This document provides biographical information about artist Lane Twitchell, including his education, solo and group exhibitions, publications, and awards. It lists his MFA from the School of Visual Arts and BFA from the University of Utah. It then details over 30 solo and over 100 group exhibitions he has participated in from 1987 to present. It also lists over 30 publications that have featured or referenced his work from 2002 to present.

1. Lane Twitchell 1228 Halsey #1, Brooklyn NY 11207 – 718.916.2057
Education
M.F.A. The School of Visual Arts
B.F.A. The University of Utah
One and Two Person Exhibitions
2017 #inversion, Writ & Vision, Provo UT
2012 Pop Up (w/ Vivian Beer), Klubhaus, Brooklyn, NY
2008 Leap With Me, Roebling Hall, New York, NY
2007 Revelation: Lane Twitchell Drawing & Painting, Schweinfurth Memorial Art
Center, Auburn NY, traveled to the University Art Museum, SUNY Albany, the
Gibson Gallery, SUNY Potsdam curated by Thomas Piche jr.
2005 Here & There, Greenberg Van Doren Gallery, New York, NY
2004 American Paradigms: David Opdyke and Lane Twitchell, Corcoran Gallery
of Art, Washington, D.C.
Foursquare, G Fine Arts, Washington D.C.
2002 Private Property, Artemis Greenberg Van Doren Gallery, New York, NY
1999 State of the Union, Deitch Projects, New York, NY
1998 Summer White, (w/ Micheal Pearlman), Steffany Martz Gallery, New York
1995 MFA Thesis Exhibition, Visual Arts Gallery, New York, NY
1993 Park Gallery, Salt Lake City, UT
1987 University Union Gallery traveled to The Blue Mouse, Salt Lake City, UT
Group and Art Fair Exhibitions
2015 The Paul Brainard Show, The Lodge Gallery, New York, NY
2014 Somewhere Between Creation and Destruction, Joseloff Gallery, University
of Hartford, Hartford CT
2013 Totally Gay for Sports, The Lodge Gallery, New York, NY
Remix: Selections from the International Collage Center, Katonah Museum of
Art, Katonah NY
Collage: The Alchemy of the Ordinary, McClain Gallery, Houston TX
The Pond, The Mirror, The Kaleidoscope, Visual Arts Gallery, New York, NY
Art Miami, Miami FL Pavel Zoubok Gallery
2012 Beasts of Revelation, DC Moore Gallery, New York, NY
Remix: Selections from the International Collage Center, Daum Museum of Art,
Sedalia MO
Pulse Fair, Miami Beach FL Pavel Zoubok Gallery
2011 Being American, Visual Arts Gallery, New York, NY
Summer Group Exhibition, Edward Tyler Nahem Fine Art, New York, NY
Armory Show, New York, NY, Edward Tyler Nahem Fine Art

2. 2010 Cut Paper; Lemberg Gallery, Ferndale MI
Art Basel/Miami Beach; Miami Fl, Edward Tyler Nahem Fine Art,
2009 Slash: Paper Under the Knife, Museum of Art and Design, New York, NY
Four Paper Artists, Mariboe Gallery of the Peddie School, Hightstown NJ
2008 The Deadliest Catch, The Core Club, Southhampton NY
The Zoo Fair, London GB Roebling Hall
Cutting Fine, Cutting Deep: Cut Paper Works from Switzerland and North
America, Sewanee The University of the South, Sewanee, TN. traveled to
venues in Houston and Atlanta.
Art Chicago, Chicago IL Roebling Hall
2007 NADA Fair, Miami FL, Roebling Hall
Art Chicago, Chicago IL, Roebling Hall
2006 The Searchers, Whitebox, New York, NY
Redefined: Modern and Contemporary Art from the Collection, Corcoran Gallery
of Art, Washington D.C.
Drawings III (selected), G-Module, Paris, FR
Small Painting Show, organized by the General Store, The Ulrich Museum,
Wichita, KS
Loveless (the shoegazer show), Team, New York, NY
I Love the Burbs, Katonah Museum of Art, Katonah, NY
Armory Show; New York NY, Greenberg Van Doren Fine Art
2005 The Early Show, White Columns, New York, NY
One of a Kind, New York Academy of Sciences, New York, NY
Group Loop, G Fine Art, Washington DC
Armory Show, New York NY, Greenberg Van Doren Fine Art
2004 Beginning Here: 101 Ways, Visual Arts Gallery, New York, NY
2003 Perforations, McKenzie Fine Art, New York, NY
Terrible Beauty, Satellite, New York, NY
Armory Show, New York NY, Artemis Greenberg Van Doren Fine Art
Art Basel, Miami FL, Artemis Greenberg Van Doren Fine Art
2002 The Nature of the Beast, Caren Golden Gallery, New York, NY
Some Assemblage Required: Collage Culture in Post-War America, Everson
Museum of Art, Syracuse, NY; Madison Art Center, Madison, WI; Polk Museum
of Art, Lakeland, FL
Snapshot, Elizabeth Leach Gallery, Portland, OR
Print Publisher's Spotlight: Solo Impression, Barbara Krakow, Boston, MA
Past Tense: a contemporary dialogue, The Museum of Art, Brigham Young
University, Provo, UT
The Order of Things, Teachers Insurance and Annuity Association College
Retirement Equities Fund, New York, NY
The Norman Dubrow Biennial, Kagan Martos Gallery, New York, NY

3. On Architectural Atmosphere, G Fine Art, Washington, D.C.
Armory Show, New York NY, Artemis Greenberg Van Doren Fine Art
Art Basel, Miami FL, Artemis Greenberg Van Doren, Fine Art
2001 It's a Party and We're Having a Great Time, Paul Morris Gallery, NY
New Prints 2001 - Winter, International Print Center, NY
Armory Show, New York NY, Lawrence Rubin Greenberg Van Doren, Fine Art
2000 Good Business is the Best Art: 20 Years in the Artist Marketplace Program,
Bronx Museum of Art, NY
Faith: The impact of Judeo Christian Religion on Contemporary Art, Aldrich
Museum of Contemporary Art, Ridgefield, CT,
1999 1999, P.S.1 Contemporary Art Center, Long Island City, NY
Cut Paper - Contemporary and Traditional, Elsa Mott Ives Gallery, New York, NY
Armory Show, New York, NY Deitch Projects
1998 Scape, Artists Space, New York, NY
Utopia, Roebling Hall, Brooklyn, NY
Scale: Relatively Speaking, Art in General, New York, NY
1997 17th Annual Artists in the Marketplace Exhibition, Bronx Museum, BX NY
1994 MFA Exhibition, School of the Visual Arts, New York, NY
1992 Intercollegiate Exhibition, Salt Lake City, UT; first place drawing, Dave
Hickey, juror
Bibliography
2014 Somewhere Between Creation and Destruction exhibition catalog essay
2013 Thomas J. Woodruff; The Pond, The Mirror, The Kaleidoscope, exhibition
catalog essay, pg. 35
2012 Thomas Piche Jr; "Remixed Metaphors: A Brief History of Post-War
Collage"
Richard Rinehart; "Collage is Dead, Long Live Collage!" Remix: Selections from
the International Collage Center exhibition catalogue
2011 Francis di Tommaso; Being American exhibition catalog essay, p. 68-69
James S. Russell; “From Infamous Bronx Horror to $66 Million Humane Beacon
of Hope”, Bloomberg.com
2010 Stanley Hainsworth; “Ideology: The Designer’s Journey turning ideas into
inspired designs” Rockport Publishers
2009 Christian Rattemeyer; “The Judith Rothschild Foundation Contemporary
Drawings Collection from The Museum of Modern Art”, published by The
Museum of Modern Art, p. 35
David Revere McFadden; Slash: Paper Under the Knife exhibition catalogue,
D.A.P./ 5 Continents Publishers, pgs. 35, 236
Sheila Kim; Interior Design Magazine, September issue, p. 36
Elle Décor; October issue, p. 74

4. Print Magazine, The Many Uses of Paper, October issue
2008 Karen Rosenberg, “Art in Review” Leap With Me exhibition review, The
New York Times, Art in Review, April 4
Charlie Finch; "Betwitched" Artnet Magazine March 19
2007 Toby Devan Lewis; “ArtWorks: The Progressive Collection” published by
D.A.P./The Progressive Collection, p. 232
Chris Bors; "Lane Twitchell's Mementos from Basquiat's Grave" Artinfo.com,
November 13
Arthur Whitman; Revelation: Lane Twitchell, Drawing and Painting exhibition
review, Ithaca Times, Sept. 27
Thomas Piche Jr.; "Making's Meanings in the Paintings of Lane Twitchell"
Schweinfurth Memorial Art Center exhibition catalog essay
Merideth Mendelsohn; "Paper Pushers," Artnews, May,p. 146
2006 Emily Lodish; "A Closer Look at Lane Twitchell's Mountain Meadows
Mysteries or the Evening Redness in the West," Unsaid, volume 2 number 1
Ruth Lopez; "Art of the Office Building," Time Out Chicago, January 5-12
Bryan Waterman; "Radio Crush," The Great Whatsit, February 13,
Ellen J. Keiter; I Love the Burbs, exhibition catalogue, Katonah Museum of Art
Howard Halle; "Java Consultant," Time Out New York, February 2-8, p.8
Walter Robinson; "Starbucks Gets Artistic," Artnet News, January 14
2005 Roberta Smith; "Even a Little Space Can Hold an Abundance of Ideas,"
The New York Times, Nov. 25
Katharine Grayson; "Goldblatt's Latest Line," Chicago Journal, December 28
Charles Storch; "Goldblatt's Building Public Art Unveiled," The Chicago Tribune,
December 9
Kelly Devine Thomas; "What's in a name," Artnews, November issue
Linda Yablonsky; "From Picket Signs to Creeping Vines," Artnews, Summer,
Stephen Maine; "Exhibition Reviews: Lane Twitchell, Here and There," Art on
Paper, May/June
Andy Grundberg, "'Loop': What Goes Around . . . At G Fine Art, a Show Marked
by its Sound and Circular Reasoning," The Washington Post, March 20
Ken Johnson, “Last Chance” Here & There, The New York Times, March 18
Charlie Finch, “Mad Money," Artnet Magazine, March 18
Martha Schwendener, "Lane Twitchell," The New Yorker, March 21
Jerry Saltz; "System Overload," The Village Voice, February 25
City Art: New York's Percent for Art Program, New York City Department of
Cultural Affairs
2004 Jerry Saltz; "Blotto, Meet Buzzed," The Village Voice, May 11
Jessica Dawson; "Man on a Mission: The Early Lane Twitchell," The Washington
Post, April 1
Glenn Dixon; "Too Much is Never Enough," Washington City Paper, March 5,

5. Blake Gopnik; "Oil's Coils and Mad Doilies," The Washington Post, March 6,
Stacey Schmidt; "American Paradigms: David Opdyke and Lane Twitchell,"
exhibition pamphlet
Brian Everson; "In Conversation: Lane Twitchell," The Brooklyn Rail, February 4
Sheila Kim; "State of the Nation," Interior Design, January, p. 39
2003 Lennie Bennett; "Bits and Pieces," St. Petersberg Times, October 12
Review of Perforations at McKenzie Fine Art, The New Yorker, August
N.F. Karlins; "Dotty," Artnet Magazine, July 7
2002 Cherrie K. Woodworth; "Landscape and the American West: the sacred
the sublime and the suburbs" Sunstone Magazine, October issue
Some Assembly Required: Collage Culture in Post-War America, exhibition
catalogue, Everson Museum of Art, Syracuse, New York, essays by Thomas
Piche Jr, Mark Alice Durant and Melissa Pearl Frielding
Photo illustrating review for "The Norman Dubrow Biennial," Frankfurter
Allgemeine Zeitung, Frankfurt DE, April 20
John Blee; "The Georgetowner," Art Wrap, February 21
Grace Glueck; "Art in Review” Private Property, The New York Times, February 1
Jeanne Greenberg Rohatyn; Interview with Lane Twitchell, Private Property
exhibition catalogue, published by Artemis Greenberg Van Doren
Rohatyn, Artemis Greenberg Van Doren Gallery, New York
Dan Halm; "5 Visionaries," Visual Arts Journal, Winter Issue, p. 14-15
Christian Viveros-Faune; "ART: Lane Twitchell," New York Press, Jan 23-29
Kim Levin; "Voice Choices," The Village Voice, January 23
2001 Joanna Mattera; Spirit Maps, Red Wheel - Wiser Books
Faye Hirsch; "Art on Paper," Working Proof, January - February
2000 Franklin Sirmans; "FYI," Artists in the Marketplace, Fall Preview issue
Holland Cotter; "A Showcase for Emerging Talent Nurtured Within the Same
Environment," Times, May 12
Janet Koplos; "Lane Twitchell at Deitch Projects," Art in America, March Issue
1999 Jerry Saltz, "Where the Boys Are," The Village Voice, October 5
Holland Cotter; “Art in Review" State of the Union at Deitch Projects," The New
York Times, Oct. 1
Simon Watson; "Simon Says: Collect," Artnet.com Magazine, September 24
Christian Viveros-Faune; "Ecclesiastes Time," New York Press, September 22
Kevin Conley; The New Yorker, September 22-28
N.F. Karlins; "The Sandpaperers," Artnet.com Magazine, September 24
Michael Squires; "Mormon Mandala," New York Resident, September 14
Jeffery Hogrefe; "Mormon's Family Album: Pollock, Reagan, Steve Young," New
York Observer, September 13
Jerry Saltz; "Hungry Hearts," The Village Voice, September 8
Simon Watson; "Simon Says," Meet The Artists Gallery Tour, September 18

6. Rebecca Johnson; "Up Against a Wall," Vogue, Up Front Section, April issue
"NY Arts," P.S.1 Studio Program; March issue
The Prophet Puzzle, Bryan Waterman, editor; Signature Books; cover
illustration
Meredith Mendelsohn; "Armory Show 1999," Artnet, February 24
1998 Julie Canigila, "Sidewalk New York: Choice," Scape, November 20
Kim Levin, "Voice Choices, Scape," Village Voice, November 18
Roberta Smith, "Brooklyn Haven for Art Heats Up, The New York Times,
November 6
Bill Arning; "Summer White," Time Out New York, July 30 - August 6
Meredith Mendelsohn; "Summer White," Artnet, July 28
Ken Johnson; "Art Guide: Summer White," The New York Times, July 24
Edith Newhall; "Cue, Summer White," New York, July 20
Kim Levin; "Voice Choices: Scape," Village Voice, November 18
John Engstrom and Jay Grimm; critical review, Scale: relatively speaking
Jennifer Dalton; review, Scale: relatively speaking, February 15
Ted Anthony; "Painting Suburbia," Associated Press Wire, January 1
1997 Dialogue, 12 Famous Mormons, artist statement with works illustrated,
Winter Issue
Bill Arning, "17th Annual Artist in the Marketplace Exhibition, Time Out New
York, August 14-21
Holland Cotter, "A Flock of Fledglings, Testing Their Wings," The New York
Times, August 1
1994 "Sound in Print” Illustration, Raygun Magazine, June issue
Commissions
1999 - 2016 Various Private Portrait Clients
2006 New York City Percent for Art Program for the Emergency Assistance Unit
of the Department of Homeless Services in conjuction with Ennead Architects,
Bronx, New York
2005 Starbucks Coffee Company Black Apron Exclusives packaging
2003 Chicago Public Art Program Commission
1999 New York City Percent for Art Program for P.S.161 Richmond Hills,
Queens, New York
Awards & Residencies
2006 Communication Arts Design Annual, Starbuck Black Apron Commission
2003 New York Foundation for the Arts, Craft Fellowship
2000 Residency, Wier Farm Trust, Wilton, Connecticut
1999 New York Foundation for the Arts, Drawing Fellowship
1998 Rema Hort Mann Foundation Grant

7. P.S.1 National Studio Program
1994 Society of Publication Designers Award of Merit
1992 How Magazine self-promotional Bronze Medal
1986 Special Departmental Scholarship; University of Utah
Selected Collections
Art Bank Program, US State Department, Washington DC
The Baltimore Museum of Art, Baltimore MD
Calamos Securities, Chicago, IL
The Cartin Collection, Hartford CT
Corcoran Gallery of Art, Washington DC
The Goetz Collection, Munich, Germany
The Hort Collection, New York, NY
The Museum of Modern Art, New York, NY
The Neuberger Berman Collection, New York, NY
The Progressive Corporation, Mayfield, OH
The Rachofsky Collection, Dallas Texas
Teaching Experience, Higher Education
2009 - 2015 School of Visual Arts Continuing Education, New York, NY
2007 - 2009 School of Visual Arts BFA program, New York, NY
2002 Pratt Institute High School Summer Program, Brooklyn, NY
2001 Yale University Graduate Program, New Haven CT.
Teaching Experience, Elementary Education
2009 Greenehill School, workshop with 5 to 12 year old children, Brooklyn, NY
2002 Studio in A School, 6 year old childrens workshop
Related Employment
2012 - present Production Assistant, David Stark Design, Charles Hervish
Design, Chemistry Creative.