The document discusses participatory practices in archives. It conducted a benchmark study of over 200 organizations in 30 countries and examined how audiences are now engaging more interactively. Participation can involve engagement through voting, sharing and tagging content, or enhancing content by contributing knowledge or new archival materials. Benefits for organizations include enhancing the value and appreciation of their archives while promoting ownership. Key is defining the project goals and ensuring legal and technical limitations are considered.
The #svegliamuseo project and the concept of a network of digital communicati...#svegliamuseo
On the occasion of the International Conference of Information Technologies for Epigraphy and Digital Cultural Heritage in the Ancient World (EAGLE 2014 , September, 29 – October 1st ), #svegliamuseo took part to the session ‘Who cares? Users, epigraphy and the social web’ and presented the work done for the creation of a strong community rotating around the topic of digital communication and involving as many museum professionals as possible.
Museums are content generators by nature. Today their role as connectors between the collection knowledge and the visitors / users is gaining more and more strength. Museums are still exploring ways of connecting stories to people. Wit examples of best practices of museums worldwide on social media, website renovations, online collections, mobile. Digital and Content strategy.
The Recurated Museum: I. Museums as Producers of MeaningChristopher Morse
Slides from the first session of the course "The Recurated Museum" by Sytze Van Herck & Christopher Morse at the University of Luxembourg (Summer Semester, 2020).
Branding agency Vandejong created a new form of cultural entrepreneurship: thinking in networks and connections. All communications media are viewed as extra exhibition space. The city is used as a gallery. We increased potential visitor numbers by producing a magazine instead of catalogues from the start.
The #svegliamuseo project and the concept of a network of digital communicati...#svegliamuseo
On the occasion of the International Conference of Information Technologies for Epigraphy and Digital Cultural Heritage in the Ancient World (EAGLE 2014 , September, 29 – October 1st ), #svegliamuseo took part to the session ‘Who cares? Users, epigraphy and the social web’ and presented the work done for the creation of a strong community rotating around the topic of digital communication and involving as many museum professionals as possible.
Museums are content generators by nature. Today their role as connectors between the collection knowledge and the visitors / users is gaining more and more strength. Museums are still exploring ways of connecting stories to people. Wit examples of best practices of museums worldwide on social media, website renovations, online collections, mobile. Digital and Content strategy.
The Recurated Museum: I. Museums as Producers of MeaningChristopher Morse
Slides from the first session of the course "The Recurated Museum" by Sytze Van Herck & Christopher Morse at the University of Luxembourg (Summer Semester, 2020).
Branding agency Vandejong created a new form of cultural entrepreneurship: thinking in networks and connections. All communications media are viewed as extra exhibition space. The city is used as a gallery. We increased potential visitor numbers by producing a magazine instead of catalogues from the start.
Slides from the sixth session of the course "The Recurated Museum" by Sytze Van Herck & Christopher Morse at the University of Luxembourg (Summer Semester, 2020).
Course slides typically begin with a brief summary of the online discussions that occurred before the session.
Presentation during the BeMuseum conference of 2019 about digital strategy and how the digital and digital transformation now permeates 'all' aspects of work at heritage institutions. How can we adapt to this change?
Invited workshop for the Humanities Research Center at Rice University, 7 March 2016.
This workshop will provide an overview of crowdsourcing in cultural heritage and consider the ethics and motivations for participation. International case studies will be discussed to provide real life illustrations of design tips and to inspire creative thinking.
"Presentation on the strategy of the Amsterdam Museum, with special attention to innovation (Marijke Oosterbroek, Amsterdam, March 14, 2011)"
(Web & Media group, Computer Science department, VU University Amsterdam)
Albury regional museum conference web 2.0Sally Gissing
Bringing collections to life. Sally will be sharing her extensive experience in developing, marketing and delivering cost effective education and public programs, ranging from film festivals to puppet
making workshops. She will demonstrate how you can make your dollar go further while breathing life into your collections through the use of museum theatre, social media, simple education resources and local experts.
Thriving in the
face of adversity
How regional museums and
galleries can shine
Albury Entertainment Centre
Thursday 3 June, 2010
9.00am – 4.00pm
Thriving in the face of adversity is for public gallery and museum professionals working in regional centres. The themes and topics for discussion have been developed from conversations with peers working in regional New South Wales, Victoria and New Zealand.
The conference will cover practical issues like caring for your collection, applying museum standards, developing an exhibition identity, copyright and intellectual property, program budgeting and working in an ever changing local
government environment. Frank discussion will ensure delegates find workable solutions to the everyday challenges they face.
Albury regional museum conference web 2.0Museum Wagga
Bringing collections to life. Sally will be sharing her extensive experience in developing, marketing and delivering cost effective education and public programs, ranging from film festivals to puppet
making workshops. She will demonstrate how you can make your dollar go further while breathing life into your collections through the use of museum theatre, social media, simple education resources and local experts.
Thriving in the
face of adversity
How regional museums and
galleries can shine
Albury Entertainment Centre
Thursday 3 June, 2010
9.00am – 4.00pm
Thriving in the face of adversity is for public gallery and museum professionals working in regional centres. The themes and topics for discussion have been developed from conversations with peers working in regional New South Wales, Victoria and New Zealand.
The conference will cover practical issues like caring for your collection, applying museum standards, developing an exhibition identity, copyright and intellectual property, program budgeting and working in an ever changing local
government environment. Frank discussion will ensure delegates find workable solutions to the everyday challenges they face.
The OpenGLAM community: promoting free & open access to digital cultural heritage | Lieke Ploeger, Open Knowledge Foundation at http://books2ebooks.eu/eod2014
Creating a buzz... Using Social Media & Cultural Heritage to promote your lib...Martin O Connor
Slides of my talk for ANLTC / CONUL one day seminar - Developing a marketing & Promotion focus in Irish Libraries: what is it and are we really doing it?
The Final Party: A festival aimed at sparking conversations about life & deathCILIP
Engaging Libraries is a pilot scheme which has brought the Carnegie UK Trust, the Wellcome Trust and Society of Chief Librarians together to work in partnership to allow libraries to experiment with public engagement around health and wellbeing. The 14 projects funded cover a wide range of topics, working with new partners and engaging with the public in innovative ways. Representatives from Engaging Libraries projects will speak about their work, how they are engaging the public and demonstrate methods they are using.
A presentation given to Intro. to Museum Studies graduate students at Indiana University-Purdue University Indianapolis in October 2014, including two in-class activities.
What will the next 10 years look like for the AV Archiving and Cultural Heritage sector? (and what to do about it?). By Johan Oomen and Peter Kaufman, as presented at the FIAT/IFTA World Conference in Mexico City, 2017.
Ideas for how volunteers at cultural heritage institutions can help, using Tr...Rose Holley
Every cultural heritage institution has a large body of willing volunteers. this presentation gives some ideas for how they can usefully help you, using Trove as a tool. The presentation is Art related and was written for the National Gallery of Australia but is equally applicable to museums, libraries and archives.
Slides from the sixth session of the course "The Recurated Museum" by Sytze Van Herck & Christopher Morse at the University of Luxembourg (Summer Semester, 2020).
Course slides typically begin with a brief summary of the online discussions that occurred before the session.
Presentation during the BeMuseum conference of 2019 about digital strategy and how the digital and digital transformation now permeates 'all' aspects of work at heritage institutions. How can we adapt to this change?
Invited workshop for the Humanities Research Center at Rice University, 7 March 2016.
This workshop will provide an overview of crowdsourcing in cultural heritage and consider the ethics and motivations for participation. International case studies will be discussed to provide real life illustrations of design tips and to inspire creative thinking.
"Presentation on the strategy of the Amsterdam Museum, with special attention to innovation (Marijke Oosterbroek, Amsterdam, March 14, 2011)"
(Web & Media group, Computer Science department, VU University Amsterdam)
Albury regional museum conference web 2.0Sally Gissing
Bringing collections to life. Sally will be sharing her extensive experience in developing, marketing and delivering cost effective education and public programs, ranging from film festivals to puppet
making workshops. She will demonstrate how you can make your dollar go further while breathing life into your collections through the use of museum theatre, social media, simple education resources and local experts.
Thriving in the
face of adversity
How regional museums and
galleries can shine
Albury Entertainment Centre
Thursday 3 June, 2010
9.00am – 4.00pm
Thriving in the face of adversity is for public gallery and museum professionals working in regional centres. The themes and topics for discussion have been developed from conversations with peers working in regional New South Wales, Victoria and New Zealand.
The conference will cover practical issues like caring for your collection, applying museum standards, developing an exhibition identity, copyright and intellectual property, program budgeting and working in an ever changing local
government environment. Frank discussion will ensure delegates find workable solutions to the everyday challenges they face.
Albury regional museum conference web 2.0Museum Wagga
Bringing collections to life. Sally will be sharing her extensive experience in developing, marketing and delivering cost effective education and public programs, ranging from film festivals to puppet
making workshops. She will demonstrate how you can make your dollar go further while breathing life into your collections through the use of museum theatre, social media, simple education resources and local experts.
Thriving in the
face of adversity
How regional museums and
galleries can shine
Albury Entertainment Centre
Thursday 3 June, 2010
9.00am – 4.00pm
Thriving in the face of adversity is for public gallery and museum professionals working in regional centres. The themes and topics for discussion have been developed from conversations with peers working in regional New South Wales, Victoria and New Zealand.
The conference will cover practical issues like caring for your collection, applying museum standards, developing an exhibition identity, copyright and intellectual property, program budgeting and working in an ever changing local
government environment. Frank discussion will ensure delegates find workable solutions to the everyday challenges they face.
The OpenGLAM community: promoting free & open access to digital cultural heritage | Lieke Ploeger, Open Knowledge Foundation at http://books2ebooks.eu/eod2014
Creating a buzz... Using Social Media & Cultural Heritage to promote your lib...Martin O Connor
Slides of my talk for ANLTC / CONUL one day seminar - Developing a marketing & Promotion focus in Irish Libraries: what is it and are we really doing it?
The Final Party: A festival aimed at sparking conversations about life & deathCILIP
Engaging Libraries is a pilot scheme which has brought the Carnegie UK Trust, the Wellcome Trust and Society of Chief Librarians together to work in partnership to allow libraries to experiment with public engagement around health and wellbeing. The 14 projects funded cover a wide range of topics, working with new partners and engaging with the public in innovative ways. Representatives from Engaging Libraries projects will speak about their work, how they are engaging the public and demonstrate methods they are using.
A presentation given to Intro. to Museum Studies graduate students at Indiana University-Purdue University Indianapolis in October 2014, including two in-class activities.
What will the next 10 years look like for the AV Archiving and Cultural Heritage sector? (and what to do about it?). By Johan Oomen and Peter Kaufman, as presented at the FIAT/IFTA World Conference in Mexico City, 2017.
Ideas for how volunteers at cultural heritage institutions can help, using Tr...Rose Holley
Every cultural heritage institution has a large body of willing volunteers. this presentation gives some ideas for how they can usefully help you, using Trove as a tool. The presentation is Art related and was written for the National Gallery of Australia but is equally applicable to museums, libraries and archives.
Through a new Audiovisual Think Tank, visionary experts in the AV cultural heritage sector are working together to map out our shared strategic priorities and put into place a research and action agenda to shape the coming decade. The AV Think Tank looks to represent major AV archives and digital cultural heritage professionals from across the globe and closely connects these key players to work collectively at the forefront of the sector in consultation with the wider community. Initiated and actively supported by Sound and Vision, the AV Think Tank aims to lay the groundwork for an AV archiving sector that enables more long-term use of, learning with, and education through AV materials.
Fashion is an important part of the European Cultural Heritage, and it is increasingly recognised for its important research value to other academic disciplines, including arts, culture, sociology and communication. Since the beginning of the XX century some of the most important public and private cultural institutions and museums of applied arts in Europe have begun collecting and preserving garments, accessories, catalogues, fashion magazines and other documents and materials related to fashion.
This has resulted in a growing number of impressive and unique collections that Europeana Fashion will bring together online.
Despite the growing importance of fashion heritage, there is a lack of freely accessible fashion content and contextual information on-line.
That’s why the Europeana Fashion project has started a collaboration with the local Wikimedia Chapters around Europe -and not only- with the aim to bring new fashion related knowledge and content to Wikipedia, the World free encyclopaedia.
Since March 2013, the Europeana Fashion partners are organising a series of events in collaboration with Wikimedia, called edit-a-thons, in which volunteers from the Wikipedia support organisation and a crowd of students, bloggers, researchers, curators and fashionistas come together to edit and contribute new fashion related information to Wikipedia, using content made available by Europeana Fashion.
In his presentation, Marco Rendina will tell more about this collaboration and how it has started an online relationship that could expand our understanding of the fashion heritage and the online available knowledge of the fashion domain at large.
For more information on the project, please visit:
http://www.europeanafashion.eu
Podcasting, Museums & Info EvolutionElena Lagoudi
A short history of podcasting in the National Gallery and some new trends in information management, a presentation created for internal consumption and communications.
Similar to PARTICIPATORY ARCHIVES: INTERACTING WITH AUDIENCES, Marion Dupeyrat, Ina (20)
An overview of the results of the 2021 FIAT/IFTA Timeline Survey, as presented by Adrienne Warburton during the 2021 FIAT/IFTA World Conference (online).
The FIAT/IFTA Most Wanted List may be a new initiative of FIAT/IFTA. The aim is to create a central hub of Most Wanted Lists, provided by broadcast and audiovisual archives worldwide.
On these lists we would put those programmes, media fragments, excerpts or even complete series that archives are desperately looking for. Via a contact button, other archives could put themselves in contact with the archive that has published its list, in order to to signal a possible trouvaille.
All further explanations and a link to a survey to measure the interest are in this presentation.
As presented by Johan Oomen (Sound an Vision) and Vasilis Mezaris (Information Technologies Institute Thessaloniki) at the 2019 FIAT/IFTA World Conference in Dubrovnik, Croatia.
Why You Should Replace Windows 11 with Nitrux Linux 3.5.0 for enhanced perfor...SOFTTECHHUB
The choice of an operating system plays a pivotal role in shaping our computing experience. For decades, Microsoft's Windows has dominated the market, offering a familiar and widely adopted platform for personal and professional use. However, as technological advancements continue to push the boundaries of innovation, alternative operating systems have emerged, challenging the status quo and offering users a fresh perspective on computing.
One such alternative that has garnered significant attention and acclaim is Nitrux Linux 3.5.0, a sleek, powerful, and user-friendly Linux distribution that promises to redefine the way we interact with our devices. With its focus on performance, security, and customization, Nitrux Linux presents a compelling case for those seeking to break free from the constraints of proprietary software and embrace the freedom and flexibility of open-source computing.
Sudheer Mechineni, Head of Application Frameworks, Standard Chartered Bank
Discover how Standard Chartered Bank harnessed the power of Neo4j to transform complex data access challenges into a dynamic, scalable graph database solution. This keynote will cover their journey from initial adoption to deploying a fully automated, enterprise-grade causal cluster, highlighting key strategies for modelling organisational changes and ensuring robust disaster recovery. Learn how these innovations have not only enhanced Standard Chartered Bank’s data infrastructure but also positioned them as pioneers in the banking sector’s adoption of graph technology.
Pushing the limits of ePRTC: 100ns holdover for 100 daysAdtran
At WSTS 2024, Alon Stern explored the topic of parametric holdover and explained how recent research findings can be implemented in real-world PNT networks to achieve 100 nanoseconds of accuracy for up to 100 days.
Threats to mobile devices are more prevalent and increasing in scope and complexity. Users of mobile devices desire to take full advantage of the features
available on those devices, but many of the features provide convenience and capability but sacrifice security. This best practices guide outlines steps the users can take to better protect personal devices and information.
Epistemic Interaction - tuning interfaces to provide information for AI supportAlan Dix
Paper presented at SYNERGY workshop at AVI 2024, Genoa, Italy. 3rd June 2024
https://alandix.com/academic/papers/synergy2024-epistemic/
As machine learning integrates deeper into human-computer interactions, the concept of epistemic interaction emerges, aiming to refine these interactions to enhance system adaptability. This approach encourages minor, intentional adjustments in user behaviour to enrich the data available for system learning. This paper introduces epistemic interaction within the context of human-system communication, illustrating how deliberate interaction design can improve system understanding and adaptation. Through concrete examples, we demonstrate the potential of epistemic interaction to significantly advance human-computer interaction by leveraging intuitive human communication strategies to inform system design and functionality, offering a novel pathway for enriching user-system engagements.
Maruthi Prithivirajan, Head of ASEAN & IN Solution Architecture, Neo4j
Get an inside look at the latest Neo4j innovations that enable relationship-driven intelligence at scale. Learn more about the newest cloud integrations and product enhancements that make Neo4j an essential choice for developers building apps with interconnected data and generative AI.
In his public lecture, Christian Timmerer provides insights into the fascinating history of video streaming, starting from its humble beginnings before YouTube to the groundbreaking technologies that now dominate platforms like Netflix and ORF ON. Timmerer also presents provocative contributions of his own that have significantly influenced the industry. He concludes by looking at future challenges and invites the audience to join in a discussion.
Goodbye Windows 11: Make Way for Nitrux Linux 3.5.0!SOFTTECHHUB
As the digital landscape continually evolves, operating systems play a critical role in shaping user experiences and productivity. The launch of Nitrux Linux 3.5.0 marks a significant milestone, offering a robust alternative to traditional systems such as Windows 11. This article delves into the essence of Nitrux Linux 3.5.0, exploring its unique features, advantages, and how it stands as a compelling choice for both casual users and tech enthusiasts.
GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using Deplo...James Anderson
Effective Application Security in Software Delivery lifecycle using Deployment Firewall and DBOM
The modern software delivery process (or the CI/CD process) includes many tools, distributed teams, open-source code, and cloud platforms. Constant focus on speed to release software to market, along with the traditional slow and manual security checks has caused gaps in continuous security as an important piece in the software supply chain. Today organizations feel more susceptible to external and internal cyber threats due to the vast attack surface in their applications supply chain and the lack of end-to-end governance and risk management.
The software team must secure its software delivery process to avoid vulnerability and security breaches. This needs to be achieved with existing tool chains and without extensive rework of the delivery processes. This talk will present strategies and techniques for providing visibility into the true risk of the existing vulnerabilities, preventing the introduction of security issues in the software, resolving vulnerabilities in production environments quickly, and capturing the deployment bill of materials (DBOM).
Speakers:
Bob Boule
Robert Boule is a technology enthusiast with PASSION for technology and making things work along with a knack for helping others understand how things work. He comes with around 20 years of solution engineering experience in application security, software continuous delivery, and SaaS platforms. He is known for his dynamic presentations in CI/CD and application security integrated in software delivery lifecycle.
Gopinath Rebala
Gopinath Rebala is the CTO of OpsMx, where he has overall responsibility for the machine learning and data processing architectures for Secure Software Delivery. Gopi also has a strong connection with our customers, leading design and architecture for strategic implementations. Gopi is a frequent speaker and well-known leader in continuous delivery and integrating security into software delivery.
Observability Concepts EVERY Developer Should Know -- DeveloperWeek Europe.pdfPaige Cruz
Monitoring and observability aren’t traditionally found in software curriculums and many of us cobble this knowledge together from whatever vendor or ecosystem we were first introduced to and whatever is a part of your current company’s observability stack.
While the dev and ops silo continues to crumble….many organizations still relegate monitoring & observability as the purview of ops, infra and SRE teams. This is a mistake - achieving a highly observable system requires collaboration up and down the stack.
I, a former op, would like to extend an invitation to all application developers to join the observability party will share these foundational concepts to build on:
GridMate - End to end testing is a critical piece to ensure quality and avoid...ThomasParaiso2
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Leonard Jayamohan, Partner & Generative AI Lead, Deloitte
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Dive into the world of Website Designing and Developing with Pixlogix! Looking to create a stunning online presence? Look no further! Our comprehensive checklist covers everything you need to know to craft a website that stands out. From user-friendly design to seamless functionality, we've got you covered. Don't miss out on this invaluable resource! Check out our checklist now at Pixlogix and start your journey towards a captivating online presence today.
zkStudyClub - Reef: Fast Succinct Non-Interactive Zero-Knowledge Regex ProofsAlex Pruden
This paper presents Reef, a system for generating publicly verifiable succinct non-interactive zero-knowledge proofs that a committed document matches or does not match a regular expression. We describe applications such as proving the strength of passwords, the provenance of email despite redactions, the validity of oblivious DNS queries, and the existence of mutations in DNA. Reef supports the Perl Compatible Regular Expression syntax, including wildcards, alternation, ranges, capture groups, Kleene star, negations, and lookarounds. Reef introduces a new type of automata, Skipping Alternating Finite Automata (SAFA), that skips irrelevant parts of a document when producing proofs without undermining soundness, and instantiates SAFA with a lookup argument. Our experimental evaluation confirms that Reef can generate proofs for documents with 32M characters; the proofs are small and cheap to verify (under a second).
Paper: https://eprint.iacr.org/2023/1886
2. AN INTERNATIONAL BENCHMARK FOR
PARTICIPATORY PRACTICES
A study conducted by Ina EXPERT consulting department
More than 200 organisations monitored in 30 countries :
120 heritage organisations / GLAM (Galleries, Libraries,
Archives, Museums)
20 heritage web platforms
70 media websites
20 Interviews conducted with project managers, experts and
academics
12 case studies
#FIATIFTADubai2013
Marion Dupeyrat: “Participatory Archives”
6. NEW PROBLEMATICS
A new online environment
New users, new practices
HOW DO YOU REACT?
#FIATIFTADubai2013
Marion Dupeyrat: “Participatory Archives”
7. WHAT DOES “PARTICIPATION”
INVOLVE?
ENGAGEMENT
•
•
•
•
Voting
Sharing
Playing
Reusing
CONTENT ENHANCEMENT
Shared and
owned
memory
• Suggesting and proposing
(new content to find, digitise and
optimise)
• Contributing (sending content,
enhancing collections)
Augmented
memory
Enhanced
memory
DATA ENHANCEMENT
• Identifying (a place, a person, etc. to complete document sheets)
• Tagging (adding keywords to an image to describe or categorise it) /
Transcribing
• Contributing expert/personal knowledge (improving descriptions)
• Placing in context, adding information
#FIATIFTADubai2013
Marion Dupeyrat: “Participatory Archives”
8. ALLOWING USERS TO ENGAGE WITH
CONTENT
Implementing tools to give the users the opportunity to relate and
“own” the content
Contributing
Contributing expert/
personal knowledge
+
Tagging/transcribing
Identifying
Suggesting
Reusing
Playing
Voting and
sharing
#FIATIFTADubai2013
Marion Dupeyrat: “Participatory Archives”
9. ENGAGING WITH CONTENT - VOTING
VOTING for content to be promoted - Focus on ABC Archives
To engage our audience,
we chose a vocabulary
that nourished the feeling
of ownership. Our goal
was for
the contributor or the voter
to appreciate and own
the archives.
Catherine Freyne,
Producer in residence,
« 80 Days that changed
our lives » project curatorin-chief at ABC Archives
80 days that changed our lives - ABC (Australia)
#FIATIFTADubai2013
Marion Dupeyrat: “Participatory Archives”
10. ENGAGING WITH CONTENT - SHARING
SHARING content for reuse - Focus on open archives and social media
« Open Images », Beeld and Geluid (Netherlands)
Arte Creative Recycling 360° Geo – Arte (France/Germany)
« Al Jazeera Creative Commons Repository », (Qatar)
#FIATIFTADubai2013
Marion Dupeyrat: “Participatory Archives”
11. ENGAGING WITH CONTENT - PLAYING
Focus on games and scavenger hunts
Link
« Discovering the Civil War Scavenger Hunt» / NARA (US)
« Télé Top Chrono » / Ina (France)
#FIATIFTADubai2013
Marion Dupeyrat: “Participatory Archives”
12. ASKING FOR HELP
Folksonomy and social tagging
Contributing expert/
personal knowledge
Contributing
Tagging /
transcribing
Identifying
Suggesting
Reusing
Playing
Voting and sharing
#FIATIFTADubai2013
Marion Dupeyrat: “Participatory Archives”
+
13. ASKING FOR HELP / DATA
ENHANCEMENT
Folksonomy and social tagging
“Your Paintings”, Public Catalogue Foundation (PCF)/BBC (UK)
« Waisda », Beeld en geluid (Netherlands)
Tagging interface, Magnum Photos (UK)
#FIATIFTADubai2013
Marion Dupeyrat: “Participatory Archives”
14. ASKING FOR USERS’ KNOWLEDGE
•
•
A new relationship between “pros” and “amateurs”
New ways for users to show their expertise
Contributing expert/
personal knowledge
Contributing
Tagging / transcribing
Identifying
Suggesting
Reusing
Playing
Voting and sharing
#FIATIFTADubai2013
Marion Dupeyrat: “Participatory Archives”
+
15. ASKING FOR USERS’ KNOWLEDGE
•
•
A real dialogue, in which the organisation plays a role
A new trust given to non-professionals
Archives départementales de la manche facebook page (France)
PhotosNormandie on Flickr (France)
« Les Sherlocks », Mémoire website / Ciclic (France)
RTE Archives on Twitter (Ireland)
Wiki Beeld en Geluid (Netherlands)
#FIATIFTADubai2013
Marion Dupeyrat: “Participatory Archives”
16. ASKING FOR USERS’ ARCHIVE CONTENT
•
•
Appealing to users’ expertise on your collections
Collecting personal items
Contributing expert/
personal knowledge
Contributing
+
Tagging / transcribing
Identifying
Suggesting
Reusing
Playing
Voting and sharing
#FIATIFTADubai2013
Marion Dupeyrat: “Participatory Archives”
17. ASKING FOR USERS’ ARCHIVE CONTENT
Appealing to users’ expertise on your collections or on content they
think you should look for or promote
« Dites-le » - Ina (France
Asian Film Archive (Asia)
Project Bonanza – DR (Denmark)
#FIATIFTADubai2013
Marion Dupeyrat: “Participatory Archives”
18. ASKING FOR USERS’ ARCHIVE CONTENT
•
•
From offline to online practices
Growing importance of UGC
Vintage Mobile Cinema, Pôle Image HauteNormandie (France)
Inédits / RTBF (Belgium)
Ciclic (France)
J’ai la mémoire qui tourne / Historia (Canada)
iReport / CNN (US)
History Pin (International)
« Wir waren so frei »/ Deutsche Kinemathek - Museum für Film und Fernsehen (Germany)
#FIATIFTADubai2013
Marion Dupeyrat: “Participatory Archives”
19. ASKING FOR USERS’ ARCHIVE CONTENT
• Focus on two projects: “Singapore Memory Project” and “Europeana
1914-1918” / “Europeana 1989”
These roadshows are mostly organised in
collaboration with our partners leveraging on
their events and programmes such as a carnival,
Open House and anniversary celebrations.
Roadshows are specifically organized to cater
for the strata of the population that are not techsavvy and do not go online. A lot of the elderly
prefers such face-to-face contacts in terms of
sharing their memories.
Mr Gene Tan, Directeur, Singapore Memory Project,
National Library Board of Singapore (NLB)
#FIATIFTADubai2013
link
Roadshows are essential because many of our
contributors are in their eighties, so they are less
familiar with new technology and need help filling
out the questionnaire. What’s more, we can
immediately get the object checked by an expert
and talk directly to its owner.
Ad Polle, “Europeana 1914-1918” project coordinator
Marion Dupeyrat: “Participatory Archives”
20. WHO CONTRIBUTES?
Voting and sharing
4
Contributing archival
materials
3,5
Playing
3
2,5
2
Transcribing
1,5
Reusing
1
General public
0,5
Enthousiasts
0
Experts
Researchers
Placing in context
Suggesting, proposing
Contributing expert or
personal knowledge
identifying
Tagging
#FIATIFTADubai2013
Marion Dupeyrat: “Participatory Archives”
21. WHAT ARE THE BENEFITS FOR YOUR
ORGANISATION?
A rise in audience figures?
#FIATIFTADubai2013
Marion Dupeyrat: “Participatory Archives”
22. WHAT ARE THE BENEFITS FOR
YOUR ORGANISATION?
PART OF YOUR
MEDIATION MISSION
ENHANCING THE
VALUE OF YOUR
ARCHIVES
ENHANCING
APPRECIATION OF
YOUR ORGANISATION
Enhancing content
visibility
Social value
Brand value /
Strengthening ties with
your audiences by
promoting dialogue
Functional value
Promoting the
ownership of archives
For some
organisations, offering
different narrative
threads
#FIATIFTADubai2013
Emotional value
Promoting amateur
expertise
Demonstrating social
utility
Marion Dupeyrat: “Participatory Archives”
23. IMPLEMENTING A PARTICIPATORY
PROJECT: THE RIGHT QUESTIONS
Defining the project
What is the aim of the project?
What is the desired level of participation?
What use will be made of these contributions?
Who is the target public?
What is the scope of the project?
Is it a “one shot” or a long-term project?
Reflecting on the project in advance
How does this project reflect the organisation’s overall strategy?
Have the legal and technical limitations been thought through in advance?
Are the skills required to implement and follow-up the project available in-house
How will this project be funded?
Which partners will the project be able to rely on?
How do you convince people inside the organisation that the project is relevant?
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Marion Dupeyrat: “Participatory Archives”
24. PARTICIPATORY PRACTICES: IT’S UP
TO YOU!
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Ina « Mémoires partagées » (France)
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Marion Dupeyrat: “Participatory Archives”