Slides elucidate camera menus, basic button and settings, handling of external accessories of digital camera and smart phone camera and camera exposure

1. “True sign of intelligence is
imagination!!” – Albert Einstein
•Understanding camera menu
and basic buttons and settings
•Handling of external
accessories of digital camera
and smart phone camera
•Controlling light with shutter
speed, aperture and ISO

2. The word "photography" is a combination of the Greek root
words "photo-," meaning "light," and "-graphia," meaning
"writing" or "drawing." Thus, "photography" literally means
"writing or drawing with light."

3. A camera is a hardware device that takes photographs
and consists of a lightproof box with photosensitive
film or plate within the box.

4. TYPES OF CAMERA
COMPACT CAMERA
•Fully automatic mode
•No manual adjustment
•Good for beginners
• Great for: First time user &
children
Not so great for: Anyone
wanting to take control over
camera functionality
Super Zoom Cameras
•Semi automatic
•full control over the camera
exposure settings
•smaller image sensor and a smaller
fixed lens
•Great for outdoor activities, travel
•Not so great for: Slipping in pocket

5. Compact System Cameras
• full manual, automatic, or semi-automatic
modes
• Mirror less Interchangeable Lens cameras
• Larger image sensor ,electronic viewfinder
• Great for: Alternative to enthusiast
compacts, street and travel photography
Not so great for: Any subject requiring the
faster focusing a DSLR provides, viewfinder
fans
Digital Slr Cameras
• most versatile and advanced
• full manual mode, Aperture Priority,
Shutter Priority, or program modes
• Interchangeable camera and more
control
Great for: Image requiring the best
quality, action photography, those looking
to experiment with video recording

6. Optical
viewfinder

7. Image Quality

8. Camera Menu
and Basic Button
and Settings
Basic Parts of Camera

9. camera menu and basic button and settings: Parts of camera FRONT
Shutter Release Button
Mode Dial
Aperture Ring
Focusing Ring
Body
Lens
Flash
Flash Mount

10. LENS
Lens mount
and contacts
Lens
alignment dot
Focal length /
focus settings
Focus ring
Filter thread
Lens name
and details
Zoom ring

11. The focal length of the lens is the distance between the lens and the image sensor
when the subject is in focus, usually stated in millimeters (e.g., 28 mm, 50 mm, or 100
mm).
Focal Length

12. All lenses have a maximum aperture, and all NIKKOR lenses list the
widest possible aperture on the lens barrel. Some zoom lenses will detail
something like f/3.5-5.6 on the lens barrel or 1:3.5-5.6 (below right).
These numbers, the 3.5 and the 5.6, are referring to the maximum
aperture or widest opening the lens can achieve for each end of the zoom
range. Some higher end lenses can maintain the largest aperture
throughout the entire zoom range, so only one number is detailed (below
left).

13. Angle of View
The focal length tells us the angle of view—how much of the
scene will be captured—and the magnification—how large
individual elements will be. The longer the focal length (e.g. 55
mm), the narrower the angle of view and the and the larger the
subject appears to be. The shorter the focal length (e.g. 18
mm), the wider the angle of view and the lower the
magnification hence the greater the area captured.

15. Lens Field of
view
Focal
length
Area
captured
Depth of field Apparent
size
use
Wide angle Wide Short
(28 mm or
lower)
Large deep
(Greater DOF)
Small Landscape
photography
Standard Closet Small (35
to 85 mm)
Small Shallow Large Portraits
Telephoto Small
/narrow
Long
(100mm
to
300mm)
Small Shallow
(Less DOF)
Large Portraits &
sports
Primary lens Categories

16. More of the scene is allowed in wide angle lenses
(zoom out) as it has small focal length. Therefore it is
used for shooting landscapes for a reason, they naturally
give you the widest view and allow you to get the full
landscape into the frame, from the foreground to the
horizon.

17. Standard lenses are popular as they are closest to the angle of view we humans
see. These lenses have minimal distortion, which can be flattering to the subject. They
tend to use large apertures and allow a lot of light to enter the lens which makes them
fast in low light conditions. Standard lenses are the popular choice for a wide range of
photography including portraiture, nature and low light situations where the
photographer can not use a flash or is looking to capture the scene with available light.

18. Telephoto lens (zoom in) – long
focal length-narrow field of view-making
the things in front of you appear large in
the photograph. A telephoto lens reduces
differences in both the size of and the
distance between near and far objects. It
causes a close object to appear more
similar in size relative to a further away
object

20. Which one is better portrait

21. The two images above are perfect examples of this effect. In the first image, the wide
angle lens brings the whole landscape into focus, from the close-up sunflowers to the
far-off mountains. In the second image, shooting with a telephoto blurs out the
flowers and mountains in the background, turning them into a nice soft background
for main sunflower.
WIDE ANGLE TELEPHOTO ANGLE

22. A "zoom lens" is a lens whose focal
length can change (range of focal
length (ex. 28 to 55 mm). You twist
the barrel, or push a switch on the
camera, and it takes in a narrower
or wider field of view, making
objects appear bigger or smaller.

23. Battery
Compartment
Memory Card Slot
Tripod Mount
Diopter Adjuster
BOTTOM

24. Pop-up flash release
Microphone socket
USB

25. BASIC
CAMERA
CONTROL
AND
SETTINGS

26. Back

27. FRONT

28. TOP

29. BOTTOM
1. Battery - Most dedicated cameras have removable batteries, meaning you
can swap them over when one runs out.
2. Bottom Terminal - This can come in handy if you want to use your camera
with a vertical grip.
3. Tripod socket - Almost all cameras feature a standard thread, allowing
you to use them with any tripod.

30. Memory card
HDMI

31. CAMERA EXPOSURE MODES

32. Exposure mode How it works
Auto ( ) Camera automatically selects all exposure settings.
Program (P)
Camera automatically selects aperture & shutter
speed; you can choose a corresponding ISO speed,
white balance, flash & exposure compensation. With
some cameras, P can also act as a hybrid of the Av
&Tv modes.
Aperture Priority
(Av or A)
You specify the aperture & ISO; the camera's
metering determines the corresponding shutter
speed.
Shutter Priority
(Tv or S)
You specify the shutter speed & ISO; the camera's
metering determines the corresponding aperture.
Manual (M)
You specify the aperture, ISO and shutter speed —
regardless of whether these values lead to a correct
exposure.

34. Handling of external accessories' of digital camera:
1. Rechargeable Batteries:
2. Battery charger
3. Power connector, AC adapter
4. USB cable
5. Lens Protector – UV/NC Filter:
6. Body cap
7. Tripods
8. Camera Carrying Case
9. SDHC ( Secure Digital High Capacity) Cards
10. Lens hood

35. SMART PHONE CAMERA ACCESSORIES
The pocket
spotlight is
designed to
fix that,
providing
continuous
lighting when
flush of your
smartphone is
even worse.
pocket spotlight

36. Bevel is a
simple
attachment
to take 3D
pictures with
your
Smartphone or
tablet. Just
plug this
device into the
headphone
jack of your
mobile device,
and pan the
surroundings
for a 3D
photo.
Bevel

37. Moment Lenses are
some of the best
lenses for mobile
photography. There
are two lenses:
With Moment
Wide, you can take
wide landscape and
tight interior shots
with minimal
distortion, while
Moment Tele lens
lets you zoom-in
twice as much as
your phone can.
Moment Lenses

38. Selfie stick

39. If you love taking selfies
but don’t like using the
selfie stick, then maybe
Shuttr is the alternative
you have been waiting
for. Using a remote
control device, you can
trigger your
smartphone’s camera
app with at just the press
of a button. It works with
the iPhone, iPad and
Android devices. No
extra app necessary.
Shuttr

40. Grip Tight Mount is a
camera mount which
comes in three
different sizes to
accommodate
smartphones of all
sizes and even small
tablets. The hands of
the mount expand
easily to hold your
phone or tablet
safely and securely.
Grip Tight Mount

41. Camera Care:
 Carry a camera in its easel carry bag.
 Regularly clean dust off the camera with a soft brush. Do not use
any liquid soap, etc. to clean it.
 Do not clean the camera LCD screen with any liquid. Blow a bit of
moisture and clean it with a soft cloth.
 Remove exhausted batteries from camera after use-even before
packing the camera.
 Always remember to turn off your camera after photography.
 Operate all buttons on the camera gently.
 Keep the camera away from extreme heat and cold.
 Avoid condensation-formation of liquid drops from water vapour in
cameras. Condensation can cause irreparable damage to the camera.
 Use an umbrella when shooting in hot weather conditions. Same is
the case with rain!

42. Lens Care:
 Put on the lens cap when the camera is not in use. Prevent dust from settling on the
lens.
 Do not touch the lens. Grease marks from fingers take a lot of effort to remove from
the lens.
 Use a UV filter to protect the lens.
 If you have lens filters, keep them in their cases when not in use.
 Do not keep lens attachments near sources of heat.
Battery Care:
 Lion and the most popular and sturdy batteries often used with camcorders.
 Very hot or cold conditions can affect a battery's performance.
 Constantly note charged batteries and separate them from discharged ones.
 Always use the right battery charger, but do not overcharge. A common way of
charging batteries is after the day's shoot, when preparing for the next day.
 The internal temperature of the battery may rise while the battery is in use. Wait for
the battery to cool before charging.
 If you are travelling to places where there is no power supply, carry enough extra
fully-charged batteries.
 Remove batteries from camera after a shoot.
 Turn the product off before the replacing the battery.

43. CAMERA EXPOSURE
Slower= more motion blur
Faster= for fast moving object
Higher ISO= noise
Wide open= less F value
Small open= High F value

44. UNDERSTANDING
EXPOSURE

45. OVER EXPOSEDCORRECTLY EXPOSEDUNDER EXPOSED

46. ShutterSpeed:
(The length of time a camera shutter open and close)
The shutter speed specifically refers to how long
this light is permitted to enter the camera

47. Slow shutter speed=
higher exposure
Fast shutter speed = Lower
exposure

48. Shutter Speed Typical Examples
1 - 30+ seconds Specialty night and low-light photos on a tripod
2 - 1/2 second
To add a silky look to flowing water
Landscape photos on a tripod for enhanced depth of
field
1/2 to 1/30 second
To add motion blur to the background of a moving
subject
Carefully taken hand-held photos with stabilization
1/50 - 1/100 second Typical hand-held photos without substantial zoom
1/250 - 1/500 second
To freeze everyday sports/action subject movement
Hand-held photos with substantial zoom (telephoto
lens)
1/1000 - 1/4000 second To freeze extremely fast, up-close subject motion
Shutter speed – usually measured in fractions of a second (e.g. 1/30, 1/1,000). A
shutter speed of 1/4,000 second is very fast and will let in very little light, while a
shutter speed of 1/2 second will let in a lot of light.

49. Freeze moving object Allowing object to blur

50. Aperture (hole within a lens)
Aperture determines the amount of light that’s coming through the lens.
Aperture works like an iris, constricting or expanding to control how much
light makes it to the sensor. By changing the aperture value on your camera,
you increase or decrease the size of that hole, thereby allowing more or less
light into the camera

51. It is calibrated in with an f-number or f-stop.“f” numbers (also known
as “focal ratio”, since the f-number is the ratio of the diameter of the
lens aperture to the length of the lens). It is generally written as
numbers such as f/1.4, f/2.
Wide aperture= decreasing f-
stop value
Small aperture= increasing
f-stop value

52. ‘Depth of field‘ (DOF)
Depth of field is: the zone of acceptable sharpness in front of and behind the subject on
which the lens is focused." Simply put: how sharp or blurry is the area behind your
subject.
This zone will vary from photo to photo. Some images may have very small zones
of focus which is called shallow depth of field. Others may have a very large zone
of focus which is called deep depth of field

54. Wide Aperture
f/2.0 - low f-stop
number
shallow depth of
field
Narrow Aperture
f/16 - high f-stop number
large depth of field
 The lower the f/stop—the larger the opening in the lens (wide aperture) — more
light& exposure -------the less depth of field— for sharp images with appealingly
blurred backgrounds.
 The higher the f/stop—the smaller the opening in the lens (narrow aperture)—
little light & exposure ---------the greater the depth of field— for landscape photos
& sharper the background.
How aperture affects depth of field:
Wide aperture Narrow aperture

55. This means wider apertures can be used to make a subject pop from a blurred
background. Equally, narrower apertures (bigger f-numbers) can be used to keep
subjects in focus, even if they are at different distances from your lens.

56. How Aperture Affects Shutter Speed

57. ISO (the level of sensitivity)
ISO controls how the sensor responds to the light it receives from the shutter and aperture. It
is typically measured in numbers, a lower number representing lower sensitivity to available
light, while higher numbers mean more sensitivity. Examples of ISO: 100, 200, 400, 800, 1600.
A high ISO = more sensitive to lightA low ISO = less sensitive to light.

58. What do different ISO numbers mean?

60. When to use low ISO
low ISO settings (typically ISO 100 or 400) -static subject
on a tripod - plenty of light -for the best image quality

61. When to use high ISO
higher ISO -Moving subject- small version of image- night
time

62. Key points to take away
 When it comes to the aperture setting, think of the opposite: a small f-stop number
equals a large aperture setting, while the large f-stop number equals a small aperture
setting.
 To blur the background of a portrait, choose a large aperture (small f-stop). To keep
the entire image in-focus, choose a small aperture setting (large f-stop).
 To “freeze” a moving object, use a fast shutter speed. For a blurring effect, use a
slower shutter speed.
 A tripod is handy when shooting images at very low shutter speeds.
 To reduce noise, try to always keep ISO as low as possible — but know you
may have to raise it in low light settings.
 Changing one setting affects the others. If you are using a slow shutter speed, you’ll
likely need to use a smaller aperture to compensate.
 If you don’t mind handing over some control to the camera, choose Aperture Priority
mode to only control depth of field or Shutter Priority mode for motion capture.
 There’s no wrong way to take a photo. Experiment with the settings until you get the
shot you’re happy with.
 Use tripod with very slow shutter speed to prevent camera shake.

64. Aperture, shutter speed & ISO
work together
Tele
photo
lens
Wide
lens

65. In nutshell
aperture,
shutter speed &
ISO work
together to
properly expose
of an image
A
S
ISO