An introduction to British Cinema
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This document discusses what defines a "British film" and examines some examples. It provides several potential definitions from the UK Film Council, including films that are principally shot in the UK with a British crew/cast, financed from within the UK, set in the UK, or address British identity and society. To qualify as British, a film need only meet 16 out of 32 possible criteria, such as representing British culture, heritage, or creativity. The document then analyzes whether the films "The Bourne Ultimatum" and "Harry Potter and the Deathly Hallows" meet the definitions to be considered British films. It concludes by outlining the ongoing debate around whether British cinema should aim to represent British culture for a domestic audience
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A Short Introduction To British Cinema
This document provides an overview of British cinema through history by discussing notable film studios, genres, and films from different eras. It explores what defines "British cinema" and categorizes British films based on factors like cultural/financial origins, production personnel, and money spent in the UK. Overall, the document examines the evolution of British cinema and debates what truly makes a film "British".
History of British Cinema
Use this to help answer the exam strand: • How does contemporary representation compare to previous time periods?
History of british film industry
Louis Le Prince, a French inventor, patented the first motion picture camera in England in 1888. He made early films on paper and celluloid but mysteriously disappeared in 1890 while traveling. The British film industry grew in the early 1900s with over 30 studios in London, though the US dominated exports. The 1927 Cinematograph Films Act supported the industry through quotas. Production boomed in the 1930s but declined until renewed support after World War II when the Rank Organisation financed half of UK films and built cinemas. British production peaked in the early 2000s before tax changes caused a downturn.
The evolution of british cinematography
The document provides a historical overview of the British film industry from its origins in the late 19th century through recent decades. Some key points covered include:
- The British invented cinema in the late 1800s with early films being shot in Leeds and London.
- British studios and filmmakers experienced success in the early-mid 20th century but began losing out to Hollywood in the 1920s due to its much larger market.
- The British film industry revived in the 1930s with the emergence of documentaries and productions from London Films.
- World War 2 gave new life to the industry through wartime documentaries and dramas.
- In subsequent decades British films capitalized on new styles and genres, achieving international
British cinematography
The document provides a historical overview of cinematography and the British film industry from the late 19th century to present day. It discusses key early innovators, the growth of the industry in the silent film era and with the introduction of sound, major studios and films from different eras, and the British New Wave movement of the 1950s-60s. It also notes Hollywood's influence on British cinema and the commercial success of many British-themed films globally.
Timeline of the british film industry from 1925
The British film industry has gone through many changes from 1925 to present:
- The Film Society was established in 1925 as the first of its kind in London to promote British film.
- Major theatre chains like Odeon were formed in the 1930s increasing cinema attendance.
- Regulatory bodies and film ratings were established through the 1930s-1950s to classify films by age groups.
- Post-war cinema attendance peaked at over 1.5 billion admissions in 1945.
- James Bond films boosted the industry's international success starting in 1962.
- Digital formats like DVDs were introduced in the late 1990s and 2000s, changing film distribution.
British Cinema History
The document provides a detailed overview of the history of the British film industry from the 1930s to present day. It describes the various booms and recessions experienced over the decades, with American competition and the two World Wars significantly impacting production. While British films have found international success, the industry remains small compared to Hollywood and largely produces films for the British/international art house market rather than big-budget blockbusters.
British cinema
The document discusses British cinema and asks questions about how media represents groups of people and how identity is mediated. It provides categories for classifying British films from fully British to those with some British involvement. While British film has had commercial ups and downs due to Hollywood's power, the task is to research British films and the industry from the 1930s to 2000s by decade in pairs, looking at films, their production, success, and relevant laws. Suggested websites provide resources on British cinema.
Recommended
A Short Introduction To British Cinema
This document provides an overview of British cinema through history by discussing notable film studios, genres, and films from different eras. It explores what defines "British cinema" and categorizes British films based on factors like cultural/financial origins, production personnel, and money spent in the UK. Overall, the document examines the evolution of British cinema and debates what truly makes a film "British".
History of British Cinema
Use this to help answer the exam strand: • How does contemporary representation compare to previous time periods?
History of british film industry
Louis Le Prince, a French inventor, patented the first motion picture camera in England in 1888. He made early films on paper and celluloid but mysteriously disappeared in 1890 while traveling. The British film industry grew in the early 1900s with over 30 studios in London, though the US dominated exports. The 1927 Cinematograph Films Act supported the industry through quotas. Production boomed in the 1930s but declined until renewed support after World War II when the Rank Organisation financed half of UK films and built cinemas. British production peaked in the early 2000s before tax changes caused a downturn.
The evolution of british cinematography
The document provides a historical overview of the British film industry from its origins in the late 19th century through recent decades. Some key points covered include:
- The British invented cinema in the late 1800s with early films being shot in Leeds and London.
- British studios and filmmakers experienced success in the early-mid 20th century but began losing out to Hollywood in the 1920s due to its much larger market.
- The British film industry revived in the 1930s with the emergence of documentaries and productions from London Films.
- World War 2 gave new life to the industry through wartime documentaries and dramas.
- In subsequent decades British films capitalized on new styles and genres, achieving international
British cinematography
The document provides a historical overview of cinematography and the British film industry from the late 19th century to present day. It discusses key early innovators, the growth of the industry in the silent film era and with the introduction of sound, major studios and films from different eras, and the British New Wave movement of the 1950s-60s. It also notes Hollywood's influence on British cinema and the commercial success of many British-themed films globally.
Timeline of the british film industry from 1925
The British film industry has gone through many changes from 1925 to present:
- The Film Society was established in 1925 as the first of its kind in London to promote British film.
- Major theatre chains like Odeon were formed in the 1930s increasing cinema attendance.
- Regulatory bodies and film ratings were established through the 1930s-1950s to classify films by age groups.
- Post-war cinema attendance peaked at over 1.5 billion admissions in 1945.
- James Bond films boosted the industry's international success starting in 1962.
- Digital formats like DVDs were introduced in the late 1990s and 2000s, changing film distribution.
British Cinema History
The document provides a detailed overview of the history of the British film industry from the 1930s to present day. It describes the various booms and recessions experienced over the decades, with American competition and the two World Wars significantly impacting production. While British films have found international success, the industry remains small compared to Hollywood and largely produces films for the British/international art house market rather than big-budget blockbusters.
British cinema
The document discusses British cinema and asks questions about how media represents groups of people and how identity is mediated. It provides categories for classifying British films from fully British to those with some British involvement. While British film has had commercial ups and downs due to Hollywood's power, the task is to research British films and the industry from the 1930s to 2000s by decade in pairs, looking at films, their production, success, and relevant laws. Suggested websites provide resources on British cinema.
British cinema
The first British film produced was the 1888 short film "Roundhay Garden Scene". British cinema struggled in the 1920s due to competition from Hollywood films. The British film industry received a boost in 1927 with the Cinematograph Films Act, which required cinemas to show a minimum of 20% British films. Popular British actors include Sean Connery, Audrey Hepburn, and Alfred Hitchcock. British humor in films relies more on understatement and irony than slapstick comedy. Examples of popular British comedy and action genres are listed. The British film industry declined in the late 1960s through the 1990s due to economic troubles but has seen renewed success in the 21st century with films like the Harry Potter series.
1990s british film
The document discusses key moments, films, inventions, events, filmmakers, actors, and production companies from the indie film scene of the 1990s. Some notable films included American Beauty, Trainspotting, and Drugstore Cowboy. The World Wide Web was created and independent films and DVDs became popular. Filmmakers like Danny Boyle, Shane Meadows, and Hayao Miyazaki rose to prominence, as did actors such as Pierce Brosnan, Brad Pitt, Daniel Day-Lewis, and Rupert Everett. British production companies also experienced success during this boom time for British films in the 1990s.
Horror producers and distributors
The document discusses three British film production and distribution companies involved in horror films between the 1950s-1970s: Hammer Film Productions, known for gothic horrors from the 1950s-1970s; Amicus Productions, which produced films from 1962-1977 and distributed one called "Daleks' Invasion Earth 2150 A.D." in 1966; and Tigon British Film Productions, founded in 1966 and producing horrors from 1968-1972 while also distributing three films between 1971-1975.
The British and US Film Industry
The document discusses the history and development of the British and US film industries. It notes that the British film industry has experienced booms and recessions since the 1930s. Some of Britain's earliest successes included Alfred Hitchcock films in the 1930s. The industry then experienced a recession from the 1970s to 1990s. The 1990s saw a resurgence in successful British costume dramas and comedies such as Four Weddings and a Funeral and The Full Monty. Government support through organizations like the UK Film Council and National Lottery also contributed to the industry's renaissance. The document outlines ongoing debates around the type of films Britain should produce and discusses factors that define a "British film."
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The United Kingdom has had a major influence on modern cinema with the first moving pictures being developed in London in 1889. The British film industry experienced a 'golden age' in the 1940s and has produced many important and successful films, though it has also been characterized by debates around its identity and foreign influences. While British films often involve American producers and actors, British talent also features prominently in Hollywood productions. Key British genres include rock music, which originated in the late 1950s with influences from American rock and roll, and punk rock led by bands like the Sex Pistols in the 1970s. Many top-grossing films also have significant British elements.
Hollywood's Golden Age
The Golden Age of Hollywood refers to the 1930s and 1940s. During this time, the big movie studios had unprecedented control over production, distribution, and exhibition. They utilized the studio system and star system to produce countless films and make Hollywood a global powerhouse. Some key developments included the introduction of sound in films and the growing use of color, as well as the rise of iconic directors and all-time classic films.
British film industry history.
The document discusses the history of the British film industry from the 1930s through the 1980s. It notes that the industry saw its peak in the 1930s but the "Golden Age" is considered the early 1940s due to successful propaganda films. During World War 2, the government funded propaganda films to boost morale. However, after the war economic struggles hurt the industry. The 1960s brought a resurgence with popular films like the Bond franchises. The 1970s faced challenges from home video and funding cuts. The 1980s was a low point with most major studios withdrawing from British production.
Globalisation
This document discusses how Hollywood has influenced British cinema through the globalization and widespread distribution of American films. It describes how Hollywood films promote certain ideologies and storytelling tropes that have been adopted by British romantic comedies as well. As a result, more original British films like Tyrannosaur that do not fit the typical Hollywood mold may struggle. The document also notes that the idealized "American Dream" portrayed in many blockbuster films has influenced the depiction of happy endings even in British movies. Finally, it explains that large cinema chains have restricted the types of independent and less commercially viable films that can be shown in their theaters.
Early cinematography
Thomas Edison developed early motion picture technologies like the Kinetoscope in the late 1800s. The first commercial movie theater opened in 1894, showing short films. The 1903 western film "The Great Train Robbery" was a major commercial success. Indian cinema began in 1913 with Dadasaheb Phalke's film Raja Harishchandra and talked films emerged in the 1930s. Modern digital technologies now allow extensive modification of captured video and film.
Golden Age Of Hollywood
During the 1930s and 1940s, known as the Golden Age of Hollywood, the film industry provided important escapism for Americans during the Great Depression. Studios like MGM took audiences to magical worlds like The Wizard of Oz, while comedies like the Three Stooges lifted spirits. However, concerns over content led to the establishment of the Breen Office to censor films. The Golden Age began to decline in the late 1940s due to new technologies like television and political pressures in Hollywood.
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This is a short picturated presentation i created for my A2 media coursework. It simply expalins the attributes of British and American film, how they are funded and how they are different.
American film industry
The document summarizes the history and structure of the American film industry. It describes how the industry originated in the late 19th century and was dominated during the Studio Era of 1930-1949 by five major studios known as the Big Five. These studios practiced vertical integration, controlling production, distribution, and cinema ownership. Government intervention in 1949 forced studios to sell cinemas. The industry declined due to television's rise but recovered in the late 1980s when six major studios now dominate the market.
Hollywood Film Industry
Hollywood evolved from its origins in the late 19th century to become the dominant force in global cinema by the 1920s. In the 1930s-1940s, five major studios controlled Hollywood and produced highly successful films. The studios' monopolistic practices led to reforms in the late 1940s. Hollywood struggled in the 1950s with the rise of television but recovered in the 1980s, dominated by six major studios producing blockbuster films in genres like action and sci-fi. Jurassic World, released in 2015, was one of the highest grossing films and demonstrated Hollywood's global marketing power.
Hollywood Industry Research
Hollywood is a neighborhood in Los Angeles known as the center of the American film industry. It originated in the 1880s when landowners named their ranch Hollywood. The first motion picture studio was built there in 1911. Over time, major film studios like Disney, Warner Bros., and Paramount emerged and turned Hollywood into the global film production hub that it is today. Some defining aspects of Hollywood include influential directors like Christopher Nolan, Steven Spielberg, and Quentin Tarantino, as well as the annual Academy Awards ceremony honoring achievements in film.
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What is a british film funding
The document discusses the British Film Institute and how it funds script development, film production, and distribution for British films through various funds and tax breaks. It also examines different production companies in the UK and case studies of successful British films like Harry Potter, The King's Speech, and Four Lions that received partial funding and tax incentives from British organizations. The challenges of producing and distributing British films that need to appeal to both domestic and international audiences are also addressed.
British film history to date
This document discusses the history and definition of British films. It covers:
1) British films from the 1940s known as the "Golden Age" which were made to boost morale during World War 2 and represented British class and society. Major studios like Ealing and Gainsborough produced films in this era.
2) Contemporary British cinema from the 1970s-1980s which included critically acclaimed films by directors like Stephen Frears that explored issues like class, race, gender and sexuality in Thatcher's Britain.
3) Factors influencing the British film industry today including funding which was previously provided by the British Film Council before it was abolished in 2010. The document examines what constitutes a British film through
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What defines a British film?
The Department for Culture, Media and Sport (DCMS) is responsible for setting policy to support the British film industry through funding, tax incentives, and the Cultural Test, which determines if a film qualifies as British; the DCMS works with organizations like the British Film Institute (BFI) and provides lottery funding and financial support for production. The DCMS also negotiates co-production agreements and issues film certificates to allow companies to claim tax relief.
What makes a film british
To be considered a British film, a film must pass a cultural test administered by the UK film council. The test contains 31 points across 4 sections - cultural content, cultural contribution, cultural hubs, and cultural practitioners. A film needs at least 16 points to pass the test. Being designated a British film provides tax relief for film production companies of up to 25% for films spending less than £20 million or 20% for films spending more. In addition to passing the cultural test, British films must be intended for theatrical release and have minimum UK production spending of 25%.
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British cinema
The first British film produced was the 1888 short film "Roundhay Garden Scene". British cinema struggled in the 1920s due to competition from Hollywood films. The British film industry received a boost in 1927 with the Cinematograph Films Act, which required cinemas to show a minimum of 20% British films. Popular British actors include Sean Connery, Audrey Hepburn, and Alfred Hitchcock. British humor in films relies more on understatement and irony than slapstick comedy. Examples of popular British comedy and action genres are listed. The British film industry declined in the late 1960s through the 1990s due to economic troubles but has seen renewed success in the 21st century with films like the Harry Potter series.
1990s british film
The document discusses key moments, films, inventions, events, filmmakers, actors, and production companies from the indie film scene of the 1990s. Some notable films included American Beauty, Trainspotting, and Drugstore Cowboy. The World Wide Web was created and independent films and DVDs became popular. Filmmakers like Danny Boyle, Shane Meadows, and Hayao Miyazaki rose to prominence, as did actors such as Pierce Brosnan, Brad Pitt, Daniel Day-Lewis, and Rupert Everett. British production companies also experienced success during this boom time for British films in the 1990s.
Horror producers and distributors
The document discusses three British film production and distribution companies involved in horror films between the 1950s-1970s: Hammer Film Productions, known for gothic horrors from the 1950s-1970s; Amicus Productions, which produced films from 1962-1977 and distributed one called "Daleks' Invasion Earth 2150 A.D." in 1966; and Tigon British Film Productions, founded in 1966 and producing horrors from 1968-1972 while also distributing three films between 1971-1975.
The British and US Film Industry
The document discusses the history and development of the British and US film industries. It notes that the British film industry has experienced booms and recessions since the 1930s. Some of Britain's earliest successes included Alfred Hitchcock films in the 1930s. The industry then experienced a recession from the 1970s to 1990s. The 1990s saw a resurgence in successful British costume dramas and comedies such as Four Weddings and a Funeral and The Full Monty. Government support through organizations like the UK Film Council and National Lottery also contributed to the industry's renaissance. The document outlines ongoing debates around the type of films Britain should produce and discusses factors that define a "British film."
Famous songs, movies and plays
The United Kingdom has had a major influence on modern cinema with the first moving pictures being developed in London in 1889. The British film industry experienced a 'golden age' in the 1940s and has produced many important and successful films, though it has also been characterized by debates around its identity and foreign influences. While British films often involve American producers and actors, British talent also features prominently in Hollywood productions. Key British genres include rock music, which originated in the late 1950s with influences from American rock and roll, and punk rock led by bands like the Sex Pistols in the 1970s. Many top-grossing films also have significant British elements.
Hollywood's Golden Age
The Golden Age of Hollywood refers to the 1930s and 1940s. During this time, the big movie studios had unprecedented control over production, distribution, and exhibition. They utilized the studio system and star system to produce countless films and make Hollywood a global powerhouse. Some key developments included the introduction of sound in films and the growing use of color, as well as the rise of iconic directors and all-time classic films.
British film industry history.
The document discusses the history of the British film industry from the 1930s through the 1980s. It notes that the industry saw its peak in the 1930s but the "Golden Age" is considered the early 1940s due to successful propaganda films. During World War 2, the government funded propaganda films to boost morale. However, after the war economic struggles hurt the industry. The 1960s brought a resurgence with popular films like the Bond franchises. The 1970s faced challenges from home video and funding cuts. The 1980s was a low point with most major studios withdrawing from British production.
Globalisation
This document discusses how Hollywood has influenced British cinema through the globalization and widespread distribution of American films. It describes how Hollywood films promote certain ideologies and storytelling tropes that have been adopted by British romantic comedies as well. As a result, more original British films like Tyrannosaur that do not fit the typical Hollywood mold may struggle. The document also notes that the idealized "American Dream" portrayed in many blockbuster films has influenced the depiction of happy endings even in British movies. Finally, it explains that large cinema chains have restricted the types of independent and less commercially viable films that can be shown in their theaters.
Early cinematography
Thomas Edison developed early motion picture technologies like the Kinetoscope in the late 1800s. The first commercial movie theater opened in 1894, showing short films. The 1903 western film "The Great Train Robbery" was a major commercial success. Indian cinema began in 1913 with Dadasaheb Phalke's film Raja Harishchandra and talked films emerged in the 1930s. Modern digital technologies now allow extensive modification of captured video and film.
Golden Age Of Hollywood
During the 1930s and 1940s, known as the Golden Age of Hollywood, the film industry provided important escapism for Americans during the Great Depression. Studios like MGM took audiences to magical worlds like The Wizard of Oz, while comedies like the Three Stooges lifted spirits. However, concerns over content led to the establishment of the Breen Office to censor films. The Golden Age began to decline in the late 1940s due to new technologies like television and political pressures in Hollywood.
British vs American films
This is a short picturated presentation i created for my A2 media coursework. It simply expalins the attributes of British and American film, how they are funded and how they are different.
American film industry
The document summarizes the history and structure of the American film industry. It describes how the industry originated in the late 19th century and was dominated during the Studio Era of 1930-1949 by five major studios known as the Big Five. These studios practiced vertical integration, controlling production, distribution, and cinema ownership. Government intervention in 1949 forced studios to sell cinemas. The industry declined due to television's rise but recovered in the late 1980s when six major studios now dominate the market.
Hollywood Film Industry
Hollywood evolved from its origins in the late 19th century to become the dominant force in global cinema by the 1920s. In the 1930s-1940s, five major studios controlled Hollywood and produced highly successful films. The studios' monopolistic practices led to reforms in the late 1940s. Hollywood struggled in the 1950s with the rise of television but recovered in the 1980s, dominated by six major studios producing blockbuster films in genres like action and sci-fi. Jurassic World, released in 2015, was one of the highest grossing films and demonstrated Hollywood's global marketing power.
Hollywood Industry Research
Hollywood is a neighborhood in Los Angeles known as the center of the American film industry. It originated in the 1880s when landowners named their ranch Hollywood. The first motion picture studio was built there in 1911. Over time, major film studios like Disney, Warner Bros., and Paramount emerged and turned Hollywood into the global film production hub that it is today. Some defining aspects of Hollywood include influential directors like Christopher Nolan, Steven Spielberg, and Quentin Tarantino, as well as the annual Academy Awards ceremony honoring achievements in film.
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The document shows images of various classic wood-paneled station wagons, or "woodies", from the 1940s and 1950s, including models from Chevrolet, Ford, Chrysler, Packard, Plymouth, Buick, Austin, Oldsmobile, and Mercury. The woodie vehicles represent craftsmanship from an irreplaceable era in automotive history.
What is a british film funding
The document discusses the British Film Institute and how it funds script development, film production, and distribution for British films through various funds and tax breaks. It also examines different production companies in the UK and case studies of successful British films like Harry Potter, The King's Speech, and Four Lions that received partial funding and tax incentives from British organizations. The challenges of producing and distributing British films that need to appeal to both domestic and international audiences are also addressed.
British film history to date
This document discusses the history and definition of British films. It covers:
1) British films from the 1940s known as the "Golden Age" which were made to boost morale during World War 2 and represented British class and society. Major studios like Ealing and Gainsborough produced films in this era.
2) Contemporary British cinema from the 1970s-1980s which included critically acclaimed films by directors like Stephen Frears that explored issues like class, race, gender and sexuality in Thatcher's Britain.
3) Factors influencing the British film industry today including funding which was previously provided by the British Film Council before it was abolished in 2010. The document examines what constitutes a British film through
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This document provides biographical information on four famous inventors: Thomas Edison who invented the light bulb, Henry Ford who invented the Model T automobile, Alexander Graham Bell who invented the telephone, and the Wright Brothers who invented the airplane. It lists their names, birth years and places, death years, nationalities, and their most famous inventions that changed the modern world.
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What defines a British film?
The Department for Culture, Media and Sport (DCMS) is responsible for setting policy to support the British film industry through funding, tax incentives, and the Cultural Test, which determines if a film qualifies as British; the DCMS works with organizations like the British Film Institute (BFI) and provides lottery funding and financial support for production. The DCMS also negotiates co-production agreements and issues film certificates to allow companies to claim tax relief.
What makes a film british
To be considered a British film, a film must pass a cultural test administered by the UK film council. The test contains 31 points across 4 sections - cultural content, cultural contribution, cultural hubs, and cultural practitioners. A film needs at least 16 points to pass the test. Being designated a British film provides tax relief for film production companies of up to 25% for films spending less than £20 million or 20% for films spending more. In addition to passing the cultural test, British films must be intended for theatrical release and have minimum UK production spending of 25%.
Intro to The Big Short
Adam McKay directed The Big Short based on the 2010 book by Michael Lewis about the 2007-2008 financial crisis. The film uses unconventional techniques like cameo appearances to explain complex financial instruments involved in the crisis. It follows three separate but concurrent storylines about groups who predicted the collapse of the housing market. Christian Bale, Steve Carell, Ryan Gosling, Brad Pitt, and others star in the film.
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Codes and Conventions of British Social Realism
British Social Realism films employ several codes and conventions including location shooting instead of studios, wide shots, non-professional actors, semi-improvised scripts, balancing humor and seriousness, exploring wider social issues through individual stories, and portraying the erosion of regional identities. These techniques aim to portray realistic stories that examine social problems through the lens of personal struggles and triumphs over adversity.
Brit Cinema Lesson 1
This document provides information and guidance for developing a case study on a British film studio or production company. It discusses the key aspects of film production, distribution, and consumption that should be covered. It also prompts the reader to consider what defines British cinema and films. Examples are given of different decades of British cinema, including major films from each era, to help understand the ups and downs of the British film industry over time. Readers are assigned a decade to research and develop a short presentation about British cinema in that time period.
British Social Realism
British Social Realism films focus on realistic portrayals of working class life and social issues. Some common conventions of the genre include using unknown or non-professional actors, portraying social classes and locations accurately, and addressing themes like poverty, drugs, sex and crime. The target audience for social realism films varies depending on the specific film, but often appeals both to younger viewers due to portrayals of teenagers, as well as older audiences who remember the time periods depicted. Some classic examples that exemplify the genre include Kes, Billy Elliot, and This is England.
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An introduction to British Cinema
Brief outline of how the British Film industry works including funding. Used as part of a WJEC Film Studies course
What determines a british film
The document discusses what determines whether a film can be considered British. It explores several categories of British films based on factors like financing, cultural content, and personnel. It also examines case studies of films like Trainspotting and Gravity and whether they passed the UK film council's cultural test to be recognized as British films. There is no clear consensus on what constitutes a British film and Britishness in films can be interpreted in different ways based on gritty homegrown productions versus big budget films shot in the UK.
The British Film Industry, CGS
The document discusses several key aspects of the British film industry:
- It identifies the main organizations that support and promote British film, including the BFI and UK Film Council.
- It outlines the criteria for a film to be considered British, such as having a British director or being based on a British story.
- It examines box office data from a sample weekend which shows that while US films dominated the top spots, several British films also performed well, indicating the British industry can attract audiences.
The British Film Industry 2, CGS
The document discusses several key aspects of the British film industry:
- It identifies the main organizations that support and promote British film, including the BFI and UK Film Council.
- It notes that a film needs to meet three of six criteria to qualify as a British film, such as having a British director or production company.
- It examines box office figures from a sample weekend, finding that while some British films made the top 10, Hollywood blockbusters dominated earnings.
British cinema since 1990 (2)
The document discusses several key aspects of British cinema:
1) There are debates around whether British films should represent British culture to domestic audiences through public funding, or compete internationally by attracting wide audiences.
2) The UK Film Council was set up in 2000 to centralize public support for film through various funding programs.
3) There are discussions around whether British cinema should receive any public money given some films' financial performances. British films must balance representing national culture with finding international distribution.
The uk film industry as film studies
Here is a draft response to the question using the provided material and case studies:
There are several key factors that influence the kinds of films that get made today. One major influence is the target audience and who is most likely to see films in cinemas. As shown in the table of cinema-going by age, the largest audience is those aged 15-24, which is the target demographic for many blockbuster films.
Properties that already have brand recognition and a built-in fanbase are attractive to studios as they are seen as less risky investments. For example, the Hannah Montana website example demonstrates the huge popularity of that franchise among young girls. Similarly, the X-Men comic and films show how comic book properties with loyal
British film
This document provides an overview of contemporary British film production, distribution, and consumption. It discusses what constitutes a British film and provides categories based on creative and financial contributions. It also examines two recent successful British films as case studies - The Last King of Scotland and This is England. The document outlines the current boom in British film due to television company co-funding and investment. It analyzes genres like social realism and the works of prominent British directors like Ken Loach and Mike Leigh.
The British Film Industry
The document discusses the British film industry, including its objectives to identify key issues and evaluate popularity with audiences. It then provides information on organizations within the British film industry and their roles. These include the BFI which supports and promotes film, the BBFC which classifies and censors films, the British Council which promotes British films internationally, and the UK Film Council which previously promoted the economic, cultural and educational aspects of film. It also lists some major British production companies and their recent films. Finally, it discusses reasons for having a British film industry, how British films attract audiences, and compares British films to Hollywood blockbusters.
Warp Films and working title films
This document provides information about the production and reception of the 1994 British romantic comedy film Four Weddings and a Funeral. It details that the film follows a group of friends through various weddings and a funeral, and was directed by Mike Newell with a screenplay by Richard Curtis. Though it was made on a modest budget of under £3 million, it became a major commercial success, grossing over $245.7 million worldwide. The film received positive reviews from critics and an Academy Award nomination for Best Picture.
Defining british film
The document discusses what defines a British film and provides examples. It examines the criteria such as production companies, directors, actors and cultural content. Two films are analyzed:
1) The Theory of Everything (2014) directed by British director James Marsh, produced by British company Working Titles, starring British actors and set in the UK. It qualifies as British and earned $31.9 million in the UK.
2) Gravity (2013) challenges the definition as it stars American actors but was filmed/produced in the UK. Though directed by a Mexican and starring Americans, its UK production values make it British. It earned £47 million in the UK.
презентация Microsoft office power point
The British film industry has made large contributions to modern cinema and has produced some of the greatest actors, directors, and films of all time. While it enjoyed success in the 1940s, the industry has faced ongoing debates about its identity and influences from American and European cinema. In recent decades, many British films have found international audiences but were financed and distributed by American companies, providing little financial benefit to the British industry itself. The British Academy of Film and Television Arts (BAFTA) was founded in 1947 to support and promote the film industry and continues to do so through educational events and annual award ceremonies.
Horror
The document discusses several aspects of British film including:
1) Defining what constitutes a "British film" is challenging due to the diversity of British culture but it generally includes films shot in the UK with a British crew/cast, financed in the UK, or addressing British identity.
2) The British Film Institute funds various aspects of the film industry like script development, production, distribution and exports, as well as education and cultural programs, with £15 million annually though most applicants are rejected.
3) A film can be considered British if it meets 3 criteria such as having a British producer, production team, director, or predominantly British cast and subject matter relevant to British experience.
Working titles andWARP
Working Titles is a British film company founded in 1983 that has produced over 100 films grossing nearly $6 billion worldwide. It is known for award-winning films like Les Miserables and collaborating with notable directors and actors. The company's films have evolved to target changing audiences, with earlier films aimed primarily at UK viewers due to their focus on British culture, while more recent productions have found greater international success through broader appeal.
The british film industry 2 SECTION A
The document discusses the British film industry, including the organizations that oversee its production and promotion, major production companies, and how British films compete globally. It provides statistics on box office performance of various films in the UK and discusses how genres and movie stars are used to appeal to audiences and ensure box office success. It highlights the critical and commercial success of Slumdog Millionaire as an example of an internationally successful British film.
Dredd and some stuff stolen from another teacher
The document discusses the British film industry. It identifies key organizations that support the industry, such as the British Film Institute which promotes British film culture and heritage. It also discusses major British production companies and how a film qualifies as a British film. The document examines audience types for films and how British films attract both domestic and global audiences. It provides box office figures for the industry and analyzes the 2012 film Dredd.
Media ownership essay
The document discusses media ownership in the film industry. It compares two film trailers, John Carter and Submarine, in terms of their production, budgets, and box office returns. It then discusses how media ownership affects the film industry through production, distribution, marketing and consumption. The American film industry is dominated by six major studios that are subsidiaries of large media conglomerates, allowing them to take bigger risks. British films often rely on co-productions with multiple companies and television studios. The document provides examples of how films appeal to different audiences and discusses issues around media ownership.
British films
The document discusses what defines a British film both culturally and statutorily. Culturally, British films often have British settings, casts, and storylines. Statutorily, films must meet certain financial and production tests to be certified as British. The document then discusses the 2010 film The King's Speech as an example, outlining its production details, financing, and critical and commercial success.
British films
The document discusses what defines a British film both culturally and statutorily. Culturally, British films often have British settings, casts, and storylines. Statutorily, films must meet certain financial and production tests to be certified as British. The document then discusses the 2010 film The King's Speech as an example, outlining its production details, financing, and critical and commercial success.
British film lesson SECTION A
The document discusses the British film industry and what makes a film British. It explains that the British Film Council and British Council work to promote and support the British film industry. The British Council defines six criteria for a film to be considered British, including having a British producer, director, cast, or subject matter related to the British experience. The document asks students to analyze film trailers and determine if they meet the criteria to be classified as British films.
Film 4 part 1
The document discusses several aspects of the British film industry, including its reliance on co-productions with Hollywood studios for funding and distribution. It notes that while British films can find an audience abroad, films focusing too narrowly on domestic themes may struggle. Successful British films like Trainspotting, Four Weddings and a Funeral, and Slumdog Millionaire have utilized marketing strategies and universal storylines to appeal to both UK and international audiences. FilmFour is highlighted as an important producer of lower-budget British films that explore social and cultural issues.
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The Sherlock series draws attention to its constructed nature as a postmodern text through various techniques:
1) It is self-aware of being a narrative and acknowledges the intertextual references and knowledge of both the historical Sherlock Holmes stories as well as the TV series itself that the audience possesses.
2) Characters like Mrs. Hudson point out their own functions within the narrative and the constructed nature of their roles.
3) Scenes and dialogue directly reference and parody elements from the original Sherlock Holmes stories and previous episodes, blurring the lines between reality and fiction.
Post Modern Essays Top Level Responses
Postmodern media differs from other media in several key ways:
1) It opposes modernist ideas like objective truth and focuses instead on subjectivity and relativism.
2) It frequently references and comments on other media texts through techniques like parody and pastiche.
3) It lacks linear narratives and instead embraces fragmentation and irony.
The big short as a pomo text
The Big Short is a 2015 film about the 2007-2008 financial crisis directed by Adam McKay. It uses unconventional techniques like celebrity cameos and breaking the fourth wall to explain complex financial instruments. The film follows three separate but interconnected stories of men who predicted the housing market collapse. It combines elements of drama, comedy, documentary, and music videos. The film challenges conventions by blurring the lines between hero and villain. It also represents bankers and banks critically but conventionally through their appearance and actions. It explores an unconventional postmodern representation of the audience by highlighting their initial lack of understanding of the financial concepts covered in the film.
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This document provides exam resources and guidance for a media production question. It instructs students to write about one of their coursework productions in question 1(b), applying the concept of genre. It provides two examples of student answers that received 18/25 and 16/25 marks respectively to serve as models.
Representation examples
This document provides exam resources and examples for writing about one of your media coursework productions in response to Question 1(b). It lists representation as the topic for January 2010 and 2012, instructing students to analyze media representation in one of their coursework productions. For June 2013, it asks students to apply the concept of representation to one of their coursework productions.
Audience essay examples
This document provides an example response to a past exam question asking students to analyze one of their coursework productions in relation to the concept of audience. The response discusses the student's horror film coursework called "The Sleepover" and analyzes how they took audience into account when creating the film. The response demonstrates understanding of several audience theories (hypodermic needle, uses and gratifications, reception theory) and relates them to choices made in the filmmaking process, such as targeting a specific age range and incorporating feedback. Overall, the summary highlights the student's ability to apply media theories to their own creative work through relevant examples and explanations.
Question 1 b revision
This document provides guidance on concepts that could be discussed for a media production assignment, including audience, narrative, representation, genre, and media language. It gives examples of questions students may be asked to answer about how their media product engages with these concepts. For the concept of audience, it provides questions about defining the target audience, appealing to them, and gathering audience feedback.
Essay plan for 1 b
This document outlines an essay plan discussing an important concept, its impact, and relevant theorists. It includes discussing three examples of how the concept was used and its effects, as well as one example of how the concept was challenged.
Research and planning exemplars
This document contains examiner comments on student responses to a question about how their media production work was informed by research into real media texts and how their ability to use such research developed over time.
The examiner notes that higher scoring responses were able to provide specific examples of how research influenced creative decisions, critically reflect on the research process, and discuss progression from earlier work. Weaker responses lacked applied examples or evaluation. The examiner advises focusing responses and being clear about research outcomes rather than just listing sources. Higher scores required synthesis of examples, critical reflection, and awareness of development. Research can inform work in various ways beyond just genres, such as technical or institutional aspects.
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The document provides information about the 2010 film Inception, directed by Christopher Nolan. It discusses the film's plot about sharing ideas through invading and stealing another's dreams. The document also reviews the film's box office revenue, awards, and themes it explores like confusing dreams and reality and having no single narrative.
Supernatural handout one
The episode confuses boundaries between reality and fiction by having the main characters transported from their fictional supernatural TV show into the "real world" of the TV show's production. This postmodern narrative technique blurs the lines between the constructed nature of the media text and reality. The characters struggle to understand what is real as they interact with actors playing themselves and the director. The episode also comments on celebrity culture and fans' obsession with social media through its portrayal of the characters uncomfortable with their celebrity lifestyle.
Essay plan fotc
Flight of the Conchords can be defined as a postmodern text based on several criteria. The TV show incorporates elements of postmodern theory as described by Strinati, such as blurring genre boundaries and playing with audience expectations. However, it also employs traditional media concepts at times. Overall, while Flight of the Conchords displays some postmodern features, it cannot be purely defined as postmodern and still incorporates traditional elements of narrative and representation. The show challenges rigid definitions of postmodernism.
Post modern concepts
This document discusses key concepts in traditional media and how postmodern texts challenge those concepts in three main ways. It outlines how postmodern media draws attention to its construction, challenges genre conventions through hybridity and subversion, and subverts audience expectations of representation, ideology and narrative through new stereotypes, ideas, and non-linear or open-ended structures. The postmodern audience is also described as diverse, fragmented, and active rather than passive.
Section A audience
The document discusses several theories of media audiences, including reception theory which states that audiences interpret media texts in different ways based on their own experiences and perspectives, rather than just accepting the producer's intended meaning. It also examines the hypodermic needle theory, which suggests audiences passively accept messages from media, and uses and gratifications theory, which proposes that audiences actively engage with media to fulfill various needs and desires.
Audience theory
This document summarizes several theories about media audiences:
- Cultivation theory suggests that repeated exposure to similar media representations can shape people's views of the world.
- Reception theory examines how audiences can interpret media messages in preferred, negotiated, or oppositional ways.
- Participatory culture theory describes how audiences actively engage with media texts by creating and sharing their own works.
- More recent theories argue that digital technologies have transformed passive audiences into active producers who can respond to and create their own media content.
Media language
This document discusses film techniques including camerawork, editing, mise en scene, and sound. It provides a specific example of each technique and explains how they relate to meaning and audience response. In a concise manner, the document outlines key cinematic elements.
Media language section a
The document discusses various concepts relating to how meaning is created through media language. It defines key terms like denotation and connotation, and how they relate to encoding and decoding meaning. Elements of media language that create meaning are explained, such as mise-en-scene, camerawork, editing, and sound. The importance of understanding how these micro-level techniques construct intended meanings and can allow for alternative readings is highlighted. Analyzing one's own media products in terms of the specific examples of how these elements create key meanings and audiences' potential alternative interpretations is presented as a task for revising one's work.
Using conventions
This document provides guidance on answering exam questions about using conventions from real media texts in your own work. It emphasizes showing how your understanding of conventions has developed over time through various projects. It recommends discussing both technical conventions as well as symbolic conventions related to narrative, representation, themes and messages. Students are advised to structure their answer with an introduction about the projects, paragraphs discussing skills and examples from early and later projects, and a conclusion. The document also contains advice on analyzing other students' work and planning essay answers.
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An introduction to British Cinema
- 1. 1 What is a British Film?What is a British Film?
- 2. What British films did you come up with yesterday?. Are there any that you are not sure are British?
- 3. This raises the question… What is a ‘British’ film? Or What makes a film ‘British’?
- 4. Diversity makes a defining a ‘British’ film very challenging. Some UK Film Council definitions: ◦ Films principally shot in the UK, using a British crew/cast ◦ Film’s financed from within the UK ◦ Film’s that are set in the UK ◦ Film’s that address British Identity and Society What is a British film?What is a British film?
- 5. Range of definitions – 32 in total, but to qualify as a British film only 16 must be met. One is that the film represents/reflects a diverse British culture, British heritage or British creativity (so we don’t just make lots of imitations of American films) UK Film Council Cultural TestUK Film Council Cultural Test
- 6. Yes:- Director – Paul Greengrass is British Large section is filmed in London, some studio work at Pinewood Largely British crew No:- Doesn’t reflect British themes or concerns Lots of other locations Produced by Universal – Frank Marshall and Doug Liman are American Universal are American owned company IsIs ‘The Bourne Ultimatum’ a‘The Bourne Ultimatum’ a BritishBritish film?film?
- 7. Yes:- Director – David Yatesis British Large sections is filmed in England and Scotland, Largely British crew including producers Largely British Actors Based on the work of an British Author (Rowlings) No:- Produced/Distributed by Warner Bros – they are American owned company Some key personnel were not British eg Portuguese Cinematographer IsIs ‘Harry Potter and the Deathly‘Harry Potter and the Deathly Hallows’ a British film?Hallows’ a British film?
- 8. Collaborative SummarisingCollaborative Summarising Recently, our government has been slated for trying to encourage more mainstream productions emerging from the UK. Read one article, highlighting anything you think is relevant to the success, decline, or opinions surrounding the British Film Industry – you will be sharing your summary with the class
- 9. Source Summary BBC News ‘UK films urged to be more ‘mainstream’ in new report’ 11.01.12 The Guardian ‘How to save the British film industry, David Cameron style’ 15.01.12 The Radio Times ‘Ray Winstone urges British film industry to “sort out the dogs and scumbags”’ 04.09.12 DCMS - ‘A Future for British film: It begins with the audience’ Jan2012 Movie Reviews ‘Should British filmmakers be more independent?’ 31.01.12 The Guardian ‘UK independent films enjoy best year for more than a decade’ 26.07.12 BBC News ‘Producers give backbone to industry’
- 10. To compete or not toTo compete or not to compete…compete… Debates surrounding British Cinema have been around since the increase in Hollywood in the 1920s. British cinema should be a national cinema – representing British culture to a British audience. To do this, British films need to be publicly funded. British cinema should be a profitable business, competing in the international marketplace, particularly with Hollywood, attracting a wide audience.