The Auteur Theory originated in 1950s France and proposes that a film director with a distinct vision who exercises control over their films can be considered the "author" or "auteur" of that film. An auteur is recognizable through consistent themes and styles across their body of work. The theory was a response to the influx of new films and filmmakers into France after World War 2 and the lifting of embargos that had previously restricted foreign films.