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Connections
Edward Bawden 1903-1989
• Edward Bawden was an Enhglish illustrator, graphic designer and painter. He
studied at the School of Art in Cambridge and at the Design School of the Royal
College where he was a contemporary of Eric Ravilious. After graduating
Bawden did a lot of work for Curwen Press at Plaistow, London.
• Bawden was an official war artist travelling to France, Belgium and the Middle
East. His later work was more as a graphic designer and was notable for his
simplicity in lines and humour in his deigns. I hope to study more of the
paintings that Edward Bawden created during his time as a war artist.
Influences
• Studied and worked with Eric Ravilious
• Worked for Curwen Press and many other publishers producing book
illustration, cover designs, advertisements, leaflets and calendars.
• Served as an official war artist
"My own wish, would be for all the jigsaw pieces of my
life’s work to be together, not scattered willy-nilly to any
institution that happened to want this bit or that.."
Aubrey Beardsley 1872-1898
• Aubrey Beardsley was a draughtsman and writer. He was brought up in Brighton
and was well educated but suffered from various illnesses. Beardsley used pen
and ink to create often very detailed illustrations, he took inspiration from
Japanese woodblock prints. Beardsley made a large contribution, as well as
some other artist, to the Art Nouveau movement.
“No language is rude that can boast polite writers”
“If I am not grotesque, I am nothing.”
Influences
• Art Nouveau – 1890-1905
This movement was aimed at modernizing design. Artists
drew inspiration from both organic and geometric forms.
Creating natural, flowing forms with angular. It was about
decorative arts and the importance of good craftsmen ship in
areas like furniture design were rediscovered.
• Pre-Raphaelite movement where Beardsley initial
inspiration came from.
The Bell Inn
Edward Bawden
1939
• Watercolour on paper.
• Varying details on the painting, the
background appears to have more
accurate details compared to the mark
making on the vegetation.
• Perspective created from choosing a
composition of layered objects and
cooler colours in the background.
A dancer’s reward,
Salome
Aubrey Beardsley
1894• Pen and ink on paper.
• Melting effect from lines moving down the
page.
• Even though it is depicting a grotesque scene
Beardsley still achieves elegance and
movement with his drawings through flowing
lines and fluid shapes.
Comparison 1
A dancer’s reward,
Salome
Aubrey Beardsley
The Bell Inn
Edward Bawden
Transport for
London Kew
Gardens poster,
Edward Badewn.
1936
• Lino cut print
• Uses layers of printing and
repeated colours due the
technique.
• Although using flat objects there is
depth to the poster leading you to
the building in the background..
The Yellow Book cover
page,
Aubrey Beardsley.
1894• Pen and ink on paper
• The Yellow Book was a magazine
containing literature and art.
• The subject of the illustration is
quite evil and suggestive..
Comparison 2Transport for London
Kew Gardens poster,
Edward Bawden.
The Yellow Book cover
page,
Aubrey Beardsley.

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Connections Presentation

  • 2. Edward Bawden 1903-1989 • Edward Bawden was an Enhglish illustrator, graphic designer and painter. He studied at the School of Art in Cambridge and at the Design School of the Royal College where he was a contemporary of Eric Ravilious. After graduating Bawden did a lot of work for Curwen Press at Plaistow, London. • Bawden was an official war artist travelling to France, Belgium and the Middle East. His later work was more as a graphic designer and was notable for his simplicity in lines and humour in his deigns. I hope to study more of the paintings that Edward Bawden created during his time as a war artist.
  • 3. Influences • Studied and worked with Eric Ravilious • Worked for Curwen Press and many other publishers producing book illustration, cover designs, advertisements, leaflets and calendars. • Served as an official war artist
  • 4. "My own wish, would be for all the jigsaw pieces of my life’s work to be together, not scattered willy-nilly to any institution that happened to want this bit or that.."
  • 5. Aubrey Beardsley 1872-1898 • Aubrey Beardsley was a draughtsman and writer. He was brought up in Brighton and was well educated but suffered from various illnesses. Beardsley used pen and ink to create often very detailed illustrations, he took inspiration from Japanese woodblock prints. Beardsley made a large contribution, as well as some other artist, to the Art Nouveau movement.
  • 6. “No language is rude that can boast polite writers” “If I am not grotesque, I am nothing.”
  • 7. Influences • Art Nouveau – 1890-1905 This movement was aimed at modernizing design. Artists drew inspiration from both organic and geometric forms. Creating natural, flowing forms with angular. It was about decorative arts and the importance of good craftsmen ship in areas like furniture design were rediscovered. • Pre-Raphaelite movement where Beardsley initial inspiration came from.
  • 8. The Bell Inn Edward Bawden 1939 • Watercolour on paper. • Varying details on the painting, the background appears to have more accurate details compared to the mark making on the vegetation. • Perspective created from choosing a composition of layered objects and cooler colours in the background.
  • 9. A dancer’s reward, Salome Aubrey Beardsley 1894• Pen and ink on paper. • Melting effect from lines moving down the page. • Even though it is depicting a grotesque scene Beardsley still achieves elegance and movement with his drawings through flowing lines and fluid shapes.
  • 10. Comparison 1 A dancer’s reward, Salome Aubrey Beardsley The Bell Inn Edward Bawden
  • 11. Transport for London Kew Gardens poster, Edward Badewn. 1936 • Lino cut print • Uses layers of printing and repeated colours due the technique. • Although using flat objects there is depth to the poster leading you to the building in the background..
  • 12. The Yellow Book cover page, Aubrey Beardsley. 1894• Pen and ink on paper • The Yellow Book was a magazine containing literature and art. • The subject of the illustration is quite evil and suggestive..
  • 13. Comparison 2Transport for London Kew Gardens poster, Edward Bawden. The Yellow Book cover page, Aubrey Beardsley.