Based on the content and themes in our film, which involves ghosts haunting a family home, a BBFC rating of 15 seems most appropriate. A 15 rating indicates the film may be unsuitable for those under 15 years old and allows teenagers aged 15 and over to view it. Some of the key reasons a 15 rating fits our film are:
- It contains supernatural themes of ghosts/hauntings which could disturb younger viewers.
- There are scenes of tension and fear which a 15 rating acknowledges may upset those under 15.
- A 15 rating gives us freedom to include some mild language or scary scenes if needed to tell our story effectively.
- It is not graphic or disturbing enough to warrant an 18 rating which is
1. Momentum Pictures has a history of distributing successful British films on modest budgets similar to ours. They understand the UK market.
2. They have experience distributing thriller films set in haunted houses, like The Woman in Black, which is a similar genre to our film.
3. As an independent distributor owned by Paramount, they have the resources and experience to promote our film, but also the flexibility to work with a lower budget British production.
Based on the information provided, Momentum Pictures seems like the best fit to distribute our film for a few key reasons:
- Momentum Pictures has a history of distributing successful British films like The King's Speech, which aligns with our film being a British production.
- They have experience distributing thriller films set in haunted houses, like The Woman in Black and Insidious, which are tonally similar to our film.
- Their budgets are flexible and they've worked on lower budget films like Insidious, so they would be open to independent productions.
- They have experience filming in the UK, which matches the primary production location of our film.
While the other companies may work with higher budgets or
The document provides details about characters in a film, including their names, ages, costumes, makeup, stereotypes and more. It describes characters like Cilia Elizabeth Carter, a 73-year-old woman portrayed as a dead woman from the 1800s. The document also shares information about filming locations and influences from other films for titles and credits.
Based on the details provided about the film and the BBFC rating guidelines, I would recommend classifying our film as a 15 rating. While it deals with mature themes of hauntings and ghosts, the film does not contain strong language, graphic nudity, or excessive violence that would warrant an 18 rating. A 15 rating allows us to explore these themes in an age-appropriate way for older teenagers while avoiding content unsuitable for younger viewers.
Cilia Elizabeth Carter is represented as an old, scary maid in the film who is threatening and angry after being killed. She is portrayed this way to show how dangerous ghosts can become if you enter their territory. The character is meant to appear threatening to audiences.
The document discusses the film The Secret World of Arrietty, which is based on the novel The Borrowers by Mary Norton. It provides an overview of the plot, characters, cultural aspects, and technical aspects of the animation. The story follows the tiny borrower Arrietty and her family, who take items from humans to survive. The film differs culturally from the source material. It ends with Arrietty and her family forced to leave their home and journey downstream after their world is discovered by the human maid.
The document analyzes the representations of several female characters in British soaps, including Linda from EastEnders, Kat from EastEnders, Nico from Hollyoaks, Harry from Hollyoaks, and Kylie from Coronation Street. It examines the camerawork, mise-en-scene, editing, sound, and how each character relates to various representation theories around gender, such as the male gaze and legitimization of gender inequalities. Overall, it finds that the female characters generally conform to stereotypes of weakness, dependency, and objectification compared to male characters, though some characters like Nico and Kylie subvert expectations at times.
Culture Club's "Karma Chameleon" music video from 1983 uses a linear narrative structure set in 1870s Mississippi. The protagonist's flamboyant style with dyed hair, makeup, and accessories represents the new wave and punk genres of the time. While the video portrays some racial diversity and female empowerment early on, it later objectifies and sexualizes women as exposed party dancers. The representation of masculinity in the video incorporates traditionally feminine characteristics for the new wave style of the era.
1. Momentum Pictures has a history of distributing successful British films on modest budgets similar to ours. They understand the UK market.
2. They have experience distributing thriller films set in haunted houses, like The Woman in Black, which is a similar genre to our film.
3. As an independent distributor owned by Paramount, they have the resources and experience to promote our film, but also the flexibility to work with a lower budget British production.
Based on the information provided, Momentum Pictures seems like the best fit to distribute our film for a few key reasons:
- Momentum Pictures has a history of distributing successful British films like The King's Speech, which aligns with our film being a British production.
- They have experience distributing thriller films set in haunted houses, like The Woman in Black and Insidious, which are tonally similar to our film.
- Their budgets are flexible and they've worked on lower budget films like Insidious, so they would be open to independent productions.
- They have experience filming in the UK, which matches the primary production location of our film.
While the other companies may work with higher budgets or
The document provides details about characters in a film, including their names, ages, costumes, makeup, stereotypes and more. It describes characters like Cilia Elizabeth Carter, a 73-year-old woman portrayed as a dead woman from the 1800s. The document also shares information about filming locations and influences from other films for titles and credits.
Based on the details provided about the film and the BBFC rating guidelines, I would recommend classifying our film as a 15 rating. While it deals with mature themes of hauntings and ghosts, the film does not contain strong language, graphic nudity, or excessive violence that would warrant an 18 rating. A 15 rating allows us to explore these themes in an age-appropriate way for older teenagers while avoiding content unsuitable for younger viewers.
Cilia Elizabeth Carter is represented as an old, scary maid in the film who is threatening and angry after being killed. She is portrayed this way to show how dangerous ghosts can become if you enter their territory. The character is meant to appear threatening to audiences.
The document discusses the film The Secret World of Arrietty, which is based on the novel The Borrowers by Mary Norton. It provides an overview of the plot, characters, cultural aspects, and technical aspects of the animation. The story follows the tiny borrower Arrietty and her family, who take items from humans to survive. The film differs culturally from the source material. It ends with Arrietty and her family forced to leave their home and journey downstream after their world is discovered by the human maid.
The document analyzes the representations of several female characters in British soaps, including Linda from EastEnders, Kat from EastEnders, Nico from Hollyoaks, Harry from Hollyoaks, and Kylie from Coronation Street. It examines the camerawork, mise-en-scene, editing, sound, and how each character relates to various representation theories around gender, such as the male gaze and legitimization of gender inequalities. Overall, it finds that the female characters generally conform to stereotypes of weakness, dependency, and objectification compared to male characters, though some characters like Nico and Kylie subvert expectations at times.
Culture Club's "Karma Chameleon" music video from 1983 uses a linear narrative structure set in 1870s Mississippi. The protagonist's flamboyant style with dyed hair, makeup, and accessories represents the new wave and punk genres of the time. While the video portrays some racial diversity and female empowerment early on, it later objectifies and sexualizes women as exposed party dancers. The representation of masculinity in the video incorporates traditionally feminine characteristics for the new wave style of the era.
This document analyzes and provides feedback on previous students' work, including Aiden and Joel's use of title, props, and editing but needing better camera shots and quality; Marcus and Luke's effective camera shots and costumes but ineffective sound; and Hannah and Megan's tension-building lighting and props but too many close-ups, shaky shots, and unsuitable music.
Andrew Goodwin proposed a theory that defines the typical structure and components of music videos. He identified 7 key principles that are usually present in order for music videos to effectively convey their message and promote the artist. These include links between the lyrics and visuals, links between the music and visuals, genre characteristics, notions of looking and voyeurism, multiple close-ups of the artist, and intertextual references. Goodwin believed incorporating these principles allows record labels to successfully market and construct stars out of their artists.
Este documento proporciona información sobre los cuidados básicos para la salud de los perros. Explica que los dueños deben llevar a sus perros al veterinario para exámenes y vacunas regulares, y también deben asegurarse de desparasitarlos, cepillarlos, revisar sus ojos y oídos, y cortar sus uñas. Además, recomienda inspeccionar la boca del perro para detectar sarro y problemas dentales.
The document discusses redesigning a website to be more simplistic with fewer links, user friendly, and easy to navigate. It mentions creating wireframes, concept sketches, and redesigning pages like about, contact, programs including sober living, and a gallery. The conclusion recommends making the overall site simpler.
From the preliminary task to the final product, the document discusses what was learned about technical skills, time management, and resource management. Specifically:
Technical skills improved from a standard match-on-action shot to a more complex edit with additional shots.
Managing time was a challenge - script writing, casting and locations took longer than expected, but editing time was sufficient.
Using a wider variety of equipment like microphones increased quality from the preliminary task which only used a camera.
Overall time and resource management improved but some areas could have been better, though dividing roles allowed proper focus.
Teenagers are people between the ages of 13 and 19 who experience significant physical and psychological changes as they transition from puberty to adulthood. During this stage, teenagers are more vulnerable to risky behaviors like smoking, drugs, and unprotected sex as they seek independence, but it is also a time of cognitive development, socialization, and defining one's personality. The memories of teenage years often last a long time.
Adele's music video for "Someone Like You" uses black and white cinematography and close-ups of her pained facial expressions to depict her feelings of loneliness and heartbreak after a breakup. She is dressed simply and alone in the city of Paris. Wide shots show her walking isolated and abandoned, emphasizing her depressed and gloomy state. The video tells a narrative through its camera techniques of conveying Adele's emotional experience of losing a loved one.
Anwendung der Partizipation. Professionelles Grafikdesign durch CrowdsourcingNETBAES
Referat und Chat in der 8. kollektiven Intelligenz Eventwoche 1.12. - 5.12.2014
Dienstag 2.12.2014 16:00 – 17:00 Uhr
Referent: Thayalan Tobias Putra www.brandsupply.de
Mehr Informationen im Chat auf www.netbaes.net
This document summarizes different aspects of the film, TV, radio, print and online industries. It outlines the major studios in film like Lionsgate, 20th Century Fox and Disney. It describes key roles in production like directors, producers, editors and cameramen. It also lists the largest TV channels, radio stations, newspapers and magazines. Finally, it provides brief overviews of popular social media sites like Facebook, Twitter and Instagram.
O documento descreve a chegada da primavera no hemisfério sul, trazendo flores, cores e alegria à natureza. A primavera é uma estação onde a natureza fica mais bela e oferece flores e perfumes aos seres humanos. No entanto, o homem está destruindo as árvores, colocando em risco a vida na Terra, e precisamos conhecer, amar e proteger a natureza.
Aventones es una aplicación que conecta a personas que viajan en la misma dirección para compartir autos y así reducir el tráfico, las emisiones y mejorar la movilidad en las ciudades. Los usuarios pueden publicar o buscar viajes compartidos, y la aplicación los empareja según la ruta, fecha y horario. El modelo ha tenido éxito en México y Chile, y busca expandirse a más países para fomentar un transporte más sustentable.
This document appears to be a wedding invitation and program for Brook and Gloria's wedding in Oakland, California on October 12, 2013 that includes photos of locations around Lake Merritt such as the Cathedral at Lake Merritt, the gondolas on the lake, the Lake Chalet from a distance, and views of the Bay Bridge and San Francisco skyline at nightfall that will make up their wedding celebration and reception.
Questionnaire results for doc let it rollhannahmealor
The document summarizes the results of a questionnaire about a documentary called "Let It Roll". Respondents generally liked the documentary, finding it interesting. They suggested improving the flow and adding more music. All respondents said they would watch the full hour and thought it appealed to the target 16-25 age group. They gave positive feedback on the title, music, interviews, channel suitability, and colors. For the radio advert, respondents liked the voiceover and music. Some felt the music could be more upbeat. All said the advert made them want to watch the documentary and it was clear what it was about. Feedback on the poster was also mostly positive.
The document summarizes the visual comparisons between the product being designed and existing magazines like NME and Fix. Some key similarities noted are using vibrant colors to attract attention, featuring prominent images of bands, keeping consistent color schemes and fonts across pages to maintain a professional house style. Differences highlighted include placing a quote from the band over the feature image to draw readers in and varying conventions like the placement of images and articles.
The document summarizes Todorov's theory of narrative structure and applies it to the film Armageddon. Todorov proposed that narratives typically follow five stages: 1) Equilibrium, 2) Disequilibrium, 3) Recognition of disequilibrium, 4) Attempt to repair disequilibrium, and 5) New equilibrium. The document then shows how each of these stages is represented in the plot and events of Armageddon, from the initial normal work environment that is disrupted by the discovery of an approaching asteroid, to the crew's attempt to destroy the asteroid and restore normality.
Este documento define desperdicio electrónico y discute los beneficios del reciclaje de estos desperdicios. Explica que el reciclaje desvía materiales de los vertederos, provee beneficios sociales y conserva recursos naturales. También describe las fases del manejo de equipos electrónicos como la recuperación, remanufactura, desmantelamiento y reciclaje. Finalmente, detalla las sustancias peligrosas que pueden encontrarse en equipos electrónicos como metales pesados.
The document discusses the rating that the film would receive from the British Board of Film Classification (BBFC). It notes that the film would likely be rated 15 since the content would not be suitable for younger audiences. It provides information on the BBFC and what each rating means in terms of content restrictions like language, sex, violence etc. The 15 rating means that no one under 15 can view the film in cinemas or rent/buy the video.
Based on the information provided about our film and the BBFC rating system, I would recommend our film be rated 12A. While our film contains horror elements involving ghosts, the disturbing sequences would not be frequent or constant enough to warrant a 15 rating. A 12A rating would indicate that children under 12 can view the film if accompanied by an adult, which seems appropriate given the mature themes in our ghost story but not excessive graphic content.
This document analyzes and provides feedback on previous students' work, including Aiden and Joel's use of title, props, and editing but needing better camera shots and quality; Marcus and Luke's effective camera shots and costumes but ineffective sound; and Hannah and Megan's tension-building lighting and props but too many close-ups, shaky shots, and unsuitable music.
Andrew Goodwin proposed a theory that defines the typical structure and components of music videos. He identified 7 key principles that are usually present in order for music videos to effectively convey their message and promote the artist. These include links between the lyrics and visuals, links between the music and visuals, genre characteristics, notions of looking and voyeurism, multiple close-ups of the artist, and intertextual references. Goodwin believed incorporating these principles allows record labels to successfully market and construct stars out of their artists.
Este documento proporciona información sobre los cuidados básicos para la salud de los perros. Explica que los dueños deben llevar a sus perros al veterinario para exámenes y vacunas regulares, y también deben asegurarse de desparasitarlos, cepillarlos, revisar sus ojos y oídos, y cortar sus uñas. Además, recomienda inspeccionar la boca del perro para detectar sarro y problemas dentales.
The document discusses redesigning a website to be more simplistic with fewer links, user friendly, and easy to navigate. It mentions creating wireframes, concept sketches, and redesigning pages like about, contact, programs including sober living, and a gallery. The conclusion recommends making the overall site simpler.
From the preliminary task to the final product, the document discusses what was learned about technical skills, time management, and resource management. Specifically:
Technical skills improved from a standard match-on-action shot to a more complex edit with additional shots.
Managing time was a challenge - script writing, casting and locations took longer than expected, but editing time was sufficient.
Using a wider variety of equipment like microphones increased quality from the preliminary task which only used a camera.
Overall time and resource management improved but some areas could have been better, though dividing roles allowed proper focus.
Teenagers are people between the ages of 13 and 19 who experience significant physical and psychological changes as they transition from puberty to adulthood. During this stage, teenagers are more vulnerable to risky behaviors like smoking, drugs, and unprotected sex as they seek independence, but it is also a time of cognitive development, socialization, and defining one's personality. The memories of teenage years often last a long time.
Adele's music video for "Someone Like You" uses black and white cinematography and close-ups of her pained facial expressions to depict her feelings of loneliness and heartbreak after a breakup. She is dressed simply and alone in the city of Paris. Wide shots show her walking isolated and abandoned, emphasizing her depressed and gloomy state. The video tells a narrative through its camera techniques of conveying Adele's emotional experience of losing a loved one.
Anwendung der Partizipation. Professionelles Grafikdesign durch CrowdsourcingNETBAES
Referat und Chat in der 8. kollektiven Intelligenz Eventwoche 1.12. - 5.12.2014
Dienstag 2.12.2014 16:00 – 17:00 Uhr
Referent: Thayalan Tobias Putra www.brandsupply.de
Mehr Informationen im Chat auf www.netbaes.net
This document summarizes different aspects of the film, TV, radio, print and online industries. It outlines the major studios in film like Lionsgate, 20th Century Fox and Disney. It describes key roles in production like directors, producers, editors and cameramen. It also lists the largest TV channels, radio stations, newspapers and magazines. Finally, it provides brief overviews of popular social media sites like Facebook, Twitter and Instagram.
O documento descreve a chegada da primavera no hemisfério sul, trazendo flores, cores e alegria à natureza. A primavera é uma estação onde a natureza fica mais bela e oferece flores e perfumes aos seres humanos. No entanto, o homem está destruindo as árvores, colocando em risco a vida na Terra, e precisamos conhecer, amar e proteger a natureza.
Aventones es una aplicación que conecta a personas que viajan en la misma dirección para compartir autos y así reducir el tráfico, las emisiones y mejorar la movilidad en las ciudades. Los usuarios pueden publicar o buscar viajes compartidos, y la aplicación los empareja según la ruta, fecha y horario. El modelo ha tenido éxito en México y Chile, y busca expandirse a más países para fomentar un transporte más sustentable.
This document appears to be a wedding invitation and program for Brook and Gloria's wedding in Oakland, California on October 12, 2013 that includes photos of locations around Lake Merritt such as the Cathedral at Lake Merritt, the gondolas on the lake, the Lake Chalet from a distance, and views of the Bay Bridge and San Francisco skyline at nightfall that will make up their wedding celebration and reception.
Questionnaire results for doc let it rollhannahmealor
The document summarizes the results of a questionnaire about a documentary called "Let It Roll". Respondents generally liked the documentary, finding it interesting. They suggested improving the flow and adding more music. All respondents said they would watch the full hour and thought it appealed to the target 16-25 age group. They gave positive feedback on the title, music, interviews, channel suitability, and colors. For the radio advert, respondents liked the voiceover and music. Some felt the music could be more upbeat. All said the advert made them want to watch the documentary and it was clear what it was about. Feedback on the poster was also mostly positive.
The document summarizes the visual comparisons between the product being designed and existing magazines like NME and Fix. Some key similarities noted are using vibrant colors to attract attention, featuring prominent images of bands, keeping consistent color schemes and fonts across pages to maintain a professional house style. Differences highlighted include placing a quote from the band over the feature image to draw readers in and varying conventions like the placement of images and articles.
The document summarizes Todorov's theory of narrative structure and applies it to the film Armageddon. Todorov proposed that narratives typically follow five stages: 1) Equilibrium, 2) Disequilibrium, 3) Recognition of disequilibrium, 4) Attempt to repair disequilibrium, and 5) New equilibrium. The document then shows how each of these stages is represented in the plot and events of Armageddon, from the initial normal work environment that is disrupted by the discovery of an approaching asteroid, to the crew's attempt to destroy the asteroid and restore normality.
Este documento define desperdicio electrónico y discute los beneficios del reciclaje de estos desperdicios. Explica que el reciclaje desvía materiales de los vertederos, provee beneficios sociales y conserva recursos naturales. También describe las fases del manejo de equipos electrónicos como la recuperación, remanufactura, desmantelamiento y reciclaje. Finalmente, detalla las sustancias peligrosas que pueden encontrarse en equipos electrónicos como metales pesados.
The document discusses the rating that the film would receive from the British Board of Film Classification (BBFC). It notes that the film would likely be rated 15 since the content would not be suitable for younger audiences. It provides information on the BBFC and what each rating means in terms of content restrictions like language, sex, violence etc. The 15 rating means that no one under 15 can view the film in cinemas or rent/buy the video.
Based on the information provided about our film and the BBFC rating system, I would recommend our film be rated 12A. While our film contains horror elements involving ghosts, the disturbing sequences would not be frequent or constant enough to warrant a 15 rating. A 12A rating would indicate that children under 12 can view the film if accompanied by an adult, which seems appropriate given the mature themes in our ghost story but not excessive graphic content.
The document discusses creating an opening sequence for a horror film about a teenage girl who is haunted by a ghost in her new home, examining improvements made to characters, locations, and narrative structure from a previous draft. Film distribution options of Lions Gate Entertainment and Film4 are also considered due to their experience with independent and thriller films.
The document discusses creating an opening sequence for a horror film about a teenage girl who is haunted by a ghost in her new home, examining improvements made to build intrigue, the target audience, and narrative and film theories that could apply to the sequence. Plans for film distribution with companies like Lions Gate and Film4 are also mentioned.
The document discusses font and title design options for a film about a woman whose life is ruined by drug use. It considers fonts that convey distorted or hallucinatory visions, as seen in the films Dazed and Confused and Devil. One font called "Delirium Fantasy" is favored for its flexible, curling letters that seem to show the effects of drugs on one's life. Overall, the document explores creative ways to represent the film's themes through visual elements like titles and credits.
Our film is a closed narrative that tells the complete story of Laura's life with drugs from start to finish without any cliffhangers. It sends a clear message that drug use will ultimately lead to death without leaving any unanswered questions for the audience. The narrative structure has not changed from the first draft, as it still follows Laura's story in a linear manner from start to end.
Our film is a closed narrative that tells the complete story of Laura's life with drugs from start to finish without any cliffhangers. It sends a clear message that drug use will ultimately lead to death without leaving any unanswered questions for the audience. The narrative structure has not changed from the first draft, as it still follows Laura's story in a linear manner from start to end.
Our film is a closed narrative that tells the complete story of Laura's life with drugs from start to finish without any cliffhangers. It sends a clear message that drug use will ultimately lead to death without leaving any unanswered questions for the audience. The narrative structure has not changed from the first draft, as it still follows Laura's story in a linear manner from start to end.
Here are some key health and safety considerations for filming at this location:
- Road safety when traveling to/from the location by bus or walking, including using pedestrian crossings carefully
- Ensuring safe access to and from the house, such as maintaining clear walkways and using handrails on steps
- Having a first aid kit on location in case of minor injuries
- Following any relevant COVID safety guidelines like social distancing and mask wearing
- Getting permission from the homeowner to use the property for filming
- Respecting the property and cleaning up after filming
The main priorities are traveling safely, having basic first aid supplies, getting permission to use the private property, and leaving the area as you
The document discusses different filmmaking techniques used in an opening sequence, including close up shots to highlight emotions, aerial shots for context, and long shots to show what a character cannot see. It also covers developing mystery or "enigma" through sound and pace, and leaving the audience wanting more at the end.
Our opening sequence explores the mental state of a character who is being haunted by a ghost. Tension and unease are built through the use of diegetic sounds and non-diegetic music cues. The sequence ends on an unsettling note as the ghost harms the character in her sleep. This leaves the audience wanting to know more, setting up an intriguing premise for the rest of the film.
Our opening sequence explores the mental state of a character who is being haunted by a ghost. Tension and unease are built through the use of diegetic sounds and non-diegetic music cues. The sequence ends on an unsettling note as the ghost harms the character in her sleep, leaving the audience wanting to know more. We have selected a 15 rating from the BBFC as our sequence contains strong threats and implied violence.
Laura leaves from her home and makes her way through the park and forest, where she will eventually collapse. Flashback scenes will take place in familiar locations like a friend's home and school to show how Laura's drug use began. All locations present potential safety hazards like slippery conditions, loose animals, and falling objects.
The document provides background information on Arthur Miller's play "The Crucible", setting the context of the Salem witch trials of 1692, describing aspects of Puritan society and moral code, and introducing important characters like Reverends Parris and Hale as well as John and Elizabeth Proctor. Key themes that emerge are the strict moral codes of Puritan society, political and land disputes fueling accusations of witchcraft, and struggles for power and influence in this society.
The document discusses the genre, conventions, social groups, and issues represented in the student's opening title sequence project called "In The Way". The sequence is set in the 1980s and is a romantic drama genre. It depicts a forbidden lesbian relationship and the negative influence of extreme Christianity. Scenes in the fort show the developing relationship between the two main characters, while exorcism scenes portray the attempt to "cure" one girl's sexuality. The sequence challenges radical religious views and represents the LGBTQ community and teenage girls in the 1980s.
The document describes the character of a clown in a film, noting his costume includes a colorful jumpsuit and hat, his makeup includes blood tears and a drawn mouth, and his body language is very fast random movement. The clown is meant to represent a delusional character that someone with schizophrenia might see. The clown does not exist in real life and is there to frighten viewers and show what delusions might look like.
This document summarizes conventions from several films and compares them to the filmmakers' own work. It discusses conventions for openings such as: using ident cards and music to transition between scenes; using title sequences to introduce the film, characters, and tone; and using the first shot to set the scene and provide exposition through details. It also summarizes conventions for the central protagonist, how the narrative is disrupted in the opening to propel the story, and how films typically transition from the opening to the main feature.
The document provides details about a proposed horror film called "The Night Before The End" produced by Graveyard Productions. It discusses why the group chose the horror genre, the film's concept about a boy kidnapped by a satanic cult in a graveyard, inspiration taken from films like Night of the Living Dead and Carrie, dream cast ideas including David Dorfman and Tobin Bell, the chosen graveyard location, needed technology and equipment, and plans for an unsettling musical score and sounds.
The document provides details about a short horror film called "The Night Before The End" being produced by Graveyard Productions. It will tell the story of a popular boy who takes a shortcut through a graveyard late at night and is kidnapped by a satanic cult who plan to start the apocalypse. The filmmakers chose the horror genre because they enjoy thrill and suspense. They drew inspiration from films like Night of the Living Dead and Carrie. They propose casting actors like David Dorfman and Tobin Bell and filming at Mare Street Graveyard.
We have improved our opening sequence by making the ending faster paced through quick clips that cut swiftly as something unseen approaches the main character. The sequence establishes the main character, a teenager, who begins investigating the history of her new home and encounters increasing paranormal activity that slowly possesses her. This narrative structure fits Todorov's model of starting in equilibrium, disrupting to disequilibrium, and seeking to restore a new equilibrium.
The document discusses the target audience, plot, and characters for a film about a 18-21 year old British woman named Laura who ruins her life by taking drugs. The target audience is 18-21 year old British males and females interested in partying, sex, and drugs. Various locations are proposed for scenes showing Laura initially trying drugs with friends and her downward spiral, including a friend's home, the school drama room, and a local park/forest. Concerns are raised about safety issues at the locations. Characters including Laura and her hallucinated visions on drugs are described in terms of inspiration photos, costumes, and what they represent.
Here are a few suggestions for further improving the enigma in your opening sequence:
- Leave some questions unanswered at the end to really hook the audience. For example, don't reveal if Laura survives or what exactly caused her decline.
- Include more subtle/cryptic clues throughout rather than just explaining everything. Let the audience piece things together.
- Consider using an unreliable narrator so the audience questions what is real vs. hallucination.
- Add layers of meaning so the sequence can be interpreted in multiple ways and re-watched to find new details.
Overall it seems you're on the right track to craft an intriguing opening that leaves the audience wanting more answers and context. Keep refining to
The group changed their theme and concept for their opening sequence from possession and kidnap to drugs and hallucination. They made this change because their previous ideas were too complicated and did not fit well within the drama genre. The new theme of drugs and the concept of hallucination allows them to address a realistic issue, send an educational message to their target audience, and incorporate conventions of drama like emotions and realistic settings.
The document discusses different reasons why spirits may stick around after death, such as having unfinished business, acting as a guardian for loved ones, waiting between lives if they believe in reincarnation, delivering messages, or because they are actually still living through dreams or out-of-body experiences rather than being deceased. It provides examples of each type of lingering spirit from movies and real-life stories.
This document contains a shotlist for a short film. It details 48 shots over various scenes showing a character named Laura returning home, finding a strange note, getting frightened by something she sees, and hiding under her sheets in fear. For each shot, it lists the time, scene description, location, main character, any props or costumes needed, and some additional notes. The shotlist provides specific visual directions for filming a narrative about a woman experiencing something frightening in her home.
The document outlines the characters, actors, costumes, and props for a film. It introduces three characters: Laura Hibbitt, a 19-year-old girl; Cilia Elizabeth Carter, a 73-year-old spirit; and Mary Elizabeth Carter, a 52-year-old spirit. For each character, it provides details on their description, costume, and representation in the story. The document develops the characters for a thriller film involving spirits haunting a young woman.
This document appears to be a record of revisions for a group presentation assignment. It includes feedback and assessments from multiple drafts. The group changed their topic from a thriller about schizophrenia to being possessed, to a drama about drug use and hallucinations. They ultimately settled on a psychological thriller about a haunted house. The revisions helped the group explore genres and ideas to create a more engaging presentation for their audience.
Here are a few key points about lost souls:
- They are spirits who are confused and disoriented after death, not realizing they have passed on.
- They often remain attached to the place they died or where their earthly life was centered.
- Lost souls may wander aimlessly, not understanding their non-physical state.
- With guidance, lost souls can eventually accept their death and transition to the afterlife. But some remain lost for long periods.
- Their confusion and fear of the unknown keeps them earthbound rather than moving on to whatever comes next spiritually.
- Seeing or sensing lost souls is said to give one an unsettled, melancholy feeling as they seek purpose or direction.
Based on the BBFC guidelines, our film would likely receive a 15 rating due to its depiction of supernatural horror elements including ghosts that may disturb younger viewers under 15 years old. A 15 rating indicates the film is not suitable for those under 15 and allows an older teenage audience.
Laura purchases a ghost book and sets up a table for a possession ritual. She hears strange noises and experiences paranormal phenomena. Blood appears on the table that was not there before, terrifying Laura. Something pushes her into the closet.
Here are the key details about Character 2 that could be included on the slide:
Name: Cilia Elizabeth Carter
Gender: Female
Age: 73
Costume: Victorian style dress, shawl
Props: Doll, antique mirror
Makeup: Pale face powder, red lips
Stereotype: Mysterious elderly woman
Facial expression: Smile but eyes show sadness
Body language: Stiff, holds herself upright
Representation: Unsettling but creates intrigue, represents tradition clashing with modern
Let me know if you would like me to modify or expand on any part of this suggested character details slide.
This document appears to be notes and feedback from a group assignment on creating a presentation. It includes draft summaries, peer and teacher feedback, and notes on changes made between drafts. The group changed their topic from a story about schizophrenia to a thriller about a haunted house after receiving feedback that the original idea was too complex and sent the wrong message. They provide examples of successful thriller films to support their chosen genre.
The document discusses inspirational films that influenced the opening sequence of a student film project, including the films Insidious and Paranormal Activity which inspired elements of fright and the haunted house aspect. Research was also conducted on themes of spirits and haunting.
The document summarizes common conventions used in thriller openings sequences and provides examples. Specifically, it discusses the conventions of using false endings, shock tactics, innocent victims, villains/victims where details are unclear, escaped convicts, and the supernatural. Each convention is described in terms of its purpose, typical development or use in openings, and examples from films that illustrate it such as Paranormal Activity and The Sixth Sense.
This document appears to be notes and feedback from a group assignment on creating a presentation. It includes draft summaries, peer and teacher feedback, and notes on changes made between drafts. The group changed their presentation topic and genre multiple times based on the feedback, settling on a psychological thriller about a girl with schizophrenia. They provided examples of successful thriller films to support their chosen genre.
Here are the key details about Character 2 that could be included on the slide:
Name: Cilia Elizabeth Carter
Gender: Female
Age: 73
Costume: Victorian style dress, shawl
Props: Doll, antique mirror
Makeup: Pale face powder, red lips
Stereotype: Mysterious elderly woman
Facial expression: Smile but eyes show sadness
Body language: Stiff, holds herself up straight
Representation: Unsettling but viewers feel sympathy for her tragic past
How's that? Let me know if you would like me to modify or expand on any part of the character description.
Here are some suggestions to improve this character slide:
- Provide more description of Laura's personality, backstory, and motivation. This will help the audience connect with and understand her character better.
- Include a headshot photo of the actress playing Laura to help visualize what she looks like.
- Mention any relevant character traits, flaws, strengths that define who Laura is.
- Explain how her costume, makeup and props reflect her character rather than just listing them.
Adding more character details will help bring Laura to life for those reading your presentation. Let me know if you have any other questions!
Kaya: Thank you for the feedback, you're right more character details would help bring Laura
The document discusses conventions used in thriller films to thrill and shock audiences. It provides examples of conventions like false endings that leave cliffhangers, innocent victims who end up killing villains unexpectedly, villains and victims where the villain's identity is kept mysterious, escaped convicts who plan elaborate schemes, supernatural elements that are disturbing and horrific, graphic blood and gore, psychological manipulation, and suspenseful build up without resolution to keep audiences unsettled. Overall, the document analyzes how various conventions are employed in thriller films to provoke emotions in viewers.
This document appears to be notes from an assignment on creating a group presentation. It includes draft feedback, peer assessments, and records of revisions made to topic ideas and content. The group initially planned a presentation on schizophrenia but received feedback that the message was inappropriate. They then changed their topic to drugs and hallucinations, but again revised the idea to focus on a haunted house thriller after more feedback.
This document appears to be notes from an assignment on creating a group presentation over multiple drafts. It includes feedback and assessments from teachers, peers, and self-assessments. The group changed their presentation topic and genre multiple times, receiving feedback that helped improve their ideas. They ultimately decided on a psychological thriller about a girl with schizophrenia.
HD Video Player All Format - 4k & live streamHD Video Player
Discover the best video playback experience with HD Video Player. Our powerful, user-friendly app supports all popular video formats and codecs, ensuring seamless playback of your favorite videos in stunning HD and 4K quality. Whether you're watching movies, TV shows, or personal videos, HD Video Player provides the ultimate viewing experience on your device. 🚀
Brian Peck Leonardo DiCaprio: A Unique Intersection of Lives and Legaciesgreendigital
Introduction
The world of Hollywood is vast and interconnected. filled with countless stories of collaboration, friendship, and influence. Among these tales are the notable narratives of Brian Peck and Leonardo DiCaprio. The keyword "Brian Peck Leonardo DiCaprio" might not immediately ring a bell for everyone. but the connection between these two figures in the entertainment industry is intriguing and significant. This article delves deep into their lives, careers, and the moments where their paths intersect. providing a comprehensive look at how their stories intertwine.
Follow us on: Pinterest
Early Life and Career Beginnings
Brian Peck: The Early Years
Brian Peck was born in New York City on July 29, 1960. From a young age, Peck exhibited a passion for the performing arts. He attended the Professional Children's School. which has a history of nurturing young talent in the arts. Peck's early career marked by a series of roles in television and film that showcased his versatility as an actor.
Peck's breakthrough came with his role in the cult classic "The Return of the Living Dead" (1985). His performance as Scuz, one of the punk rockers who releases a toxic gas that reanimates the dead. earned him a place in the annals of horror cinema. This role opened doors for Peck. allowing him to explore various facets of the entertainment industry. including writing and directing.
Leonardo DiCaprio: From Child Star to Hollywood Icon
Leonardo DiCaprio was born in Los Angeles, California, on November 11, 1974. His career began at a young age with appearances in television commercials and educational films. DiCaprio's big break came when he joined the cast of the popular sitcom "Growing Pains" (1985-1992). where he played the character Luke Brower.
DiCaprio's transition from television to film was seamless. He gained recognition for his role in "This Boy's Life" (1993) alongside Robert De Niro. This performance began a series of acclaimed roles. establishing DiCaprio as one of the most talented actors of his generation. His portrayal of Jack Dawson in James Cameron's "Titanic" (1997) catapulted him to global stardom. solidifying his status as a Hollywood icon.
Brian Peck Leonardo DiCaprio: Their Paths Cross
Collaborations and Connections
The keyword "Brian Peck Leonardo DiCaprio" signifies more than two names; it represents a fascinating connection in Hollywood. While their careers took different trajectories, their paths crossed in the 1990s. Brian Peck worked with DiCaprio on the set of the 1990s sitcom "Growing Pains." where DiCaprio had a recurring role. Peck appeared in a few episodes. contributing to the comedic and dynamic environment of the show.
Their professional relationship extended beyond "Growing Pains." Peck directed DiCaprio in several educational videos for the "Disneyland Fun" series. where DiCaprio's youthful charm and energy were evident. These early collaborations offered DiCaprio valuable experience in front of the camera. he
The Evolution and Impact of Tom Cruise Long Hairgreendigital
Tom Cruise is one of Hollywood's most iconic figures, known for his versatility, charisma, and dedication to his craft. Over the decades, his appearance has been almost as dynamic as his filmography, with one aspect often drawing significant attention: his hair. In particular, Tom Cruise long hair has become a defining feature in various phases of his career. symbolizing different roles and adding layers to his on-screen characters. This article delves into the evolution of Tom Cruise long hair, its impact on his roles. and its influence on popular culture.
Follow us on: Pinterest
Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
Early Days: The Emergence of a Style Icon
The 1980s: The Birth of a Star
In the early stages of his career during the 1980s, Tom Cruise sported a range of hairstyles. but in "Top Gun" (1986), his hair began to gain significant attention. Though not long by later standards, his hair in this film was longer than the military crew cuts associated with fighter pilots. adding a rebellious edge to his character, Pete "Maverick" Mitchell.
Risky Business: The Transition Begins
In "Risky Business" (1983). Tom Cruise's hair was short but longer than the clean-cut styles dominant at the time. This look complemented his role as a high school student stepping into adulthood. embodying a sense of youthful freedom and experimentation. It was a precursor to the more dramatic hair transformations in his career.
The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
Interview with the Vampire: Gothic Elegance
In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
One of the most memorable instances of Tom Cruise long hair came in "Mission: Impossible II" (2000). His character, Ethan
Sara Saffari: Turning Underweight into Fitness Success at 23get joys
Uncover the remarkable journey of Sara Saffari, whose transformation from underweight struggles to being recognized as a fitness icon at 23 underscores the importance of perseverance, discipline, and embracing a healthy lifestyle.
Tom Cruise Daughter: An Insight into the Life of Suri Cruisegreendigital
Tom Cruise is a name that resonates with global audiences for his iconic roles in blockbuster films and his dynamic presence in Hollywood. But, beyond his illustrious career, Tom Cruise's personal life. especially his relationship with his daughter has been a subject of public fascination and media scrutiny. This article delves deep into the life of Tom Cruise daughter, Suri Cruise. Exploring her upbringing, the influence of her parents, and her current life.
Follow us on: Pinterest
Introduction: The Fame Surrounding Tom Cruise Daughter
Suri Cruise, the daughter of Tom Cruise and Katie Holmes, has been in the public eye since her birth on April 18, 2006. Thanks to the media's relentless coverage, the world watched her grow up. As the daughter of one of Hollywood's most renowned actors. Suri has had a unique upbringing marked by privilege and scrutiny. This article aims to provide a comprehensive overview of Suri Cruise's life. Her relationship with her parents, and her journey so far.
Early Life of Tom Cruise Daughter
Birth and Immediate Fame
Suri Cruise was born in Santa Monica, California. and from the moment she came into the world, she was thrust into the limelight. Her parents, Tom Cruise and Katie Holmes. Were one of Hollywood's most talked-about couples at the time. The birth of their daughter was a anticipated event. and Suri's first public appearance in Vanity Fair magazine set the tone for her life in the public eye.
The Impact of Celebrity Parents
Having celebrity parents like Tom Cruise and Katie Holmes comes with its own set of challenges and privileges. Suri Cruise's early life marked by a whirlwind of media attention. paparazzi, and public interest. Despite the constant spotlight. Her parents tried to provide her with an upbringing that was as normal as possible.
The Influence of Tom Cruise and Katie Holmes
Tom Cruise's Parenting Style
Tom Cruise known for his dedication and passion in both his professional and personal life. As a father, Cruise has described as loving and protective. His involvement in the Church of Scientology, but, has been a point of contention and has influenced his relationship with Suri. Cruise's commitment to Scientology has reported to be a significant factor in his and Holmes' divorce and his limited public interactions with Suri.
Katie Holmes' Role in Suri's Life
Katie Holmes has been Suri's primary caregiver since her separation from Tom Cruise in 2012. Holmes has provided a stable and grounded environment for her daughter. She moved to New York City with Suri to start a new chapter in their lives away from the intense scrutiny of Hollywood.
Suri Cruise: Growing Up in the Spotlight
Media Attention and Public Interest
From stylish outfits to everyday activities. Suri Cruise has been a favorite subject for tabloids and entertainment news. The constant media attention has shaped her childhood. Despite this, Suri has managed to maintain a level of normalcy, thanks to her mother's efforts.
The cats, Sunny and Rishi, are brothers who live with their sister, Jessica, and their grandmother, Susie. They work as cleaners but wish to seek other kinds of employment that are better than their current jobs. New career adventures await Sunny and Rishi!
Leonardo DiCaprio Super Bowl: Hollywood Meets America’s Favorite Gamegreendigital
Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
Follow us on: Pinterest
Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
Environmental Activism
Beyond his film career, DiCaprio is also renowned for his environmental activism. He established the Leonardo DiCaprio Foundation in 1998, focusing on global conservation efforts. His commitment to ecological issues often intersects with his public appearances. including those related to the Super Bowl.
The Super Bowl: An American Institution
History and Significance
The Super Bowl is the National Football League (NFL) championship game. is one of the most-watched sporting events in the world. First played in 1967, the Super Bowl has evolved into a cultural phenomenon. featuring high-profile halftime shows, memorable advertisements, and significant media coverage. The event attracts a diverse audience, from avid sports fans to casual viewers. making it a prime platform for celebrities to appear.
Entertainment and Advertisements
The Super Bowl is not only about football but also about entertainment. The halftime show features performances by some of the biggest names in the music industry. while the commercials are often as anticipated as the game itself. Companies invest millions in Super Bowl ads. creating iconic and sometimes controversial commercials that capture public attention.
Leonardo DiCaprio's Super Bowl Appearances
A Celebrity Among the Fans
Leonardo DiCaprio's presence at the Super Bowl has noted several times. As a high-profile celebrity. DiCaprio attracts
From Teacher to OnlyFans: Brianna Coppage's Story at 28get joys
At 28, Brianna Coppage left her teaching career to become an OnlyFans content creator. This bold move into digital entrepreneurship allowed her to harness her creativity and build a new identity. Brianna's experience highlights the intersection of technology and personal branding in today's economy.
The Future of Independent Filmmaking Trends and Job OpportunitiesLetsFAME
The landscape of independent filmmaking is evolving at an unprecedented pace. Technological advancements, changing consumer preferences, and new distribution models are reshaping the industry, creating new opportunities and challenges for filmmakers and film industry jobs. This article explores the future of independent filmmaking, highlighting key trends and emerging job opportunities.
University of Western Sydney degree offer diploma Transcript
Assignment 11 draft 6 part 4
1. Kaya
Characters N
Inspirational pictures
Maids dress Pale white face with
black circles around
eyes
2. Kaya
Characters N
Costume and props
£3.19 £1.99
- White Maid dress
3. Kaya
Characters N
Mise –en-scene
Name – Cilia Elizabeth Carter
Gender – Female
Age – 73
Costume – White dress
Props – None
Make-up – Pale black eyes
Stereotype – Little girl
Facial expression – face doesn't move much, giggling
Body language – Very, very, fast body movement, straight face
Representation – A dead woman from the 1800’s
4. Kaya
Characters N
Actor 3: Character 3:
Mary Elizabeth Carter
Rahel Fasil
Age: Age:
16 52
5. Kaya
Characters N
Inspirational pictures
Maids dress Pale white face with
black circles around
eyes
6. Kaya
Characters N
Costume and props
Maids dress
£3.19 £1.99
- White
7. Kaya
Characters N
Mise –en-scene
Name – Mary Elizabeth Carter
Gender – Female
Age – 52
Costume – White dress
Props – None
Make-up – Pale black eyes
Stereotype – Little girl
Facial expression – face doesn't move much, giggling
Body language – Very, very, fast body movement, straight face
Representation – A dead woman from the 1800’s
9. Kaya
O
What is this location?
This is where the whole opening sequence will be filmed
Is it always accessible?
This location is always accessible as its one of the group members
home and will always be open for filming
Health and safely.
• Getting to bus to the house
• Road safety when crossing roads
• Walking to the house
• Getting run over
• Bus crash
10. Kaya
Narrative P
Our film is open narrative, Why?
• Our film goes through a story of Laura finding out about the ghosts and the
reasons for why they’re there, however at the end, we have a false ending.
Laura will think she solved the problem and free the sprits, however, they will
live on in the house and the problem will carry on, just not for Laura
• It leaves the audience asking questions at the end
How has it developed since Draft 1?
• Since draft 1, we have had a closed narrative, however, because we have
changed to the thriller genre we want to suit the conventions of how they
generally end their films and they usually have false ending so we have
developed it into a open narrative
11. Kaya
Narrative P
Our film is non-linear narrative, Why?
• Our film is a story that goes from start, middle, to end, however, in order to
show what happened in the house years before we will show cuts from way in
the past to the modern day
START MIDDLE END
How has this developed since draft 1?
• From draft 1 we weren't going to show the past time of what happened
before, however now we are showing important moments from the past in
order for the audience to understand
12. Kaya
Film Theory Q
Tzvetan Todorov – Narrative Film Theorist
On the three stages of theme or concept throughout a
film,
How we will be using his theory…
Equilibrium – Laura has just moved in and her life is normal
Disequilibrium – She realises she's being haunted and they disrupt her life
New Equilibrium – She thinks she let the sprits go and moves house and her life is
equal again
13. Kaya
Film Theory Q
Vladimir Propp – Film Theorist
on characters contained in a film,
Why we wont be using his theory…
The villain – The two ghost are the villain type as they try to hurt Laura and disturb
her life.
The dispatcher – This doesn't apply to our film at all, there is no hero to send off
The (magical) helper – Laura’s best friend Dawn helps her to take the dolls away
The princess or prize – There is no prize and its based on real life
Her father – She doesn't have a father, it’s a broken family
The donor – The film is based on real life therefore no magical objects
The hero or victim/seeker hero – Laura acts as a hero in helping the sprits pass on
False hero – There is no hero therefore no false hero
14. Kaya
Film Theory Q
Claude Lévi-Strauss - Narrative Film Theorist
On Binary opposition
How we will be using this theory
Normal life : Haunted life Past : Present
Laura moves into We see the past
a house expecting happenings of the
a normal life house
She gets haunted
and disturbed We see the present
until she moves occurrences in that
house
out of the house
15. Momentum Pictures..
• Is one of the leading independent motion
picture distributors in the UK and Ireland.
• The company is also owned by Paramount
Pictures.
16. Distributor Film Budget Locations
Momentum Pictures Law Abiding Citizen $53,000,000 Pennsylvania, USA
Momentum Pictures The Woman In Black $15,000,000 Essex
Northamptonshire
Buckinghamshire
(UK)
Momentum Pictures Insidious $1,500,000 Los Angeles,
California, USA
17. We chose Momentum Pictures
because..
• They have distributed a lot of very successful and multi-
award winning British films, like The King’s Speech.
• Their budgets are flexible
• They have also distributed a lot of very good thriller films
as well like The Girl with the Dragon Tattoo and Law
Abiding Citizen.
• We believe they will do well in producing a British thriller
film.
• They distributed films similar to ours about haunted
houses (Insidious and The Woman In Black)
18. Distributor Film Budget Locations
Paramount Paranormal $15,000 San Diego,
Pictures Activity California, USA
Paramount Paranormal $3,000,000 Los Angeles,
Pictures Activity 2 California, USA
Paramount Paranormal $5,000,000 California, USA
Pictures Activity 3
19. Paramount Pictures..
• Are a long established distributing company
• Have distributed a wide range of thriller films
• Work with mostly high budget films
• Mainly distribute films that were filmed solely
in America
20. Warner Bros...
• Have distributed a variety of thriller films
• Is a long established film distribution company
• Work on films with high budgets ranging from
$10 million o £15 million
21. Distributor Film Budget Locations
Warner Bros House on $32 million Los Angeles,
Haunted Hill California, USA
Warner Bros The Shining $19 million Colorado, USA
California, USA
Montana, USA
Hertfordshire,
UK
Warner Bros The Others $17 million Kent, UK
Long Island, USA
Cantabria, Spain
Madrid, Spain
Jersey, Channel
Islands
22. Kaya
Titles S
The ring
During the opening of the ring, we
were inspired by the white colour of
the font making it look quite ghostly.
Also the way the text is not in line
made it seem more childlike, which
we thought would link to our childish
doll sentiments,
23. Kaya
Credits S
Devil - 2010
We were inspired by the credits in Devil because of the way the credits come on
screen then fade away after. We thought it suited our opening sequence in the
sense that it’s calm, just like the beginning of ours and now too attention grabbing,
so that our character is still the main focus.
28. Kaya & Sanel
Titles/Credits S
Here are some of our idea’s of what we would like to use in our title
Maids Maids
Secrets secrets
We like this font because it looks like
We like this as its very conventional
writing written in the 1800’s which is
in ghost films and there's very
when the ghost maids were living.
minimal choice on IMovie so we
Also we feel as though it suits our
though this would be a good choice
opening sequence. However, its not
in font.
very conventional to ghost films from
It’s not too bold and goes well with
the research shown and IMovie
our opening sequence
doesn't have must variety anyway
29. Kaya & Sanel
Titles/Credits S
IDEAS FOR COLOUR OF FONT
Maids secrets Maids secrets
For the credits we cant to use the same font
For the credits we cant to use the same font as our title called ’batang’. A colour we might
as our title called ’batang’. A colour we might use is black as its simple, dark, and
use is grey, because it looks mysterious mysterious. We feel it suits our opening
however we didn’t like it cause it looked to sequence but it doesn't distract too much
dull and weren’t very eye-catching. attention
Maids secrets Maids secrets
For the credits we cant to use the same font as For the credits we cant to use the same font
our title called ’batang’. A colour we might use as our title called ’batang’. A colour we might
is red, we feel it really suits our opening use is white. It’s the same colour as our title
sequence as it shows something bad happens would be as it goes with our opening
like violence. The red would stand out during sequence of a spirit looking or wearing white
our opening sequence so that could be a and so we think this looks well for our
problem opening sequence.
30. Kaya
Inspirational L
Non-diegetic sound
The sound used in insidious opening sequence has greatly
inspired me to use it through our opening sequence. It
creates a big climax with tensions as well as making it
uncomfortable and scary for the audience. It is a very high
pitched violin sound which gets extremely fast when the
tensions get to its highest points to a sudden stop or thud
perfect to fit with our opening sequence
31. Kaya
Music/Sounds T
Diegetic Sound
Gasps & breathing
Non-Diegetic Sound
FREESOUND.ORG
& FREEPLAYMUSIC.COM
From freeplaymusic.com, we can’t have any sounds that we wanted as we can’t find any, so we
would like to download the tracks called
• Behind the looking glass
• Thriller
• One foolish night owl
• cryptomnesia
32. BBFC And Rating
What is BBFC- The British Board of Film
Classification.
What is BBFC used for- responsible for what was
shown in cinemas and from early on established
the decisions of the BBFC.
Are film will be rated an 15 because it not in the
interest of an younger audience.
33. BBFC And Rating
• It is impossible to predict what might upset any particular child. But a ‘U’ film should be suitable for audiences aged four
years and over. ‘U’ films should be set within a positive moral framework and should deal supportive offsets to any violence,
threat or horror.
• children of any age may watch. A ‘PG’ film should not disturb a child aged around eight or older. However, parents are
advised to consider whether the content may upset younger or more sensitive children.
• Exactly the same standards are used to classify works at ‘12A’ and ‘12’. These categories are awarded where the material is
suitable, in general, only for those aged 12 and over. Works classified at these categories may upset children under 12 or
contain material which many parents will find unsuitable for them.
• No one younger than 15 may see a ‘15’ film in a cinema. No one younger than 15 may rent or buy a ‘15’ rated video work.
• Only adults are admitted. Nobody younger than 18 can rent or buy an 18-rated VHS, DVD, Blu-ray Disc, UMD or game, or
watch a film in the cinema with this rating. Films under this category do not have control on the bad language that is used.
Scenes of strong real sex may be permitted if right by the context.