How to critique photography from a design point of view. A new and improved version of my original presentation. If you'd like a critique of your work, you can find more information here: http://www.imagemaven.com/photocrit
How to critique photography from a design point of view. A new and improved version of my original presentation. If you'd like a critique of your work, you can find more information here: http://www.imagemaven.com/photocrit
Project based landscape photography (no video) rob knight patchings 2017Rob Knight
My presentation on the value of personal projects to our creative development as photographers. Presented on the Outdoor Photography stage at the 2017 Patchings Art Festival in Nottingham. The video from slide 69 is on my YouTube channel as the Unknown | Known experimental soundscape.
Project based landscape photography (no video) rob knight patchings 2017Rob Knight
My presentation on the value of personal projects to our creative development as photographers. Presented on the Outdoor Photography stage at the 2017 Patchings Art Festival in Nottingham. The video from slide 69 is on my YouTube channel as the Unknown | Known experimental soundscape.
Night Meet Light: Discussion of Lighting Techniques for NightlifeMichael-Paul James
Nightclub & Bar Convention Presentation from 2012 by Michael-Paul "Jack Kelly" James.
Discover idiosyncrasies, strengths, & the relationships of design’s most powerful ally & night’s most viscous adversary, lighting. Expand understanding of how light works to create greater impact on décor and the nightlife experience. Key concepts that keep guest present & drinking!
Behind the Lens of a Veteran Photojournalist: How to Tell More Compelling Sto...Resource Media
Resource Media takes you behind the lens with our very own veteran photojournalist and show you how to take better pictures to create compelling and persuasive stories. The adventure begins with storytelling basics and builds on how photos can enhance communications with your key supporters. We will share insights on recommended tools, composition tips and picture-taking techniques that you’ll need to turn your snapshots into convincing stories.
thGAP - BAbyss in Moderno!! Transgenic Human Germline Alternatives ProjectMarc Dusseiller Dusjagr
thGAP - Transgenic Human Germline Alternatives Project, presents an evening of input lectures, discussions and a performative workshop on artistic interventions for future scenarios of human genetic and inheritable modifications.
To begin our lecturers, Marc Dusseiller aka "dusjagr" and Rodrigo Martin Iglesias, will give an overview of their transdisciplinary practices, including the history of hackteria, a global network for sharing knowledge to involve artists in hands-on and Do-It-With-Others (DIWO) working with the lifesciences, and reflections on future scenarios from the 8-bit computer games of the 80ies to current real-world endeavous of genetically modifiying the human species.
We will then follow up with discussions and hands-on experiments on working with embryos, ovums, gametes, genetic materials from code to slime, in a creative and playful workshop setup, where all paticipant can collaborate on artistic interventions into the germline of a post-human future.
2137ad Merindol Colony Interiors where refugee try to build a seemengly norm...luforfor
This are the interiors of the Merindol Colony in 2137ad after the Climate Change Collapse and the Apocalipse Wars. Merindol is a small Colony in the Italian Alps where there are around 4000 humans. The Colony values mainly around meritocracy and selection by effort.
2137ad - Characters that live in Merindol and are at the center of main storiesluforfor
Kurgan is a russian expatriate that is secretly in love with Sonia Contado. Henry is a british soldier that took refuge in Merindol Colony in 2137ad. He is the lover of Sonia Contado.
Explore the multifaceted world of Muntadher Saleh, an Iraqi polymath renowned for his expertise in visual art, writing, design, and pharmacy. This SlideShare delves into his innovative contributions across various disciplines, showcasing his unique ability to blend traditional themes with modern aesthetics. Learn about his impactful artworks, thought-provoking literary pieces, and his vision as a Neo-Pop artist dedicated to raising awareness about Iraq's cultural heritage. Discover why Muntadher Saleh is celebrated as "The Last Polymath" and how his multidisciplinary talents continue to inspire and influence.
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The Legacy of Breton In A New Age by Master Terrance LindallBBaez1
Brave Destiny 2003 for the Future for Technocratic Surrealmageddon Destiny for Andre Breton Legacy in Agenda 21 Technocratic Great Reset for Prison Planet Earth Galactica! The Prophecy of the Surreal Blasphemous Desires from the Paradise Lost Governments!
7. Creating Choices
There is an infinite number of artistic
choices you can make. Never stop
with just ONE idea!
8. Composition
Theme
• What is the universal message of the
photograph?
• What does it imply or say?
• What makes the photograph worth taking?
• Theme creates the BIG IDEA behind a mere
image.
11. Composition
Emphasis
• What is the subject?
• Where is the subject?
• Where should the viewer look?
• What is most important
• How do you emphasize one part of a
photograph and downplay another?
15. Composition
Simplicity
• Simplify the composition
• Nothing weakens the theme
• Nothing in the view-finder competes with or
distracts from the subject, but adds to the
composition
16. How Much?
• What is really important?
• How much is needed to support your theme?
• Are you capturing too much? Does it take away from your emphasis?
• Are you capturing too little? What else in the viewfinder supports your theme?
Your emphasis?
• Suggestion: Start in close and step back to include as much as needed
17. Horizontal or
Vertical?
• Which way will BEST include what is essential to the photograph?
• Which way will support your emphasis?
• Which way will take away from what is important?
• Try BOTH!
18. Cropping
• Creating visual boundaries
• What information is needed to get the point across?
• Simplify
Ian Stravinsky
20. Point of View
• How does your point of
view emphasize the theme
or subject matter?
• The photographer can
allow the viewer to see
from someone or
something else’s point of
view (like a bird, a bug,
water rushing down a
drain pipe, etc.)
24. Selective Focus (Depth of
Field)
• In order to include the background, while isolating the
subject matter as the main focal point, use a short depth of
field (small aperture number = large hole)
• Sharpen the subject matter and blur the rest
27. The Rule of Thirds
• A simplified version of the Golden Mean
• Linear objects on lines
• Focal points at intersections
28.
29.
30. Implied Lines
• Not an actual line, but rather, an implied one
• Uses objects in composition to form lines
Vertical
Horizontal
Diagonal
31.
32. Leading Lines
• A successful leading line will lead the viewer right to the center of focus
• An unsuccessful leading line will lead the viewer in, but will lead
him/her right back out again
36. Angles and Diagonals
• Create a more dynamic photograph
• Use extreme angles and diagonals, rather than
straight, static lines.
37.
38.
39. Framing
You may find, sometimes, that the subject matter looks boring
when isolated in viewfinder.
Consider including things around the subject matter which
would form an interesting frame.
40.
41. • Formal Balance
• Static type of balance, where both sides are perfectly equal
• Generally, try to avoid, for it is uninteresting to viewer
• Informal Balance
• Dynamic type of balance, where objects on each side are not equal
• A large object on one side could balance a small one, dark object could
balance a light one, etc.
42. Texture
• We often neglect to get close enough to see texture
• Texture can add great richness to a photograph
43. Aliens
• Elements of a photograph that invade your subject matter
• Seem as if they were attached
• The famous pole sticking out of someone’s head