Casablanca rick and ilsa
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Casablanca (1942) was directed by Michael Curtiz and starred Humphrey Bogart as Rick Blaine, Ingrid Bergman as Ilsa Lund, and Paul Henreid as Victor Laszlo. The film analyzes Rick Blaine's character through six key scenes, discussing how he retains control and represents masculinity through his interactions, positioning in frames, and dialogue. It also discusses representations of Ilsa Lund in images and the director Michael Curtiz's comments on her strength, honesty, and role as the "nexus of power" and fuel driving the narrative forward in the film's masculine universe.
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The document provides information about Ridley Scott's 1982 film Blade Runner, including that it is based on the Philip K. Dick novel Do Androids Dream of Electric Sheep. It notes some key differences between the film and novel, such as the lack of concern for animals in the film. The document also discusses themes around what it means to be human versus a replicant in the film and how the lines are blurred. It analyzes main characters like Rick Deckard and the replicants in terms of their human-like qualities.
Blade Runner - Postmodernism
Blade Runner is a 1982 science fiction film directed by Ridley Scott that combines elements of film noir and science fiction. It features a hyperreal world where the lines between human and replicant are blurred. The characters have questionable morals as Deckard questions whether he should kill the replicants. The film leaves many meanings open to interpretation by the audience such as whether Deckard is human or replicant.
Blade Runner
The document compares Blade Runner to other science fiction films and analyzes some of the symbols in the film. It notes that the creation of the replicants is similar to Frankenstein and the futuristic setting resembles Star Trek. Ridley Scott directed both Blade Runner and Alien, and Deckard's character is like a film noir protagonist. Symbols like the snake tattoo and unicorn are discussed. The gun is seen as a phallic symbol representing fear, masculinity and making its holder dominant over the target.
Blade Runner: Identity, Memory, Influences
All right belong to the following companies:
The Ladd Company,
Shaw Brothers,
Warner Bros. Company
This information is intended for educational purposes only.
Blade Runner Powerpoint
The main characters in Blade Runner were Deckard, a blade runner tasked with retiring four replicants; Rachael, a replicant who was unaware of her true nature; and Roy, the leader of the replicants who wanted to extend his limited lifespan. Tyrell, the creator of the replicants, was killed by his own creation after they discovered he could not fulfill their request. Deckard was initially meant to retire the replicants but ended up falling in love with Rachael.
Action genre research
Action films originated in the 1920s with swashbuckling adventure films and expanded in the 1940s-50s to include war and western movies. Alfred Hitchcock helped establish the spy-adventure genre and use of action sequences. The 1960s saw the success of the James Bond franchise, which solidified the resourceful hero archetype and use of gadgets, fights, and car chases. During the 1970s, grittier police dramas and martial arts films from Japan emerged as competitors. Advances in CGI in the 1990s allowed for more fantastical settings in big-budget action films known for parodies and spectacular visuals.
Blade Runner
Blade Runner is considered an exemplary postmodern film. It explores and utilizes postmodern strategies like quotation, recycling, pastiche, and hyperreality. The film questions science, technology, and progress, showing they have "failed." Los Angeles in 2019 is in a state of perpetual crisis. Textually, Blade Runner quotes from different film genres and periods. However, some argue Blade Runner fails to fully represent a postmodern view of the human condition by focusing too much on romantic love and only showing the upper classes in a negative light.
Case study
BladeRunner 2049 is the sequel to the 1982 film BladeRunner, directed by Denis Villeneuve. Set 30 years after the original, it follows LAPD officer K as he uncovers a secret that could destabilize the remnants of society. K goes on a quest to find Rick Deckard, who has been missing for 30 years. The film continues the original's exploration of what it means to be human while also referencing other works like Do Androids Dream of Electric Sheep? that influenced the first BladeRunner.
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Br powerpoint
The document provides information about Ridley Scott's 1982 film Blade Runner, including that it is based on the Philip K. Dick novel Do Androids Dream of Electric Sheep. It notes some key differences between the film and novel, such as the lack of concern for animals in the film. The document also discusses themes around what it means to be human versus a replicant in the film and how the lines are blurred. It analyzes main characters like Rick Deckard and the replicants in terms of their human-like qualities.
Blade Runner - Postmodernism
Blade Runner is a 1982 science fiction film directed by Ridley Scott that combines elements of film noir and science fiction. It features a hyperreal world where the lines between human and replicant are blurred. The characters have questionable morals as Deckard questions whether he should kill the replicants. The film leaves many meanings open to interpretation by the audience such as whether Deckard is human or replicant.
Blade Runner
The document compares Blade Runner to other science fiction films and analyzes some of the symbols in the film. It notes that the creation of the replicants is similar to Frankenstein and the futuristic setting resembles Star Trek. Ridley Scott directed both Blade Runner and Alien, and Deckard's character is like a film noir protagonist. Symbols like the snake tattoo and unicorn are discussed. The gun is seen as a phallic symbol representing fear, masculinity and making its holder dominant over the target.
Blade Runner: Identity, Memory, Influences
All right belong to the following companies:
The Ladd Company,
Shaw Brothers,
Warner Bros. Company
This information is intended for educational purposes only.
Blade Runner Powerpoint
The main characters in Blade Runner were Deckard, a blade runner tasked with retiring four replicants; Rachael, a replicant who was unaware of her true nature; and Roy, the leader of the replicants who wanted to extend his limited lifespan. Tyrell, the creator of the replicants, was killed by his own creation after they discovered he could not fulfill their request. Deckard was initially meant to retire the replicants but ended up falling in love with Rachael.
Action genre research
Action films originated in the 1920s with swashbuckling adventure films and expanded in the 1940s-50s to include war and western movies. Alfred Hitchcock helped establish the spy-adventure genre and use of action sequences. The 1960s saw the success of the James Bond franchise, which solidified the resourceful hero archetype and use of gadgets, fights, and car chases. During the 1970s, grittier police dramas and martial arts films from Japan emerged as competitors. Advances in CGI in the 1990s allowed for more fantastical settings in big-budget action films known for parodies and spectacular visuals.
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Blade Runner is considered an exemplary postmodern film. It explores and utilizes postmodern strategies like quotation, recycling, pastiche, and hyperreality. The film questions science, technology, and progress, showing they have "failed." Los Angeles in 2019 is in a state of perpetual crisis. Textually, Blade Runner quotes from different film genres and periods. However, some argue Blade Runner fails to fully represent a postmodern view of the human condition by focusing too much on romantic love and only showing the upper classes in a negative light.
Case study
BladeRunner 2049 is the sequel to the 1982 film BladeRunner, directed by Denis Villeneuve. Set 30 years after the original, it follows LAPD officer K as he uncovers a secret that could destabilize the remnants of society. K goes on a quest to find Rick Deckard, who has been missing for 30 years. The film continues the original's exploration of what it means to be human while also referencing other works like Do Androids Dream of Electric Sheep? that influenced the first BladeRunner.
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The document discusses the history and evolution of the action genre from the 1920s to present day. It outlines the major subgenres that defined different eras, such as swashbuckling films in the 1920s-1930s, war and western films in the 1940s-1950s, spy films in the 1960s-1970s, adventure films in the 1980s-1990s, and the rise of science fiction and superhero films today. Across the decades, the action genre shifted themes, increased budgets, and came to be dominated by Hollywood blockbusters and notable actors like Douglas Fairbanks, John Wayne, Roger Moore, and Harrison Ford.
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The document discusses various concepts related to theory and meaning including:
- The denotation and connotation of symbols like snakes, flags, and guns.
- How posters use layered images and color to convey meaning and draw attention.
- How trailers use editing techniques like shots, music, and color to establish tone.
- Common stereotypes associated with gender, class, age, and other groups.
- Iconography used to represent settings like the Western, Sci-Fi, and Fantasy genres.
- Definitions of linear and non-linear narratives and examples of each.
- How props and costumes are used in clips to represent character roles.
Like tears in the rain’ postmodern media
The document analyzes Blade Runner as a postmodern film. It discusses how the film has a postmodern aesthetic that mixes genres and styles. It examines how the film raises questions about humanity in an age where humans and machines are indistinguishable. It also explores how the futuristic city in the film reflects the postmodern condition and the virtual world's replacement of reality. The film undermines classic philosophical binaries like human/machine through its examination of what makes someone human.
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Blade Runner is a 1982 science fiction film directed by Ridley Scott, starring Harrison Ford. It is set in a dystopian future of 2019 where human-like replicants have been created by the Tyrell Corporation to work on off-world colonies. Replicants are considered dangerous by humans if they disobey or live longer than their predetermined lifespan of 4 years. Special police officers called "Blade Runners" hunt down replicants that escape. The film questions what it means to be human when the distinction between humans and replicants becomes unclear. It also depicts a postmodern vision of a dystopian Los Angeles future where advertising dominates and people escape to more virtual realities.
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GCSE Media Action Adventure Lesson 7 - Representation
Action adventure films have traditionally relied on stereotypical representations of gender and ethnicity. Men are typically portrayed as powerful heroes who women are attracted to, while women often play supporting roles as damsels in distress. Villains are commonly foreigners or people of color. However, more recent films have begun to feature stronger female leads and more diverse heroes of different ethnicities, helping to move away from some of these stereotypes.
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SUB : PRINCIPLES OF MANAGEMENT
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(AFTER EVERY PRINCIPLE,A CLIPPING FROM THE MOVIE WAS SHOWN WHICH SHOWED THE APPLY OF PRINCIPLE
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The document summarizes the history and evolution of action films over different decades from the 1920s to the present. It describes how different subgenres of action films emerged and were popular in each era, such as swashbuckling films in the 1920s-1930s, war films in the 1940s-1950s, spy films in the 1960s introduced by James Bond, martial arts and cop films gaining popularity in the 1970s, the action blockbuster era of the 1980s led by Stallone, Schwarzenegger, and Willis, and franchises and sequels dominating the 1990s. It also mentions the increasing budgets and technological advancements that have allowed for more spectacular action sequences in recent decades.
NOW YOU SEE ME 2- MOVIE REVIEW
One year after outwitting the FBI, the remaining members of the Four Horsemen—J. Daniel Atlas, Merritt McKinney, and Jack Wilder—are recruited for a new mission by their handler Dylan Rhodes to expose a corrupt businessman. However, they are threatened into pulling off an impossible heist by tech prodigy Walter Mabry to steal a data-mining device. They succeed in stealing the device but discover they were tricked. Rhodes and the Horsemen then broadcast a final performance to expose the real criminals in a climactic finale.
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Sex, Drugs and Undead, or How to fail your game in every possible market
Check a box in Developer Console – and bingo! Your game is available for purchase in all countries. But is it really? This presentation covers technical, cultural and legal expectations that players and governments have in various countries. So that you nail your engineering and your content right from the start (and save loads of precious dev time).
What's inside:
- Reactive vs proactive cultural adaptation of in-game content (checking for red flags vs recreating a significant volume of game assets).
- Censorship and legally restricted content (especially Arabic countries, China, Russia and Germany).
- Imagery to avoid in icons and logos (e.g. depiction of hands or animals).
- Cultural red flags and expectations (acceptable levels of violence, representation of minorities etc).
- Right-to-left writing support, rules of thumb for UI expansion.
All content based on Demid Tishin's 4-year experience as a game producer and 13-year experience as head of localisation studio, internal surveys of Russian and Chinese players (2015-2016), internal research of localisation ROI for mobile RPGs, IBM guidelines for software internationalization, Adobe research in colour semiotics, internal interviews with game producers, IGDA best practices for game localisation and other sources.
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Action films history
Action films have evolved over the decades from adventure films of the 1920s-1930s featuring sword fighting, to war movies of the 1940s-1950s. The James Bond films of the 1960s introduced the resourceful hero who could take on many enemies at once using fighting skills and gadgets. In the 1970s, grittier detective and crime films incorporated more action elements. Modern action films continue to grow the genre, blending genres like science fiction and incorporating fighting styles and martial arts.
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Representation of men in action films
This document discusses the stereotypical representation of men in action movies from the 1970s to the 2000s. It focuses on how male heroes are typically portrayed as strong, powerful, sexually attractive, independent, and lone heroes. It analyzes how the representation of male action heroes has changed over the decades, from the 1970s portrayals in films like Dirty Harry and The French Connection, to the blockbuster films of the 1980s like Die Hard and Rambo, through to the varied portrayals in the 1990s and 2000s films like The Matrix, Gone in 60 Seconds, and The Dark Knight.
Gangster movies over time
This document provides an overview of gangster films from the 1930s to the 2000s. It analyzes screenshots from notable gangster films of each decade and discusses conventions seen such as costumes representing class and status, use of black and white to evoke earlier eras, and compositional elements like centering a dominant figure that establish power dynamics. Key gangster films mentioned include Angels with Dirty Faces, White Heat, The Godfather, Once Upon a Time in America, Pulp Fiction, and The Departed. The document examines how gangster films have portrayed and explored themes of organized crime over time.
Research into the action genre
The document discusses the history and evolution of the action genre from the 1920s to present day. It outlines the major subgenres that defined different eras, such as swashbuckling films in the 1920s-1930s, war and western films in the 1940s-1950s, spy films in the 1960s-1970s, adventure films in the 1980s-1990s, and the rise of science fiction and superhero films today. Across the decades, the action genre shifted themes, increased budgets, and came to be dominated by Hollywood blockbusters and notable actors like Douglas Fairbanks, John Wayne, Roger Moore, and Harrison Ford.
2. meaning (jrw) theory
The document discusses various concepts related to theory and meaning including:
- The denotation and connotation of symbols like snakes, flags, and guns.
- How posters use layered images and color to convey meaning and draw attention.
- How trailers use editing techniques like shots, music, and color to establish tone.
- Common stereotypes associated with gender, class, age, and other groups.
- Iconography used to represent settings like the Western, Sci-Fi, and Fantasy genres.
- Definitions of linear and non-linear narratives and examples of each.
- How props and costumes are used in clips to represent character roles.
Like tears in the rain’ postmodern media
The document analyzes Blade Runner as a postmodern film. It discusses how the film has a postmodern aesthetic that mixes genres and styles. It examines how the film raises questions about humanity in an age where humans and machines are indistinguishable. It also explores how the futuristic city in the film reflects the postmodern condition and the virtual world's replacement of reality. The film undermines classic philosophical binaries like human/machine through its examination of what makes someone human.
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Blade Runner is a 1982 science fiction film directed by Ridley Scott, starring Harrison Ford. It is set in a dystopian future of 2019 where human-like replicants have been created by the Tyrell Corporation to work on off-world colonies. Replicants are considered dangerous by humans if they disobey or live longer than their predetermined lifespan of 4 years. Special police officers called "Blade Runners" hunt down replicants that escape. The film questions what it means to be human when the distinction between humans and replicants becomes unclear. It also depicts a postmodern vision of a dystopian Los Angeles future where advertising dominates and people escape to more virtual realities.
GCSE Media Action Adventure Lesson 12 - Ethnicity
This document discusses the representation of ethnicity in action adventure films. It notes that non-white or foreign characters are often portrayed as villains. Asian characters are commonly depicted as wise or skilled in martial arts. The 1970s saw the emergence of "blaxploitation" films featuring black heroes using violence against oppressive enemies. More recently, films have paired black and white stars, though black characters are often in supporting roles or portrayed as incompetent. Representation of ethnicity in films helps shape audience expectations and stereotypes.
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Liam Neeson's character in Taken uses his particular set of skills to track down his daughter within 4 days of her being kidnapped, as he knows that if he does not find her in time she will be lost to an international human trafficking ring. The audience wants to see Neeson succeed and feels sympathy for his situation. Similarly in The Expendables, a small group of men take on a mission against an entire country's army, creating tension as they have limited time and resources but determined character ethos to complete their objective.
Genre Research
This document discusses genre research and paradigms in film. It defines genre as a typical example or pattern of something, and iconography as the visual images and symbols used in a work of art. Specific genres like westerns, James Bond films, romantic comedies, thrillers, horror, and sci-fi films are described as having expected elements that indicate their genre through mise-en-scene and iconography. Genre conventions can become limiting if they are too rigid, but paradigms can be revived by subverting expectations as in Brokeback Mountain for westerns and Moulin Rouge for love stories/musicals.
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The document provides details about the main characters, plot, and themes of the film The Dark Knight. It describes the main characters including Christian Bale as Bruce Wayne/Batman, Michael Caine as Alfred, Heath Ledger as the Joker, Gary Oldman as James Gordon, and Aaron Eckhart as Harvey Dent/Two-Face. It summarizes the plot as Batman, Gordon, and Dent working to dismantle the criminal organizations in Gotham City but facing a new threat in the Joker. It then analyzes various elements of mise-en-scene, iconography, ideology, and genre features in the film.
GCSE Media Action Adventure Lesson 7 - Representation
Action adventure films have traditionally relied on stereotypical representations of gender and ethnicity. Men are typically portrayed as powerful heroes who women are attracted to, while women often play supporting roles as damsels in distress. Villains are commonly foreigners or people of color. However, more recent films have begun to feature stronger female leads and more diverse heroes of different ethnicities, helping to move away from some of these stereotypes.
PRINCIPLES OF MANAGEMENT PRESENTATION ON NOW YOU SEE ME(MOVIE)
MOVIE-NOW YOU SEE ME.
SUB : PRINCIPLES OF MANAGEMENT
HOW PLANNING,STAFFING,CO-COORDINATING,CONTROLLING AND OTHER PRINCIPLES OF MANAGEMENT ARE USED IN THE MOVIE.
(AFTER EVERY PRINCIPLE,A CLIPPING FROM THE MOVIE WAS SHOWN WHICH SHOWED THE APPLY OF PRINCIPLE
History Of Action Films
The document summarizes the history and evolution of action films over different decades from the 1920s to the present. It describes how different subgenres of action films emerged and were popular in each era, such as swashbuckling films in the 1920s-1930s, war films in the 1940s-1950s, spy films in the 1960s introduced by James Bond, martial arts and cop films gaining popularity in the 1970s, the action blockbuster era of the 1980s led by Stallone, Schwarzenegger, and Willis, and franchises and sequels dominating the 1990s. It also mentions the increasing budgets and technological advancements that have allowed for more spectacular action sequences in recent decades.
NOW YOU SEE ME 2- MOVIE REVIEW
One year after outwitting the FBI, the remaining members of the Four Horsemen—J. Daniel Atlas, Merritt McKinney, and Jack Wilder—are recruited for a new mission by their handler Dylan Rhodes to expose a corrupt businessman. However, they are threatened into pulling off an impossible heist by tech prodigy Walter Mabry to steal a data-mining device. They succeed in stealing the device but discover they were tricked. Rhodes and the Horsemen then broadcast a final performance to expose the real criminals in a climactic finale.
Now you see me
The Now You See Me film series follows a group of magicians called the Four Horsemen who perform elaborate magic tricks that also double as heists. In the first film, the Four Horsemen are recruited by a secret magician organization to pull off three high-profile robberies during their performances. An FBI agent tries to uncover how the tricks are done while also dealing with a magician debunker. In the second film, the Four Horsemen are forced to pull off another heist after coming out of hiding, while secrets about the secret organization are revealed.
Sex, Drugs and Undead, or How to fail your game in every possible market
Check a box in Developer Console – and bingo! Your game is available for purchase in all countries. But is it really? This presentation covers technical, cultural and legal expectations that players and governments have in various countries. So that you nail your engineering and your content right from the start (and save loads of precious dev time).
What's inside:
- Reactive vs proactive cultural adaptation of in-game content (checking for red flags vs recreating a significant volume of game assets).
- Censorship and legally restricted content (especially Arabic countries, China, Russia and Germany).
- Imagery to avoid in icons and logos (e.g. depiction of hands or animals).
- Cultural red flags and expectations (acceptable levels of violence, representation of minorities etc).
- Right-to-left writing support, rules of thumb for UI expansion.
All content based on Demid Tishin's 4-year experience as a game producer and 13-year experience as head of localisation studio, internal surveys of Russian and Chinese players (2015-2016), internal research of localisation ROI for mobile RPGs, IBM guidelines for software internationalization, Adobe research in colour semiotics, internal interviews with game producers, IGDA best practices for game localisation and other sources.
City of God Booklet
City of God tells the story of Rocket, a young man growing up in the violent slums of Rio de Janeiro in the 1960s-1980s. As crime escalates in brutality under the leadership of the psychopathic gang leader Lil' Ze, Rocket pursues a career in photography to escape the criminal world of the favelas. The film chronicles the changing gang culture over the decades as weapons become more powerful and gang members younger. Rocket acts as an observer of the intertwining narratives unfolding around him as he witnesses the short and brutal lives of those in the slums.
Action films history
Action films have evolved over the decades from adventure films of the 1920s-1930s featuring sword fighting, to war movies of the 1940s-1950s. The James Bond films of the 1960s introduced the resourceful hero who could take on many enemies at once using fighting skills and gadgets. In the 1970s, grittier detective and crime films incorporated more action elements. Modern action films continue to grow the genre, blending genres like science fiction and incorporating fighting styles and martial arts.
Fight Club and Marxism
The document provides an analysis of Fight Club through a Marxist lens. It discusses how the film criticizes consumerism and capitalism, portraying the main character as a slave to consumerist ideology. It analyzes how Tyler Durden represents a rejection of this system and a call to revolution. While the film has Marxist themes of class struggle and alienation, it can be argued that Tyler's vision is more anarchist than Marxist, seeking to tear down institutions without a clear alternative social system. In the end, the film leaves ambiguous whether Tyler's revolution would truly liberate people or simply usher in new forms of oppression.
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GCSE Media Action Adventure Lesson 7 - Representation
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An Indian slave woman petitioned Portuguese colonial authorities in 1739 for her freedom, arguing that she had been illegally enslaved in the back countries many years prior. With help from the Public Defender of Belem, she assembled witnesses to support her claim. However, her case ultimately failed and she remained a slave.
Mitos griegos
Este documento resume la historia del mito griego de Faetón, hijo del dios Helios (el Sol). Faetón le pide a su padre que le permita conducir el carro del Sol a través del cielo para demostrar que es su hijo. A pesar de las advertencias de su padre, Faetón pierde el control de los caballos y casi quema la Tierra. Zeus interviene y mata a Faetón con un rayo para salvar a la Tierra. El documento también menciona brevemente otros mitos griegos como el de Midas.
Nigeria com 2012 brochure
Meet decision makers from Telco Operators from Nigeria, chance to network, learn and influence the market for 2012-2013. Contact us now for Agenda and list of Speakers...
Aldine 2010
This document discusses strategies for selecting books that will appeal to readers of all ages, including using award lists, reviewing top ten lists, and surveying students. It also describes types of humor and nonfiction that are appropriate for different ages. Formats like graphic novels and plays are also mentioned as new formats that can engage readers. The focus is on choosing materials that will help build strong, enthusiastic readers.
Trabajo
Una red de ordenadores es un conjunto de dispositivos como PCs, impresoras y discos que se conectan mediante cables para compartir información y recursos de forma rápida y eficaz. Las redes varían en tamaño desde redes locales (LAN) en una oficina hasta redes extensas (WAN) a nivel mundial. Una topología común es la red en estrella, donde los dispositivos se conectan directamente a un concentrador central que controla el flujo de datos y permite la comunicación entre ellos.
Divani & poltrone 2011
Catalogo con divani, divani a letto, poltroncine, divani componibili,salotti in genere.
Tutti i tessuti di tendenza, ecopelle e pelle naturale.
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25 conseils pour faire connaitre votre site Internet : ou comment attirer des visiteurs de qualité.
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Double sided equations
This document provides examples of solving double sided equations in 3 sentences or less. It gives sample equations like 2x + 5 = 3x - 1 and X + 2 = 4x along with their answers. The document encourages trying a few examples on your own and then provides the answers to examples like 5x - 3 = 7x + 5, X = 6, and 2/3 = x, -4 = x.
Giselda laporta
1) Taís é uma garota de 13 anos que conta em seu diário sobre sua vida tranquila até a chegada de seu primo Gelcimar, um jovem de 20 anos de olhos azuis que desperta nela um encantamento. 2) Aos poucos, Gelcimar seduz a ingênua Taís e eles iniciam uma relação sexual, sem que ela entenda as consequências. 3) Quando Taís descobre estar grávida, precisa lidar com a realidade de ser apenas uma criança esperando outra.
Resume Edith Ramroochsingh
Edith Ramroochsingh has over 16 years of experience in biotechnology and clinical research project management. She has worked for several large pharmaceutical companies and clinical research organizations, managing clinical trials in various therapeutic areas from phases I-III. Her experience includes developing study protocols, managing investigational sites, monitoring trials, and analyzing clinical data.
Mitos griegos
El documento resume el mito griego de Faetón, hijo del dios sol Helios. Faetón le pide a su padre que le permita conducir el carro del sol a través del cielo para probar que es realmente su hijo. A pesar de las advertencias de Helios, Faetón no puede controlar los caballos de fuego y quema la tierra. Júpiter mata a Faetón con un rayo para detener el incendio, causando gran dolor a Helios.
Tui itc presentación itc 2011
Presentación de instrumentos de apoyo a la innovación en el sector turístico y para la eficiencia energética
Eco bags
The document is about eco-friendly bags from Primary School No 27 in Rzeszów, Poland. The school produced bags as an environmental initiative to reduce plastic waste. The bags were made from recycled and sustainable materials to encourage reuse and recycling among students.
East Los Angeles Project
This document lists places in East Los Angeles including the Los Angeles River, El Sereno neighborhood, USC Norris Cancer Hospital, Hazard Park, LAUSD schools, Ascot Hills Park, Woodrow Wilson Senior High School, and Riley High School. It also mentions Wilson and Riley High Schools being near each other in the Woodrow Wilson area.
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- James Cameron pioneered new 3D filming technology with Avatar which helped popularize the 3D film trend. Avatar used motion capture and CGI to create its virtual world.
- The rise of 3D films in recent years encouraged studios to convert more films to 3D or make 3D versions, but some feel this has led to 3D fatigue among audiences who see it as a gimmick.
- Transformers: Dark of the Moon was touted as a savior for 3D but while the technology was praised, critics felt the plot suffered, highlighting ongoing challenges for 3D films.
Film4 revision
Film4 is a British production house and channel that produces and broadcasts independent and mainstream films to enhance the British film industry, with a philosophy of nurturing new talent and broadening audiences. The budget for Film4 will increase 50% to £15 million per year to support the domestic film industry following the closure of the UK Film Council. Film4 produces around 6 films per year and works with other production companies and distributors.
As evaluation
The document contains questions for evaluating a media production project. It asks about how the media product used or developed conventions of real products, how it represented social groups, what type of institution would distribute it, who the audience is, how the audience was attracted, what was learned about technologies, and what was learned from the preliminary task to the full project. It provides sub-questions to further explore each of these areas. The marking criteria assess excellent skills in using technology, understanding of audience, representation, forms and conventions, ability to refer to choices and outcomes, and understanding of development from preliminary to full task.
As media lessons wk beg 9 jan
This document outlines media lessons and assignments for students over the next few weeks. It includes:
1) Completing preliminary tasks and evaluations by Sunday.
2) Analyzing magazine covers, contents pages, and double page spreads to research styles for their coursework magazine.
3) An overview of the research and planning process for their original music magazine, including deadlines for drafts and the final project submission.
Paul (2011) info ppt
The document provides details about the 2011 sci-fi comedy film Paul including its director, cast, release date and box office performance, the process of writing the screenplay and creating the CGI character of Paul, how social media and marketing were used to promote the film, and extras included on the Blu-ray release such as commentary, bloopers, and behind-the-scenes featurettes showing the filming on location and creation of Paul through special effects.
The boat that rocked (2009)
Based on the information provided, the target audience of The Boat That Rocked appears to be people who grew up in the 1960s and were fans of pirate radio stations and rock/pop music from that era. Some clues that indicate this:
- The film is inspired by the director's own childhood memories of listening to pirate radio stations like Radio Caroline in the 1960s.
- Much of the pre-release marketing involved partnerships with Radio Caroline to promote the authentic 1960s pirate radio experience to fans.
- The merchandise released like posters, albums and clothing seemed aimed at appealing to nostalgia for 1960s fashion and culture.
- The film premiered in London with many fans dressing in 1960s attire, suggesting the audience
Distribution and exhibition
The document discusses film distribution and exhibition. It notes that major studios are vertically integrated media conglomerates that dominate the film industry. It also discusses how major studios distribute their own films both domestically and internationally, controlling a large percentage of box office revenues. The document outlines various distribution windows studios use to continue generating revenue from successful films through things like DVD/Blu-ray, TV, downloads, soundtracks, merchandising and more. It also discusses how conglomerates use synergy across their businesses and how marketing budgets for major studio films now often exceed production costs.
3 d ppt
- Avatar was a groundbreaking film that helped popularize modern 3D cinema through its use of motion capture and stereoscopic filming techniques. It became the highest grossing film of all time.
- Since Avatar, there has been a large increase in 3D films released but also some signs of fatigue from audiences as not all films are well-suited for the 3D format.
- Transformers: Dark of the Moon employed state-of-the-art 3D filming techniques that generated awe in viewers but its plot was seen as secondary to the technology. This highlights ongoing challenges around using 3D solely as a gimmick rather than enhancing the story.
Hollywood marketing
The marketing campaign for Cloverfield had a low budget but was highly successful. It targeted internet-savvy young people by releasing minimal information and clues over time to generate buzz and discussion online. This included a cryptic teaser trailer, a website with time-stamped photos, fictional character social media pages, and an alternate reality game, all encouraging speculation and demand to see the movie. Though traditional advertising was also used, the slow release of details and unanswered questions meant the only way to find answers was to see the film. This viral campaign established an entire fictional universe and left many plot points unresolved, fueling discussion and speculation about a potential sequel.
Hollywood production
Hollywood produces around 120 films per year with high production values through large budgets that afford special effects, big name actors, great scripts, and exotic locations. Blockbuster films in particular have massive budgets in the hundreds of millions of dollars. They are aimed at mass audiences and rely on merchandising like toys, drinks, and clothing to maximize profits beyond just box office totals. Spiderman 2 for example had a budget of $200 million, with $30 million going to script and character licensing, $100 million to the actual production shoot including $30 million for the cast led by Tobey Maguire, and $70 million for post-production effects and music. Additional tens of millions were spent on marketing the film for its
Stereotyping teens2
Stereotypes of teenagers are often reinforced by media representations and politicians looking to blame youth for social issues. However, the facts show that youth crime has declined in Britain while educational standards have risen. While some teenagers engage in anti-social behavior, most volunteer and are no more likely than adults to commit crimes. Negative stereotypes fuel "moral panics" about youth but ignore inequalities experienced by many teenagers today.
1950s 1960s teen subcultures
The document summarizes several 1950s-1960s teen subcultures in the UK, including Mods, Teds, Freaks, Hippies, and Bikers. Mods originated in London in the late 1950s and were known for modern jazz, soul, and R&B music as well as tailored Carnaby Street fashion. Teds adopted a working class style with long jackets, velvet collars, drainpipe trousers, and brothel creepers. Freaks in the late 1960s listened to artists like Bowie and Pink Floyd and had long hair and alternative gatherings. Hippies in the 1960s embraced psychedelic rock, drugs, and simple lifestyles as part of a
Collective identity 2011
Collective identity refers to a shared sense of belonging to a group based on real or imagined attributes. It is a perception that may be constructed rather than directly experienced. Scholars debate whether collective identity is more a social construction imposed by outsiders rather than a true reflection of one's identity. The document discusses how young people's identities are often represented negatively in media through dominant images but they also create their own subcultures and collective identities through music, art, fashion and lifestyle choices. It tasks students to create a self-representation chart considering individual and collective identities as well as conscious choices of included and excluded images and their connotations.
Magazine front covers inspiring
Magazine covers employ various artistic approaches to attract readers' attention. Some magazines use provocative images to spark controversy and discussion. Effective covers balance artistic expression with commercial objectives to increase sales and engagement.
Collective identity 2011
Collective identity refers to a shared sense of belonging to a group based on real or imagined attributes. It is a perception that may be constructed rather than directly experienced. Collective identities can be imposed by outsiders and depend on some acceptance by those they are applied to. The document discusses how collective identities are mediated and often more a construction than a true reflection. It explores how young people are represented in media with dominant negative images and how they create their own subcultures and collective identities with their own values and codes of conduct.
Magazine front covers controversial and inspiring
This document discusses magazine front covers and focuses on Rolling Stone's most controversial covers as well as artistic approaches to covers. It also provides a link to further reading on music magazine covers from The Guardian.
Music video narrative
The document discusses narrative theory and its application to analyzing music videos. It addresses how to examine the narrative structure, characterization, conflict, and use of technical elements like music, editing and mise-en-scene to tell the story. Key questions are posed about how the narrative is organized, how the viewer relates to characters, and how sound and visuals work together to convey themes. Common narrative types in music videos like performance, narrative and conceptual are described.
Video games
This document discusses representations of gender and masculinity in video games. It notes that many early adventure and beat 'em up games were designed by male developers for male audiences and featured stereotypical masculine themes. While the gaming audience has grown more diverse, representations of females tend to emphasize sexualization and stereotypes like the damsel in distress. The document also examines claims about effects of violent games and discussions around improving representation and diversity in games.
Images of modern men
The document examines representations of masculinity in media from the 1930s to present day. It provides examples of iconic images from advertising in different decades that promoted idealized versions of manhood, often emphasizing strength, independence, and heterosexuality. More recently, representations have become more complex and varied, incorporating vulnerability and highlighting the socially constructed nature of gender roles. The document also discusses the potential influence of unrealistic media images on men's self-esteem and body image.
Fight club confused masculinity
This document discusses how the story of Fight Club explores modern men's confusion over masculine identity and roles. It provides three examples: (1) the narrator's emasculated life pre-Fight Club, focused on materialism without real connections; (2) a testicular cancer support group whose members failed to fulfill traditional roles; and (3) the Fight Club group, which initially seems to offer answers but ultimately devolves into another empty form of confused masculinity through its neo-fascist Project Mayhem plans.
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- 2. Key information Directed by Michael Curtiz Starring: Humphrey Bogart – Rick BlaineIngrid Bergman – Ilsa LundPaul Henreid – Victor Laszlo Warner Bros. Release date: November 1942
- 3. Detailed analysis of Rick Analyse in detail, the 6 key scenes. What representation of masculinity is presented? Consider: the director’s use of mise en scene interaction with other characters where Rick is positioned in the ‘frame’ use of lighting dialogue In conclusion: What makes him such an interesting character? How Rick manages to retain control of each scene?
- 4. Discuss the following images of Ilsa. How is she represented?
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