The document provides a detailed timeline of the history of film from the early 1830s to the present. Some of the key events and developments include:
- The first moving images were produced using devices like the zoetrope in the 1830s. William Fox Talbot invented the photographic negative in 1839.
- Thomas Edison developed the Kinetoscope in 1889 and the Kinetograph movie camera in 1893, making the first motion picture exhibitions possible.
- In 1895, the Lumiere brothers developed the Cinematographe, which combined a movie camera and projector, allowing films to be publicly projected for the first time.
- The 1920s saw the rise of Hollywood and the
Media Timeline: History of horror and thrillerrhiannonmay
Alfred Hitchcock was a pioneer of the thriller genre in film in the 1920s with silent films like "The Lodger" depicting suspenseful stories. In the 1930s, his films helped establish the genre and became popular for their mystery storylines involving murder, madness, and secrets close to home. Thrillers evolved throughout the 20th century incorporating psychological horror elements and increasingly explicit scenes, and continue to hybridize with crime and horror genres in modern films.
The document discusses the history of motion pictures from their origins to modern cinema. It describes early pioneers like Eadweard Muybridge who captured motion through sequential photographs. Thomas Edison then developed motion picture cameras and projectors in the late 1800s. The Lumiere brothers introduced motion picture theaters in the 1890s showing real-life scenes. Over time, technological innovations like sound, color, and special effects continued advancing the art form. Major Hollywood studios like Paramount, Disney, and Warner Bros. emerged and dominated the industry under the classic studio system until the 1960s. Famous directors such as Walt Disney, Steven Spielberg, and others have significantly influenced cinema over the decades.
This presentation traces the evolution of cinema through different eras, from its origins with early inventors creating devices to generate moving images, to the establishment of full narrative films and movie studios in the Silent Era. Sound was introduced in the 1930s-1960s, and films became more explicit in the 1970s-1980s as censorship rules relaxed. The 1980s saw the rise of home video and blockbuster films, while the 1990s saw the growth of independent cinema alongside large special effects films, with new technologies further enhancing the home viewing experience.
By the late 1960's, Spaghetti Westerns had reached a reputation of expressing extreme violence and high body counts. Directors had explored nearly every avenue of the Western and audiences had grown tired of the cinematic savagery associated with the genre. Hence, the comedic Spaghetti Western was born. In 1967, an Italian director and writer named Giuseppe Colizzi cast a handsome leading man named "Terence Hill" (Mario Girotti) and an oversized, comedic foil named "Bud Spencer" (Carlo Pedersoli) as the protagonists in God Forgives...I Don't. "Colizzi westerns present clever variations on several different kinds of partnerships encountered in other films inspired by A Few Dollars More" (Fridlund 199 - 203). Hill and Spencer's portrayal of Cat "Pretty Face" Stevens and Hutch "Jackass" Bessy, changed the cinematic landscape of the traditional Spaghetti Western.
In 1970, under the direction of E.B. Clucher (Enzo Barboni), Hill and Spencer completed a spaghetti western comedy, They Call Me Trinity, followed by a sequel, Trinity is Still My Name (1971). They Call Me Trinity is considered to be the best of the comedy Spaghetti Western films made in this era of European Westerns (Hughes 123). Hill and Spencer are the Spaghetti Western equivalent of Laurel and Hardy.
This paper closely examines the comedic sub-genre of the Spaghetti Western by focusing on the performances of the films of Terence Hill and Bud Spencer in the late 1960’s and early 1970’s. The paper fills a gap in the research of the Spaghetti Western and European Western film genre.
Horror films originated in Europe in the 1890s as amateur "monster movies" but gained widespread popularity starting in the 1920s. In the 1930s, Universal Studios created iconic Gothic horror films like Dracula and Frankenstein. Psychological horror became popular in the 1960s through directors like Hitchcock and Powell. Occult horror rose in the 1970s with films like The Exorcist and The Omen. Gore films also emerged in the 1970s, while the 1980s saw the slasher genre and postmodern self-aware films like Nightmare on Elm Street. Horror remains a lucrative genre today.
This document discusses the history and characteristics of film noir. It describes how the genre developed in the 1940s and 1950s, influenced by German Expressionism and American crime fiction. Key characteristics include bleak storylines about morally ambiguous characters, use of flashbacks and voiceovers, and expressionistic cinematography using low-key lighting and shadowy sets. Examples discussed include Double Indemnity, In a Lonely Place, and Citizen Kane. The document also covers the end of the studio system practice of block-booking in 1948 and the emergence of neo-noir films influenced by the original genre.
The document provides a history of film from its origins in the 1800s to modern times. It traces key developments like the invention of motion pictures by Eadweard Muybridge in 1872, the first film reel in 1885, the introduction of sound in films starting in the 1920s, and the evolution of the horror genre from silent films to those of today. Major films and innovations are highlighted for each decade to show how film technology and content changed over time in response to historical, social and cultural influences.
The document provides a detailed timeline of the history of film from the early 1830s to the present. Some of the key events and developments include:
- The first moving images were produced using devices like the zoetrope in the 1830s. William Fox Talbot invented the photographic negative in 1839.
- Thomas Edison developed the Kinetoscope in 1889 and the Kinetograph movie camera in 1893, making the first motion picture exhibitions possible.
- In 1895, the Lumiere brothers developed the Cinematographe, which combined a movie camera and projector, allowing films to be publicly projected for the first time.
- The 1920s saw the rise of Hollywood and the
Media Timeline: History of horror and thrillerrhiannonmay
Alfred Hitchcock was a pioneer of the thriller genre in film in the 1920s with silent films like "The Lodger" depicting suspenseful stories. In the 1930s, his films helped establish the genre and became popular for their mystery storylines involving murder, madness, and secrets close to home. Thrillers evolved throughout the 20th century incorporating psychological horror elements and increasingly explicit scenes, and continue to hybridize with crime and horror genres in modern films.
The document discusses the history of motion pictures from their origins to modern cinema. It describes early pioneers like Eadweard Muybridge who captured motion through sequential photographs. Thomas Edison then developed motion picture cameras and projectors in the late 1800s. The Lumiere brothers introduced motion picture theaters in the 1890s showing real-life scenes. Over time, technological innovations like sound, color, and special effects continued advancing the art form. Major Hollywood studios like Paramount, Disney, and Warner Bros. emerged and dominated the industry under the classic studio system until the 1960s. Famous directors such as Walt Disney, Steven Spielberg, and others have significantly influenced cinema over the decades.
This presentation traces the evolution of cinema through different eras, from its origins with early inventors creating devices to generate moving images, to the establishment of full narrative films and movie studios in the Silent Era. Sound was introduced in the 1930s-1960s, and films became more explicit in the 1970s-1980s as censorship rules relaxed. The 1980s saw the rise of home video and blockbuster films, while the 1990s saw the growth of independent cinema alongside large special effects films, with new technologies further enhancing the home viewing experience.
By the late 1960's, Spaghetti Westerns had reached a reputation of expressing extreme violence and high body counts. Directors had explored nearly every avenue of the Western and audiences had grown tired of the cinematic savagery associated with the genre. Hence, the comedic Spaghetti Western was born. In 1967, an Italian director and writer named Giuseppe Colizzi cast a handsome leading man named "Terence Hill" (Mario Girotti) and an oversized, comedic foil named "Bud Spencer" (Carlo Pedersoli) as the protagonists in God Forgives...I Don't. "Colizzi westerns present clever variations on several different kinds of partnerships encountered in other films inspired by A Few Dollars More" (Fridlund 199 - 203). Hill and Spencer's portrayal of Cat "Pretty Face" Stevens and Hutch "Jackass" Bessy, changed the cinematic landscape of the traditional Spaghetti Western.
In 1970, under the direction of E.B. Clucher (Enzo Barboni), Hill and Spencer completed a spaghetti western comedy, They Call Me Trinity, followed by a sequel, Trinity is Still My Name (1971). They Call Me Trinity is considered to be the best of the comedy Spaghetti Western films made in this era of European Westerns (Hughes 123). Hill and Spencer are the Spaghetti Western equivalent of Laurel and Hardy.
This paper closely examines the comedic sub-genre of the Spaghetti Western by focusing on the performances of the films of Terence Hill and Bud Spencer in the late 1960’s and early 1970’s. The paper fills a gap in the research of the Spaghetti Western and European Western film genre.
Horror films originated in Europe in the 1890s as amateur "monster movies" but gained widespread popularity starting in the 1920s. In the 1930s, Universal Studios created iconic Gothic horror films like Dracula and Frankenstein. Psychological horror became popular in the 1960s through directors like Hitchcock and Powell. Occult horror rose in the 1970s with films like The Exorcist and The Omen. Gore films also emerged in the 1970s, while the 1980s saw the slasher genre and postmodern self-aware films like Nightmare on Elm Street. Horror remains a lucrative genre today.
This document discusses the history and characteristics of film noir. It describes how the genre developed in the 1940s and 1950s, influenced by German Expressionism and American crime fiction. Key characteristics include bleak storylines about morally ambiguous characters, use of flashbacks and voiceovers, and expressionistic cinematography using low-key lighting and shadowy sets. Examples discussed include Double Indemnity, In a Lonely Place, and Citizen Kane. The document also covers the end of the studio system practice of block-booking in 1948 and the emergence of neo-noir films influenced by the original genre.
The document provides a history of film from its origins in the 1800s to modern times. It traces key developments like the invention of motion pictures by Eadweard Muybridge in 1872, the first film reel in 1885, the introduction of sound in films starting in the 1920s, and the evolution of the horror genre from silent films to those of today. Major films and innovations are highlighted for each decade to show how film technology and content changed over time in response to historical, social and cultural influences.
The document traces the history of horror films from their origins in Gothic literature in the 18th century to modern day. Some key developments discussed include the release of the first horror film "Le Manoir du Diable" in 1896; the introduction of color in 1918; and the rise of special effects and gore in films of the 1980s. Overall, the history shows how the horror genre evolved from early supernatural-focused films to incorporate new trends like serial killers, teenagers as protagonists, and technological advancements in filmmaking.
The document provides a history of film from its origins in the late 19th century to the early 20th century. [1] It details how films evolved from short novelty recordings to a tool for mass communication and entertainment. [2] Most early films were silent and shown in variety theaters or traveling tent shows until nickelodeons emerged in 1907 showing short films. [3] Techniques like special effects, animation, and continuity evolved during this period.
The history of film spans from 1727 when Johann Schulz discovered that silver nitrate changed color with light exposure, enabling the first camera. In 1814, the Camera Obscura was used to take the first photograph but images were not permanent. In 1837, Louis Daguerre invented the Daguerreotype which produced the first clear, permanent photographs. Throughout the 19th century, improvements continued such as making multiple copies possible and faster exposure times. In 1888, George Eastman created the first roll film camera, growing the commercial film industry. Major developments in the 20th century included color film in 1963, the first digital camera in 1974, and camcorders enabling consumers to record video in 1980. Camera technology
Orson Welles was a renowned actor, director, writer and producer best known for his 1941 film Citizen Kane. At age 23, Welles caused a panic with his realistic radio dramatization of The War of the Worlds. He was later offered complete artistic control by RKO to make Citizen Kane, his first film. Citizen Kane was groundbreaking for its technical innovations including lighting, camerawork and storytelling techniques. Though it is now considered one of the greatest films ever made, it was a financial failure upon release due to controversy surrounding its unfavorable portrayal of newspaper magnate William Randolph Hearst, on whom the main character was loosely based.
This document provides information about a film festival called "Legends of the Screen" taking place from January 8 to February 3, 2016. It will feature films and programs about great directors like Antonioni, Bergman, Coppola, De Mille, Eisenstein, Fassbinder, Godard, and Hitchcock. In addition to the films, there will be rare footage of interviews and debates between directors and film enthusiasts. The festival schedule then lists the date, time (11:00pm) and film for each event. Short biographies are also provided for each of the featured directors.
This document provides a history of the horror genre in film from the 1890s to present day. It notes that early horror films adapted novels like Frankenstein and Dracula and featured monsters. In the 1950s-1960s, technological advances and social fears were reflected in films about atomic annihilation and demonic forces. Stephen King novels launched a new wave of horror in the 1970s-1980s focusing on evil children and reincarnation. Recent horror relies on zombie films and Asian imports being adapted for American audiences.
Trailers have evolved significantly since their origin in the early 20th century. Some key developments include:
- The first movie trailer was created in 1913 to promote a Broadway play, showing actual rehearsal footage. By 1916, movie studios began releasing their own trailers featuring film snippets and text.
- In 1919, the National Screen Service was founded and became the dominant producer of trailers from the 1920s-1960s, creating a template style using wipes and fly-in titles.
- A major breakthrough occurred in 1927 when the trailer for "The Jazz Singer" used sound. Stylistic innovations continued into the 1940s-1960s with the use of narrative and title elements.
-
The horror genre began in the late 19th century with silent films like Le Manoir du Diable that featured monsters and special effects. In the early 20th century, horror films adapted novels like Dr. Jekyll and Mr. Hyde and Frankenstein. Nosferatu in 1922 was an unauthorized adaptation of Dracula that helped define the vampire genre. Dracula in 1931 established Bela Lugosi's portrayal of the character and used lighting techniques to emphasize fear. The genre continued to evolve through the decades with films in different subgenres like psychological horror and slashers. Modern horror often takes the form of franchises and sequels with large budgets and special effects.
This document summarizes the history of clay animation from its origins in 1897 to modern times. It describes how early clay animators like Helena Smith Dayton in 1917 and Ray Harryhausen in the 1940s pioneered the use of clay to bring stories and characters to life. Major developments included Will Vinton winning an Oscar for Closed Mondays in the 1970s and Nick Park achieving success with Wallace and Gromit in the 1990s. The document outlines some of the key innovators and techniques in clay animation over the past century.
This document provides a timeline of key developments in the horror film genre from 1896 to 2008:
- The earliest experiments with horror films began in 1896 with the 3-minute film The Devil's Castle. Special effects makeup was introduced in 1913 to make characters look scarier.
- The 1920s saw the first horror film with sound, The Man Who Laughs, while the 1930s introduced musical scores to horror films.
- Throughout the mid-20th century, censorship policies evolved and certain films were banned, while color and 3D technologies advanced the genre. Popular franchises like Halloween and Friday the 13th emerged in the late 1970s-1980s.
- The 1990s adapted Gothic novels
1) Early cinema between 1893-1903 saw technological advances in capturing and projecting films, including the development of celluloid film and intermittent motion cameras.
2) Notable early filmmakers and their works included the Edison Studios (first public film screening in 1893), the Lumière brothers (first films shot outdoors on location in 1895), and Georges Méliès (used special effects and narrative films starting in 1902).
3) Edwin Porter introduced more advanced cinematic techniques in 1903's The Great Train Robbery, including multiple shots, camera movement, and temporal overlap. This helped establish narrative as the dominant filmmaking form by 1904.
The document discusses the origins and development of social realism in British film and television from the 1930s-1960s. It began with documentary films showing working class lives, and was further developed through kitchen sink dramas in the 1950s exploring social issues through stories of working class people. John Osborne's influential 1956 play Look Back in Anger, set in a cramped flat, helped establish the angry young man genre. This led to socially realistic films of the 1960s adapting novels and plays about working class northern English life. Television drama also increasingly portrayed social issues through plays and soap operas like Coronation Street.
Winsor McCay was a pioneering American cartoonist in the early 20th century. He is praised as the finest draftsman in comics and raised the medium to new artistic heights with his innovative page compositions. His most famous comic strips were Dream of the Rarebit Fiend and Little Nemo in Slumberland. McCay was also a pioneer in animated films, producing 10 between 1911-1921.
This document discusses the history and elements of cinema. It provides an overview of conventions like establishing shots, close-ups, and sound. Early milestones are noted, including Edison's invention of motion picture cameras and the Lumiere brothers' development of the Cinematographe. Major genres like film noir, romantic comedy, and westerns are also outlined. Influential films are mentioned, such as Citizen Kane and Casablanca, which are considered the top two American films of the 20th century. The concept of an auteur director is defined as well.
Film and media studies 2 Mrs. Hill 2015-16 CCAkaychill
D.W. Griffith was a pioneering American film director who helped develop film as an art form in the early 20th century. Some of his most famous and influential films included The Birth of a Nation (1915) and Intolerance (1916), though his popularity declined in the 1920s as his style became seen as outdated. Mack Sennett founded Keystone Studios in 1912 and helped establish many conventions of slapstick comedy through films featuring the Keystone Cops. Working with Sennett, Charlie Chaplin developed his iconic "Little Tramp" character, slowing the pace of comedy and using physical gags and drama to tell stories. Chaplin became one of the most popular stars ever as he expanded the artistic potential of film comedy with films like
The document outlines the history of horror films from 1890 to the present. It describes the emergence of early silent "monster movies" in the 1890s and 1920s. The 1930s saw the rise of Universal Studios' Gothic horror films like Dracula and Frankenstein. The 1950s brought the popularity of Hammer Horror films from Britain. Psychological thrillers also emerged from directors like Alfred Hitchcock. Occult and supernatural horrors grew in the 1970s with films like The Exorcist and The Omen. The 1980s and 90s featured postmodern slasher films. Modern horror since 2000 has seen the rise of remakes and reboots of classic films.
Technology has significantly impacted the quality and special effects used in horror films over the past century. Early silent films from the 1900s based on novels like Frankenstein had short runtimes of only 15 minutes compared to modern 2 hour films. The 1920s saw the rise of films incorporating wax figure exhibits and medical experiments gone wrong. The first horror film with sound was 1931's Dracula, adding a new terrifying dimension, while the 1940s saw plots become more intricate like I Walked With A Zombie involving murder accusations and planned elopement. By the 1950s, the genre focused more on sci-fi creatures attacking humans as seen in Creature From The Black Lagoon.
This document provides a historical overview of the horror film genre from the early 1900s to recent years. It describes how horror films evolved from the silent films of the early 20th century focused on monsters and mad scientists to psychological thrillers in the 1960s-1970s and slasher films in the 1980s. More recently, horror has incorporated found footage styles and reboots of classic films while continuing to explore themes of occult rituals, paranormal activity, and graphic violence. Trends in the genre are influenced by audience reception and preferences.
Hedy Lamarr was an Austrian-American actress and inventor. She was born in 1914 in Vienna to a wealthy Jewish family. As a young woman, she began acting in films and became famous for her controversial role in Ecstasy where she performed the first nude scene in a mainstream film. She later escaped an abusive marriage and fled to America where she had a successful film career but also studied engineering. In the 1940s, she co-invented an early technique for spread spectrum communications and frequency hopping which laid the foundation for modern Wi-Fi, Bluetooth, and cellular networks. She spent her later life in poverty despite the importance of her invention. Hedy Lamarr lived a remarkable life as both an actress and inventor
HEDY LAMARR - A BRAIN BEHIND BEAUTY, Part I, Suy / São LudovinoSão Ludovino
Hedy Lamarr was an Austrian-American actress and inventor. In the 1940s, she and composer George Antheil invented and patented a technique called frequency hopping that later became important to wireless communication technologies like Wi-Fi and Bluetooth. Their idea used synchronized frequency changes to make radio communications more secure and difficult to detect or interfere with. Though the technology of the time prevented applying it during World War II as intended, their concept became integral to modern wireless networks and cellular phones. Lamarr's career as a Hollywood actress brought her fame, but she also made significant contributions as an inventor.
The history of film began in the late 1880s with the invention of the first movie camera. Key early inventions and innovations included the zoopraxiscope in 1867, the development of motion picture cameras by Louis Lumiere in 1895, and the work of Eadweard Muybridge using multiple cameras to capture moving images. The first films were silent films shown to audiences before 1930. Over subsequent decades, sound, color, special effects, and storytelling evolved, reflecting the social and technological changes of their eras. Horror emerged as a distinct genre in the early 1900s and developed through different decades with films influenced by events like world wars and cultural trends.
The history of film began in the 1800s with the creation of basic motion picture devices and early experiments in capturing motion on film. In 1872, Eadweard Muybridge created the first movie by capturing motion with multiple cameras. Film continued to develop through the 1880s and 1890s. In the 1900s, editing and camera techniques advanced, allowing directors more control and the telling of narrative stories. The nickelodeon era from 1905 saw the rise of inexpensive movie theaters, growing the audience and profits of film. The Jazz Singer in 1927 was a breakthrough as the first movie containing both images and recorded sound.
The document traces the history of horror films from their origins in Gothic literature in the 18th century to modern day. Some key developments discussed include the release of the first horror film "Le Manoir du Diable" in 1896; the introduction of color in 1918; and the rise of special effects and gore in films of the 1980s. Overall, the history shows how the horror genre evolved from early supernatural-focused films to incorporate new trends like serial killers, teenagers as protagonists, and technological advancements in filmmaking.
The document provides a history of film from its origins in the late 19th century to the early 20th century. [1] It details how films evolved from short novelty recordings to a tool for mass communication and entertainment. [2] Most early films were silent and shown in variety theaters or traveling tent shows until nickelodeons emerged in 1907 showing short films. [3] Techniques like special effects, animation, and continuity evolved during this period.
The history of film spans from 1727 when Johann Schulz discovered that silver nitrate changed color with light exposure, enabling the first camera. In 1814, the Camera Obscura was used to take the first photograph but images were not permanent. In 1837, Louis Daguerre invented the Daguerreotype which produced the first clear, permanent photographs. Throughout the 19th century, improvements continued such as making multiple copies possible and faster exposure times. In 1888, George Eastman created the first roll film camera, growing the commercial film industry. Major developments in the 20th century included color film in 1963, the first digital camera in 1974, and camcorders enabling consumers to record video in 1980. Camera technology
Orson Welles was a renowned actor, director, writer and producer best known for his 1941 film Citizen Kane. At age 23, Welles caused a panic with his realistic radio dramatization of The War of the Worlds. He was later offered complete artistic control by RKO to make Citizen Kane, his first film. Citizen Kane was groundbreaking for its technical innovations including lighting, camerawork and storytelling techniques. Though it is now considered one of the greatest films ever made, it was a financial failure upon release due to controversy surrounding its unfavorable portrayal of newspaper magnate William Randolph Hearst, on whom the main character was loosely based.
This document provides information about a film festival called "Legends of the Screen" taking place from January 8 to February 3, 2016. It will feature films and programs about great directors like Antonioni, Bergman, Coppola, De Mille, Eisenstein, Fassbinder, Godard, and Hitchcock. In addition to the films, there will be rare footage of interviews and debates between directors and film enthusiasts. The festival schedule then lists the date, time (11:00pm) and film for each event. Short biographies are also provided for each of the featured directors.
This document provides a history of the horror genre in film from the 1890s to present day. It notes that early horror films adapted novels like Frankenstein and Dracula and featured monsters. In the 1950s-1960s, technological advances and social fears were reflected in films about atomic annihilation and demonic forces. Stephen King novels launched a new wave of horror in the 1970s-1980s focusing on evil children and reincarnation. Recent horror relies on zombie films and Asian imports being adapted for American audiences.
Trailers have evolved significantly since their origin in the early 20th century. Some key developments include:
- The first movie trailer was created in 1913 to promote a Broadway play, showing actual rehearsal footage. By 1916, movie studios began releasing their own trailers featuring film snippets and text.
- In 1919, the National Screen Service was founded and became the dominant producer of trailers from the 1920s-1960s, creating a template style using wipes and fly-in titles.
- A major breakthrough occurred in 1927 when the trailer for "The Jazz Singer" used sound. Stylistic innovations continued into the 1940s-1960s with the use of narrative and title elements.
-
The horror genre began in the late 19th century with silent films like Le Manoir du Diable that featured monsters and special effects. In the early 20th century, horror films adapted novels like Dr. Jekyll and Mr. Hyde and Frankenstein. Nosferatu in 1922 was an unauthorized adaptation of Dracula that helped define the vampire genre. Dracula in 1931 established Bela Lugosi's portrayal of the character and used lighting techniques to emphasize fear. The genre continued to evolve through the decades with films in different subgenres like psychological horror and slashers. Modern horror often takes the form of franchises and sequels with large budgets and special effects.
This document summarizes the history of clay animation from its origins in 1897 to modern times. It describes how early clay animators like Helena Smith Dayton in 1917 and Ray Harryhausen in the 1940s pioneered the use of clay to bring stories and characters to life. Major developments included Will Vinton winning an Oscar for Closed Mondays in the 1970s and Nick Park achieving success with Wallace and Gromit in the 1990s. The document outlines some of the key innovators and techniques in clay animation over the past century.
This document provides a timeline of key developments in the horror film genre from 1896 to 2008:
- The earliest experiments with horror films began in 1896 with the 3-minute film The Devil's Castle. Special effects makeup was introduced in 1913 to make characters look scarier.
- The 1920s saw the first horror film with sound, The Man Who Laughs, while the 1930s introduced musical scores to horror films.
- Throughout the mid-20th century, censorship policies evolved and certain films were banned, while color and 3D technologies advanced the genre. Popular franchises like Halloween and Friday the 13th emerged in the late 1970s-1980s.
- The 1990s adapted Gothic novels
1) Early cinema between 1893-1903 saw technological advances in capturing and projecting films, including the development of celluloid film and intermittent motion cameras.
2) Notable early filmmakers and their works included the Edison Studios (first public film screening in 1893), the Lumière brothers (first films shot outdoors on location in 1895), and Georges Méliès (used special effects and narrative films starting in 1902).
3) Edwin Porter introduced more advanced cinematic techniques in 1903's The Great Train Robbery, including multiple shots, camera movement, and temporal overlap. This helped establish narrative as the dominant filmmaking form by 1904.
The document discusses the origins and development of social realism in British film and television from the 1930s-1960s. It began with documentary films showing working class lives, and was further developed through kitchen sink dramas in the 1950s exploring social issues through stories of working class people. John Osborne's influential 1956 play Look Back in Anger, set in a cramped flat, helped establish the angry young man genre. This led to socially realistic films of the 1960s adapting novels and plays about working class northern English life. Television drama also increasingly portrayed social issues through plays and soap operas like Coronation Street.
Winsor McCay was a pioneering American cartoonist in the early 20th century. He is praised as the finest draftsman in comics and raised the medium to new artistic heights with his innovative page compositions. His most famous comic strips were Dream of the Rarebit Fiend and Little Nemo in Slumberland. McCay was also a pioneer in animated films, producing 10 between 1911-1921.
This document discusses the history and elements of cinema. It provides an overview of conventions like establishing shots, close-ups, and sound. Early milestones are noted, including Edison's invention of motion picture cameras and the Lumiere brothers' development of the Cinematographe. Major genres like film noir, romantic comedy, and westerns are also outlined. Influential films are mentioned, such as Citizen Kane and Casablanca, which are considered the top two American films of the 20th century. The concept of an auteur director is defined as well.
Film and media studies 2 Mrs. Hill 2015-16 CCAkaychill
D.W. Griffith was a pioneering American film director who helped develop film as an art form in the early 20th century. Some of his most famous and influential films included The Birth of a Nation (1915) and Intolerance (1916), though his popularity declined in the 1920s as his style became seen as outdated. Mack Sennett founded Keystone Studios in 1912 and helped establish many conventions of slapstick comedy through films featuring the Keystone Cops. Working with Sennett, Charlie Chaplin developed his iconic "Little Tramp" character, slowing the pace of comedy and using physical gags and drama to tell stories. Chaplin became one of the most popular stars ever as he expanded the artistic potential of film comedy with films like
The document outlines the history of horror films from 1890 to the present. It describes the emergence of early silent "monster movies" in the 1890s and 1920s. The 1930s saw the rise of Universal Studios' Gothic horror films like Dracula and Frankenstein. The 1950s brought the popularity of Hammer Horror films from Britain. Psychological thrillers also emerged from directors like Alfred Hitchcock. Occult and supernatural horrors grew in the 1970s with films like The Exorcist and The Omen. The 1980s and 90s featured postmodern slasher films. Modern horror since 2000 has seen the rise of remakes and reboots of classic films.
Technology has significantly impacted the quality and special effects used in horror films over the past century. Early silent films from the 1900s based on novels like Frankenstein had short runtimes of only 15 minutes compared to modern 2 hour films. The 1920s saw the rise of films incorporating wax figure exhibits and medical experiments gone wrong. The first horror film with sound was 1931's Dracula, adding a new terrifying dimension, while the 1940s saw plots become more intricate like I Walked With A Zombie involving murder accusations and planned elopement. By the 1950s, the genre focused more on sci-fi creatures attacking humans as seen in Creature From The Black Lagoon.
This document provides a historical overview of the horror film genre from the early 1900s to recent years. It describes how horror films evolved from the silent films of the early 20th century focused on monsters and mad scientists to psychological thrillers in the 1960s-1970s and slasher films in the 1980s. More recently, horror has incorporated found footage styles and reboots of classic films while continuing to explore themes of occult rituals, paranormal activity, and graphic violence. Trends in the genre are influenced by audience reception and preferences.
Hedy Lamarr was an Austrian-American actress and inventor. She was born in 1914 in Vienna to a wealthy Jewish family. As a young woman, she began acting in films and became famous for her controversial role in Ecstasy where she performed the first nude scene in a mainstream film. She later escaped an abusive marriage and fled to America where she had a successful film career but also studied engineering. In the 1940s, she co-invented an early technique for spread spectrum communications and frequency hopping which laid the foundation for modern Wi-Fi, Bluetooth, and cellular networks. She spent her later life in poverty despite the importance of her invention. Hedy Lamarr lived a remarkable life as both an actress and inventor
HEDY LAMARR - A BRAIN BEHIND BEAUTY, Part I, Suy / São LudovinoSão Ludovino
Hedy Lamarr was an Austrian-American actress and inventor. In the 1940s, she and composer George Antheil invented and patented a technique called frequency hopping that later became important to wireless communication technologies like Wi-Fi and Bluetooth. Their idea used synchronized frequency changes to make radio communications more secure and difficult to detect or interfere with. Though the technology of the time prevented applying it during World War II as intended, their concept became integral to modern wireless networks and cellular phones. Lamarr's career as a Hollywood actress brought her fame, but she also made significant contributions as an inventor.
The history of film began in the late 1880s with the invention of the first movie camera. Key early inventions and innovations included the zoopraxiscope in 1867, the development of motion picture cameras by Louis Lumiere in 1895, and the work of Eadweard Muybridge using multiple cameras to capture moving images. The first films were silent films shown to audiences before 1930. Over subsequent decades, sound, color, special effects, and storytelling evolved, reflecting the social and technological changes of their eras. Horror emerged as a distinct genre in the early 1900s and developed through different decades with films influenced by events like world wars and cultural trends.
The history of film began in the 1800s with the creation of basic motion picture devices and early experiments in capturing motion on film. In 1872, Eadweard Muybridge created the first movie by capturing motion with multiple cameras. Film continued to develop through the 1880s and 1890s. In the 1900s, editing and camera techniques advanced, allowing directors more control and the telling of narrative stories. The nickelodeon era from 1905 saw the rise of inexpensive movie theaters, growing the audience and profits of film. The Jazz Singer in 1927 was a breakthrough as the first movie containing both images and recorded sound.
1. The document discusses the early history of cinema, including the kinetoscope, which allowed intermittent viewing of images through a slit, and improvements made by using mirrors.
2. It notes Thomas Edison's role in developing film and the kinetoscope, as well as the Lumière brothers staging the first public film showing in 1895.
3. Key early films mentioned include The Great Train Robbery in 1903, directed by Edwin S. Porter, and D.W. Griffith's pioneering work with narrative and editing techniques from 1908-1911.
1. The document discusses the early history of cinema, including the kinetoscope, which allowed intermittent viewing of images through a slit, and improvements made by using mirrors.
2. It notes Thomas Edison's role in developing film and the kinetoscope, as well as the Lumière brothers staging the first public film showing in 1895.
3. Key early films mentioned include The Great Train Robbery in 1903, directed by Edwin S. Porter, and D.W. Griffith's pioneering work with narrative and editing techniques from 1908-1911.
The document provides a summary of key events and innovations in the history of film from 1887 to 2000. Some of the earliest developments included Thomas Edison inventing the Kinetograph in 1887, the first camera to use roll film. In the 1890s, Dickson and Edison invented the first usable celluloid film. The first films screened to a paying audience were in 1895. Major early genres and innovations included the first science fiction film in 1902, the first horror film and Western, and the first film to feature a "damsel in distress" in the early 1900s.
This document provides a brief history of film from 1890-2000, highlighting some key developments and influential movies from each decade. In the 1890s, Thomas Edison invented the Kinetograph, one of the first movie cameras. The first horror movie, Dr. Jekyll and Mr. Hyde, was created in 1902. D.W. Griffith was an influential early director known for his editing techniques. In the 1960s, 2001: A Space Odyssey pioneered the use of green screen technology. Star Wars in the 1970s was one of the only major science fiction films of that decade and helped establish the practice of listing opening credits.
The history of film began with early inventions like the zoetrope in the 2nd century AD and the magic lantern in the 1650s that used light and shadows to project moving images. In the late 1800s, Thomas Edison and his team invented the kinetoscope, one of the first motion picture cameras. Early films in the 1900s experimented with techniques like animation, special effects, and different genres. Important early movies included the first animated film in 1906 and Nosferatu in 1922, which was groundbreaking in its use of light and shadows.
The document provides a history of the development of horror films from the late 19th century to present day. Some of the key events and films mentioned include Georges Mèliès creating one of the first supernatural films in the 1890s, Universal Pictures popularizing Gothic horror films in the 1930s-1940s with titles like Dracula and Frankenstein, the rise of slasher films in the 1970s-80s with movies like Halloween and A Nightmare on Elm Street, and the remakes and sequels of popular horror franchises that occurred in the 2000s and 2010s.
The document provides a history of film from its earliest origins in the 1860s with inventions like the "wheel of life" through key developments in motion pictures, color film, and the evolution of the horror genre. Some of the major milestones discussed include the first motion picture created by the Lumière brothers in 1895, the development of color film in the late 1800s/early 1900s, and the establishment of iconic horror films and franchises from the 1910s through the 2000s from Dracula and Frankenstein to Halloween, A Nightmare on Elm Street, and Scream.
Chapter 5 of a university course in media history by Prof. Bill Kovarik, based on the book Revolutions in Communication: Media History from Gutenberg to the Digital Age (Bloomsbury, 2nd ed., 2015).
The history of film began in the 1880s with the invention of the first movie camera. Most early films produced before 1930 were silent. One of the earliest films was Roundhay Garden Scene filmed in 1888 in England. The Lumière brothers later developed the Cinématographe device for filming, printing, and projecting movies. The first public film showing occurred in Paris in 1895. As the silent film era continued, filmmakers began experimenting with special effects and animated films to enhance viewers' experiences. By the early 1900s, color film was also being developed, as the motion picture industry continued to evolve new techniques.
The document provides a history of important developments in film from the late 19th century to the late 20th century. It describes early technologies like the praxinoscope and how they led to motion pictures. Important early films that helped establish genres and techniques are mentioned, such as The Great Train Robbery which helped establish narrative filmmaking. Influential directors and films are also noted, such as Alfred Hitchcock's contributions to horror and thriller films and Star Wars' impact on science fiction. The document concludes with Toy Story as the first fully computer animated feature film.
Animated films were introduced after 1896 and included clay puppets and cut-out animations. Thomas Edison and Edwin Porter produced one of the earliest films in 1901 showing a comic scene. The Library of Congress began collecting motion pictures in 1893. In the 1920s, silent films were popular and played with live orchestral music. Some notable silent films included The Parade in 1919 and The Kid in 1921 starring Charles Chaplin. The Jazz Singer in 1929 was one of the first widely distributed sound films and also the first musical film to win an Oscar.
The document provides a history of film from its earliest origins showing moving images and drawings in 1867 to modern developments. Key events and innovations discussed include the first motion picture camera and projector created by the Lumière brothers in 1895, the rise of silent films before 1930 and early color films. Early horror movie stars like Lon Chaney are also mentioned. The document then provides a timeline of the horror genre from the 1890s featuring early supernatural films to more recent supernatural and slasher films from the 2000s.
Motion Pictures: Historical perspectiveK3 Hamilton
1. Throughout film history, studio executives, directors and inventors worked to keep the medium relevant through continual adaptation as new technologies emerged.
2. Early pioneers like Eadweard Muybridge and the Lumière brothers developed technologies like the zoopraxiscope and cinematograph that captured motion and projected film, leading to the development of motion pictures.
3. Thomas Edison further advanced the industry in the late 1800s with inventions like the Kinetoscope and Kinetograph. The introduction of synchronized sound in the 1920s revived the industry.
This document outlines the history of film from 1902 to 1994, highlighting several influential movies from different genres and decades that helped advance the medium. It notes that A Trip to the Moon in 1902 recognized differences between screen and real-time, while The Great Train Robbery in 1903 contained live stunts and was one of the first westerns. Later, Dr. Jekyll & Mr. Hyde in 1908 was among the first horror films, Gone With The Wind in the 1930s was one of the first feature-length films in color, and Shawshank Redemption in 1994 is considered one of the greatest films of all time according to IMDB.
The history of film began in the late 1880s with the earliest films being silent and black and white. Some of the first films included 'Race Horse' from 1878 and films by the Lumiere Brothers. Sound was first introduced in films in 1927 with 'The Jazz Singer' although there had been some earlier experiments. Walt Disney created the first cartoon in 1928 featuring Mickey Mouse, which was still black and white at the time. Color films were discovered as early as 1902 but Technicolor became more common from the 1920s to 1950s, with films like 'The Wizard of Oz' being made using the new color technology.
The early history of film involved many important inventors and innovations. In 1872, Eadweard Muybridge set up multiple cameras to capture motion. In 1882, he invented the "photographic gun" allowing for rapid exposures. In 1889, Dickson showed Edison projection with sound. The Lumiere brothers developed the Cinematographe machine for shooting, printing and projecting films in 1894. Their 1895 film "Train Entering the Gare de Ciotat Station" is considered the first public movie screening. Georges Méliès was a pioneer of early special effects and narrative films like 1902's "A Trip to the Moon". The film industry grew in the early 1900s, with Hollywood becoming the major production
The name "Hollywood" originated from a Chinese man named H.J. Whitely saw hauling wood ("holly-wood") in 1886. The earliest films in the late 1800s used motion toys to create the illusion of movement. Hollywood became the birthplace of the American film studio system in the early 1900s. Early film cameras had basic levelling but no other movement, requiring films to be shot from stationary positions or moving vehicles. One of the first films to edit multiple shots together was the French film about the life of Jesus in the late 1800s.
This presentation was designed for a high school film production class - it provides a visual accompaniment to a lecture on Film History. This module covers the period from the beginnings of photography through the early days of exhibition. Projectors and projection techniques are featured.
In 2020 as a result of the Coronavirus Pandemic, I recorded a video of this presentation. Here is the link:https://youtu.be/GQuJJ8QkHQE Please feel free to use it in your classrooms.
Similar to As research and planning – history of film (20)
Walmart Business+ and Spark Good for Nonprofits.pdfTechSoup
"Learn about all the ways Walmart supports nonprofit organizations.
You will hear from Liz Willett, the Head of Nonprofits, and hear about what Walmart is doing to help nonprofits, including Walmart Business and Spark Good. Walmart Business+ is a new offer for nonprofits that offers discounts and also streamlines nonprofits order and expense tracking, saving time and money.
The webinar may also give some examples on how nonprofits can best leverage Walmart Business+.
The event will cover the following::
Walmart Business + (https://business.walmart.com/plus) is a new shopping experience for nonprofits, schools, and local business customers that connects an exclusive online shopping experience to stores. Benefits include free delivery and shipping, a 'Spend Analytics” feature, special discounts, deals and tax-exempt shopping.
Special TechSoup offer for a free 180 days membership, and up to $150 in discounts on eligible orders.
Spark Good (walmart.com/sparkgood) is a charitable platform that enables nonprofits to receive donations directly from customers and associates.
Answers about how you can do more with Walmart!"
This document provides an overview of wound healing, its functions, stages, mechanisms, factors affecting it, and complications.
A wound is a break in the integrity of the skin or tissues, which may be associated with disruption of the structure and function.
Healing is the body’s response to injury in an attempt to restore normal structure and functions.
Healing can occur in two ways: Regeneration and Repair
There are 4 phases of wound healing: hemostasis, inflammation, proliferation, and remodeling. This document also describes the mechanism of wound healing. Factors that affect healing include infection, uncontrolled diabetes, poor nutrition, age, anemia, the presence of foreign bodies, etc.
Complications of wound healing like infection, hyperpigmentation of scar, contractures, and keloid formation.
Strategies for Effective Upskilling is a presentation by Chinwendu Peace in a Your Skill Boost Masterclass organisation by the Excellence Foundation for South Sudan on 08th and 09th June 2024 from 1 PM to 3 PM on each day.
it describes the bony anatomy including the femoral head , acetabulum, labrum . also discusses the capsule , ligaments . muscle that act on the hip joint and the range of motion are outlined. factors affecting hip joint stability and weight transmission through the joint are summarized.
LAND USE LAND COVER AND NDVI OF MIRZAPUR DISTRICT, UPRAHUL
This Dissertation explores the particular circumstances of Mirzapur, a region located in the
core of India. Mirzapur, with its varied terrains and abundant biodiversity, offers an optimal
environment for investigating the changes in vegetation cover dynamics. Our study utilizes
advanced technologies such as GIS (Geographic Information Systems) and Remote sensing to
analyze the transformations that have taken place over the course of a decade.
The complex relationship between human activities and the environment has been the focus
of extensive research and worry. As the global community grapples with swift urbanization,
population expansion, and economic progress, the effects on natural ecosystems are becoming
more evident. A crucial element of this impact is the alteration of vegetation cover, which plays a
significant role in maintaining the ecological equilibrium of our planet.Land serves as the foundation for all human activities and provides the necessary materials for
these activities. As the most crucial natural resource, its utilization by humans results in different
'Land uses,' which are determined by both human activities and the physical characteristics of the
land.
The utilization of land is impacted by human needs and environmental factors. In countries
like India, rapid population growth and the emphasis on extensive resource exploitation can lead
to significant land degradation, adversely affecting the region's land cover.
Therefore, human intervention has significantly influenced land use patterns over many
centuries, evolving its structure over time and space. In the present era, these changes have
accelerated due to factors such as agriculture and urbanization. Information regarding land use and
cover is essential for various planning and management tasks related to the Earth's surface,
providing crucial environmental data for scientific, resource management, policy purposes, and
diverse human activities.
Accurate understanding of land use and cover is imperative for the development planning
of any area. Consequently, a wide range of professionals, including earth system scientists, land
and water managers, and urban planners, are interested in obtaining data on land use and cover
changes, conversion trends, and other related patterns. The spatial dimensions of land use and
cover support policymakers and scientists in making well-informed decisions, as alterations in
these patterns indicate shifts in economic and social conditions. Monitoring such changes with the
help of Advanced technologies like Remote Sensing and Geographic Information Systems is
crucial for coordinated efforts across different administrative levels. Advanced technologies like
Remote Sensing and Geographic Information Systems
9
Changes in vegetation cover refer to variations in the distribution, composition, and overall
structure of plant communities across different temporal and spatial scales. These changes can
occur natural.
How to Make a Field Mandatory in Odoo 17Celine George
In Odoo, making a field required can be done through both Python code and XML views. When you set the required attribute to True in Python code, it makes the field required across all views where it's used. Conversely, when you set the required attribute in XML views, it makes the field required only in the context of that particular view.
2. George Melies,
A trip to the moon
Considered the father of the narrative film screens first true artist
Very much grounded into the theater mode of thinking. Had detailed scenes
but all shot from the same angle, ‘like a viewer who had the perfect seat’
1902
3. 1903
The great train robbery
First film to use different type of editing and camera angles
4. Life of an American fireman.
Edwin. S. Porter. Took stock images from the Edison library and spliced them
together with stages scenes to create a fictional narrative.
1903