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• Cinema, popular or parallel, a visual art of storytelling with rich 
inputs of music , screenplay, cast and script, mirrors the contemporary 
society in which it functions. 
• From Dadasaheb Phalke to Farhan Akhtar, every decade of 
Indian cinema has reflected various hues and aspects of real life on 
reels of cinema. 
• Since its beginning with the film ‘Raja Harish Chandra’ (1913), the 
cinema has remained the most powerful media for mass communication in 
India. Cinema has the ability to combine entertainment with communication 
of ideas. It has the potential appeal for its audience. 
>>>> 00 >>>> 11 >>>> 22 >>>> 33 >>>> 44 >>>>
>>>> 00 >>>> 11 >>>> 22 >>>> 33 >>>> 44 >>>>
1. The Origin of Indian 
Cinema 
2.The Talkie Era 
3. The Golden Era 
4. The Sweet Seventies 
5. The New Nineties 
6. The Millennium 
7. Music & Dance 
8. Few popular Dialogs 
>>>> 00 >>>> 11 >>>> 22 >>>> 33 >>>> 44 >>>>
• Cinema was introduced to 
India on July 7, 1896. It began 
with the Lumiere 
Cinematography, unveiling 
six silent short films at 
the Watson Hotel in Bombay. 
• The first Indian-made feature 
film was released in 1913. It 
was made by Dadasaheb 
Phalke and was called Raja 
Harishchandra. Based on a 
story from the Mahabharata . 
• The first Indian talkie Alam 
Ara directed by Ardershir Irani 
was released on March 14, 
1931 . 
>>>> 00 >>>> 11 >>>> 22 >>>> 33 >>>> 44 >>>>
• The first Indian talkie Alam Ara 
directed by Ardershir Irani was 
released on March 14, 1931 . 
• The talkie had brought 
revolutionary changes in the whole 
set up of the industry. 
• The year 1931 marked the 
beginning of the talking ear in 
Bengal and South India. 
• The first talkie films in Bengali 
(Jumai Shasthi), Telugu (Bhakta 
Prahlad) and Tamil (Kalidass) 
were released in the same year . 
>>>> 00 >>>> 11 >>>> 22 >>>> 33 >>>> 44 >>>>
• The period from the late 1940s to the 
1960s are regarded by film historians 
as the 'Golden Age' of Indian cinema. 
• This period saw the emergence of a 
new parallel Cinema movement , 
mainly led by Bengali Cinema . Early 
examples of films in this movement 
include Chetan Anand’s Neecha 
Nagar (1946) Rwitwik Ghatak’s 
(Nagarik)), and Bimal Roy's Two 
acres of Land (1953), 
• Pather Pachali, the first part of The 
Apu Trilogy(1955–1959) by Satyajit 
Ray, marked his entry in Indian cinema. 
>>>> 00 >>>> 11 >>>> 22 >>>> 33 >>>> 44 >>>>
• Commercial Hindi cinema also 
began thriving, with examples of 
acclaimed films at the time 
include the Guru 
Dutt films Pyaasa (1957) 
and Kaagaz Ke Phool (1959) and 
theRajKapoor films Awaara(1951 
) and Shree 420 (1955) 
• Some epic films were also 
produced at the time, 
including Mehboob Khan's Mother 
India (1957), which was 
nominated for the Academy Award 
and K. Asif's Mughal-e- 
Azam (1960). V. Shantaram's Do 
Aankhen Barah Haath (1957). 
• 
>>>> 00 >>>> 11 >>>> 22 >>>> 33 >>>> 44 >>>>

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Cinema

  • 1. • Cinema, popular or parallel, a visual art of storytelling with rich inputs of music , screenplay, cast and script, mirrors the contemporary society in which it functions. • From Dadasaheb Phalke to Farhan Akhtar, every decade of Indian cinema has reflected various hues and aspects of real life on reels of cinema. • Since its beginning with the film ‘Raja Harish Chandra’ (1913), the cinema has remained the most powerful media for mass communication in India. Cinema has the ability to combine entertainment with communication of ideas. It has the potential appeal for its audience. >>>> 00 >>>> 11 >>>> 22 >>>> 33 >>>> 44 >>>>
  • 2. >>>> 00 >>>> 11 >>>> 22 >>>> 33 >>>> 44 >>>>
  • 3. 1. The Origin of Indian Cinema 2.The Talkie Era 3. The Golden Era 4. The Sweet Seventies 5. The New Nineties 6. The Millennium 7. Music & Dance 8. Few popular Dialogs >>>> 00 >>>> 11 >>>> 22 >>>> 33 >>>> 44 >>>>
  • 4. • Cinema was introduced to India on July 7, 1896. It began with the Lumiere Cinematography, unveiling six silent short films at the Watson Hotel in Bombay. • The first Indian-made feature film was released in 1913. It was made by Dadasaheb Phalke and was called Raja Harishchandra. Based on a story from the Mahabharata . • The first Indian talkie Alam Ara directed by Ardershir Irani was released on March 14, 1931 . >>>> 00 >>>> 11 >>>> 22 >>>> 33 >>>> 44 >>>>
  • 5. • The first Indian talkie Alam Ara directed by Ardershir Irani was released on March 14, 1931 . • The talkie had brought revolutionary changes in the whole set up of the industry. • The year 1931 marked the beginning of the talking ear in Bengal and South India. • The first talkie films in Bengali (Jumai Shasthi), Telugu (Bhakta Prahlad) and Tamil (Kalidass) were released in the same year . >>>> 00 >>>> 11 >>>> 22 >>>> 33 >>>> 44 >>>>
  • 6. • The period from the late 1940s to the 1960s are regarded by film historians as the 'Golden Age' of Indian cinema. • This period saw the emergence of a new parallel Cinema movement , mainly led by Bengali Cinema . Early examples of films in this movement include Chetan Anand’s Neecha Nagar (1946) Rwitwik Ghatak’s (Nagarik)), and Bimal Roy's Two acres of Land (1953), • Pather Pachali, the first part of The Apu Trilogy(1955–1959) by Satyajit Ray, marked his entry in Indian cinema. >>>> 00 >>>> 11 >>>> 22 >>>> 33 >>>> 44 >>>>
  • 7. • Commercial Hindi cinema also began thriving, with examples of acclaimed films at the time include the Guru Dutt films Pyaasa (1957) and Kaagaz Ke Phool (1959) and theRajKapoor films Awaara(1951 ) and Shree 420 (1955) • Some epic films were also produced at the time, including Mehboob Khan's Mother India (1957), which was nominated for the Academy Award and K. Asif's Mughal-e- Azam (1960). V. Shantaram's Do Aankhen Barah Haath (1957). • >>>> 00 >>>> 11 >>>> 22 >>>> 33 >>>> 44 >>>>