Planet Earth II is a 2016 British nature documentary series and sequel to Planet Earth, which aired in 2006. It is presented and narrated by Sir David Attenborough and took 3 years to film its six episodes.
This document discusses soap opera trailers and conventions of soap operas. It explains that a soap opera trailer should summarize the characters' personalities to introduce them to audiences. Soap operas are television dramas that revolve around the same community of characters over time, allowing audiences to form attachments. Audiences enjoy soap operas for entertainment, escapism, and relating to characters. Theories like Steven Neale's discuss the need for repetition and difference in genres to keep audiences interested. Examples like EastEnders and Coronation Street are given that follow soap opera conventions like targeting mass family audiences and airing multiple times per week.
This document defines factual programming as non-fictional TV that documents real events or people. It discusses various codes and conventions used in factual programming, including technical codes like cameras and lighting, and symbolic codes that convey deeper meanings. It also outlines different types of documentary formats, such as expository documentaries that expose a topic through voiceovers and archived footage, and observational documentaries that follow people or events without commentary. Popular news programs in the UK like BBC News, ITV News, and Sky News are also mentioned.
The document outlines the production stages for a proposed F.R.I.E.N.D.S movie. It details that [1] the original cast members would reprise their roles, [2] Kevin Bright, who directed many episodes of the TV show, would direct the movie to maintain continuity, and [3] an investor letter seeks funding by emphasizing the huge popularity and profit potential of the Friends franchise using the same elements from the original series.
The document discusses the use of various props for a student film project about a young man named Joseph. The props include: a large banana to emphasize the film's title "Big Boy" and create humor; a mobile phone for several phone calls between Joseph and others; a single bed to portray Joseph as inexperienced and imply he lives with his parents; condoms to reinforce the humor, title, and message of safe sex; a laptop and television to show explicit content; and an escort leaflet to create an entertaining moment and emphasize Joseph's uncertainty. The props were chosen to provide verisimilitude, entertainment, and clarity around the comedy genre and narrative.
A distribution company's main job is to promote films to the appropriate target audience. Large companies like Universal appeal to worldwide audiences, while smaller companies like Studiocanal focus on narrower audiences, making a film easier to access for its intended viewers. Studiocanal is a good choice to distribute the author's thriller film set in London since it specializes in British films and European films, helping the film gain exposure in a wider region. Studiocanal has also successfully distributed other thriller films.
British soap operas follow several conventions:
They have an open narrative with no defined ending, allowing stories to continue indefinitely. Each soap has a distinctive theme tune and introduction. They typically have large casts portraying working class characters centered around a small, familiar setting like a town square or street. Episodes end in cliffhangers to encourage viewers to continue watching the unfolding stories.
The document discusses the movie Cinderella (2015) and its target audiences. It aims to attract both children and their parents by appealing to children with its fairy tale story and similarities to Frozen, while also attracting parents through marketing that features the child-focused elements. The movie tells the classic Cinderella story. Its marketing uses posters that reference Frozen to draw audiences and plays trailers in theaters and on TV. It aims to appeal to both young female viewers and their parents through this multi-generational approach.
This document discusses soap opera trailers and conventions of soap operas. It explains that a soap opera trailer should summarize the characters' personalities to introduce them to audiences. Soap operas are television dramas that revolve around the same community of characters over time, allowing audiences to form attachments. Audiences enjoy soap operas for entertainment, escapism, and relating to characters. Theories like Steven Neale's discuss the need for repetition and difference in genres to keep audiences interested. Examples like EastEnders and Coronation Street are given that follow soap opera conventions like targeting mass family audiences and airing multiple times per week.
This document defines factual programming as non-fictional TV that documents real events or people. It discusses various codes and conventions used in factual programming, including technical codes like cameras and lighting, and symbolic codes that convey deeper meanings. It also outlines different types of documentary formats, such as expository documentaries that expose a topic through voiceovers and archived footage, and observational documentaries that follow people or events without commentary. Popular news programs in the UK like BBC News, ITV News, and Sky News are also mentioned.
The document outlines the production stages for a proposed F.R.I.E.N.D.S movie. It details that [1] the original cast members would reprise their roles, [2] Kevin Bright, who directed many episodes of the TV show, would direct the movie to maintain continuity, and [3] an investor letter seeks funding by emphasizing the huge popularity and profit potential of the Friends franchise using the same elements from the original series.
The document discusses the use of various props for a student film project about a young man named Joseph. The props include: a large banana to emphasize the film's title "Big Boy" and create humor; a mobile phone for several phone calls between Joseph and others; a single bed to portray Joseph as inexperienced and imply he lives with his parents; condoms to reinforce the humor, title, and message of safe sex; a laptop and television to show explicit content; and an escort leaflet to create an entertaining moment and emphasize Joseph's uncertainty. The props were chosen to provide verisimilitude, entertainment, and clarity around the comedy genre and narrative.
A distribution company's main job is to promote films to the appropriate target audience. Large companies like Universal appeal to worldwide audiences, while smaller companies like Studiocanal focus on narrower audiences, making a film easier to access for its intended viewers. Studiocanal is a good choice to distribute the author's thriller film set in London since it specializes in British films and European films, helping the film gain exposure in a wider region. Studiocanal has also successfully distributed other thriller films.
British soap operas follow several conventions:
They have an open narrative with no defined ending, allowing stories to continue indefinitely. Each soap has a distinctive theme tune and introduction. They typically have large casts portraying working class characters centered around a small, familiar setting like a town square or street. Episodes end in cliffhangers to encourage viewers to continue watching the unfolding stories.
The document discusses the movie Cinderella (2015) and its target audiences. It aims to attract both children and their parents by appealing to children with its fairy tale story and similarities to Frozen, while also attracting parents through marketing that features the child-focused elements. The movie tells the classic Cinderella story. Its marketing uses posters that reference Frozen to draw audiences and plays trailers in theaters and on TV. It aims to appeal to both young female viewers and their parents through this multi-generational approach.
This document discusses how different aspects of media production, distribution, and consumption shape experiences with media. It notes that while consumption is shaped by how media is exhibited, production and distribution are also important. As an example, it describes how the use of 3D and digital filming techniques in Avatar and Skyfall enhanced the viewing experience for the consumer in the cinema, helping drive box office sales, though other distribution methods like DVD and streaming also influence consumption habits.
Harry Potter and the Deathly Hallows Part 2 Marketing Plantwoodsco07
The document provides marketing strategies for the film Harry Potter and the Deathly Hallows Part 2. It identifies the target audience as people of all ages who have grown up with or enjoy the Harry Potter series. It recommends keeping the July 15th release date to benefit from summer crowds and school being out. The marketing plan proposes partnerships and promotions, media buys, an interactive website and mobile strategies like augmented reality to drive awareness and ticket sales for the highly anticipated finale of the popular franchise.
Harry potter and the deathly hallows part 2SianLynes
The document discusses Harry Potter and the Deathly Hallows Part 2, the final film in the Harry Potter series. It summarizes the plot where Harry, Ron, and Hermione continue their quest to destroy Voldemort's remaining horcruxes during an epic battle at Hogwarts. The film was directed by David Yates, who also directed the previous four Harry Potter films. It was hugely successful at the box office, grossing over $1 billion worldwide. The film provides a dramatic and emotional conclusion to the beloved Harry Potter film franchise.
This document summarizes the marketing strategies used for the 2015 Disney film Cinderella. It notes that the film targets both children, who are familiar with the classic fairy tale, as well as their parents through references to the popular Frozen film. The marketing utilizes posters showing the resemblance to Frozen's Elsa character to draw in different audiences. Trailers are shown before other films in theaters and on television to generate buzz. Social media is also utilized to promote the film for free. The film's marketing effectively targets multiple generations to increase ticket sales.
This document discusses different types of documentaries: fully narrated documentaries which use voiceovers to guide viewers; fly on the wall documentaries which use little commentary to give an observational view; self-reflexive documentaries where filmmakers talk directly to viewers; docu-dramas which reenact real events through dramatization; and docu-soaps which follow groups of people in an observational style. Each type has strengths and weaknesses in how they inform or engage audiences.
The marketing campaign for the movie The Descent coincided with the London bombings in July 2005. The distributor recalled posters that contained the word "terror" and re-released posters without that word. Having a 18 rating could have been a promotional technique, as people may have seen it as a challenge to watch a scary movie with such a rating. The movie's website featured a trailer, synopsis, cast list, gallery, message board, and "experience" section to generate excitement around the film.
This script is written for a BBC Radio 4 adaptation of Henry James' 1904 novel The Golden Bowl. The script has a very simple structure as it is meant for audio rather than visual storytelling. It uses techniques like cliffhangers between episodes to encourage listeners to tune in to the next episode. The genre is fiction/novel, which is difficult for audio to portray, but elements like main characters and their relationships help establish it as a drama adaptation of a novel. The target audience is likely existing Radio 4 listeners and fans of the original book, as Radio 4 has an older demographic profile than mainstream stations.
The document analyzes three documentary advertisements - two for Channel 4 TV documentaries on social issues and one for the documentary film Blackfish. The Channel 4 ads have a similar simple layout with an evocative image and minimal text, focusing on grabbing attention to watch rather than providing details. In contrast, the Blackfish ad includes more information like quotes, awards and credits to promote the film and persuade viewers to pay to see it. Overall, the amount and type of information differs based on whether the documentary will be broadcast on TV or shown in cinemas/online.
Thank you for providing this additional feedback. It's clear you took the time to thoughtfully consider the producer's perspectives and suggestions to further strengthen your pitch. Incorporating real-world insights is an important part of developing a compelling proposal. I'm glad you were open to discussing opportunities to enhance the program's appeal and potential for funding, while also maintaining your creative vision where appropriate. Continuing this type of constructive dialogue will serve you well as you work to bring this project to life.
This document discusses different genres of television programming, focusing on drama and reality TV genres. It provides examples of specific TV shows like Hollyoaks, Downton Abbey, and Casualty to illustrate how different drama shows aim their content at different audiences based on factors like the channel and demographic of viewers. Reality TV genres like docusoaps and lifestyle programs are also examined in terms of their conventions and how they portray people and stereotypes.
Diane, we’re live in 5 minutes.
Diane: But sometimes, something happens that makes us stop and think. Something that forces us to look back
and reflect. Something that makes us realise that there are bigger things at play. Things that shape us and things
that break us. Things that make us who we are.
10 years ago today, 7 coordinated bomb blasts ripped through London’s transport network. 52 innocent people lost
their lives and over 700 were injured. For a city, it was the worst terrorist attack on home soil. But for those directly
affected, it was the worst day of their lives. A day that would change them forever. A day that, even a decade later,
Jessica Owen's radio drama project is titled "The Undead". It will have a documentary style and follow two main characters, Dan and Matt, as they record their journey during a zombie apocalypse. Their recordings are discovered 50 years later after a cure is found. The drama is intended to air on BBC Radio 4 Extra on Tuesdays and Wednesdays at 6pm for four weeks. After broadcasting, the drama will be made available for download online to target the 15-25 year old audience.
Our noir film would be best distributed through smaller art house cinemas or online platforms rather than mainstream media, for three reasons:
1) Traditional film noirs from the 1940s are no longer regularly produced and their modern counterparts like "neo-noirs" are also rare in mainstream cinemas today.
2) As a stand-alone traditional noir piece set in an older time period rather than present day, it would likely not appeal to broad mainstream audiences or have potential for sequels.
3) The visual style of our noir film employing distinctive lighting and sets to depict emotion and entrapment would not be well received by mainstream audiences more familiar with modern visual conventions.
The document discusses marketing strategies for the Harry Potter film franchise. It describes how Harry Potter and the Deathly Hallows Part 1 utilized intense close-ups of characters' faces on the posters to generate intrigue given the established fan base. The film was split into two parts to maximize profits from loyal fans. Advanced ticket sales demonstrated this strategy's success, with the film breaking box office records in its first weeks. Overall, the films were hugely profitable due to building anticipation through extensive promotion and catering merchandise towards young fans.
Kenya Bell conducted audience research through a questionnaire to learn preferences for different film genres. The research found that film noir, the genre of the film being made, is less popular. It also found that audiences prefer action genres and comedy elements. To appeal to a broader audience, the research suggests incorporating some comedy and action scenes into the film's opening sequence and incorporating popular elements like a mysterious woman character instead of a heroic character.
This document discusses conventions used in reality television shows that were implemented in a student documentary project. It describes including a disclaimer to verify the factual nature of the content, introducing characters in the opening titles to emulate shows like Geordie Shore, and adding hashtags to encourage audience engagement on social media, as reality TV viewers often discuss shows online. The purpose of these conventions was to make the student documentary feel authentic and connect with its target teenage audience.
- The survey found that most respondents do not currently watch soap operas. Therefore, the soap opera trailer needs to be action-packed and engaging to attract a wider audience.
- EastEnders was the most popular soap opera, likely because it features diverse characters. The trailer should also include a variety of characters to appeal to different demographics.
- Females are most attracted to soap operas, so the trailer needs to appeal to males as well by including more male storylines.
- Romance, death, and bullying were popular storyline themes, so the trailer should reference these themes to attract more viewers.
The document discusses postmodern views of documentaries. It notes that while documentaries aim to represent everyday reality, they are inherently subjective reconstructions due to choices made during filming and editing. Documentaries encourage a certain perspective and cannot perfectly capture reality. Their version of reality is mediated through the filmmaker's perspective. Postmodernists like Baudrillard argue that representations are staged and narrated, not capturing the real, and that reconstructed media saturates audiences who can no longer identify truth. Ultimately, documentaries only blur the line between reality and hyperreality due to their constructed nature.
Harry Potter and the Deathly Hallows: The Marketing Campaignlatymermedia
The marketing campaign for Harry Potter and the Deathly Hallows Part 1 utilized various techniques to generate hype and awareness for the film, including teaser posters, a website, trailers, TV spots, merchandise, and the premiere event. Additionally, the Wizarding World of Harry Potter theme park in Orlando helped promote the films and bring the world of Harry Potter to life for fans. Overall, the comprehensive marketing campaign effectively built upon the established popularity of the franchise to ensure that the final installment would be a box office success.
The document provides details on the creative process for designing a movie poster for a short horror film. Key elements included in the poster design are:
1. A black background to signify evil and darkness, conforming to horror poster conventions.
2. The film title in white centered at the top to indicate importance and contrast against the black background.
3. Smaller centered credits at the bottom, conforming to general movie poster conventions.
4. An image of the main possessed character cropped from a film scene to directly target paranormal fans and entice them to watch.
Ruth hill, jo braliey, Jacqui fishenden, Sue tod, sarah Dickenson, aggie clinch, and cindy covill are needed to film scenes 1-4 on March 1st. Props including a box of tea bags, 6 mugs, and a tray will be used, but no costumes or makeup are needed as the scenes take place in a school setting. The filming will be done by the document author serving as the camera person, with assistance from their friend Jade to help with filming, recording, and other technical roles.
This document discusses how different aspects of media production, distribution, and consumption shape experiences with media. It notes that while consumption is shaped by how media is exhibited, production and distribution are also important. As an example, it describes how the use of 3D and digital filming techniques in Avatar and Skyfall enhanced the viewing experience for the consumer in the cinema, helping drive box office sales, though other distribution methods like DVD and streaming also influence consumption habits.
Harry Potter and the Deathly Hallows Part 2 Marketing Plantwoodsco07
The document provides marketing strategies for the film Harry Potter and the Deathly Hallows Part 2. It identifies the target audience as people of all ages who have grown up with or enjoy the Harry Potter series. It recommends keeping the July 15th release date to benefit from summer crowds and school being out. The marketing plan proposes partnerships and promotions, media buys, an interactive website and mobile strategies like augmented reality to drive awareness and ticket sales for the highly anticipated finale of the popular franchise.
Harry potter and the deathly hallows part 2SianLynes
The document discusses Harry Potter and the Deathly Hallows Part 2, the final film in the Harry Potter series. It summarizes the plot where Harry, Ron, and Hermione continue their quest to destroy Voldemort's remaining horcruxes during an epic battle at Hogwarts. The film was directed by David Yates, who also directed the previous four Harry Potter films. It was hugely successful at the box office, grossing over $1 billion worldwide. The film provides a dramatic and emotional conclusion to the beloved Harry Potter film franchise.
This document summarizes the marketing strategies used for the 2015 Disney film Cinderella. It notes that the film targets both children, who are familiar with the classic fairy tale, as well as their parents through references to the popular Frozen film. The marketing utilizes posters showing the resemblance to Frozen's Elsa character to draw in different audiences. Trailers are shown before other films in theaters and on television to generate buzz. Social media is also utilized to promote the film for free. The film's marketing effectively targets multiple generations to increase ticket sales.
This document discusses different types of documentaries: fully narrated documentaries which use voiceovers to guide viewers; fly on the wall documentaries which use little commentary to give an observational view; self-reflexive documentaries where filmmakers talk directly to viewers; docu-dramas which reenact real events through dramatization; and docu-soaps which follow groups of people in an observational style. Each type has strengths and weaknesses in how they inform or engage audiences.
The marketing campaign for the movie The Descent coincided with the London bombings in July 2005. The distributor recalled posters that contained the word "terror" and re-released posters without that word. Having a 18 rating could have been a promotional technique, as people may have seen it as a challenge to watch a scary movie with such a rating. The movie's website featured a trailer, synopsis, cast list, gallery, message board, and "experience" section to generate excitement around the film.
This script is written for a BBC Radio 4 adaptation of Henry James' 1904 novel The Golden Bowl. The script has a very simple structure as it is meant for audio rather than visual storytelling. It uses techniques like cliffhangers between episodes to encourage listeners to tune in to the next episode. The genre is fiction/novel, which is difficult for audio to portray, but elements like main characters and their relationships help establish it as a drama adaptation of a novel. The target audience is likely existing Radio 4 listeners and fans of the original book, as Radio 4 has an older demographic profile than mainstream stations.
The document analyzes three documentary advertisements - two for Channel 4 TV documentaries on social issues and one for the documentary film Blackfish. The Channel 4 ads have a similar simple layout with an evocative image and minimal text, focusing on grabbing attention to watch rather than providing details. In contrast, the Blackfish ad includes more information like quotes, awards and credits to promote the film and persuade viewers to pay to see it. Overall, the amount and type of information differs based on whether the documentary will be broadcast on TV or shown in cinemas/online.
Thank you for providing this additional feedback. It's clear you took the time to thoughtfully consider the producer's perspectives and suggestions to further strengthen your pitch. Incorporating real-world insights is an important part of developing a compelling proposal. I'm glad you were open to discussing opportunities to enhance the program's appeal and potential for funding, while also maintaining your creative vision where appropriate. Continuing this type of constructive dialogue will serve you well as you work to bring this project to life.
This document discusses different genres of television programming, focusing on drama and reality TV genres. It provides examples of specific TV shows like Hollyoaks, Downton Abbey, and Casualty to illustrate how different drama shows aim their content at different audiences based on factors like the channel and demographic of viewers. Reality TV genres like docusoaps and lifestyle programs are also examined in terms of their conventions and how they portray people and stereotypes.
Diane, we’re live in 5 minutes.
Diane: But sometimes, something happens that makes us stop and think. Something that forces us to look back
and reflect. Something that makes us realise that there are bigger things at play. Things that shape us and things
that break us. Things that make us who we are.
10 years ago today, 7 coordinated bomb blasts ripped through London’s transport network. 52 innocent people lost
their lives and over 700 were injured. For a city, it was the worst terrorist attack on home soil. But for those directly
affected, it was the worst day of their lives. A day that would change them forever. A day that, even a decade later,
Jessica Owen's radio drama project is titled "The Undead". It will have a documentary style and follow two main characters, Dan and Matt, as they record their journey during a zombie apocalypse. Their recordings are discovered 50 years later after a cure is found. The drama is intended to air on BBC Radio 4 Extra on Tuesdays and Wednesdays at 6pm for four weeks. After broadcasting, the drama will be made available for download online to target the 15-25 year old audience.
Our noir film would be best distributed through smaller art house cinemas or online platforms rather than mainstream media, for three reasons:
1) Traditional film noirs from the 1940s are no longer regularly produced and their modern counterparts like "neo-noirs" are also rare in mainstream cinemas today.
2) As a stand-alone traditional noir piece set in an older time period rather than present day, it would likely not appeal to broad mainstream audiences or have potential for sequels.
3) The visual style of our noir film employing distinctive lighting and sets to depict emotion and entrapment would not be well received by mainstream audiences more familiar with modern visual conventions.
The document discusses marketing strategies for the Harry Potter film franchise. It describes how Harry Potter and the Deathly Hallows Part 1 utilized intense close-ups of characters' faces on the posters to generate intrigue given the established fan base. The film was split into two parts to maximize profits from loyal fans. Advanced ticket sales demonstrated this strategy's success, with the film breaking box office records in its first weeks. Overall, the films were hugely profitable due to building anticipation through extensive promotion and catering merchandise towards young fans.
Kenya Bell conducted audience research through a questionnaire to learn preferences for different film genres. The research found that film noir, the genre of the film being made, is less popular. It also found that audiences prefer action genres and comedy elements. To appeal to a broader audience, the research suggests incorporating some comedy and action scenes into the film's opening sequence and incorporating popular elements like a mysterious woman character instead of a heroic character.
This document discusses conventions used in reality television shows that were implemented in a student documentary project. It describes including a disclaimer to verify the factual nature of the content, introducing characters in the opening titles to emulate shows like Geordie Shore, and adding hashtags to encourage audience engagement on social media, as reality TV viewers often discuss shows online. The purpose of these conventions was to make the student documentary feel authentic and connect with its target teenage audience.
- The survey found that most respondents do not currently watch soap operas. Therefore, the soap opera trailer needs to be action-packed and engaging to attract a wider audience.
- EastEnders was the most popular soap opera, likely because it features diverse characters. The trailer should also include a variety of characters to appeal to different demographics.
- Females are most attracted to soap operas, so the trailer needs to appeal to males as well by including more male storylines.
- Romance, death, and bullying were popular storyline themes, so the trailer should reference these themes to attract more viewers.
The document discusses postmodern views of documentaries. It notes that while documentaries aim to represent everyday reality, they are inherently subjective reconstructions due to choices made during filming and editing. Documentaries encourage a certain perspective and cannot perfectly capture reality. Their version of reality is mediated through the filmmaker's perspective. Postmodernists like Baudrillard argue that representations are staged and narrated, not capturing the real, and that reconstructed media saturates audiences who can no longer identify truth. Ultimately, documentaries only blur the line between reality and hyperreality due to their constructed nature.
Harry Potter and the Deathly Hallows: The Marketing Campaignlatymermedia
The marketing campaign for Harry Potter and the Deathly Hallows Part 1 utilized various techniques to generate hype and awareness for the film, including teaser posters, a website, trailers, TV spots, merchandise, and the premiere event. Additionally, the Wizarding World of Harry Potter theme park in Orlando helped promote the films and bring the world of Harry Potter to life for fans. Overall, the comprehensive marketing campaign effectively built upon the established popularity of the franchise to ensure that the final installment would be a box office success.
The document provides details on the creative process for designing a movie poster for a short horror film. Key elements included in the poster design are:
1. A black background to signify evil and darkness, conforming to horror poster conventions.
2. The film title in white centered at the top to indicate importance and contrast against the black background.
3. Smaller centered credits at the bottom, conforming to general movie poster conventions.
4. An image of the main possessed character cropped from a film scene to directly target paranormal fans and entice them to watch.
Ruth hill, jo braliey, Jacqui fishenden, Sue tod, sarah Dickenson, aggie clinch, and cindy covill are needed to film scenes 1-4 on March 1st. Props including a box of tea bags, 6 mugs, and a tray will be used, but no costumes or makeup are needed as the scenes take place in a school setting. The filming will be done by the document author serving as the camera person, with assistance from their friend Jade to help with filming, recording, and other technical roles.
This document provides a template for conducting a risk assessment for film production activities. It explains that all potential hazards should be considered, including who or what may be harmed and existing risk controls. For each hazard, the risk level - low, moderate, high, or extreme - should be recorded based on the controls in place. Further actions may then be identified depending on the risk level. Three example hazards are then listed: loose wires, students being in the way, and anything falling or sticking out, along with potential harms, existing controls, risk levels, and further actions.
This document contains a list of items needed for a tea party including tea cups and saucers or mugs, a tablecloth, flowers in a vase, candles or a candle holder, a teapot, sugar, milk in a jug, teaspoons, and a container to carry everything in.
This document lists 5 scenes and their locations for a short film about a lady and a man having breakfast in the kitchen. Scenes 1 through 4 take place in the kitchen, a public location, showing the lady and man at a table, the man pouring tea, and them sipping their tea. Scene 5 zooms out to show them in the kitchen but is listed as taking place in "Nowhere".
I had to reshoot my video because the original only included one long close up without showing different camera angles. I also had to redo my storyboard because I had different actors, a new venue, and a slightly changed storyline. For the reshoot, I set up shots using my new storyboard as a reference, making sure to film enough material and pay attention to shot lengths to edit down to the required 30 seconds. I learned about proper lighting, shot composition, and the importance of following brief instructions.
This document outlines a scene breakdown for a creative media project, listing 4 shots to be filmed in a kitchen. It details the shot type, location, description of the scene, any framing, actions, dialogue, sound effects, actors and props needed for each take. The scenes show a lady and man sitting at a table, the man pouring tea, them sipping tea, and includes voiceover dialogue for the last shot with a wider zoom out framing.
This document provides an analysis of an advertisement called "This is Brewtopia". It summarizes the key elements of the advert including the setting in a Yorkshire tea factory, the editing techniques used, the visual effects of paper balls and the company name, and the camera work focusing on new workers. It also describes props, lighting, actors, and various sounds used in the advert.
This document lists costumes owned by Sophia Gent for a character. It has a section for a woman's costume and a man's costume, both of which are noted as being owned by Sophia Gent.
This 4 part video documents the process of making and drinking English breakfast tea. It shows a lady and man sipping their tea, a close up of a tea pot pouring tea into cups, the two sitting at a kitchen table, and one commenting about making a "proper thing" about breakfast.
This 3-day shooting schedule for a BTEC Creative Digital Media unit outlines the scenes, props, costumes, makeup, actors and technical roles needed each day. On day one, no scene or items are needed. Day two requires props for a kitchen tea scene including cups, saucers, tablecloth and tea accessories. Miss Ball and Mr. Tucker are the actors. Day three involves a voiceover with no props needed. An optional fifth day is also listed.
This document lists 5 scenes and their locations for a short film about a lady and a man having breakfast in the kitchen. Scenes 1 through 4 take place in the kitchen, a public location, showing the lady and man at a table, the man pouring tea, and them sipping their tea. Scene 5 zooms out to show them in the kitchen but is listed as taking place in "Nowhere".
This storyboard depicts a couple enjoying tea together. It begins with close-ups of the couple sipping their tea and then focuses on details of preparing the tea, like the teapot, steam, sugar bowl, and spoon. The storyboard then pulls back to show long shots of the couple and their surroundings in the kitchen as they sit and drink their tea.
The mind map depicts various scenes involving people drinking tea to stay warm or energized. A freezing person is out in the cold weather. Children are playing at the park while a lady and man are having breakfast tea dressed formally in the kitchen. A radiotechnician is working at a radio station and having a cup of tea to quench their thirst. Farmers are herding sheep, with one sheep asking the farmer for some tea. Throughout, the mind map promotes drinking English Breakfast tea to stay warm, calm, and energized.
This document provides notes on the camera angles, sounds, and shots used in several videos. For the meerkat teaser, it describes various close-up, long, and establishing shots showing the meerkats in the snow. It notes the ambient nature sounds and music from Frozen playing. The notes also cover a Doctor Who episode, focusing on shots between the Doctor and River, and background on some of the celebrities.
L6g film production risk assessment form (example and template)Sophia Gent
This document provides a template for conducting a risk assessment for a film production. It involves identifying potential hazards, who or what may be harmed, existing risk controls, risk levels, and any further actions needed. Examples given include risks from hot sand, an on-set dog, and campfires. The assessment should consider emergency contact details and communications for on-location shoots. Completing a full risk assessment is important to have safety precautions in place in case of accidents during video production.
The document outlines a shooting schedule for filming different scenes involving tea over 5 days. Day 1 involves filming close-ups of a tea set on a table with no actors. Day 3 requires 3 actors in casual clothes to film drinking tea while being relaxed, laughing, or overhyped. Day 4 needs the same actors sitting calmly after drinking tea. A cameraman is needed for all scenes.
This document provides examples and analysis of different media forms including fiction, documentary, news, advertising, promotional, and hybrid forms. It also analyzes linear and non-linear narratives, single and multi-strand narratives, realist and anti-realist narratives, open and closed narratives, series and serial narratives, and different genres. Finally, it discusses audience profiling, audience analysis, codes and conventions, and narrative analysis as analytical approaches.
Television has had a huge impact on American culture and society since the 1940s. It shaped how people think about important issues like race, gender, and class by exposing viewers to different perspectives through various TV shows. In the 1970s, TV programs began being rated by viewers, and more channels were introduced in the 1980s-1990s through cable TV. While TV can educate children about different views, excessive viewing can harm brain development, decrease physical activity, and impact social skills. Overall, television has greatly influenced American culture by manipulating how children's brains develop based on what they see on TV programs.
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The document provides initial ideas and audience feedback for a sci-fi movie trailer project. It discusses three potential plot ideas: strange events in London leading people to develop abilities; a village where people go missing after becoming obsessed with a TV show; and a found footage story about an alien invasion cover-up. Based on feedback, the second idea of strange happenings in a village is selected as it introduces characters and mystery without revealing too much of the plot. The document also notes that the trailer should include dramatic music to build tension and intrigue audiences without giving away the entire story.
Crime dramas like Life on Mars are scheduled in popular time slots, such as 9pm, to attract large audiences after other popular shows end. They are "hammocked" between shows with high ratings to retain viewers. Repeating popular episodes is also an effective strategy for increasing ratings of crime dramas by making them more memorable and bringing back past viewers. Precise scheduling and zoning of crime dramas, along with repeating episodes, helps the shows compete against other crime dramas on different channels for audiences.
Here is a 3-paragraph, 350-word summary of the key points on how social media has impacted youth culture:
Social media has significantly influenced music and how young artists promote themselves. Previously, musicians relied on live performances and demos to build an audience, hoping to gain recognition from labels. Now, social platforms empower all artists by providing a wide reach to showcase their style and personality. Artists utilize platforms like Twitter, Instagram and YouTube to connect with fans, distribute music videos and create engaging content - one of the most effective promotional strategies today. Social media has revolutionized the industry by leveling the playing field and allowing raw talent to be discovered independent of traditional industry gatekeepers.
Communication styles have also shifted with rising social media use
The document provides an overview of different types of media productions including adverts, drama genres (comedy, crime, period, documentary), entertainment (music videos, films, short films), and the author's proposed short crime drama "Deadly Friendship." It discusses key elements of each type such as purpose, narrative structure, budget considerations, and examples. The author proposes a 3-episode crime drama exploring how revenge can make people do horrific things to those close to them. Finance would come from television companies if there is a proven audience for the drama's style and content.
The document analyzes two soap opera trailers:
1) A Hollyoaks trailer promoting "Six Weeks of Summer" uses fast editing to showcase multiple storylines over the summer. It entices viewers by briefly teasing upcoming plots.
2) An Eastenders trailer for "A Killer Exposed" solely focuses on the murder of Lucy Beale. In contrast to typical multi-narrative trailers, it builds intrigue around this single plotline through slow pacing and an ominous tone without dialogue. Both trailers effectively generate anticipation among audiences in distinct ways.
This document discusses the marketing strategies used for the 2015 Disney film Cinderella. It targeted both children and their parents by appealing to fans of the classic fairy tale as well as the popular film Frozen. The film's posters prominently featured a character resembling Frozen's Elsa. Trailers were shown before other movies in theaters and on television. Social media was also utilized to promote the film online at no cost. The film attracted a young audience, with most viewers between ages 16-19. Word of mouth, trailers, and posters were the most common ways audiences heard about the movie.
The document summarizes the results of a survey about audience preferences for soap operas. Key findings include:
- EastEnders is the most popular soap, followed by Hollyoaks and Emmerdale. Neighbours, Home and Away, and Doctors received no responses.
- The majority watch soaps every night and prefer storylines involving mysteries like murders.
- Audiences want soap trailers to show characters, drama, and gossip while using exciting music to build tension. They prefer action-packed trailers over slow ones.
- Trailers should not be overly dramatic, focus too much on one character/storyline, or use too many transitions. Younger, more realistic characters and storylines are
The document summarizes the results of a survey about audience preferences for soap operas. Key findings include:
- EastEnders is the most popular soap, followed by Hollyoaks and Emmerdale.
- Most audience members watch soaps every night and prefer action-packed trailers featuring drama, gossip and characters' lives.
- Younger characters and realistic storylines about friends rather than family are desired in a new soap, according to respondents.
This summary analyzes a document discussing the importance of truth in news reporting and documentaries. It states that truth is the foundation for news stories and is important so that audiences receive factual information. However, news outlets can manipulate stories by leaving out details to influence audience reactions. Similarly, documentaries are meant to portray truth but often reconstruct events or prioritize certain perspectives, affecting the accuracy of the overall story presented. Editing techniques can also alter truths, such as only showing partial speeches or merging clips to change meanings. Representations of participants are sometimes positively skewed to make unusual subjects seem more relatable. Bias and lack of balancing all perspectives are issues that can compromise truths.
The document summarizes research from a study called "Screen Life: TV in demand" which looked at video on demand behaviors and emerging TV technologies. It discusses how the researchers developed a needstates model to understand viewers' underlying motivations for consuming different types of video content. The model identifies 6 core needs - unwind, comfort, connect, experience, escape, and indulge. It describes each needstate and provides examples to illustrate the different types of content that fulfill each need.
This summary provides an overview of a document discussing the importance of truth in news reporting and documentaries. It states that truth is the foundation for news stories and is important so that news portrays factual information. It also notes that documentaries are supposed to show the truth but often reconstruct events or manipulate footage to make it more entertaining or appropriate for audiences. The document discusses how filming, editing, and representation of participants can impact the truth and alter viewers' perceptions of events or people.
This document discusses the debate around whether violence on television makes children more violent. It presents arguments on both sides of the issue. Those who argue that violent TV programming contributes to youth violence today include parents, teachers, doctors, and politicians. However, television networks and cable providers argue it is the parents' responsibility to monitor what children watch. The essay also notes that similar debates occurred centuries ago regarding violence in theatrical performances.
The document describes the results of a survey conducted to inform the creation of a documentary. The survey found that the target audience is mostly aged 10-29, watches documentaries regularly, and prefers Louis Theroux's documentaries and the observational documentary mode. It also found that subjects involving romance, culture or comedy would interest the audience. Most respondents said they would watch a documentary about Heathrow Airport and love.
Sophie plans to create a documentary series for BBC Three called "Challenging Stereotypes" with the first documentary focusing on Type 1 Diabetes titled "Living with Type 1 Diabetes". She plans to interview people with Type 1 Diabetes including Will Godwin, a male student, and Nicole Lewis, a female actress of other ethnic origin. Sophie aims to represent her interviewees positively and show how Type 1 Diabetes does not define them by using natural lighting and focusing on their achievements rather than their condition. Location shots will provide context for the interviewees and Sophie will take safety precautions when filming at different locations.
My Big Fat Gypsy Wedding is a British documentary series that aired on Channel 4 from 2010-2012, profiling the lives of Romani people in the UK. It uses interviews and observational filming to explore Gypsy culture and traditions like wild dresses and weddings. The documentary employs an expository mode with voiceovers and subjective accounts to inform viewers while evoking emotional reactions.
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it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
A workshop hosted by the South African Journal of Science aimed at postgraduate students and early career researchers with little or no experience in writing and publishing journal articles.
Introduction to AI for Nonprofits with Tapp NetworkTechSoup
Dive into the world of AI! Experts Jon Hill and Tareq Monaur will guide you through AI's role in enhancing nonprofit websites and basic marketing strategies, making it easy to understand and apply.
ISO/IEC 27001, ISO/IEC 42001, and GDPR: Best Practices for Implementation and...PECB
Denis is a dynamic and results-driven Chief Information Officer (CIO) with a distinguished career spanning information systems analysis and technical project management. With a proven track record of spearheading the design and delivery of cutting-edge Information Management solutions, he has consistently elevated business operations, streamlined reporting functions, and maximized process efficiency.
Certified as an ISO/IEC 27001: Information Security Management Systems (ISMS) Lead Implementer, Data Protection Officer, and Cyber Risks Analyst, Denis brings a heightened focus on data security, privacy, and cyber resilience to every endeavor.
His expertise extends across a diverse spectrum of reporting, database, and web development applications, underpinned by an exceptional grasp of data storage and virtualization technologies. His proficiency in application testing, database administration, and data cleansing ensures seamless execution of complex projects.
What sets Denis apart is his comprehensive understanding of Business and Systems Analysis technologies, honed through involvement in all phases of the Software Development Lifecycle (SDLC). From meticulous requirements gathering to precise analysis, innovative design, rigorous development, thorough testing, and successful implementation, he has consistently delivered exceptional results.
Throughout his career, he has taken on multifaceted roles, from leading technical project management teams to owning solutions that drive operational excellence. His conscientious and proactive approach is unwavering, whether he is working independently or collaboratively within a team. His ability to connect with colleagues on a personal level underscores his commitment to fostering a harmonious and productive workplace environment.
Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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A review of the growth of the Israel Genealogy Research Association Database Collection for the last 12 months. Our collection is now passed the 3 million mark and still growing. See which archives have contributed the most. See the different types of records we have, and which years have had records added. You can also see what we have for the future.
How to Build a Module in Odoo 17 Using the Scaffold MethodCeline George
Odoo provides an option for creating a module by using a single line command. By using this command the user can make a whole structure of a module. It is very easy for a beginner to make a module. There is no need to make each file manually. This slide will show how to create a module using the scaffold method.
Liberal Approach to the Study of Indian Politics.pdf
Assignment 3 a
1. Assignment3A
Factional: plant earth 2
Planet earth is a 2016 British
nature documentary series.
It is a sequel to planet earth
which was broadcasted in 2006.
It is presented and narrated by
sir David Attenborough.
It took 3 years of filming to
make just 6 episodes.
Cast: David Attenborough
David Attenborough is a very well-known personality by his documentaries. A
lot of people love his voice and find it really relaxing and fits perfectly with his
shows. Hedraws peoplein to watching his shows and knows thathe’s popular
so it’s worth the time and money. Planet Earth is to educate, entertain and
inform people about animals around the world. They do this really well as is
such a popular programwith some spectacular camera angles that gives you a
really good view of all the animals in their naturalenvironment. Planet earth
has some sortof structurebut not a massiveone, there has only been 6
episodes recently and the reason for this is because it takes so many years to
plan and decide where there going to go and film, the episodes don’t really
follow but they all have different things they focus on, such as grasslands,
desert and cities, these are justa few examples of whatis on planet earth.
There are no adverts whilstwatching planet earth on BBC 1 so people get more
into it, it leaves people feeling excited to find out what’s going on next week
but there not linked together it’s justa complete different episode but there all
so interesting. You can access this on your mobile/tablets and that’s really
handy as a lot of people would watch it either live or on iPlayer. The target
audience for this program I would say is any age, the reason for this is because
it bring entertainment and not justthat but education as well so everyone
enjoys it. Having David Attenborough narrating over makes the program so
much better.
2. Fictional: Hollyoaks
The soap is set in the fictional
borough of Hollyoaks in Chester
and was first broadcast on October
23, 1995.
It started with just seven characters
and now has almost 50.
On its birthday it will have aired
4,240 episodes.
Hollyoaks is a really popular T.V soap, it’s played on channel 4 every week day.
Itis very well promoted on social media and on the T.V itself, there is a lot of
ways they promote it by giving you teasers on what’s coming up or clips of the
days episode to make people want to watch it. All the cast are basically
celebrities so members of the public get attracted to them really easy. Every
episode is different but all links together in a certain way, there is always a
story or maybe more than one at a time but always onemain one. This means
that hollyoaks has a open structure. They way this is shown is by cliff hangers
at the end of each episode so people wantto watch it the next day. Hollyoaks
also does something whereafter the episodefinishes they show a little clip as
a teaser, this makes people very excited on what going to happen next.
Hollyoaks doesn’treally havea mode of address as it doesn’treally focus on
the viewer that much all it does it tells the viewer a story and keeps leaving
them on a cliff hanger so they go and watch it the next day. The position
structureis always differentdepending on the situation and storyline, they use
so many different camera angles to make it more believable for the viewer.
It’s really important that wecan view this soap on a mobile device or any other
handheld device the reason for this is becausemillions of people usetheir
phones and to be able to watch stuff on there is so much easier, is quicker for
someone to watch it on ‘all 4’ which is channel 4’s iPlayer. The target audience
I would say is for anyone that’s interested in soaps and anyonethat loves a
drama, a little 5 year old kid wouldn’tbe interested but a 20 year old woman
will be. The idea of this soap is to make people enjoy there evenings by
watching something that looks real but its not.
3. Promotional:anti-
smokingadvert
PublishedonDec29,
2014
Thisadvertbringsto life
the damage smokingdoes
to yourbody.
Whenyou smoke, toxins
attack everypartof you,
causingyouto slowlyrot
inside.If youcouldsee
the rot, you’dstop.
This advertit to stop people from smoking, it’s a very disturbing advertand a
lot of people would cringe when watching it, that really is the reason why they
have made it as smoking is extremely bad for you. The use of persuasive
devices is used in adverts so it makes people think, this is what adverts do,
they want people to be attracted to them so they can go and find out more on
whatever they have seen. With adverts you expected to see stuff that will
make you think, so they use graphic images as well such as with this ad there
using flesh as the tobacco so it shows you whatit does to you. I feel like this
advertwould of made a lot of people quit as it’s such a disturbing ad but
makes you think. Someadverts use celebrities as that will make the audience
more interested as people love celebrities. This helps promote the advert a lot.
The mode of address I would say is direct as the firstthing you hear from the
narrator is ‘when you smokeall the toxins attack your insides’ this makes you
feel like there speaking to you individually witch to be honest is what they’re
doing to make the point go across and tell you the dangers of smoking. The
camera angles are different throughoutthe ad, there is closeups, mid views
but more close ups than anything and this is becausethere focusing on the
tobacco packet witch is full of flesh. The target audience Is for anyone that
smokes so any age, all the NHS are doing is trying to prevent diseases such as
cancer. The way they usethe woman’s voiceto explain what happens is quite
moving and made myself speechless, it’s a very disturbing advertbut that’s the
idea. This advertI would say is very affective and what they have done is really
good as it makes you think.