CHEER DANCE Lengthening Techniques
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This document describes several dance lengthening techniques: mirroring involves imitating another dancer's movements face-to-face; succession repeats movement sequences after counts of two, three, or four; counterpoint has some dancers perform high movements while others do low or percussive movements; retrograde repeats a movement sequence from end to beginning; theme and variation features a common movement or theme with slight variations; unison has all dancers perform movements simultaneously; and canon is similar to succession but all dancers end at a common movement at the same time.
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CHEER DANCE Lengthening Techniques
- 2. MIRRORING •Imitating the movements done by a dancer in face to face
- 3. SUCCESSION • To repeat same sequence of movement or movement combinations after every count, two, three or even four, depending on the need to repeat the movement.
- 4. COUNTERPOINT Some of the dancers may do high movements, while the rest do low movements; some may do smooth flowing while the rest may perform percussive movements.
- 5. RETROGRADE • Repeating a movement sequence from the end to the beginning
- 6. THEME and VARIATION Each movement combination has a common movement that is seen in succession of movement combinations. That movement common to all is called the theme added with little variation for it to appear different from the rest.
- 7. UNISON All movement combinations are done simultaneous ly by all dancers.
- 8. CANON • This technique is similar with succession but differ in ending. All dancers will all arrive at a common movement and end at the same time