The document discusses Johann Sebastian Bach's compositional styles, focusing on melody, part writing, harmony, and counterpoint. It then analyzes three different performances of Bach's Suite No. 3 in C Major, BWV 1009, noting the performers, tempos, dynamics, and expression of each.
2. JOHANN SEBASTIAN BACH:
MELODY/PART WRITING
UTILIZED CLASSICAL/BAROQUE WRITING STYLES
BASS LINE/FIGURED BASS
MOST FAMOUS FOR MELODIC CONSTRUCTION
3. JOHANN SEBASTIAN BACH:
HARMONY
MIXED WITH HARMONY AND COUNTERPOINT
ARTICULATION WITH HARMONIC PROGRESSION
EXPERIMENTED WITH ALL HARMONIC POSSIBILITIES
4. SUITE NO. 3 IN C MAJOR
BWV 1009
PERFORMER: ROSTROPOVICH
BETWEEN 140 AND 160 B.P.M. (ALLEGRO)
DYNAMICS
EXPRESSION
5. SUITE NO. 3 IN C MAJOR
BWV 1009
PERFORMER: CHIARA MASSINI
BETWEEN 126 AND 132 B.P.M. (ALLEGRO)
DYNAMICS
EXPRESSION
6. SUITE NO. 3 IN C MAJOR
BWV 1009
PERFORMER: PAUL GILBERT
BETWEEN 169 AND 172 (PRESTO)
DYNAMICS
EXPRESSION