Charles Lovell has over 30 years of experience leading art museums and galleries, including most recently as Development Officer for Major Gifts at the Ogden Museum of Southern Art. He has a proven track record of securing major donations, grants, and increasing budgets and endowments across multiple institutions. Lovell obtained his MFA in photography and has held director positions at universities throughout the southern United States.
Zola Delburn is an American artist born in 1958 who has studied and exhibited her work in the United States and abroad. She received education in art from schools in the US, England, and Mexico. Delburn has had solo exhibitions of her work and has participated in numerous juried and group exhibitions. She has produced photographs for the book Mrs. Wilkes' Boardinghouse Cookbook and a portrait appeared in the film Spy Kids. Delburn taught art foundations classes and was president of a non-profit art organization in Savannah, Georgia from 2009 to 2012 before moving back to San Miguel de Allende, Mexico in 2013.
Charles Lovell is a photographer based in New Orleans, Louisiana. Over the past 30 years, he has pursued fine art photography working at art museums and galleries across the United States. His work focuses on documenting religious and cultural practices in Mexico and the American Southwest. He has had over 20 solo exhibitions of his work and been included in over 45 group exhibitions. Lovell received his MFA in photography from Central Washington University and has received various awards and honors for his photography.
This document provides a biography and resume for Lauren Singer, an artist based in Huntington Station, New York. It lists her selected exhibitions from 2016 to 1997, awards from 2011 to 1995, publications from 2011 to 2001, education, teaching experience from 2014 to 1993, and curating experience from 2008 to 2014.
This vitae summarizes Carolynne Whitefeather's educational background and professional experience as a visual artist. She holds an MFA in printmaking from the University of Oklahoma and a BFA in printmaking from Northeastern State University. Her experience includes work as a professional artist, artist-in-residence, faculty member teaching fine arts, and director of an art gallery. She has exhibited her work internationally and completed numerous artist residencies and commissions.
Joshua Lance is an artist based in Santa Fe, New Mexico. He received a BA in art from Montclair State University in 1993 and an AA in art from Mercer County Community College in 1991. His work has been shown in galleries across the United States, including solo exhibitions in Philadelphia and New Jersey. He is currently represented by the Hueys Fine Art gallery in Santa Fe.
This document is a curriculum vitae for an artist and educator named C. Stephenson-Gibbs. It summarizes their educational background including degrees in fine arts. It also outlines their extensive teaching experience at various colleges and schools. Finally, it provides examples of the artist's work, exhibitions, commissions, and samples of student work from classes they have taught.
The document provides an overview of Deborah Rubin's portfolio, including a list of her solo and group exhibitions, awards, permanent collections her work is included in, and publications. It outlines her education and experience, and provides titles and details of 20 watercolor and acrylic paintings in her portfolio.
Terri K. Wheeler is a painter based in Kansas City, Missouri. She received her BFA in painting from the Kansas City Art Institute in 1996 and studied fresco painting in Mexico. Wheeler has exhibited widely in galleries across the Midwest and East Coast, including over 30 solo and group shows since 2009. She is represented by Late Show Gallery in Kansas City and the Kansas City Artists Coalition.
Zola Delburn is an American artist born in 1958 who has studied and exhibited her work in the United States and abroad. She received education in art from schools in the US, England, and Mexico. Delburn has had solo exhibitions of her work and has participated in numerous juried and group exhibitions. She has produced photographs for the book Mrs. Wilkes' Boardinghouse Cookbook and a portrait appeared in the film Spy Kids. Delburn taught art foundations classes and was president of a non-profit art organization in Savannah, Georgia from 2009 to 2012 before moving back to San Miguel de Allende, Mexico in 2013.
Charles Lovell is a photographer based in New Orleans, Louisiana. Over the past 30 years, he has pursued fine art photography working at art museums and galleries across the United States. His work focuses on documenting religious and cultural practices in Mexico and the American Southwest. He has had over 20 solo exhibitions of his work and been included in over 45 group exhibitions. Lovell received his MFA in photography from Central Washington University and has received various awards and honors for his photography.
This document provides a biography and resume for Lauren Singer, an artist based in Huntington Station, New York. It lists her selected exhibitions from 2016 to 1997, awards from 2011 to 1995, publications from 2011 to 2001, education, teaching experience from 2014 to 1993, and curating experience from 2008 to 2014.
This vitae summarizes Carolynne Whitefeather's educational background and professional experience as a visual artist. She holds an MFA in printmaking from the University of Oklahoma and a BFA in printmaking from Northeastern State University. Her experience includes work as a professional artist, artist-in-residence, faculty member teaching fine arts, and director of an art gallery. She has exhibited her work internationally and completed numerous artist residencies and commissions.
Joshua Lance is an artist based in Santa Fe, New Mexico. He received a BA in art from Montclair State University in 1993 and an AA in art from Mercer County Community College in 1991. His work has been shown in galleries across the United States, including solo exhibitions in Philadelphia and New Jersey. He is currently represented by the Hueys Fine Art gallery in Santa Fe.
This document is a curriculum vitae for an artist and educator named C. Stephenson-Gibbs. It summarizes their educational background including degrees in fine arts. It also outlines their extensive teaching experience at various colleges and schools. Finally, it provides examples of the artist's work, exhibitions, commissions, and samples of student work from classes they have taught.
The document provides an overview of Deborah Rubin's portfolio, including a list of her solo and group exhibitions, awards, permanent collections her work is included in, and publications. It outlines her education and experience, and provides titles and details of 20 watercolor and acrylic paintings in her portfolio.
Terri K. Wheeler is a painter based in Kansas City, Missouri. She received her BFA in painting from the Kansas City Art Institute in 1996 and studied fresco painting in Mexico. Wheeler has exhibited widely in galleries across the Midwest and East Coast, including over 30 solo and group shows since 2009. She is represented by Late Show Gallery in Kansas City and the Kansas City Artists Coalition.
Anne Royer is an artist, educator, and art historian based in McKinney, Texas. She has advanced degrees from Yale University and regularly lectures on art history. Royer is the founder and director of the Arts and Music Guild, which organizes exhibitions and events bringing artists and musicians together. She maintains an art studio practice working in traditional and contemporary mediums and has exhibited widely, including curating several shows.
Todd Orchard is an artist based in American Fork, Utah. He has a Master of Fine Arts from BYU and has taught art at several universities. Orchard has exhibited his paintings widely and completed many mural commissions for both public and private clients. He also works as an art preparer and framer. Orchard has received various grants and awards for his artwork.
Rebecca Lawson is a freelance photographer and artist based in Minneapolis, Minnesota. She received her BFA in Photography/Studio Arts from the University of Minnesota-Twin Cities in 1999. Currently, she works as a camera salesperson at National Camera Exchange and has been a freelance photographer since 1991. Lawson has exhibited her photography extensively in the Twin Cities area and has organized numerous exhibits and events showcasing photography. She has also taught photography and mentored young photographers.
Lisbeth Firmin is a painter who has had over 30 solo exhibitions of her work since 1978, primarily focused on urban landscapes, at galleries along the East Coast of the United States. She has received many honors and awards for her paintings and prints, including fellowships from the New York Foundation for the Arts, MacDowell Colony, and Vermont Studio Center.
Ron Larson is a landscape painter born in 1955 in Salt Lake City, Utah who lives and works in Ivins, Utah and around the American Southwest. He has had many solo and group exhibitions of his paintings of the Colorado Plateau region in galleries and museums. Larson is a signature member of the National Watercolor Society and associate member of other professional artist organizations. He teaches workshops and gives lectures on his painting process and the natural landscapes that inspire his work.
This document provides biographical information about artist Emily Wood, including her education, solo and group exhibitions, commissions, publications, and works included in institutional collections. It lists that she was born in 1969 in Tacoma, Washington, received a B.A. from the University of Washington, and has had numerous solo exhibitions at the Lisa Harris Gallery in Seattle since 2000 as well as group exhibitions around Washington state and the United States.
This document provides biographical information about artist Karen Arm, including her education, solo and group exhibitions, public and private collections, grants, awards, and bibliography. It lists her MFA from Columbia University in 1989, BFA from Cooper Union in 1985, and studies in Rome and at Rhode Island School of Design. It details over 30 solo exhibitions at PPOW gallery from 1999 to proposed 2019 and over 50 group exhibitions from 1991 to present. It also lists collections, a 2002 NYFA award, and publications reviewing or featuring her work from 2000 to 2016.
Kenn Kotara is a visual artist based in Asheville, NC. He has had over 50 solo exhibitions and over 100 group exhibitions nationally and internationally. His work is included in numerous public and private collections. Kotara teaches as adjunct faculty at Mars Hill University and has lectured widely on his work and process.
Kevin Sampson is seeking a full-time position that combines his experience as an artist, art instructor, police composite artist, and retired police officer. He has over 15 years of experience teaching art to students of all ages. Some of his past roles include being an art teacher at Rutgers University and various community centers, creating a large mural in Newark, and working as an art instructor for a juvenile probation program. Sampson is a working artist represented by a gallery in New York. He has exhibited his artwork extensively in galleries and museums across the United States.
This document provides biographical information about artist Lane Twitchell, including his education, solo and group exhibitions, publications, and awards. It lists his MFA from the School of Visual Arts and BFA from the University of Utah. It then details over 30 solo and over 100 group exhibitions he has participated in from 1987 to present. It also lists over 30 publications that have featured or referenced his work from 2002 to present.
This document is an artist's resume summarizing Therese Conte's education, teaching experience, exhibitions, awards, and collections. Conte has an MFA from Laguna College of Art and Design and MA and BA from California State University, Northridge. She currently teaches art at various schools and has participated in numerous solo and group exhibitions. Her work has won several awards and grants and is included in private collections.
This document is a resume for Timothy Bekelesky, a student at the University of Akron studying photography and printmaking. It outlines his education history, solo and group exhibitions, volunteer work, scholarships and awards, public art installations, and involvement with organizations. Bekelesky has had solo shows of his photography, drawing, and installation work in 2017. He has participated in numerous group exhibitions at the Myers School of Art and elsewhere since 2017.
The History, Arts & Nature Division (H.A.N.D.) generated $24.9 million for the local economy through its museums, arts centers, schools, public spaces, gardens and theaters. In 2010, it employed 19,250 local artists and provided 1,841 classes. Over 687,000 people attended H.A.N.D. programs, events, classes, tours and camps. H.A.N.D. is comprised of 11 leading cultural institutions that provide historical, cultural and aesthetic education through a wide array of programs.
Nan Ring is an art educator and visual artist. She has over 15 years of experience teaching art to students of all ages in both public and private schools. She holds an MFA in painting and teaches art fundamentals, art history, and environmental art classes. Nan Ring also has an established career as a visual artist, having participated in numerous solo and group exhibitions and artist residency programs around the country.
This document provides a biography for Jane Linders, an artist based in Maryland Heights, MO. It includes listings of her solo and group exhibitions from 2010 to 2002, as well as publications and awards. Linders has exhibited widely in the St. Louis area as well as Los Angeles, New York, and Washington D.C. She works in alternative photography processes and has received awards including from Smithsonian Magazine and Parks Gallery.
This document lists the exhibitions, publications, collections, teaching experience, grants, education, and other professional activities of an artist. It includes solo and group exhibitions from 1999 to 2010 in Texas and New York. Publications about the artist date from 1999 to 2009. The artist's work is in the collections of American Airlines and the Art Pace Foundation. They have taught at the Modern Art Museum of Fort Worth and Southern Methodist University and received grants from the Dallas Museum of Art. Their education includes degrees from Reed College, the University of Washington, and Southern Methodist University.
This curriculum vitae outlines Jennifer Manzella's education, teaching experience, solo and group exhibitions, publications, grants, and additional experience. She received an MFA in Printmaking from the University of Georgia and a BA in Studio Art from UMass Boston. Her teaching experience includes positions at the University of North Georgia, Gainesville State College, and the University of Georgia. She has participated in numerous solo and group exhibitions nationally and received grants from the Andy Warhol Foundation and Brooklyn Arts Council.
Elena Dubas has extensive education in visual arts including a MFA from SUNY Brockport and BS from Nazareth College. She has experience teaching photography around the world and in New York. Her career has also included freelance photography, nonprofit work, and providing resources to artists.
The Smithsonian Folklife Festival is an annual event held on the National Mall that showcases diverse cultural traditions from the US and around the world. It began in 1967 to promote cultural conservation and features performances, demonstrations, and exhibits over 10 days. Past programs have explored the cultures of countries like Mexico, China, and Peru as well as regional US cultures. The Festival aims to further understanding of cultural heritage and traditions. It also supports research into these practices.
Anne Royer is an artist, educator, and art historian based in McKinney, Texas. She has advanced degrees from Yale University and regularly lectures on art history. Royer is the founder and director of the Arts and Music Guild, which organizes exhibitions and events bringing artists and musicians together. She maintains an art studio practice working in traditional and contemporary mediums and has exhibited widely, including curating several shows.
Todd Orchard is an artist based in American Fork, Utah. He has a Master of Fine Arts from BYU and has taught art at several universities. Orchard has exhibited his paintings widely and completed many mural commissions for both public and private clients. He also works as an art preparer and framer. Orchard has received various grants and awards for his artwork.
Rebecca Lawson is a freelance photographer and artist based in Minneapolis, Minnesota. She received her BFA in Photography/Studio Arts from the University of Minnesota-Twin Cities in 1999. Currently, she works as a camera salesperson at National Camera Exchange and has been a freelance photographer since 1991. Lawson has exhibited her photography extensively in the Twin Cities area and has organized numerous exhibits and events showcasing photography. She has also taught photography and mentored young photographers.
Lisbeth Firmin is a painter who has had over 30 solo exhibitions of her work since 1978, primarily focused on urban landscapes, at galleries along the East Coast of the United States. She has received many honors and awards for her paintings and prints, including fellowships from the New York Foundation for the Arts, MacDowell Colony, and Vermont Studio Center.
Ron Larson is a landscape painter born in 1955 in Salt Lake City, Utah who lives and works in Ivins, Utah and around the American Southwest. He has had many solo and group exhibitions of his paintings of the Colorado Plateau region in galleries and museums. Larson is a signature member of the National Watercolor Society and associate member of other professional artist organizations. He teaches workshops and gives lectures on his painting process and the natural landscapes that inspire his work.
This document provides biographical information about artist Emily Wood, including her education, solo and group exhibitions, commissions, publications, and works included in institutional collections. It lists that she was born in 1969 in Tacoma, Washington, received a B.A. from the University of Washington, and has had numerous solo exhibitions at the Lisa Harris Gallery in Seattle since 2000 as well as group exhibitions around Washington state and the United States.
This document provides biographical information about artist Karen Arm, including her education, solo and group exhibitions, public and private collections, grants, awards, and bibliography. It lists her MFA from Columbia University in 1989, BFA from Cooper Union in 1985, and studies in Rome and at Rhode Island School of Design. It details over 30 solo exhibitions at PPOW gallery from 1999 to proposed 2019 and over 50 group exhibitions from 1991 to present. It also lists collections, a 2002 NYFA award, and publications reviewing or featuring her work from 2000 to 2016.
Kenn Kotara is a visual artist based in Asheville, NC. He has had over 50 solo exhibitions and over 100 group exhibitions nationally and internationally. His work is included in numerous public and private collections. Kotara teaches as adjunct faculty at Mars Hill University and has lectured widely on his work and process.
Kevin Sampson is seeking a full-time position that combines his experience as an artist, art instructor, police composite artist, and retired police officer. He has over 15 years of experience teaching art to students of all ages. Some of his past roles include being an art teacher at Rutgers University and various community centers, creating a large mural in Newark, and working as an art instructor for a juvenile probation program. Sampson is a working artist represented by a gallery in New York. He has exhibited his artwork extensively in galleries and museums across the United States.
This document provides biographical information about artist Lane Twitchell, including his education, solo and group exhibitions, publications, and awards. It lists his MFA from the School of Visual Arts and BFA from the University of Utah. It then details over 30 solo and over 100 group exhibitions he has participated in from 1987 to present. It also lists over 30 publications that have featured or referenced his work from 2002 to present.
This document is an artist's resume summarizing Therese Conte's education, teaching experience, exhibitions, awards, and collections. Conte has an MFA from Laguna College of Art and Design and MA and BA from California State University, Northridge. She currently teaches art at various schools and has participated in numerous solo and group exhibitions. Her work has won several awards and grants and is included in private collections.
This document is a resume for Timothy Bekelesky, a student at the University of Akron studying photography and printmaking. It outlines his education history, solo and group exhibitions, volunteer work, scholarships and awards, public art installations, and involvement with organizations. Bekelesky has had solo shows of his photography, drawing, and installation work in 2017. He has participated in numerous group exhibitions at the Myers School of Art and elsewhere since 2017.
The History, Arts & Nature Division (H.A.N.D.) generated $24.9 million for the local economy through its museums, arts centers, schools, public spaces, gardens and theaters. In 2010, it employed 19,250 local artists and provided 1,841 classes. Over 687,000 people attended H.A.N.D. programs, events, classes, tours and camps. H.A.N.D. is comprised of 11 leading cultural institutions that provide historical, cultural and aesthetic education through a wide array of programs.
Nan Ring is an art educator and visual artist. She has over 15 years of experience teaching art to students of all ages in both public and private schools. She holds an MFA in painting and teaches art fundamentals, art history, and environmental art classes. Nan Ring also has an established career as a visual artist, having participated in numerous solo and group exhibitions and artist residency programs around the country.
This document provides a biography for Jane Linders, an artist based in Maryland Heights, MO. It includes listings of her solo and group exhibitions from 2010 to 2002, as well as publications and awards. Linders has exhibited widely in the St. Louis area as well as Los Angeles, New York, and Washington D.C. She works in alternative photography processes and has received awards including from Smithsonian Magazine and Parks Gallery.
This document lists the exhibitions, publications, collections, teaching experience, grants, education, and other professional activities of an artist. It includes solo and group exhibitions from 1999 to 2010 in Texas and New York. Publications about the artist date from 1999 to 2009. The artist's work is in the collections of American Airlines and the Art Pace Foundation. They have taught at the Modern Art Museum of Fort Worth and Southern Methodist University and received grants from the Dallas Museum of Art. Their education includes degrees from Reed College, the University of Washington, and Southern Methodist University.
This curriculum vitae outlines Jennifer Manzella's education, teaching experience, solo and group exhibitions, publications, grants, and additional experience. She received an MFA in Printmaking from the University of Georgia and a BA in Studio Art from UMass Boston. Her teaching experience includes positions at the University of North Georgia, Gainesville State College, and the University of Georgia. She has participated in numerous solo and group exhibitions nationally and received grants from the Andy Warhol Foundation and Brooklyn Arts Council.
Elena Dubas has extensive education in visual arts including a MFA from SUNY Brockport and BS from Nazareth College. She has experience teaching photography around the world and in New York. Her career has also included freelance photography, nonprofit work, and providing resources to artists.
The Smithsonian Folklife Festival is an annual event held on the National Mall that showcases diverse cultural traditions from the US and around the world. It began in 1967 to promote cultural conservation and features performances, demonstrations, and exhibits over 10 days. Past programs have explored the cultures of countries like Mexico, China, and Peru as well as regional US cultures. The Festival aims to further understanding of cultural heritage and traditions. It also supports research into these practices.
This document provides a summary of Laura Marsh's academic and professional experience as an artist, curator, and educator. She has over 15 years of experience working in university galleries, museums, and non-profit art spaces. She is currently seeking a position where she can utilize her skills in exhibition curation, education programming, and community engagement to enrich a university art department.
This curriculum vitae summarizes the qualifications of Susan Joy Rippberger. She has extensive experience in higher education, including serving as a tenured professor and administrator. She holds a PhD in International & Development Education and Policy Studies as well as an MFA in New Genres. Rippberger has worked as an instructor, curator, and artist. Her areas of professional interest include diversity, community arts, performance, and using art as an educational tool.
The document summarizes an initiative by the Smithsonian American Art Museum to engage local artists and audiences. It discusses two programs started in 2010 - an artist talk series featuring local craftspeople, and an acoustic music series called "Luce Unplugged" featuring local musicians. Surveys of visitors to these programs found they attracted more local and younger visitors than typical museum audiences. Most had not previously visited the museum's Luce Foundation Center gallery space. The programs aim to increase accessibility and engage new audiences, in line with broader societal trends of supporting local communities and businesses.
The document summarizes the activities and accomplishments of the Toledo Museum of Art (TMA) in 2017. Major events included:
- The Board of Directors held a strategic planning session to evaluate practices and plans for campus development.
- Several major exhibitions saw large attendance numbers, and the museum acquired new works for its collection.
- Renovations began on gallery spaces, allowing for 14,000 square feet of refurbished exhibition areas.
- Community events like the annual Block Party were well-attended, and the museum saw various awards and recognition for its work.
Lisa B. Vihos is an experienced project manager and educator with over 30 years of experience in art museums and higher education. She has held several director roles managing educational programs, alumni relations, and sponsored research projects. Her experience includes writing successful grants, developing educational materials, and managing staff. Currently she works as a freelance writer, runs a poetry blog, and co-edits a literary journal. She has received awards for her poetry and has taught extensively on art history topics.
The document is SAMA's 2011-2012 Annual Report which provides an overview of the museum's accomplishments in the past year including hosting 17 exhibitions, welcoming over 86,000 visitors, expanding educational programs, and increasing membership, donations, and the collection.
This document provides a detailed CV for Enid Baxter Ryce, including her education, awards, professional positions, projects, exhibitions, and screenings. It shows that she is a prolific artist and curator who has received many honors and grants for her work in film, video art, and community engaged art projects focusing on environmental and social issues. She currently works as an associate professor and coordinator at CSU Monterey Bay.
Angela Wuttig has experience in arts education, curation, and financial aid administration. She holds a Master's degree in Arts, Community and Education from Lesley University and a Bachelor's degree in Glass from the Cleveland Institute of Art. Her professional experience includes positions at Lesley University and Cambridge College where she administered financial aid programs. She has also curated exhibitions at Emerson College and Lesley University.
Angela Wuttig has extensive experience in education and the arts. She holds a Master's degree in Arts, Community and Education from Lesley University and a Bachelor's degree in Glass from the Cleveland Institute of Art. Her professional experience includes positions in financial aid administration at Lesley University and Cambridge College, as well as curating archives exhibitions and working in museums.
2014 Museum travels to the west coast of the USAHelen Whitty
Annotated images of museums and attractions I found of interest when I visited the west coast of the USA in 2014 to attend the Association of Childrens Museums Conference and present a paper to the American Alliance of Museums AGM and Expo. For more see museumsliteracies.blogspot.com.au
Catie Barron is an artist based in Scottsdale, Arizona. She received her BFA in studio painting and drawing from the School of the Art Institute of Chicago in 2009. Since then, she has owned and operated her business Catarzina, creating and exhibiting artwork nationwide and in galleries. She has held multiple resident artist positions and researched establishing art exhibition spaces in vacant commercial spaces. Barron has also volunteered extensively with various arts organizations and councils, helping to establish new arts centers and programs.
Bead Town is an art exhibit that travels to different cities, featuring mosaics made from recycled Mardi Gras beads and other materials. The mosaics depict iconic images from the host city's history and culture. Workshops are held to teach residents how to create the mosaics. Over 100 mosaics have been created, bringing environmental and community benefits. The exhibit fosters civic pride and skills in the cities it visits.
Angela Wuttig has extensive experience in education, arts administration, and financial aid. She holds a Master's degree in Arts, Community and Education from Lesley University and a Bachelor's degree in Glass from the Cleveland Institute of Art. Her career includes positions in financial aid administration, curating archives exhibitions, public health grant review, and arts education research.
Michael D. Schneickert supports various philanthropic organizations including the Armory Center for the Arts in Pasadena, California. The Armory offers field trips for kindergarten through high school students to view exhibitions and develop an appreciation for art through guided activities and opportunities to create art themselves. In the first half of 2015, the Armory will offer field trips for exhibitions on mysticism and contemporary art showcasing the work of over 10 artists.
Lea Anderson is an artist based in New Mexico. The document provides a detailed curriculum vitae listing Anderson's residencies, solo exhibitions since 2003, selected group exhibitions since 2004, education background, awards, publications, and public lectures. It outlines Anderson's extensive career as an exhibiting artist working in installation and sculpture, with solo shows in New Mexico, California, and Thailand and pieces in numerous group exhibitions.
The document announces an exhibition titled "The Sum of Many Parts: 25 Quiltmakers from 21st-Century America" that will tour throughout China from 2012 to 2014, starting in Shanghai on September 7th. The exhibition features 25 contemporary quilts from American artists representing the Midwest, South, and Hawaii. It is a cultural engagement initiative conceived by the U.S. Embassy-Beijing and jointly developed by Arts Midwest and South Arts, with assistance from the Great Lakes Quilt Center, to share American quilt-making traditions and culture with Chinese audiences.
Successful Development Models for University and Public MuseumsWest Muse
The document discusses using "Action Teams" to engage donors for upcoming exhibitions at museums. It provides an example of an Action Team formed at the Jordan Schnitzer Museum of Art to support the "Tough by Nature" exhibition. The team helped raise $58,000 through small fundraising events. Action Teams can engage donors, introduce new constituents, raise funds, and identify partners for educational programs.
Similar to C Lovell Museum Director CV-3-18-2016 (20)
Successful Development Models for University and Public Museums
C Lovell Museum Director CV-3-18-2016
1. Charles M. Lovell
4116 Camp Street
New Orleans, LA 70115 e-mail: charleslovellart@gmail.com home (504) 309-2640
website: charleslovell.com cell (575) 770-0095
PROFESSIONAL HISTORY
Development Officer For Major Gifts and Institutional Advancement, Ogden Museum of
Southern Art, University of New Orleans, New Orleans, Louisiana.
May 2013 to June 15, 2015. Responsibilities: Raise funds through solicitation of gifts of $25,000 and
above.
Achievements: Helped the Ogden Museum secure a multi-million dollar gift from the Helis
Foundation in January 2015 to name the Museum’s largest 5th floor gallery. Assisted the Museum
with the establishing of an endowment.
Director, Newcomb Art Gallery, Tulane University, New Orleans, Louisiana. July 2008 to
February 2013. Responsibilities: Lead organization by setting long and short-term goals and
developing and administering policies for 20,000 square foot state-of-the-art university art gallery
founded in 1996. Supervise full-time staff of seven, worked with Dean of School of Liberal Arts and
23-member national advisory board. Oversee permanent art collection of 5,000 art objects. Develop
and administer budget of $800,000 per year and 1.8 million dollar endowment.
Achievements: During my tenure the Newcomb Art Gallery emerged as a leader in the arts renewal
in New Orleans following Hurricane Katrina. We revised our national advisory board, approved two
strategic three-year plans, approved mission and vision statements and increased our public hours.
Our private funding has increased over 200% with board giving at 100%, and we have received
grants and major gifts from the Henry Luce Foundation, the Andy Warhol Foundation for the Visual
Arts, the Stockman Family Foundation, the National Endowment For the Arts, the Joan Mitchell
Foundation, the MetLife Foundation, the Japan Foundation-New York, and the Georges Lurcy
Charitable and Educational Trust.
Director, Harwood Museum of Art, University of New Mexico, Taos, and adjunct professor of
art and art history for parent organization, University of New Mexico, Albuquerque. August 2001 to
June 2008. Responsibilities: Provided leadership for 26,000 square foot university art museum with
seven exhibition galleries, staff of 15, governing and membership boards, support group, and annual
budget of $550,000 per year.
Achievements: In preparation for 10,000 square foot 5 million dollar expansion, museum received
gifts, grants and real estate of over 3 million dollars, including $1,835,000 from New Mexico
legislative appropriations in 2005 and 2006. During my tenure, admissions and memberships
doubled, and endowments increased to 2.5 million dollars. We received a $546,000 multiyear grant
from the Stockman Family Foundation for collections preservations and endowment. In June 2007, I
organized the most successful exhibition in the museum’s 85-year history, Diebenkorn in New Mexico,
which traveled to the San Jose Museum of Art; the Grey Art Gallery at New York University; and the
Phillips Collection Washington, D.C.
Director, University Art Gallery, New Mexico State University, Las Cruces. July 1995 to July
2001. Responsibilities: Administered 12,000 square foot art gallery, supervised staff of ten, and made
executive decisions for choice of exhibitions and programs, fundraising, care of university art
2. collection and research and curation of six exhibitions per year. Institutional budget of $200,000 per
year doubled during my tenure.
Achievements: Organized international traveling exhibition, El Favor de los Santos: The Retablo
Collection of New Mexico State University, with a budget of over $500,000. Received $300,000
appropriation from State of New Mexico, and received major 6-figure grant funding from the
Stockman Family Foundation to build a conservation lab to preserve art collections.
Curator of Exhibitions, Weatherspoon Art Gallery, University of North Carolina, Greensboro,
June 1994 to September 1996. Responsibilities: Organized annual exhibition programs for six
galleries with 17,000 square feet of exhibition space, and $50,000 exhibitions budget for A.A.M.
accredited museum.
Achievements: Was responsible for organizing the national traveling exhibition and resulting catalog,
“Into the Nineties: Prints from the Tamarind Institute,” from the Collection of the University of
New Mexico Art Museum, Albuquerque, New Mexico.
Director, Wellington B. Gray Gallery, East Carolina University, Greenville, North Carolina,
August 1990 to June 1994. Responsibilities: Managed 7,000 square foot art gallery serving ECU
School of Art and Eastern North Carolina with budget of $120,000 per year.
Achievements: Organized the exhibition Minnie Evans: Artist, which received a $15,000 Special
Exhibitions Grant from the Museum Program of the National Endowment of the Arts. The
exhibition toured nationally, and was reviewed by The New York Times. Secured the premiere U.S.
showing of Jopseph Beuys: Objects, Drawings and Prints toured by the Goethe Foundation.
Director, Yuma Art Center, Yuma, Arizona, November 1987 to July 1990. Responsibilities:
Managed 12,000 square foot community art gallery serving Southwest Arizona.
Achievements: Implemented management improvements including strategic planning, first audit,
annual report, collections survey, and computerization of financial records. Expanded Museum’s
operating budget from $100,000 a year to $166,000 per year through increased membership,
community support, grants, and donor base.
Acting Director, Curator, and Registrar, Tacoma Art Museum, Tacoma, Washington,
December 1985 to October 1987. Responsibilities: Prepared budgets, planned and booked
exhibition schedules for 1986-1988. Edited museum newsletter and annual report, assisted with
fundraising auction and solicited art gifts from private donors. Museum budget was $380,000 per
year and exhibition budget $40,000 per year.
Achievements: As curator and acting director, secured first venue of Picasso Linoleum Cuts exhibition
on national tour from Metropolitan Museum of Art, New York. This exhibition broke all past
attendance records for 75-year history of Tacoma Art Museum.
EDUCATION
MFA in photography with minor in art history, Central Washington University, Ellensburg,
Washington, 1984.
BS in photography with minor in journalism, East Texas State University, Commerce, Texas.
3. Museum Management Workshop, Smithsonian Institute, Washington, D.C. One of ten participants
selected nationwide, 1989.
Public administration finance, University of New Mexico, Albuquerque, 2006.
Graduate work, art history, East Carolina University, Greenville, North Carolina, 1992.
Selected Gifts/Grants
Ogden Museum of Southern Art:
2.6 million dollar naming gift for the Ogden Museum’s largest Gallery, the Helis Foundation Gallery,
January 2015, largest Foundation gift in museum’s 13-year history, 2015.
Received $250,000 endowment and debt-reduction gift, first endowment gift ever for the Ogden
Museum, 2013.
Wisner Grant, City of New Orleans, two $25,000 grants for audience development
Newcomb Art Gallery, Tulane University
$100,000 grant from the Henry Luce Foundation and $34,000 from the National Endowment For
the Arts in 2012-2013 for the Newcomb Pottery Enterprise Exhibition.
Received a $100,000 conservation grant for collections from the Stockman Family Foundation in
2012-2013.
The Andy Warhol Foundation for the Visual Arts awarded a $50,000 grant for two contemporary
exhibitions in 2012-2013.
Received a $35,000 grant and $10,000 donation for the Remembering Joan Mitchell educational
symposium in 2010 from the Joan Mitchell Foundation and Cheim and Read Gallery. The Joan
Mitchell Foundation also provided over $50,000 of in-kind support for the Joan Mitchell Works on
Paper exhibition shown with collateral Joan Mitchell exhibitions at the CAC and NOMA.
Harwood Museum of Art
Diebenkorn in New Mexico exhibition grants: received $70,000 from the Thaw Charitable Trust, Santa
Fe, New Mexico for educational symposium, book and national traveling exhibition, 2007.
Raised $68,000 through additional grants or gifts for exhibition, including from the Santa Fe Art
Foundation, the Mandelman-Ribak Foundation, the Brown Foundation, the Harwood Museum
Alliance, the Harwood Museum Director’s Circle, and eight private donors, 2006 to 2007.
Received $60,000 from Mandelman-Ribak Foundation for museum expansion matched by $60,000
from UNM Provost’s Office, 2006
$546,000 multi-year grant from Stockman Family Foundation for conservation, endowment, and
improvements to museum’s collection storage, 2005.
$100,000 multi-year grant from Orin and Stephanie Bennett-Smith for museum education, 2005.
4. New Mexico State University Art Gallery:
$60,000 from Rockefeller Foundation Museum Program, 2000.
$240,000 from Stockman Family Foundation for conservation of permanent collection and building
new conservation lab, 2000.
Wellington B. Gray Gallery:
$15,000 Special Exhibitions Grant from National Endowment for the Arts Museum Program for
Minnie Evans: Artist, 1992.
Other Grants
Past recipient of grants from North Carolina and Arizona State Art Councils, National Institution for
Conservation of Cultural Properties, National Endowment for the Humanities, and the Institute of
Museum Services.
GIFTS
Harwood Museum of Art – Expansion
$100,000 unrestricted gift from Joyce and Sherman Scott, 2007.
$250,000 from Rosa Ellis Clark for gallery naming in museum expansion, 2006.
$100,000 from Orin and Stephanie Bennett-Smith for naming museum education space in museum
expansion, 2006.
$536,000 gift of adjacent real estate from Edward Foster, 2005.
BEQUESTS
$360,000 for endowment from Robert Ray estate, 2005.
$1,000,000 endowment gift from artist Agnes Martin, 2001.
STATE OF NEW MEXICO LEGISLATIVE APPROPRIATIONS
1.2 Million, Harwood Museum of Art expansion, 2006
$635,000, Harwood Museum of Art expansion, 2007
$300,000, New Mexico State University, El Favor de Los Santos for international traveling exhibition
traveling to major museums in United States, Spain, and Mexico.
SELECTED EXHIBITIONS ORGANIZED
Between 1980 and present, I have organized more than 90 exhibitions. From 1986 to the present, I
have organized the logistics for exhibition more than 50 traveling exhibitions from other institutions.
5. Newcomb Art Gallery, Tulane University
The Newcomb Pottery Enterprise: Women, Art and Social Change, 2013 to present. Secured funding for
definitive exhibition of the Arts and Crafts of the Newcomb Pottery from the Henry Luce
Foundation, the National Endowment for the Arts Artworks and private sources. The exhibition
traveled internationally through the Smithsonian Institution National Traveling Exhibition Services,
(SITES.) A companion 360-page book is being published by Skira Rizzoli. The total project budget
exceeded $500,000.00
Patricia Cronin: All Is Not Lost, funded by the Andy Warhol Foundation for the Visual Arts, 72-page
catalogue with essays by Alexander Nemerov and Helen Molesworth. Nominated for best show in a
University Art Gallery by the International Association of Art Critics-USA, 2012.
Pop Shots: Andy Warhol; Lee Friedlander: Jazz People; and Thomas Roma Pictures From Books, 3 concurrent
photography exhibitions with ICAVC educational Making Books Symposium with Philip Lopate,
Susan Kismaric, and Thomas Roma. Lee Friedlander attended opening and Jeff Rosenheim, Curator
of Photography at the Metropolitan Museum of Art lectured on Lee Friedlander’s work, 2011.
Fashioning Kimono: Art Deco and Modernism in Japanese Art, organized by the International Art and
Artists, a major exhibition of 19th and 20th century Japanese textiles funded by a grant from the Japan
Foundation, New York. John Bullard emeritus Director of the New Orleans Museum of Art quoted
this as the best exhibition of the year in New Orleans for 2011.
Polaridad Complimentaria: Recent Works From Cuba, negotiated with Centro Wifredo Lam, Havana, Cuba
and International Arts and Artists Washington, D.C. to secure the first contemporary art exhibition
in the U.S. organized by a Cuban cultural institution as the first U.S. venue, 2010. In conjunction
with the exhibition developed the collaborative Si Cuba, a citywide celebration of Cuban art, music
and culture held in New Orleans with over 17 art and cultural sites and website. The project was
imitated by Si Cuba New York in 2011.
University of New Mexico Harwood Museum of Art
Diebenkorn in New Mexico, national traveling exhibition and 156-page hardcover book, Richard
Diebenkorn in New Mexico, published by Museum of New Mexico Press, Santa Fe. Exhibition
shown at Harwood Museum of Art; San Jose Museum of Art; Grey Art Gallery at New York
University; and the Phillips Collection, Washington, D.C. The exhibition broke all past attendance
records for 85-year history of the museum, 2007.
Jasper Johns Prints from the Belger Foundation, Kansas City, Missouri, an exhibition chronicling Johns’
print production from the 1960’s to the present, Harwood Museum of Art, 2003.
Jaune Quick-to-See Smith: Made in America, national traveling exhibition organized by Belger
Foundation, toured by TREX Traveling Exhibitions Program, Office of Cultural Affairs of Museum
of New Mexico, Santa Fe, 2003.
Agnes Martin Paintings from 2001, recent paintings by nationally acclaimed painter, Harwood Museum
of Art, 2001.
Clemente in Taos, new paintings by international artist Francesco Clemente who lives in New York,
Italy, India and Carson, New Mexico, catalog, Harwood Museum of Art, 2001.
6. University Art Gallery at New Mexico State University
El Favor de los Santos: The Retablo Collection of New Mexico State University, international traveling
exhibition toured for four years to Museo Franz Mayer, Mexico City; Museo del Amparo, Pueblo,
Mexico; Museo de Historia Mexicansa, Monterrey, Mexico; San Jose Museum of Art; Mexican Fine
Art Cultural Museum, Chicago; Lowe Art Museum, Miami; National Hispanic Cultural Center,
Albuquerque; Museum of the Palace of the Governors, Santa Fe; Museo de las Americas, Madrid,
Spain; and Casa Museo de Colon in Las Palmas de Gran Canaria, Spain. Project director for total
budget in excess of $500,000. Co-authored Art and Faith in Mexico, 360-page book published by
University of New Mexico Press. Artes de Mexico and Museo Franz Mayer, Mexico City published a
90-page, four-color Spanish-language catalog, 2000.
Weatherspoon Art Gallery
Into the Nineties: Prints from Tamarind Institute, exhibition traveled to Lehigh University Art Galleries,
Bethlehem, Pennsylvania; Herter Art Gallery, University of Massachusetts, Amherst; University of
New Hampshire, Durham; and University of New Mexico Art Museum, Albuquerque, 1995.
Wellington B. Gray Gallery
Minnie Evans: Artist, retrospective exhibition of 130 works by self-taught Wilmington, North Carolina
artist. Funded by $15,000 Special Exhibitions Grant from the Museum Program of the National
Endowment for the Arts, the exhibition traveled through 1995 to Diggs Gallery, Winston-Salem
State University, Winston-Salem, North Carolina; Thompson Gallery, Furman University,
Department of Art, Greenville, South Carolina; Hickory Museum of Art, Hickory, North Carolina;
High Museum of Art, Atlanta; Museum of American Folk Art, New York; Kemper Museum of
Contemporary Art & Design, Kansas City, Missouri; and St. John’s Museum of Art, Wilmington,
North Carolina.
Jacob Lawrence: An American Master, color lithographs and paintings by Seattle artist. Six-page, four
color exhibition brochure published by East Carolina University. Exhibition traveled to Grand Vue
Gallery, Morgantown, West Virginia; Diggs Gallery, Winston-Salem University; North African-
American Cultural Center, Charlotte, North Carolina; St. John’s Museum of Art, Wilmington, North
Carolina; and Schneider Museum of Art, Southern Oregon State University, Ashland, 1992.
Yuma Art Center
Ten Years After: The Yuma Symposium, ten-year retrospective featuring 100 artists in contemporary arts
and crafts, funded in part by Arizona Commission on the Arts and Arizona Western College.
Tacoma Art Museum
Paul Horiuchi: Master of the Collage, Tacoma Art Museum, Tacoma, Washington, retrospective featuring
33 years of collage works.
PUBLICATIONS
Books
The Arts & Crafts of Newcomb Pottery, 352-page book co-published by Tulane University and Skira-
Rizzoli, New York, Author of Preface and Acknowledgements, and project director for overall
supervision of publishing project, October 2013.
7. Richard Diebenkorn in New Mexico, 176-page book published by Museum of New Mexico Press, Santa
Fe, in association with Harwood Museum of Art, Taos, 2007. Wrote foreword and
acknowledgements.
Art and Faith in Mexico: The Nineteenth Century Retablo Tradition, 360-page book published in 2002 by
University of New Mexico Press, now in second printing. Co-author and co-editor.
Exhibition Catalogs
Patricia Cronin: All Is Not Lost, published by Tulane University Newcomb Art Gallery, 72-page
exhibition catalogue funded by the Andy Warhol Foundation For The Visual Arts with foreword by
Charles Lovell and essays by Alexander Nemerov and Patricia Molesworth, 2012.
Minnie Evans: Artist, four-color, 72-page exhibition catalog, 1992. Co-editor and essayist.
Won second place for exhibition catalogs in American Association of Museum’s Annual Publication
Competition, 1993.
Paul Horiuchi, Master of the Collage catalog won American Federation of Arts Museum Design
Competition Award of Excellence, 1989.
Ten Years After: The Yuma Symposium exhibition catalog received an award of Excellence from the
American Federation of Arts, 1989.
Reviews, Articles, and Interviews
The Advocate, “Drawings Stir Exciting Possibilities,” Robin Miller, Review of William Spratling
Exhibition, Feb. 16, 2013.
Canadian Art, Prospect.2 “Mardi Gras Masterpiece”, Nancy Tousley, p.1-6, illustrations and article
covering Nick Cave and Joyce Scott’s Newcomb Art Gallery exhibition in Prospect.2, April 25, 2012.
New Orleans Times Picayune, “Warhol’s Pop Polaroid portraits on Display at Tulane”, Doug McCash,
September 2, 2011, Lagniappe p. 12.
Today, MSNBC, NBC News, September 10, 2011, Tulane University listed as #5 for 10 College
Campuses worth a visit, Elisa Richard online recognition of Newcomb Art Gallery.
New York Times, review, “An Expressionist In Albuquerque,” (for Diebenkorn in New Mexico
exhibition at Grey Art Gallery-NYU) Jan. 25, 2008. Pp. E33 and E 36.
ArtForum Critics’ Pick, “Diebenkorn in New Mexico: 1950-52,” by Ara H. Merjian, illustration,
November 27, 2007.
San Francisco Chronicle, exhibition review, “Painter Diebenkorn Found Inspiration in the New Mexico
Desert, “by Kenneth Baker, illustrations, October 18, 2007.
Albuquerque Journal, exhibition review of “Jaune Quick-to-See Smith: Made in America, UNM grad
delivers social, political message,” by Wesley Pulka, February 27, 2005, F5.
Santa Fe New Mexican, Jasper Johns exhibition review, About Art, “A Negation of Impulses,” by Tom
Collins, June 20, 2003, pp.5-6.
8. Santa Fe New Mexican, “Body of Work, Francesco Clemente,” by Kristina Melcher, May 17, 2002, pp.
20-21.
Wall Street Journal, “The Mystery of Lines and Letter,” by Hollis Walker, April 23, 2002, Leisure &
Arts, p. 7 D.
New Mexican Magazine, review, “The Saints Go Marching: Retablo Show Hits the Road,” by
Derrickson Moore, color illustrations, December 2000, pp. 82-85.
National Public Radio’s “Morning Edition,” six-minute story and interview on El Favor de las Santos:
The Retablo Collection of New Mexico State University, by David Browser, January 24, 2000.
Dallas Morning News, “University’s exhibition of retablos tells religious tales on tin,” by Nancy San
Martin, December 1999.
New York Times, review, “Minnie Evans’ Visions,” by Holland Cotter, illustrations, March 3, 1995,
C1, 18.
Greensboro N.C. News & Record, “The Faces of Freud,” by Leigh Pressley, November 5, 1995, D1, 4.
Raleigh News & Observer, review of Open Spain, Espana Abierta, “Tales of Two Spains; the old and
the modern cohabit ECU’s photo show,” by Chuck Twardy, illustration, March 12, 1993, Weekend,
p. 7.
Charlotte Observer, review of Jacob Lawrence: An American Master: “Riots lend poignancy to exhibit,”
by Tom Patterson, illustrations, August 9, 1992, pp. F1 10.
Arizona Republic, “Southwest Sampler: Yuma show serves up regional cross section of accomplished
art,” by Richard Nilsen, April 14, 1990, pp. E1-4.
Seattle Post-Intelligencer, “Collection of Horiuchi’s work capitalizes on mood,” by Regina Hackett,
November 28, 1987, pp. C3-6.
Seattle Times, Berger, David, “Picasso prints add new perspective to Tacoma Art Museum,”
September 18, 1987, p. E6.
Tacoma News Tribune, “Museum opens most prestigious show ever,” by Keith Raether, September 18,
1987, TGIF section, pp. 1-3.
SELECTED PROFESSIONAL ACTIVITIES
LECTURES
Visual presentation for Tulane University conference Global Gulf II, 2013, The Art of Procession, New
Orleans Second Lines and Jazz Funerals.
Cuban contemporary art lecture, featured speaker Tulane Alumni Association, Miami, Florida, 2010.
University Art Galleries and the Exhibition World, moderator for public educational panel at
Louisiana Artworks, New Orleans, LA, 2009.
9. Visual Arts grant panelist, National Endowment for the Arts, Washington, D.C., 2005.
Presenter, CLE International Art and Law Conference, Taos, New Mexico, 2001.
Lecture, “Minnie Evans: Artist,” Museum of American Folk Art, New York, 1995.
Lecture, “Larry Rivers,” Smorgasbord of the Recognizable,” Bank of the Arts, Craven County Arts
Council, New Bern, North Carolina, 1992.
Lecturer and panelist, “Art Controversy in Small Communities,” National Assembly of Local Arts
Agencies annual convention, San Diego, 1990.
Lecture, “Contemporary Trends in Northwest Art,” Washington State Capital Museum, Olympia,
1987.
CONSULTING AND GRANT REVIEWING
Emily Harvey Foundation, New York and Venice, Italy, 2015
Reviewer for three national foundation art and cultural panels 2007-09
SELECTED EDUCATIONAL PROGRAMS
Chair for the Tulane Faculty ICAVC, Interdisciplinary Committee For Arts and Visual Culture
Tulane University, 2010 to 2013.
Organizer of the Remembering Joan Mitchell educational symposium held April 2010, with a panel of 7
international speakers. The event attracted 255 from 12 states, France and 9 Louisiana cities. The
presenters were Guy Bloch-Chompfort; Christopher Campbell, David L. Craven, Ann Gibson,
Irving Sandler, Robert Storr, and Mahki Xenakis.
Organizer for the Collecting Cuban Art educational symposium with the Stone Center For Latin
American Studies at Tulane University, the Cuban and Caribbean Studies Institute, and the New
Orleans Museum of Art. Held January 2010 the event attracted 197 and featured presenters Holly
Block, Dan Cameron, Sandra Levinson, Adolfo V. Nodal, Tom Reese, Tonel, and Ricardo Viera.
The January 2009 lecture by Shirin Neshat in Dixon auditorium attracted over 850 attendees, and set
an all-time record for a visual arts lecture at Tulane University.
Presented Diebenkorn in New Mexico educational symposium featuring John Elderfield, chief curator of
the Museum of Modern Art, New York; Jane Livingston; Mark Lavatelli; Susan Landauer; and
Gerald Nordland. Event sold out to 270 attendees from 10 states and Canada, 2007.
Presented Agnes Martin Symposium, featuring scholars Ned Rifkin, Michael Govan, Richard Tuttle,
Anne Wilson, and Joanna Maria Weber. Attendees included 256 persons from 16 states and Canada,
2002.
Organized educational symposium for El Favor de los Santos, co-sponsored by Smithsonian Institution
Center for Latino Initiatives. Over 100 attended from throughout the U.S., Mexico, and Puerto
Rico, 1999.
10. Boards, Offices, Memberships & Professional Service
Ex- officio member of Newcomb Art Gallery National Advisory Board, 2008 to 2013
International Commission of Museums
American Alliance of Museums
Vice President, New Mexico Association of Museums, 1997 to 1999.
Chair and board member, Art Section, North Carolina Museum Council, 1992 to 1995.
President, Art Enthusiasts, East Carolina University, Greenville, North Carolina, 1990 to 1991.
Western Representative, Museum Association of Arizona, 1989 to 1990.
AWARDS, HONORS AND FELLOWSHIPS
French Consulate of New Orleans awarded research trip to visit six museums in Paris, Lyon, and
Nancy, France in 2012 in conjunction with The French Art of Pochoir exhibition.
Led the Newcomb Art Gallery at Tulane University to receive a 2010 Community Arts Award from
the Arts Council of New Orleans.
Minnie Evans: Artist, four-color, 72-page exhibition catalog received second prize for exhibition
catalogs in American Association of Museum’s Annual Publication Competition.
Award of Excellence for Paul Horiuchi, Master of the Collage catalog, American Federation of Arts
Museum Design Competition, 1989.
Ten Years After: The Yuma Symposium exhibition catalog received an award of Excellence from the
American Federation of Arts, 1989.
11. Charles M. Lovell References:
Susan Brennan, business owner, former chair Newcomb Art Gallery National Advisory
Board, President of Prospect New Orleans
600 Port of New Orleans #9F
New Orleans, Louisiana 70130
susangbrennan@gmail.com cell 504 491-5221
David Edward Stuart, former Associate Provost, and Associate Provost Emeritus University
of New Mexico
423 Tulane Drive. SE
Albuquerque, New Mexico 87106
dstuart@unm.edu 505 265-5459
Harold and Susan Skramstad, Professional museum consultants
8607 35th Avenue
Denver, Colorado 80238
skrams2@q.com 303 449-1571
Fran Villere
Ogden Museum of Sothern Art, Inc. board member
#9 Audubon Place
New Orleans, LA 70118
fvillere@yahoo.com cell 504 669-7297