Presentation during World Digital Preservation Day 2018 and International Conference 'Memory Makers' organised by DPC and the Dutch Digital Heritage Network
2013 Cultural Heritage Creative Tools and Archives Workshop" (CHCTA), National Museum of Denmark, Copenhagen, 26-27 June 2013, Final Session-Panel summary slides by Erik Champion for 5 minute talk..(url"http://chta.wordpress.com)
This document provides information about an information management toolbox course at KADK library. It introduces the course instructors and participants. The agenda for the first session on information literacy is outlined and includes topics such as the basics of information literacy, search strategies, literature review, and source criticism. It defines information literacy and discusses the information behavior of architects and designers, including their preference for visual information. Various search methods like quick and dirty searching, conventional subject searching, and reference list checking are also introduced.
The document discusses preserving born-digital heritage such as websites, games, and interactive media. It outlines actions that creators, heritage professionals, and policymakers can take to help ensure digital lives and creativity are not lost. For creators, it recommends documenting work, using open licenses, open-source software and standards. For professionals, it suggests developing sustainable policies and legal frameworks for acquiring and maintaining accessible digital collections. It calls on policymakers to stimulate collaboration, raise awareness of preservation needs, and support copyright reforms to facilitate reuse of digital heritage.
This document discusses digitization efforts of cultural heritage in Flanders. It outlines various impetuses for digitization from organizations in Flanders, the European Commission, and UNESCO. It also discusses how cultural heritage institutions in Flanders are adapting to take on roles in a network society by embracing digital literacy, transparency, and continuous innovation, with the goal of strengthening traditional tasks through digital technologies. Government policies aim to support modular and sustainable solutions for preservation and access through coordination between regional and national organizations.
This document discusses leveraging NGO resources through knowledge management. It covers how knowledge structures relate to social, business, and technology structures. It defines knowledge management and knowledge work, and outlines a knowledge infrastructure including people, content, tools, processes, and governance. The document then discusses how knowledge management relates to knowledge assets, sharing, collaboration, resources, and stakeholders. It provides examples of understanding, managing, and storing content, as well as retrieving and sharing explicit and collaborative content. The document concludes with the main messages that managing knowledge assets leverages an NGO's capacity, social interaction includes sharing, collaboration, negotiation and competition, and knowledge work involves both technical and social aspects.
1. The document discusses challenges for museums in developing digital programs and building innovative, creative practices. It argues the key challenge is not resistance to digital, but rather a lack of organizational capacity for creative freedom.
2. The author proposes several initiatives for their museum to develop digital skills across departments and seed a culture of collaboration. This includes pilot programs to experiment with new audiences and external partners, as well as regular events to facilitate connections.
3. An example future makers program is described that brought gaming and maker communities into the museum space to prototype wearables and hack technologies in the collection, engaging new audiences. The goal is to prove the museum's interconnectivity and mobilize digital communities.
This document summarizes a presentation on digital library futures given at the 2009 IFLA Congress in Milan. The presentation discussed institutional strategies and the user perspective, including users' frenetic information seeking behaviors. It also addressed issues like usability, content producers, and challenges around duplication of efforts, standardization, and copyright. The presentation proposed both archival and access to knowledge approaches and emphasized the need for libraries to facilitate access, socialization of collections, and international collaboration and exchange of resources.
Creating Museum Media for Everyone - LEAD 2013astreichs
Part I of this presentation.
The Creating Museum Media for Everyone project (CMME) was created to further the museum field’s capacity to design, develop, and implement innovative digital interactives for science museum exhibitions that engage people with and without disabilities in informal science learning. The Project convened two workshops (the Possibilities Workshop and the Prototyping Workshop) to address these goals. This LEAD session will report on the outcomes of those workshops, the subsequent prototypes that were developed to build on the knowledge gained, and will summarize the Project's white paper on "Making Museum Exhibits Accessible for All: Approaches to Multi-Modal Exhibit Personalization." The development team's three promising approaches that were explored in more depth by the teams participating in the Prototyping Workshop include dynamic haptic display, data sonification, and multi-touch audio layers. The LEAD session will demonstrate these approaches, seek participant feedback on the results, and will query the museum professionals in attendance as to how any or all of these approaches can be designed into exhibits in the near future.
2013 Cultural Heritage Creative Tools and Archives Workshop" (CHCTA), National Museum of Denmark, Copenhagen, 26-27 June 2013, Final Session-Panel summary slides by Erik Champion for 5 minute talk..(url"http://chta.wordpress.com)
This document provides information about an information management toolbox course at KADK library. It introduces the course instructors and participants. The agenda for the first session on information literacy is outlined and includes topics such as the basics of information literacy, search strategies, literature review, and source criticism. It defines information literacy and discusses the information behavior of architects and designers, including their preference for visual information. Various search methods like quick and dirty searching, conventional subject searching, and reference list checking are also introduced.
The document discusses preserving born-digital heritage such as websites, games, and interactive media. It outlines actions that creators, heritage professionals, and policymakers can take to help ensure digital lives and creativity are not lost. For creators, it recommends documenting work, using open licenses, open-source software and standards. For professionals, it suggests developing sustainable policies and legal frameworks for acquiring and maintaining accessible digital collections. It calls on policymakers to stimulate collaboration, raise awareness of preservation needs, and support copyright reforms to facilitate reuse of digital heritage.
This document discusses digitization efforts of cultural heritage in Flanders. It outlines various impetuses for digitization from organizations in Flanders, the European Commission, and UNESCO. It also discusses how cultural heritage institutions in Flanders are adapting to take on roles in a network society by embracing digital literacy, transparency, and continuous innovation, with the goal of strengthening traditional tasks through digital technologies. Government policies aim to support modular and sustainable solutions for preservation and access through coordination between regional and national organizations.
This document discusses leveraging NGO resources through knowledge management. It covers how knowledge structures relate to social, business, and technology structures. It defines knowledge management and knowledge work, and outlines a knowledge infrastructure including people, content, tools, processes, and governance. The document then discusses how knowledge management relates to knowledge assets, sharing, collaboration, resources, and stakeholders. It provides examples of understanding, managing, and storing content, as well as retrieving and sharing explicit and collaborative content. The document concludes with the main messages that managing knowledge assets leverages an NGO's capacity, social interaction includes sharing, collaboration, negotiation and competition, and knowledge work involves both technical and social aspects.
1. The document discusses challenges for museums in developing digital programs and building innovative, creative practices. It argues the key challenge is not resistance to digital, but rather a lack of organizational capacity for creative freedom.
2. The author proposes several initiatives for their museum to develop digital skills across departments and seed a culture of collaboration. This includes pilot programs to experiment with new audiences and external partners, as well as regular events to facilitate connections.
3. An example future makers program is described that brought gaming and maker communities into the museum space to prototype wearables and hack technologies in the collection, engaging new audiences. The goal is to prove the museum's interconnectivity and mobilize digital communities.
This document summarizes a presentation on digital library futures given at the 2009 IFLA Congress in Milan. The presentation discussed institutional strategies and the user perspective, including users' frenetic information seeking behaviors. It also addressed issues like usability, content producers, and challenges around duplication of efforts, standardization, and copyright. The presentation proposed both archival and access to knowledge approaches and emphasized the need for libraries to facilitate access, socialization of collections, and international collaboration and exchange of resources.
Creating Museum Media for Everyone - LEAD 2013astreichs
Part I of this presentation.
The Creating Museum Media for Everyone project (CMME) was created to further the museum field’s capacity to design, develop, and implement innovative digital interactives for science museum exhibitions that engage people with and without disabilities in informal science learning. The Project convened two workshops (the Possibilities Workshop and the Prototyping Workshop) to address these goals. This LEAD session will report on the outcomes of those workshops, the subsequent prototypes that were developed to build on the knowledge gained, and will summarize the Project's white paper on "Making Museum Exhibits Accessible for All: Approaches to Multi-Modal Exhibit Personalization." The development team's three promising approaches that were explored in more depth by the teams participating in the Prototyping Workshop include dynamic haptic display, data sonification, and multi-touch audio layers. The LEAD session will demonstrate these approaches, seek participant feedback on the results, and will query the museum professionals in attendance as to how any or all of these approaches can be designed into exhibits in the near future.
DYAS: The Greek Research Infrastructure Network for the Humanitiesariadnenetwork
Presentation by:
Panos Constantopoulos
Athens University of Economics and Business,
Athena Research Centre
Costis Dallas
Toronto University,
Panteion University,
Athena Research Centre
Presenter: Dimitris Gavrilis
Full-day session on archaeological infrastructures and services at the 18th Cultural Heritage and New Technologies (CHNT) conference
Vienna, Austria
11th -13th November 2013
Cross-sector collaboration for digital museum and library projectsMia
I provide some examples of cross-sector collaboration from the UK, and include some examples of different models for international collaboration. Invited presentation for the Chinese Association of Museums, Taipei, Taiwan, August 2017
Digital learning in Museums: New technologies for art, design and makingAlexFlowers10
Since 2008 the V&A has been creating opportunities for visitors and learners to engage with design and digital technologies through creative programming. Working with digital artists, researchers and culture organisations, making has been placed at the centre of how to get visitors to understand the designed world.
This document discusses entrepreneurial practices in museums. It notes that museums traditionally rent their physical capital but few rent their know-how. During the pandemic, museums considered new online business models to free themselves from physical dependency. These new models include product development like online shops, service development like memberships, and network development through crowdsourcing. The document examines examples and considerations for these new models, noting they require museums to look outward and embrace digital technologies and networks to innovate for the future.
The document describes the Smart Citizen Kit project by Waag, an institute that explores emergent technologies and opens them for societal use. The project involves distributing sensor kits to citizens of Amsterdam to collect environmental data and engage residents in understanding and influencing the workings of their city. An initial pilot with 100 kits provided insights that will inform expanding the project to 500 kits and citizens, with the goal of creating a testbed for businesses and developing new data analysis and visualization tools.
Digital curation is emerging as a new discipline, but faces challenges in being validated and educating students. It draws on existing fields like information science, but requires a distinct curriculum. Developing a defined curriculum, appropriate accreditation, targeted applicants, and improved graduate outcomes could help establish digital curation as a unique academic domain and profession. This would provide better trained practitioners and help the field gain recognition.
- Wakefield addressed a backlog of undocumented collections over 8 years by assigning temporary numbers during physical inspections and creating basic inventory records for each object.
- Over 110,000 objects were documented, and 2,000 "orphan" objects were reconciled with accession records.
- The process improved documentation and allowed for strategic rationalization, reducing unprovenanced items and storage pressures.
- Retrospective documentation must be a long-term, managed process rather than a short-term project to be effective.
Shared at Digital Innovation and Technology Services staff meeting at The Cleveland Museum of Art to report back on Museums and the Web experiences and findings.
DM2E Community building (Lieke Ploeger – Open Knowledge) at Enabling humanities research in the Linked Open Web – DM2E final event (11 December 2014, Navacchio, Italy)
Lorna hughes 12 05-2013 NeDiMAH and ontology for DHlorna_hughes
This document describes NeDiMAH, a network examining the use of digital methods in the arts and humanities. NeDiMAH is funded by the European Science Foundation and chaired by Lorna Hughes. It aims to research advanced ICT methods, develop activities/publications/networking, and create a map of digital humanities in Europe and a taxonomy of methods. NeDiMAH includes 16 supporting member organizations and has working groups on topics like spatial modeling, visualization, and scholarly publishing. A key output will be a formal ontology of digital methods to provide evidence of their use and enable evaluation of digital humanities projects.
Exploring the Potential of Digital Making: a collaborative project at the Uni...Museums Computer Group
Kate Noble – Education Officer and Ina Pruegel – Digital Engagement Specialist (both University of Cambridge Museums)
The digital maker residency enabled the University Of Cambridge Museums to rethink how they approached the use of technology in their museums and to re-position audiences and staff from passive consumers to active creators.
This session will explore how this project provided opportunities to explore and test new ideas and workshops in collaboration with audiences and members of local Makerspaces, and to reflect on the role of technology in the museum of the future.
Presentation from a lecture to UCL students about current principles and practice in managing museum collections. Primarily of relevance to a student audience.
The MA in Digital Humanities at King's College London looks at how we create and disseminate knowledge in an age where so much of what we do is mobile, networked and mediated by digital culture and technology
It gives a critical perspective on digital theory and practice in studying human culture, from the perspectives of academic scholarship, cultural heritage and the commercial world
We study the history and current state of the digital humanities, and their role in modelling, curating, analysing and interpreting digital representations of human culture in all its forms.
For more information: http://www.kcl.ac.uk/artshums/depts/ddh/study/pgt/madh/index.aspx
Integrating Digital Curation in a Digital Library Curriculum: the Internation...Anna Maria Tammaro
Presentation of Anna Maria Tammaro at the International Conference Framing the Digital Curation Curriculum http://www.digcur-education.org/eng/International-Conference
This document discusses the relationship between heritage science and innovation. It defines heritage as valued objects and traditions passed down through generations, and innovation as new ideas, methods or technologies. The document argues that heritage science can help define the past, present and future value of heritage to society, and enable different elements of value to be adopted and maintained. It provides examples of challenges and opportunities for heritage science regarding the past, present and future. It suggests heritage science could have a wider role by addressing heritage in a holistic way and developing evidence, knowledge and skills to broaden its scope.
Presentation during World Digital Preservation Day 2018 and International Conference 'Memory Makers' organised by DPC and the Dutch Digital Heritage Network
Presentation during World Digital Preservation Day 2018 and International Conference 'Memory Makers' organised by DPC and the Dutch Digital Heritage Network
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DYAS: The Greek Research Infrastructure Network for the Humanitiesariadnenetwork
Presentation by:
Panos Constantopoulos
Athens University of Economics and Business,
Athena Research Centre
Costis Dallas
Toronto University,
Panteion University,
Athena Research Centre
Presenter: Dimitris Gavrilis
Full-day session on archaeological infrastructures and services at the 18th Cultural Heritage and New Technologies (CHNT) conference
Vienna, Austria
11th -13th November 2013
Cross-sector collaboration for digital museum and library projectsMia
I provide some examples of cross-sector collaboration from the UK, and include some examples of different models for international collaboration. Invited presentation for the Chinese Association of Museums, Taipei, Taiwan, August 2017
Digital learning in Museums: New technologies for art, design and makingAlexFlowers10
Since 2008 the V&A has been creating opportunities for visitors and learners to engage with design and digital technologies through creative programming. Working with digital artists, researchers and culture organisations, making has been placed at the centre of how to get visitors to understand the designed world.
This document discusses entrepreneurial practices in museums. It notes that museums traditionally rent their physical capital but few rent their know-how. During the pandemic, museums considered new online business models to free themselves from physical dependency. These new models include product development like online shops, service development like memberships, and network development through crowdsourcing. The document examines examples and considerations for these new models, noting they require museums to look outward and embrace digital technologies and networks to innovate for the future.
The document describes the Smart Citizen Kit project by Waag, an institute that explores emergent technologies and opens them for societal use. The project involves distributing sensor kits to citizens of Amsterdam to collect environmental data and engage residents in understanding and influencing the workings of their city. An initial pilot with 100 kits provided insights that will inform expanding the project to 500 kits and citizens, with the goal of creating a testbed for businesses and developing new data analysis and visualization tools.
Digital curation is emerging as a new discipline, but faces challenges in being validated and educating students. It draws on existing fields like information science, but requires a distinct curriculum. Developing a defined curriculum, appropriate accreditation, targeted applicants, and improved graduate outcomes could help establish digital curation as a unique academic domain and profession. This would provide better trained practitioners and help the field gain recognition.
- Wakefield addressed a backlog of undocumented collections over 8 years by assigning temporary numbers during physical inspections and creating basic inventory records for each object.
- Over 110,000 objects were documented, and 2,000 "orphan" objects were reconciled with accession records.
- The process improved documentation and allowed for strategic rationalization, reducing unprovenanced items and storage pressures.
- Retrospective documentation must be a long-term, managed process rather than a short-term project to be effective.
Shared at Digital Innovation and Technology Services staff meeting at The Cleveland Museum of Art to report back on Museums and the Web experiences and findings.
DM2E Community building (Lieke Ploeger – Open Knowledge) at Enabling humanities research in the Linked Open Web – DM2E final event (11 December 2014, Navacchio, Italy)
Lorna hughes 12 05-2013 NeDiMAH and ontology for DHlorna_hughes
This document describes NeDiMAH, a network examining the use of digital methods in the arts and humanities. NeDiMAH is funded by the European Science Foundation and chaired by Lorna Hughes. It aims to research advanced ICT methods, develop activities/publications/networking, and create a map of digital humanities in Europe and a taxonomy of methods. NeDiMAH includes 16 supporting member organizations and has working groups on topics like spatial modeling, visualization, and scholarly publishing. A key output will be a formal ontology of digital methods to provide evidence of their use and enable evaluation of digital humanities projects.
Exploring the Potential of Digital Making: a collaborative project at the Uni...Museums Computer Group
Kate Noble – Education Officer and Ina Pruegel – Digital Engagement Specialist (both University of Cambridge Museums)
The digital maker residency enabled the University Of Cambridge Museums to rethink how they approached the use of technology in their museums and to re-position audiences and staff from passive consumers to active creators.
This session will explore how this project provided opportunities to explore and test new ideas and workshops in collaboration with audiences and members of local Makerspaces, and to reflect on the role of technology in the museum of the future.
Presentation from a lecture to UCL students about current principles and practice in managing museum collections. Primarily of relevance to a student audience.
The MA in Digital Humanities at King's College London looks at how we create and disseminate knowledge in an age where so much of what we do is mobile, networked and mediated by digital culture and technology
It gives a critical perspective on digital theory and practice in studying human culture, from the perspectives of academic scholarship, cultural heritage and the commercial world
We study the history and current state of the digital humanities, and their role in modelling, curating, analysing and interpreting digital representations of human culture in all its forms.
For more information: http://www.kcl.ac.uk/artshums/depts/ddh/study/pgt/madh/index.aspx
Integrating Digital Curation in a Digital Library Curriculum: the Internation...Anna Maria Tammaro
Presentation of Anna Maria Tammaro at the International Conference Framing the Digital Curation Curriculum http://www.digcur-education.org/eng/International-Conference
This document discusses the relationship between heritage science and innovation. It defines heritage as valued objects and traditions passed down through generations, and innovation as new ideas, methods or technologies. The document argues that heritage science can help define the past, present and future value of heritage to society, and enable different elements of value to be adopted and maintained. It provides examples of challenges and opportunities for heritage science regarding the past, present and future. It suggests heritage science could have a wider role by addressing heritage in a holistic way and developing evidence, knowledge and skills to broaden its scope.
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Presentation during World Digital Preservation Day 2018 and International Conference 'Memory Makers' organised by DPC and the Dutch Digital Heritage Network
Presentation during World Digital Preservation Day 2018 and International Conference 'Memory Makers' organised by DPC and the Dutch Digital Heritage Network
Presentation during World Digital Preservation Day 2018 and International Conference 'Memory Makers' organised by DPC and the Dutch Digital Heritage Network
Sharon McMeekin: Are we Making Progress in Digital Preservation Training?Netwerk Digitaal Erfgoed
Presentation during World Digital Preservation Day 2018 and International Conference 'Memory Makers' organised by DPC and the Dutch Digital Heritage Network
Presentation during World Digital Preservation Day 2018 and International Conference 'Memory Makers' organised by DPC and the Dutch Digital Heritage Network
Presentation during World Digital Preservation Day 2018 and International Conference 'Memory Makers' organised by DPC and the Dutch Digital Heritage Network
Presentation during World Digital Preservation Day 2018 and International Conference 'Memory Makers' organised by DPC and the Dutch Digital Heritage Network
Presentation during World Digital Preservation Day 2018 and International Conference 'Memory Makers' organised by DPC and the Dutch Digital Heritage Network
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Presentation during World Digital Preservation Day 2018 and International Conference 'Memory Makers' organised by DPC and the Dutch Digital Heritage Network
Presentation during World Digital Preservation Day 2018 and International Conference 'Memory Makers' organised by DPC and the Dutch Digital Heritage Network
Presentation during World Digital Preservation Day 2018 and International Conference 'Memory Makers' organised by DPC and the Dutch Digital Heritage Network
Presentation during World Digital Preservation Day 2018 and International Conference 'Memory Makers' organised by DPC and the Dutch Digital Heritage Network
This document discusses capturing online cultures through storytelling and method. It references works by several artists including Thomas Cheneseau, Jan Robert Leegte, Erica Scourti, and Robert Smithson. It notes that in the absence of a common heritage framework, keeping a work for the future has to be negotiated over time as shown through the history of Robert Smithson's work.
Presentation during World Digital Preservation Day 2018 and International Conference 'Memory Makers' organised by DPC and the Dutch Digital Heritage Network
Kees Teszelszky (Koninklijke Bibliotheek) sprak in een van de parallelsessies over het gebruik van het webarchief als archivering van eigen cultuur: webarchivering van Chinees Nederland.
Gosse Bouma (Rijksuniversiteit Groningen) sprak tijdens een van de parallelsessies over: "Ik is niet meer het meest gebruikte woord op Twitter: Gebruikers en Taalvariatie in Nederlandstalige tweets."
The document discusses a project called PROMISE which aims to develop a Belgian strategy for web archiving. The project seeks to:
1) Identify best practices in web archiving.
2) Develop a Belgian web archiving strategy.
3) Pilot archiving the Belgian web and providing access to collections.
4) Make recommendations for implementing a sustainable web archiving service.
Een van de Lightning Talks werd gehouden door Sophie Ham (KB) over de afstemming bij het archiveren van social media binnen het Netwerk Digitaal Erfgoed.
In een van de parallelsessies sprak Erik Tjong Kim Sang (Netherlands eScience Center) over de archivering van Nederlandstalige tweets in de website twiqs.nl.
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Jennifer Schaus and Associates hosts a complimentary webinar series on The FAR in 2024. Join the webinars on Wednesdays and Fridays at noon, eastern.
Recordings are on YouTube and the company website.
https://www.youtube.com/@jenniferschaus/videos
Combined Illegal, Unregulated and Unreported (IUU) Vessel List.Christina Parmionova
The best available, up-to-date information on all fishing and related vessels that appear on the illegal, unregulated, and unreported (IUU) fishing vessel lists published by Regional Fisheries Management Organisations (RFMOs) and related organisations. The aim of the site is to improve the effectiveness of the original IUU lists as a tool for a wide variety of stakeholders to better understand and combat illegal fishing and broader fisheries crime.
To date, the following regional organisations maintain or share lists of vessels that have been found to carry out or support IUU fishing within their own or adjacent convention areas and/or species of competence:
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Commission for the Conservation of Southern Bluefin Tuna (CCSBT)
General Fisheries Commission for the Mediterranean (GFCM)
Inter-American Tropical Tuna Commission (IATTC)
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Indian Ocean Tuna Commission (IOTC)
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North East Atlantic Fisheries Commission (NEAFC)
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Jennifer Schaus and Associates hosts a complimentary webinar series on The FAR in 2024. Join the webinars on Wednesdays and Fridays at noon, eastern.
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https://www.youtube.com/@jenniferschaus/videos
Contributi dei parlamentari del PD - Contributi L. 3/2019Partito democratico
DI SEGUITO SONO PUBBLICATI, AI SENSI DELL'ART. 11 DELLA LEGGE N. 3/2019, GLI IMPORTI RICEVUTI DALL'ENTRATA IN VIGORE DELLA SUDDETTA NORMA (31/01/2019) E FINO AL MESE SOLARE ANTECEDENTE QUELLO DELLA PUBBLICAZIONE SUL PRESENTE SITO
Chantal Keijsper: Lifelong Learning How To Do That
1. LIFELONG LEARNING
HOW TO DO THAT?
Conference ‘Memory makers: digital
preservation skills and how to get them’
Chantal Keijsper
Amsterdam Museum
29-30 november 2018
2. Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018
“It is not the strongest of the species that
survives, nor the most intelligent. It is the one
that is the most adaptable to change.”
3. “Heritage institutions house cultural and research content, which is the key
source to stimulate innovation. […] We find that organizations respond positively
to an environment of high consumer digital literacy and sustainable resource
allocation that enables slack, skilled staff and long-term strategic planning.
Innovation is thus, in fact, enhanced by digital literacy from both producers as
well as consumers.”
Trilce Navarette and Karol Jan Borowiecki, Digitization of heritage collections as
indicator of innovation, 2015
Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018
4. • The need
• New knowledge and skills
• Training: a joint responsibility
• Examples to be followed
Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018
5. The need
Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018
7. NETWORK DIGITAL HERITAGE
(NDE)
The ambitions for 2019-2020 are:
• that the fragmented digital heritage is linked to stimulate retrieval and usability for
different target groups
• that the interactive usage of digital collections will be improved
• that digital collections will be accessible for long-term
• and that the collections will be where the users are.
• By developing generic facilities within the network
• Everyone participates
Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018
8. New knowledge and skills
Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018
10. Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018
The most important knowledge needs for the archive sector are:
• the knowledge of new technologies
• digital preservation
• digital services
• linked data and big data
• open access
• learning the language of IT, and
• laws and regulation
Daan Hertogs, Het onzekere voor het zekere nemen in een onzekere wereld , 2016
The information professional must have an open attitude, curiosity, external orientation, a
proactive mind, communication skills, and he or she must be able to adapt to a changing
context.’
Resultaten behoeftenonderzoek opleidingen informatievak in Vlaanderen en Nederland,
Johanna Kasperkovitz en Dialogic, 2017
11. DIGCURV FRAMEWORK
• Project funded by the European Commission's Leonardo da Vinci program
• To establish a curriculum framework for training in digital curation
• With skills for executives, managers and practitioners
• With different levels of competency and experience in specific skills
• https://www.digcurv.gla.ac.uk/
Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018
12. COMPETENCES
SKILLS
ATTITUDE
KNOWLEDGE
Knowledge
o Subject knowledge
o trends and developments
o user groups
o digital strategy & policy
o digital technologies
o computational languages
o systems and applications
o new media and tools
o data analytics, data curation
o linked data, GIS
o digital humanities
o laws and regulation
Hard skills
o digitization
o digital technology
o preservation
o collection management
o presentation
o account management
o project management
o relationship management
Soft skills
o collaboration
o networking
o communication
o creativity
o innovative thinking
o problem solving
o experimenting
Attitude
o curiosity
o responsiveness to change
o customer oriented
o integer
o share knowledge
o external orientation
o proactive and flexible
Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018
13. DIGCURV FRAMEWORK
Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018
14. SURVEY E-ARK4ALL PROJECT
• Survey to establish eArchiving training needs across the sector
• DL Forum in association with the Open Planet Foundation
• https://ec.europa.eu/eusurvey/runner/EARK4ALL_training_needs_analysis
Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018
15. Training: a joint responsibility
Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018
16. TRAINING: A JOINT RESPONSIBILITY
Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018
Organizations
Networks
Professionals
Training institutes
17. TRAINING: A JOINT RESPONSIBILITY
Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018
Organizations
• management is actively involved in training programs
• steer on organizational goals
• offer opportunities to practice new skills
• facilitate professionals to attend conferences and take
courses
• make time available for education and training activities
• consider investing in the development as an opportunity
• stimulate the professionals to experiment
• give the professionals the opportunity to practice and
make mistakes
• stimulate self-management and knowledge sharing
Professional
Organization
Network
Training
institutes
18. TRAINING: A JOINT RESPONSIBILITY
Professional
Organization
Network
Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018
Professionals
• take responsibility of their personal development
• understand that development contributes to their personal
growth
• understand that nothing is forever and flexibility is needed
• share actively knowledge within and outside the organization
• dare to create opportunities
• know their colleagues and network Training
iinstitutes
19. TRAINING: A JOINT RESPONSIBILITY
Professional
Organization
Network
Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018
Networks
• connect people and institutions on a local,
regional and (inter)national scale
• encourage and facilitate collaboration
• build communities
• collaborate on innovation
• address new developments
• connect networks
Training
institutes
20. TRAINING: A JOINT RESPONSIBILITY
Professional
Organization
Network
Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018
Trainingsinstitutes
• bring up-to-date professional knowledge and
didactical insights
• develop programs for the sector
• co-operation partner for the heritage
institutions and the networks (co creation) Training
institutes
21. EXAMPLES TO BE FOLLOWED
Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018
22. KENNISINSTITUUT CULTUUR &
DIGITALISERING (DEN)
For news, knowledge and advice about:
• user groups and needs
• digitization, preservation & access
• organization
• cooperation and networking
• copyright
• etc.
Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018
23. KENNISNETWERK INFOMATIE ARCHIEF
(KIA)
Interactive platforms
• for information and archive
professionals
• to create, discuss and share
knowlegde
Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018
24. Digital Humanities Clinics
Initiative by three library professionals
Program for information professionals to learn:
• the basics of digital humanities
• to re-inforce relationships with the academic
digital humanity community
• To build up a knowledge network
Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018
25. DIGITAL HERITAGE NETWORK
(NDE)
• Network in which Dutch heritage institutions work
together to make their digital collections more
visible, usable and sustainable
• Workforce development is an indispensable part
of this network
• NDE organizes seminars and workshops about
digital preservation, open source preservation,
email archiving and the training course ‘Leren
Preserveren’
Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018
26. Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018
27. Thank you for your attention!
Conference ‘Memory makers: digital preservation skills and how to get them’, Amsterdam Museum
Chantal Keijsper, 29 November 2018