.
Genre: Sci-fi.
Gender: Males.
Age: 40-59.
Social: A,B,C1.
9. Music
The music in the trailer is used to set the pace of the trailer by using the beats of the soundtrack to add impact to the
shots being shown and add suspense to the black transitions, this benefits the audience by making the trailer have
more flow and look more natural. The use of the star wars theme solidifies it as being apart of the star wars franchise
as well as playing on the audiences nostalgia reminding them of past films and the emotion they hold in their memories
involving them deeper in the narration.
(00:22) In this shot the music is timed with the
character raising into shot adding more impact to the
scene and the experience more natural feeling for the
audience.
10. Uses of iconic imagery
The trailer makes use of images of props, characters and settings that are iconic to the Star Wars narrative. Using
imagery in the trailers that make the audience feel strong emotions by playing on their nostalgia of the previous films
causes the audience to feel more connected to the new film by making it seem more familiar, Making the audience feel
more excited.
11. Fade to black transitions
The trailer makes use of fade to black transitions to slow the pace of the trailer, adding suspense and adding drama to
the shots by changing how the audience is meant to react to the trailer. It also helps to split up non related scenes by
showing a passing of time which is useful for a teaser trailer that only has a short amount of time to show its contents
and messages to the audience.
< (00:41)(00:44) >
These scenes are
right after one and
another but are
not directly related
and are split by a
fade to black
transition.
12. Lighting
This trailer uses a mixture of high and low key lighting in its varied scenes. This helps to set the atmosphere of the
scenes apart, the scenes with high key lighting are very bright and exciting and almost always have the heros of the film
within the shots. On the other hand the low key lit scene are very serious and intense and have the villains of the film in
them. This helps the audience understand how they should feel and react to the scenes by reinforcing the light vs dark
ideology which is an important part of the Star Wars narrative.
Just by looking at
the lighting of
these shots you
easily tell which of
the characters are
the hero and the
villain.
13. Conclusion
The short teaser makes great use of its limited time, by keeping a dramatic pace, backed by a very well compiled and
edited soundtrack that adds true impact and meaning to the well chosen shots shown. All of this is combined into a
compact, exciting teaser that will leave audiences wanting more.
14. Doctor Who
A funny and charismatic extraterrestrial Time Lord known as the doctor.
travels the universe with a companion solving injustices and saving planet
all with a british accent.
Format: Trailer, would be shown on television.
Genre: sci-fi, adventure, drama
Gender: Males
Aged: 40-59
Social grade: C2,D,E
Link to video.
15. Voice over
Adding dramatic lines to the trailer to build suspense and tension to the scene to make the audience feel more excited
about the story and to get them to want to know more about what is going to happen in the full show making them feel
more involved in the story, enhancing the experience of the program by engaging the audience within the narrative.
(00:37)
“Where are we going?”.
“Into darkness”.
The music also becomes quite during this scene to give more
impact to line so the audience knows the line is important.
16. Use of Strong imagery
The use of imagery is very important in teasers as they can show a lot of meaning in just a few short moments the
Tardis being destroyed or damaged in the trailers sends a strong message to the viewers as the Tardis is a main
character of the show and any hinted harm will make the audience feel concerned and will want to see more to find out
what happens making them feel more involved and engaged within the program.
(00:20) In this shot the doctor is shown being
blown away in the tardis. This makes the
audience feel fearful for the character and make
them engaged in the narrative.
17. Music
The music in the trailer is used to set the pace of the trailer by using the beats of the soundtrack to add impact to the
shots being shown while setting the pace of the trailer to the music being used. making the trailer seem more natural to
the audience. The soundtrack uses many electronic sounds and beats which gave it a robotic, new age, sound which is
conventional of the sci-fi genre making the audience feel familiar with the programs setting by just hearing the music.
(00:14) In this shot the music is very robotic and
electronic connoting the conventions of sci-fi which
makes the audience feel familiar with the narrative
and what to expect, engaging them in the program.
18. TV Channel Announcer
At the end of the trailer there is an announcer who reads out information about the program for the TV channel. This is
done to add any additional information about the program that would not fit into the dramatised trailer such the official
title of the program the release date of the new season. The information added helps to the inform the audience so they
know when and where they can view the program as well finishing the small trailer off nicely making it feel more natural
for the audience.
(00:58) As well as using the
announcer the trailer makes use of
putting information onto the screen
to help reinforce the information
being said making to more likely for
the audience to remember the
information. This also allows the
information to be read by people
who have poor hearing or are deaf.
19. Conclusion
This trailer does a very good job of showing very dramatic moments, reinforced greatly by well chosen, impactual lines
of dialogue that add much needed depth to the shots, enhancing the experience for the audience. It makes great use of
imagery making the audience that are fans of the show feel strong emotion by endangering the character while keeping
it exciting enough for any newcomers to be interested with its narrative which is why I believe it achieves its purpose.