Download to read offline
More Related Content
Similar to Assignment 11 draft 6 part 4
Assignment 11 draft 6 part 4
- 1. Kaya Characters N Inspirational pictures Maids dress Pale white face with black circles around eyes
- 2. Kaya Characters N Costume and props £3.19 £1.99 - White Maid dress
- 3. Kaya Characters N Mise –en-scene Name – Cilia Elizabeth Carter Gender – Female Age – 73 Costume – White dress Props – None Make-up – Pale black eyes Stereotype – Little girl Facial expression – face doesn't move much, giggling Body language – Very, very, fast body movement, straight face Representation – A dead woman from the 1800’s
- 4. Kaya Characters N Actor 3: Character 3: Mary Elizabeth Carter Rahel Fasil Age: Age: 16 52
- 5. Kaya Characters N Inspirational pictures Maids dress Pale white face with black circles around eyes
- 6. Kaya Characters N Costume and props Maids dress £3.19 £1.99 - White
- 7. Kaya Characters N Mise –en-scene Name – Mary Elizabeth Carter Gender – Female Age – 52 Costume – White dress Props – None Make-up – Pale black eyes Stereotype – Little girl Facial expression – face doesn't move much, giggling Body language – Very, very, fast body movement, straight face Representation – A dead woman from the 1800’s
- 8. Kaya Location O
- 9. Kaya O What is this location? This is where the whole opening sequence will be filmed Is it always accessible? This location is always accessible as its one of the group members home and will always be open for filming Health and safely. • Getting to bus to the house • Road safety when crossing roads • Walking to the house • Getting run over • Bus crash
- 10. Kaya Narrative P Our film is open narrative, Why? • Our film goes through a story of Laura finding out about the ghosts and the reasons for why they’re there, however at the end, we have a false ending. Laura will think she solved the problem and free the sprits, however, they will live on in the house and the problem will carry on, just not for Laura • It leaves the audience asking questions at the end How has it developed since Draft 1? • Since draft 1, we have had a closed narrative, however, because we have changed to the thriller genre we want to suit the conventions of how they generally end their films and they usually have false ending so we have developed it into a open narrative
- 11. Kaya Narrative P Our film is non-linear narrative, Why? • Our film is a story that goes from start, middle, to end, however, in order to show what happened in the house years before we will show cuts from way in the past to the modern day START MIDDLE END How has this developed since draft 1? • From draft 1 we weren't going to show the past time of what happened before, however now we are showing important moments from the past in order for the audience to understand
- 12. Kaya Film Theory Q Tzvetan Todorov – Narrative Film Theorist On the three stages of theme or concept throughout a film, How we will be using his theory… Equilibrium – Laura has just moved in and her life is normal Disequilibrium – She realises she's being haunted and they disrupt her life New Equilibrium – She thinks she let the sprits go and moves house and her life is equal again
- 13. Kaya Film Theory Q Vladimir Propp – Film Theorist on characters contained in a film, Why we wont be using his theory… The villain – The two ghost are the villain type as they try to hurt Laura and disturb her life. The dispatcher – This doesn't apply to our film at all, there is no hero to send off The (magical) helper – Laura’s best friend Dawn helps her to take the dolls away The princess or prize – There is no prize and its based on real life Her father – She doesn't have a father, it’s a broken family The donor – The film is based on real life therefore no magical objects The hero or victim/seeker hero – Laura acts as a hero in helping the sprits pass on False hero – There is no hero therefore no false hero
- 14. Kaya Film Theory Q Claude Lévi-Strauss - Narrative Film Theorist On Binary opposition How we will be using this theory Normal life : Haunted life Past : Present Laura moves into We see the past a house expecting happenings of the a normal life house She gets haunted and disturbed We see the present until she moves occurrences in that house out of the house
- 15. Momentum Pictures.. • Isone of the leading independent motion picture distributors in the UK and Ireland. • The company is also owned by Paramount Pictures.
- 16. Distributor Film Budget Locations Momentum Pictures Law Abiding Citizen $53,000,000 Pennsylvania, USA Momentum Pictures The Woman In Black $15,000,000 Essex Northamptonshire Buckinghamshire (UK) Momentum Pictures Insidious $1,500,000 Los Angeles, California, USA
- 17. We chose MomentumPictures because.. • They have distributed a lot of very successful and multi- award winning British films, like The King’s Speech. • Their budgets are flexible • They have also distributed a lot of very good thriller films as well like The Girl with the Dragon Tattoo and Law Abiding Citizen. • We believe they will do well in producing a British thriller film. • They distributed films similar to ours about haunted houses (Insidious and The Woman In Black)
- 18. Distributor Film Budget Locations Paramount Paranormal $15,000 San Diego, Pictures Activity California, USA Paramount Paranormal $3,000,000 Los Angeles, Pictures Activity 2 California, USA Paramount Paranormal $5,000,000 California, USA Pictures Activity 3
- 19. Paramount Pictures.. • Are a long established distributing company • Have distributed a wide range of thriller films • Work with mostly high budget films • Mainly distribute films that were filmed solely in America
- 20. Warner Bros... • Havedistributed a variety of thriller films • Is a long established film distribution company • Work on films with high budgets ranging from $10 million o £15 million
- 21. Distributor Film Budget Locations Warner Bros House on $32 million Los Angeles, Haunted Hill California, USA Warner Bros The Shining $19 million Colorado, USA California, USA Montana, USA Hertfordshire, UK Warner Bros The Others $17 million Kent, UK Long Island, USA Cantabria, Spain Madrid, Spain Jersey, Channel Islands
- 22. Kaya Titles S The ring During the opening of the ring, we were inspired by the white colour of the font making it look quite ghostly. Also the way the text is not in line made it seem more childlike, which we thought would link to our childish doll sentiments,
- 23. Kaya Credits S Devil - 2010 We were inspired by the credits in Devil because of the way the credits come on screen then fade away after. We thought it suited our opening sequence in the sense that it’s calm, just like the beginning of ours and now too attention grabbing, so that our character is still the main focus.
- 24.
- 25.
- 26.
- 27.
- 28. Kaya & Sanel Titles/Credits S Here are some of our idea’s of what we would like to use in our title Maids Maids Secrets secrets We like this font because it looks like We like this as its very conventional writing written in the 1800’s which is in ghost films and there's very when the ghost maids were living. minimal choice on IMovie so we Also we feel as though it suits our though this would be a good choice opening sequence. However, its not in font. very conventional to ghost films from It’s not too bold and goes well with the research shown and IMovie our opening sequence doesn't have must variety anyway
- 29. Kaya & Sanel Titles/Credits S IDEAS FOR COLOUR OF FONT Maids secrets Maids secrets For the credits we cant to use the same font For the credits we cant to use the same font as our title called ’batang’. A colour we might as our title called ’batang’. A colour we might use is black as its simple, dark, and use is grey, because it looks mysterious mysterious. We feel it suits our opening however we didn’t like it cause it looked to sequence but it doesn't distract too much dull and weren’t very eye-catching. attention Maids secrets Maids secrets For the credits we cant to use the same font as For the credits we cant to use the same font our title called ’batang’. A colour we might use as our title called ’batang’. A colour we might is red, we feel it really suits our opening use is white. It’s the same colour as our title sequence as it shows something bad happens would be as it goes with our opening like violence. The red would stand out during sequence of a spirit looking or wearing white our opening sequence so that could be a and so we think this looks well for our problem opening sequence.
- 30. Kaya Inspirational L Non-diegetic sound The sound used in insidious opening sequence has greatly inspired me to use it through our opening sequence. It creates a big climax with tensions as well as making it uncomfortable and scary for the audience. It is a very high pitched violin sound which gets extremely fast when the tensions get to its highest points to a sudden stop or thud perfect to fit with our opening sequence
- 31. Kaya Music/Sounds T Diegetic Sound Gasps & breathing Non-Diegetic Sound FREESOUND.ORG & FREEPLAYMUSIC.COM From freeplaymusic.com, we can’t have any sounds that we wanted as we can’t find any, so we would like to download the tracks called • Behind the looking glass • Thriller • One foolish night owl • cryptomnesia
- 32. BBFC And Rating Whatis BBFC- The British Board of Film Classification. What is BBFC used for- responsible for what was shown in cinemas and from early on established the decisions of the BBFC. Are film will be rated an 15 because it not in the interest of an younger audience.
- 33. BBFC And Rating • It is impossible to predict what might upset any particular child. But a ‘U’ film should be suitable for audiences aged four years and over. ‘U’ films should be set within a positive moral framework and should deal supportive offsets to any violence, threat or horror. • children of any age may watch. A ‘PG’ film should not disturb a child aged around eight or older. However, parents are advised to consider whether the content may upset younger or more sensitive children. • Exactly the same standards are used to classify works at ‘12A’ and ‘12’. These categories are awarded where the material is suitable, in general, only for those aged 12 and over. Works classified at these categories may upset children under 12 or contain material which many parents will find unsuitable for them. • No one younger than 15 may see a ‘15’ film in a cinema. No one younger than 15 may rent or buy a ‘15’ rated video work. • Only adults are admitted. Nobody younger than 18 can rent or buy an 18-rated VHS, DVD, Blu-ray Disc, UMD or game, or watch a film in the cinema with this rating. Films under this category do not have control on the bad language that is used. Scenes of strong real sex may be permitted if right by the context.