31. telephone companies (now telephone and cable) have a
monopoly on transmission of information and that companies
that control transmission should not be permitted to control
access to content as well.
Many Internet content providers and large companies such as
eBay, Microsoft, Amazon, Netflix, and Google, argue for net-
neutrality rules. Without the rules, some argue, they will have
to pay higher rates and communications companies will give
special treatment to their own content providers. Some groups
argue that allowing communications companies to set varying
rates would be devastating for the Internet as it would squeeze
out independent voices. Only big companies and organizations
will be able to afford the prices necessary to ensure that their
content moves fast enough to be relevant.
Market
Charging different rates for products and services is not unusual
and makes economic sense in many areas.
Before the FCC relaxed older regulations (in 2003-2005),
telecommunications companies had little incentive to invest in
broadband capacity. In the few years afterward, they invested
hundreds of billions of dollars. Speeds increased, prices fell,
and the added capacity was essential for new phenomena such
as streaming video.
Opponents of additional regulations say there should be no
major new regulation without evidence of harm in the current
system.
48
Discussion Questions
Should companies be permitted to exclude or give special
treatment to content transmitted based on the content itself or
on the company that provides it?
Should companies be permitted to provide different levels of
speed at different prices?
33. Guttenberg begins selling one of the first books published with
movable type in the West (movable type invented in China
about 400 years earlier)
1453
Turks take Constantinople
1469
Lorenzo de Medici rules Republic of Florence
1470
Portuguese explorers reach Africa's Gold Coast
1484
Pope Innocent VII succeeds to papacy and outlaws witchcraft
1492
Columbus travels to West Indies and South America
1511
First road map of Europe published
1517
Beginning of Protestant Reformation
1522
First circumnavigation of the earth
1527
Sack of Rome
Significant developments in the western world view become
influential by the 1400s: Increased exploration of the
worldScientific investigation of nature and the human
bodyMedieval religious zeal becomes more
temperedDevelopment of the city-state and nationsGrowth of
capitalism and tradeGuilds become more powerful and women's
participation in them less commonThe artist's social standing is
eventually elevated from skilled laborer to gifted intellectual
Humanism: a cultural and intellectual movement during the
Renaissance, following the rediscovery of the art and literature
of ancient Greece and Rome. A philosophy or attitude
concerned with the interests, achievements and capabilities of
human beings rather than with the abstract concepts and
problems of theology.
Francesco Petrarch is often called the "Father of Humanism."
34. He was a scholar and a poet who lived in Florence in the 1300s
who studied poets and philosophers from Ancient Rome such as
Cicero and Virgil.
Neo-Platonism Renaissance philosophy that liberally merged
Christian and pagan doctrineProposed that all life was linked to
God by a spiritual circuitTherefore, all revelation (whether from
the Bible, Plato or classic myth) was oneBeauty, love and
spiritual ecstasy were all the same thingOne could attain
spiritual ecstasy through the contemplation of beauty
High Renaissance 1490 - 1520 Concept of the "Renaissance
ideal" fully adopted by the aristocracyArtists recognized as
intellectuals rather than craftsmenArtists receive more
commissions from private sourcesOil on canvas becomes
preferred painting media
Roman Empire
1st Century BCE – 5th Century CE (27 BCE - 476 CE)
Middle Age/Medieval Period + Byzantine
5th – 15th Centuries (400s-1400s)
Dark Ages/Early Middle Ages (400-1000), High Middle Ages
(1000- 1300),
Romanesque (1150-1250), Late Middle Ages/Proto Renaissance
(1300-1500),
Gothic Art (1150-1500)
The Renaissance
15th – 16th Centuries (1400s-1500s)
Early Renaissance (1400-1475), High Renaissance (1475-1525),
35. Mannerism (1525-1600)
Baroque Period
17th Century (1600s)
Gothic Architecture: Notre Dame de Chartres
(Our Lady of Chartres) Cathedral, 1145-1513, Chartres, France
Gothic Architecture: Notre Dame de Chartres
(Our Lady of Chartres) Cathedral, 1145-1513, Chartres, France
Gothic Architecture: Notre Dame de Chartres
(Our Lady of Chartres) Cathedral, 1145-1513, Chartres, France
Gothic Architecture: Notre Dame de Chartres
(Our Lady of Chartres) Cathedral, 1145-1513, Chartres, France
Gothic Architecture: Notre Dame de Chartres
(Our Lady of Chartres) Cathedral, 1145-1513, Chartres, France
Gothic Architecture: Notre Dame de Chartres
(Our Lady of Chartres) Cathedral, 1145-1513, Chartres, France
36. Gothic Architecture: Notre Dame de Chartres
(Our Lady of Chartres) Cathedral, 1145-1513, Chartres, France
Video Questions:
1. What role does light play in a Gothic church?
2. What was the inspiration for Notre Dame de Chartres?
3. How does this church represent society at the time?
http://www.youtube.com/watch?v=w8QRG-Xc6oU
http://www.youtube.com/watch?v=dN5XRW7T0cc
http://www.youtube.com/watch?v=vAtQB9wLkUA
http://www.youtube.com/watch?v=w8QRG-Xc6oU
http://www.youtube.com/watch?v=w8QRG-Xc6oU
http://www.youtube.com/watch?v=w8QRG-Xc6oU
http://www.youtube.com/watch?v=w8QRG-Xc6oU
http://www.youtube.com/watch?v=dN5XRW7T0cc
http://www.youtube.com/watch?v=vAtQB9wLkUA
Gothic Painting: Duccio (c.1255-1319) Maestà del Duomo di
Siena
1311, tempera and gold on wood, center panel: 7 x 13 feet
37. Gothic Painting: Duccio (c.1255-1319) Maestà del Duomo di
Siena
1311, tempera and gold on wood, center panel: 7 x 13 feet
Gothic Painting: Giotto (c.1255-1319) Lamentation, c. 1305
fresco, 72 x 78 inches
Gothic Painting: Giotto (c.1255-1319) interior frescos of the
Scrovegni
Chapel, Padua (Padova), Italy
Gothic Painting: Giotto (c.1255-1319) interior frescos of the
Scrovegni
Chapel, Padua (Padova), Italy
Gothic Painting: Giotto (c.1255-1319) interior frescos of the
Scrovegni
Chapel, Padua (Padova), Italy
Renaissance Painting: Masaccio (c.1255-
1319) The Holy Trinity, 1425
fresco, 21 feet x 10 feet
38. Renaissance Painting: Masaccio (c.1255-1319) The Holy
Trinity, 1425
fresco, 21 feet x 10 feet
“I was what you are, and what I am you shall become.”
Renaissance Sculpture: Donatello (c.1386-1466)
David, c.1425-30 bronze, 62 inches high
Renaissance Sculpture: Donatello (c.1386-1466)
Mary Magdalene, c.1455, wood, 74 in. high
Renaissance Painting: Sandro Botticelli (c.1445-1510)
Birth of Venus, c.1480, tempera on canvas, 5’8” x 9’1”
Renaissance Painting: Sandro Botticelli (c.1445-1510)
Primavera, c.1482, tempera on panel, 6’6” x 10’4”
L to R: Mercury, Three Graces, Venus, Flora, Chloris, Zephyrus
Renaissance Painting: Sandro Botticelli (c.1445-1510)
Detail: Primavera, c.1482, tempera on panel, 6’6” x 10’4”
39. Renaissance Painting: Leonardo Da Vinci (c.1452-1519)
Drawings: Vitruvian Man, 1490, and Babe in the Womb c.1510
Renaissance Painting: Leonardo Da Vinci (c.1452-1519)
Mona Lisa, 1503-1506, oil on wood
sfumato technique
Renaissance Painting: Leonardo Da Vinci (c.1452-1519)
The Last Supper, 1495-1498, experimental paints on plaster,
14’5” x 28’
Renaissance Painting: Leonardo Da Vinci (c.1452-1519)
The Last Supper, 1495-1498, rendering to show original state
Renaissance Painting: Leonardo Da Vinci (c.1452-1519)
The Last Supper, 1495-1498, experimental paints on plaster,
14’5” x 28’
Renaissance Painting: Leonardo Da Vinci (c.1452-1519)
The Last Supper, 1495-1498, experimental paints on plaster,
14’5” x 28’
40. Renaissance Painting: Leonardo
Da Vinci (c.1452-1519)
The Last Supper, 1495-1498,
experimental paints on plaster,
14’5” x 28’
Renaissance Painting: Michelangelo (1475-1564)
The Creation of Adam, Sistine Chapel Ceiling, 1508-1512,
fresco
Renaissance Painting: Michelangelo (1475-1564)
Sistine Chapel 1508-1512, fresco
Renaissance Painting: Michelangelo (1475-1564)
Last Judgment, Sistine Chapel 1537-1541, fresco
Renaissance Sculpture: Michelangelo (1475-1564)
David, 1501-1504, marble, height: 14’
Renaissance Sculpture: Michelangelo (1475-1564)
Pietà, c.1500, marble, height: 5’9”
41. Renaissance Sculpture: Michelangelo (1475-1564)
Pietà, c.1500, marble, height: 5’9”
Renaissance Architecture: Michelangelo, Bramante, Maderno
and Bernini
Saint Peter’s Basilica, Rome, 1506-1626
Renaissance Architecture: Michelangelo, Bramante, Maderno
and Bernini
Saint Peter’s Basilica, Rome, 1506-1626
Renaissance Architecture: Michelangelo, Bramante, Maderno
and Bernini
Saint Peter’s Basilica, Rome, 1506-1626
Renaissance Architecture:
Michelangelo, Bramante,
Maderno and Bernini
Saint Peter’s Basilica, Rome,
1506-1626
Renaissance Painting: Raphael
School of Athens, 1509-1510, fresco, 16’6” x 25’, inside the
Vatican
42. Renaissance Painting: Raphael
School of Athens, 1509-1510, fresco, 16’6” x 25’, inside the
Vatican
1: Zeno of Citium 2: Epicurus Possibly, the image of two
philosophers, who were typically shown in pairs
during the Renaissance: Heraclitus, the "weeping" philosopher,
and Democritus, the "laughing" philosopher.
3: unknown (believed to be Raphael)[14] 4: Boethius or
Anaximander or Empedocles? 5: Averroes
6: Pythagoras 7: Alcibiades or Alexander the Great? 8:
Antisthenes or Xenophon or Timon?
9: Raphael,[14][15][16] Fornarina as a personification of
Love[17] or Francesco Maria della Rovere? 10: Aeschines
or Xenophon? 11: Parmenides? (Leonardo da Vinci) 12:
Socrates 13: Heraclitus (Michelangelo) 14: Plato
(Leonardo da Vinci) (Archimedes) 15: Aristotle (Giuliano da
Sangallo) 16: Diogenes of Sinope 17: Plotinus
(Donatello?) 18: Euclid or Archimedes with students
(Bramante?) 19: Strabo or Zoroaster? (Baldassare
Castiglione) 20: Ptolemy? R: Apelles (Raphael) 21: Protogenes
(Il Sodoma, Perugino, or Timoteo Viti)[18]
http://en.wikipedia.org/wiki/Zeno_of_Citium
http://en.wikipedia.org/wiki/Zeno_of_Citium
http://en.wikipedia.org/wiki/Epicurus
http://en.wikipedia.org/wiki/Heraclitus
http://en.wikipedia.org/wiki/Democritus
http://en.wikipedia.org/wiki/Raphael
http://en.wikipedia.org/wiki/The_School_of_Athens
http://en.wikipedia.org/wiki/Boethius
http://en.wikipedia.org/wiki/Anaximander
46. attitude concerned with the interests, achievements and
capabilities of human beings rather than with the abstract
concepts and problems of theology. Francesco Petrarch is
often called the "Father of Humanism." He was a scholar and
a poet who lived in Florence in the 1300s who studied poets
and philosophers from Ancient Rome such as Cicero and
Virgil.
What was happening in the 1400s???
Neo-Platonism
pagan doctrine
er from the Bible, Plato or
classic myth) was one
contemplation of beauty
Di Cambio, Talenti., Orcagna and others, Florence Cathedral
(Duomo), 1296--‐1378, architecture/stone, brick,
marble; Brunelleschi: Drum/Dome, 1420--‐1436; Campanile:
GioIo, Pisano and Talenti, c.1334--‐50.
47. Di Cambio, Talenti., Orcagna and others, Florence Cathedral
(Duomo), 1296--‐1378, architecture/stone, brick,
marble; Brunelleschi: Drum/Dome, 1420--‐1436; Campanile:
GioIo, Pisano and Talenti, c.1334--‐50.
Masaccio (c.1255-1319) The Holy Trinity, 1425
fresco, 21 feet x 10 feet
Masaccio (c.1255-1319) The Holy Trinity, 1425
fresco, 21 feet x 10 feet
“I was what you are, and what I am you shall become.”
Sandro Botticelli (c.1445-1510) Birth of Venus, c.1480, tempera
on canvas, 5’8” x 9’1”
Sandro Botticelli (c.1445-1510) Primavera, c.1482, tempera on
panel, 6’6” x 10’4”
L to R: Mercury, Three Graces, Venus, Flora, Chloris, Zephyrus
Sandro Botticelli (c.1445-1510) Primavera, c.1482, tempera on
panel, 6’6” x 10’4”
Detail
48. Leonardo Da Vinci (c.1452-1519) Drawings: Vitruvian Man,
1490, and Babe in the Womb c.1510
Leonardo Da Vinci (c.1452-1519) Mona Lisa, 1503-1506, oil on
wood
sfumato technique
Leonardo Da Vinci (c.1452-1519) The Last Supper, 1495-1498,
experimental paints on plaster, 14’5” x 28’
Copy After Leonardo Da Vinci (c.1452-1519) The Last Supper
Leonardo Da Vinci (c.1452-1519) The Last Supper
Leonardo Da Vinci (c.1452-1519) The Last Supper
Leonardo Da Vinci (c.1452-1519) The Last Supper
Michelangelo (1475-1564) The
49. Creation of Adam, Sistine Chapel
Ceiling, 1508-1512, fresco
Michelangelo (1475-1564) The Creation of Adam, Sistine
Chapel Ceiling, 1508-1512, fresco
Michelangelo (1475-1564) Last Judgment, Sistine Chapel 1537-
1541, fresco
Michelangelo (1475-1564) David, 1501-1504, marble, height:
14’
Michelangelo (1475-1564) Pietà, c.1500, marble, height: 5’9”
Michelangelo (1475-1564) Pietà, c.1500, marble, height: 5’9”
Michelangelo, Bramante, Maderno and Bernini Saint Peter’s
Basilica, Rome, 1506-1626
Michelangelo, Bramante, Maderno and Bernini Saint Peter’s
Basilica, Rome, 1506-1626
50. Michelangelo, Bramante, Maderno and Bernini Saint Peter’s
Basilica, Rome, 1506-1626
Michelangelo, Bramante, Maderno and Bernini Saint Peter’s
Basilica, Rome, 1506-1626
Raphael School of Athens, 1509-1510, fresco, 16’6” x 25’,
inside the Vatican
Raphael School of Athens, 1509-1510, fresco, 16’6” x 25’,
inside the Vatican
Raphael School of Athens, 1509-1510, fresco, 16’6” x 25’,
inside the Vatican
1: Zeno of Citium 2: Epicurus Possibly, the image of two
philosophers, who were typically shown in pairs during the
Renaissance:
Heraclitus, the "weeping" philosopher, and Democritus, the
"laughing" philosopher. 3: unknown (believed to be
Raphael)[14] 4:
Boethius or Anaximander or Empedocles? 5: Averroes 6:
Pythagoras 7: Alcibiades or Alexander the Great? 8: Antisthenes
or
Xenophon or Timon? 9: Raphael,[14][15][16] Fornarina as a
personification of Love[17] or Francesco Maria della Rovere?
51. 10:
Aeschines or Xenophon? 11: Parmenides? (Leonardo da Vinci)
12: Socrates 13: Heraclitus (Michelangelo) 14: Plato (Leonardo
da
Vinci) (Archimedes) 15: Aristotle (Giuliano da Sangallo) 16:
Diogenes of Sinope 17: Plotinus (Donatello?) 18: Euclid or
Archimedes
with students (Bramante?) 19: Strabo or Zoroaster? (Baldassare
Castiglione) 20: Ptolemy? R: Apelles (Raphael) 21: Protogenes
(Il
Sodoma, Perugino, or Timoteo Viti)[18]
Left: Madonna and Child with Book, 1504, oil on panel Right:
Madonna of the Goldfinch c.1506, oil on panel
Ecstasy
1. an overwhelming feeling of great happiness or joyful
excitement. "there was a look of ecstasy on his face"
synonyms: rapture, bliss, elation, euphoria
2. an emotional or religious frenzy or trancelike state,
originally one involving an experience of mystic self-
transcendence.
Transcendence
1. exceeding usual limits: surpassing
52. 2. extending or lying beyond the limits of ordinary
experience in Kantian philosophy: being beyond the limits
of all possible experience and knowledge
3: being beyond comprehension
4: transcending the universe or material existence
Ideal
1. a conception of something in its perfection.
2. a standard of perfection or excellence.
3. a person or thing conceived as embodying such a
conception or conforming to such a standard, and
taken as a model for imitation.
4. an ultimate object or aim of endeavor, especially one
of high or noble character.
5. something that exists only in the imagination.
High Renaissance 1490 - 1520
(Late 15th/Early 16th Centuries)
• Concept of the "Renaissance ideal" fully adopted by
the aristocracy
• Artists recognized as intellectuals rather than
craftsmen
• Artists receive more commissions from private sources,
not just the Church
• Oil on canvas becomes preferred painting media,
53. instead of tempera on wood or fresco (painting on wet
plaster)
In Art History, the two
most important
places for
Renaissance Art were
Italy (especially
Florence/Firenze) and
“The North” (the
Netherlands and
Belgium, known as
“Flanders”.)
What was happening in the 1400s???
Increased exploration of the world
Scientific investigation of nature and the human body
Medieval religious zeal becomes more tempered
Development of the city-state and nations
Growth of capitalism and trade
Guilds become more powerful and women's participation in
them less common
The artist's social standing is eventually elevated from skilled
laborer to gifted intellectual
What was happening in the 1400s???
54. Humanism: a cultural and intellectual movement during the
Renaissance, following the rediscovery of the art and literature
of ancient Greece and Rome. A philosophy or attitude
concerned with the interests, achievements and capabilities of
human beings rather than with the abstract concepts and
problems of theology. Francesco Petrarch is often called the
"Father of Humanism." He was a scholar and a poet who lived
in Florence in the 1300s who studied poets and philosophers
from Ancient Rome such as Cicero and Virgil.
What was happening in the 1400s???
Neo-Platonism
Renaissance philosophy that liberally merged Christian and
pagan doctrine
Proposed that all life was linked to God by a spiritual circuit
Therefore, all revelation (whether from the Bible, Plato or
classic myth) was one
Beauty, love and spiritual ecstasy were all the same thing
One could attain spiritual ecstasy through the contemplation of
beauty
Di Cambio, Talenti., Orcagna and others, Florence Cathedral
(Duomo), 1296--‐1378, architecture/stone, brick, marble;
Brunelleschi: Drum/Dome, 1420--‐1436; Campanile: GioIo,
Pisano and Talenti, c.1334--‐50.
Fillipo Brunelleschi, Hospital of the Innocents, 1419-1485,
architecture/stone, brick, marble, Florence, Italy
55. Bambino Tondi by Andrea della Robbia (1435-1525) Also: Head
of a Young Man, 1470, Luca della Robbia1400–1482
Masaccio (c.1255-1319) The Holy Trinity, 1425
fresco, 21 feet x 10 feet
Masaccio (c.1255-1319) The Holy Trinity, 1425
fresco, 21 feet x 10 feet
“I was what you are, and what I am you shall become.”
Sandro Botticelli (c.1445-1510) Birth of Venus, c.1480, tempera
on canvas, 5’8” x 9’1”
Sandro Botticelli (c.1445-1510) Primavera, c.1482, tempera on
panel, 6’6” x 10’4”
L to R: Mercury, Three Graces, Venus, Flora, Chloris,
Zephyrus
56. Sandro Botticelli (c.1445-1510) Primavera, c.1482, tempera on
panel, 6’6” x 10’4”
Detail
Leonardo Da Vinci (c.1452-1519) Drawings: Vitruvian Man,
1490, and Babe in the Womb c.1510
Leonardo Da Vinci (c.1452-1519) Mona Lisa, 1503-1506, oil on
wood
sfumato technique
Leonardo Da Vinci (c.1452-1519) The Last Supper, 1495-1498,
experimental paints on plaster, 14’5” x 28’
Copy After Leonardo Da Vinci (c.1452-1519) The Last Supper
57. Leonardo Da Vinci (c.1452-1519) The Last Supper
Leonardo Da Vinci (c.1452-1519) The Last Supper
Leonardo Da Vinci (c.1452-1519) The Last Supper
Michelangelo (1475-1564) The Creation of Adam, Sistine
Chapel Ceiling, 1508-1512, fresco
Michelangelo (1475-1564) The Creation of Adam, Sistine
Chapel Ceiling, 1508-1512, fresco
Michelangelo (1475-1564) Last Judgment, Sistine Chapel 1537-
1541, fresco
58. Michelangelo (1475-1564) David, 1501-1504, marble, height:
14’
Michelangelo (1475-1564) Pietà, c.1500, marble, height: 5’9”
Michelangelo (1475-1564) Pietà, c.1500, marble, height: 5’9”
Michelangelo, Bramante, Maderno and Bernini Saint Peter’s
Basilica, Rome, 1506-1626
Michelangelo, Bramante, Maderno and Bernini Saint Peter’s
Basilica, Rome, 1506-1626
Michelangelo, Bramante, Maderno and Bernini Saint Peter’s
Basilica, Rome, 1506-1626
59. Michelangelo, Bramante, Maderno and Bernini Saint Peter’s
Basilica, Rome, 1506-1626
Raphael School of Athens, 1509-1510, fresco, 16’6” x 25’,
inside the Vatican
Raphael School of Athens, 1509-1510, fresco, 16’6” x 25’,
inside the Vatican
Raphael School of Athens, 1509-1510, fresco, 16’6” x 25’,
inside the Vatican
1: Zeno of Citium 2: Epicurus Possibly, the image of two
philosophers, who were typically shown in pairs during the
Renaissance: Heraclitus, the "weeping" philosopher, and
Democritus, the "laughing" philosopher. 3: unknown (believed
to be Raphael)[14] 4: Boethius or Anaximander or Empedocles?
5: Averroes 6: Pythagoras 7: Alcibiades or Alexander the Great?
8: Antisthenes or Xenophon or Timon? 9: Raphael,[14][15][16]
Fornarina as a personification of Love[17] or Francesco Maria
della Rovere? 10: Aeschines or Xenophon? 11: Parmenides?
(Leonardo da Vinci) 12: Socrates 13: Heraclitus (Michelangelo)
14: Plato (Leonardo da Vinci) (Archimedes) 15: Aristotle
(Giuliano da Sangallo) 16: Diogenes of Sinope 17: Plotinus
60. (Donatello?) 18: Euclid or Archimedes with students
(Bramante?) 19: Strabo or Zoroaster? (Baldassare Castiglione)
20: Ptolemy? R: Apelles (Raphael) 21: Protogenes (Il Sodoma,
Perugino, or Timoteo Viti)[18]
Left: Madonna and Child with Book, 1504, oil on panel Right:
Madonna of the Goldfinch c.1506, oil on panel
Ecstasy
1. an overwhelming feeling of great happiness or joyful
excitement. "there was a look of ecstasy on his face"
synonyms: rapture, bliss, elation, euphoria
2. an emotional or religious frenzy or trancelike state, originally
one involving an experience of mystic self-transcendence.
Transcendence
1. exceeding usual limits: surpassing
2. extending or lying beyond the limits of ordinary
experience in Kantian philosophy: being beyond the limits of all
possible experience and knowledge
3: being beyond comprehension
4: transcending the universe or material existence
61. Ideal
1. a conception of something in its perfection.
2. a standard of perfection or excellence.
3. a person or thing conceived as embodying such a
conception or conforming to such a standard, and
taken as a model for imitation.
4. an ultimate object or aim of endeavor, especially one
of high or noble character.
5. something that exists only in the imagination.
High Renaissance 1490 - 1520
(Late 15th/Early 16th Centuries)
Concept of the "Renaissance ideal" fully adopted by the
aristocracy
Artists recognized as intellectuals rather than craftsmen
Artists receive more commissions from private sources, not just
the Church
Oil on canvas becomes preferred painting media, instead of
tempera on wood or fresco (painting on wet plaster)
In Art History, the two most important places for Renaissance
Art were Italy (especially Florence/Firenze) and “The North”
(the Netherlands and Belgium, known as “Flanders”.)