FILM HISTORY 
Reference: buzz.bournemouth.ac.uk/history-film-timeline/ 
Group 2 
Valera, Chesca
Brief History of Fil
Early to Mid 1830’s 
 Moving images were 
produced on revolving drums 
and disks with independent 
invention by Simon von 
Stampfer (Stroboscope) in 
Austria, William Horner 
(zoetrope) in Britain and 
Joseph Plateau 
(Phenakistoscope) in 
Belgium
1839 
 British inventor, 
William H. Fox Talbot 
made paper sensitive 
to light by bathing it in 
a solution of salt and 
silver nitrate. The silver 
turned dark when 
exposed to light and in 
turn created a 
negative, which could 
be used to print 
positives on other 
sheets of light sensitive 
paper.
1867 
 The first machine patented 
in the United States that 
showed animated pictures 
was a device called the 
“wheel of life” or 
“zoopraxiscope”. Patented 
by William Lincoln, moving 
drawings or photographs 
were watched through a slit
1878 
 British photographer 
Eadweard Muybridge takes 
the first successful 
photographs of motion, 
showing how people and 
animals move.
1885 
 American inventor George 
Eastman introduces film 
made on a paper base 
instead of glass, eliminating 
the need for glass plates. 
Eastman was one of the first to successfully mass-produce dry 
plates for photographers.
1888 
 By starting to develop 
films using its own 
processing plants, 
Eastman Kodak 
eliminates the need for 
amateur 
photographers to 
process their own 
pictures.
1889 
 Thomas Edison and 
William Dickson 
developed 
the kinetoscope, a 
peep-show device in 
which film is moved 
past a light.
1891 
 The Edison company successfully demonstrated 
the Kinetoscope, which enabled one person at a 
time to view moving pictures.
1893 
 Thomas Edison displays his 
Kinetoscope at the World’s 
Columbian Exhibition in 
Chicago and receives patents 
for his movie camera, the 
Kinetograph, and his 
peepshow device.
1894 
 The first commercial 
exhibition of film took 
place on April 14, 1894 
at the first Kinetoscope 
parlor ever built.
1895 
 Two French brothers, 
Louis and August Lumiere 
originated a combination 
movie camera and 
projector, capable of 
projecting an image that 
can be seen by many 
people. In Paris, they 
present the first 
commercial exhibition of 
projected motion pictures. 
Lumiere and his brother 
were the first to present 
projected, moving, 
photographic, pictures to 
the paying audience.
1896 
 Edison showed his 
improvedVitascope 
projector and it was 
the first 
commercially, 
successful, projector 
in the U.S
1905 
 Cooper Hewitt 
mercury lamps make 
it practical to shoot 
films indoors 
without sunlight.
 1906 The first 
animated cartoon is 
produced. 
o1909 
There are about 9,000 movie theaters in the United States. 
The typical film is only a single reel long, ten- twelve minutes in length, 
and the actors were anonymous.
1910 
 Actors in American films 
began to receive screen 
credit, and the way to the 
creation of film stars was 
opened. 
1911 
o Credits begin to appear at the 
beginning of motion pictures.
 1912 
Carl Laemmle 
organizes Universal 
Pictures, which will 
become the first 
major studio. 
o1915 
The Bell & Howell 2709 movie 
camera allows directors to 
make close-ups without 
physically moving the camera.
 1923 
Warner Bros.is 
established. 
o1925Western Electric and Warner Bros. 
agree to develop a system for movies 
with sound.
 1925 
The first in-flight movie is shown. It was a black & white, silent film 
called The Lost World, is shown in a WWI converted Handley-Page 
bomber during a 30-minute flight near London.
1927 
 Warner Bros.’s The Jazz 
Singer, presents the movie’s 
first spoken words: “Wait a 
minute, wait a minute, you 
ain’t heard nothin’ yet.” The 
Vitaphone method that the 
studio uses involves 
recording sound on discs.
 1928 
Paramount becomes the first 
studio to announce that it 
will only produce “talkies” (a 
movie with a soundtrack) 
o1929 
The first Academy Awards are announced, with the award for 
the best picture in 1927 going to ‘Wings’
 1930 The motion picture 
industries adopts the 
Production Code, a set of 
guidelines that describes 
what is acceptable in movies.
 1931 
American gangster films like Little Caesar and Wellman’s The Public 
Enemy became popular. Dialogue now took superiority over 
“slapstick” (Comedy based on violence) in Hollywood : the fast-paced, 
witty banter of The Front Page (1931) or It Happened One Night (1934),
 1933 Theaters begin to 
open refreshment stands. 
o1934The first drive-in 
movie theater opens 
in New Jersey, USA.
 1937Walt Disney’s first 
full-length animated feature, 
Snow White and the Seven 
Dwarfs, is released. 
o1939American 
cinema brought such 
films as The Wizard of 
Oz and Gone with The 
Wind.
 Early 1940’s 
The desire for wartime propaganda created a renaissance in the film 
industry in Britain, with realistic war dramas like 49th Parallel (1941), 
Went the Day Well? (1942), The Way Ahead (1944) and Noël Coward 
and David Lean’s celebrated naval film In Which We Serve in (1942).
 1940The success of Snow 
White and the Seven Dwarfs 
allowed Disney to make 
more animated features 
like Pinocchio (1940), 
Fantasia (1940), Dumbo 
(1941) and Bambi (1942).
 1945 ‘ 
Post-classical cinema’ described the 
changing methods of storytelling of the 
“New Hollywood” producers. The new 
methods of drama and characterization 
meant the story chronology may be 
scrambled, storylines may feature 
unsettling “twist endings”.
 Early 1950’s 
The House Un-American Activities Committee investigated 
Hollywood. Protested by theHollywoodTen before the committee, the 
hearings resulted in the blacklisting of many actors, writers and 
directors, including Chayefsky, Charlie Chaplin, and Dalton Trumbo, 
and many of whom fled to Europe, especially the United Kingdom.
 1952 
The Cold War era translated into a type of near-paranoia manifested in 
themes such as invading armies of evil aliens, (Invasion of the Body 
Snatchers and The War of the Worlds). 
o1953 Seven-year contracts with actors are replaced by 
single-picture or multi-picture contracts
 1957 
The cinematic industry was threatened by television, and the increasing 
popularity of the medium meant that some film theatres would become 
bankrupt and close. The demise of the “studio system” spurred the self-commentary 
of films like Sunset Boulevard (1950) and The Bad and the 
Beautiful (1952).
 1960 
Hitchcock’s Psycho 
was released. 
oEarly 1960′s 
The studio system in 
Hollywood declined, because 
many films were now being 
made on location in other 
countries, or using studio 
facilities abroad, such 
as Pinewood in the UK and 
Cinecittà in Rome.
 1962 
Hollywood films were still 
largely aimed at family 
audiences, and it was often 
the more old-fashioned films 
that produced the studios’ 
biggest successes. 
Productions like Mary 
Poppins (1964), My Fair Lady 
(1964) and The Sound of 
Music (1965) were among 
the biggest money-makers 
of the decade.
 1964The growth in independent producers and production 
companies, and the increase in the power of individual actors also 
contributed to the decline of traditional Hollywood studio production. 
oLate 1960′s Saw Hollywood filmmakers begin to create more innovative and 
groundbreaking films that reflected the social revolution taken over much of the 
western world such as Bonnie and Clyde (1967),The Graduate (1967), A Space 
Odyssey (1968), Rosemary’s Baby (1968), Midnight Cowboy (1969), Easy Rider 
(1969) and The Wild Bunch (1969). Bonnie and Clyde is often considered the 
beginning of the so-called New Hollywood.
 1970’s Filmmakers 
increasingly depicted explicit 
sexual content and showed 
gunfight and battle scenes 
that included graphic images 
of bloody deaths. 
o1971 Marked the release of controversial films like Straw Dogs, A 
Clockwork Orange, The French Connection and Dirty Harry. This sparked 
heated controversy over the perceived escalation of violence in cinema.
 Mid 1970′s A new group 
of American filmmakers 
emerged, such as Martin 
Scorsese, Francis Ford 
Coppola, Roman Polanski, 
Steven Spielberg, George 
Lucas 
o1972 Film director’s begin to express their 
personal vision and creative insights. The 
development of the auteur style of 
filmmaking helped to give these directors far 
greater control over their projects than 
would have been possible in earlier eras. This 
led to some great critical and commercial 
successes, like Scorsese’sTaxi Driver, 
Coppola’s The Godfather films.
 1976The phenomenal 
success in the 1970s of Jaws 
and Star Wars in particular, 
led to the rise of the 
modern “blockbuster”. 
Hollywood studios 
increasingly focused on 
producing a smaller number 
of very large budget films 
with massive marketing and 
promotional campaigns.
 Early 1980′s 
Saw audiences began increasingly watching films on their home 
VCRs. In the early part of that decade, the film studios tried legal 
action to ban home ownership of VCRs as a violation of copyright, 
which proved unsuccessful. Eventually, the sale and rental of films 
on home video became a significant “second venue” for exhibition 
of films, and an additional source of revenue for the film 
industries.
 Early 1990′s 
Saw the development of 
a commercially 
successful independent 
cinema in the United 
States. Although cinema 
was increasingly 
dominated by special-effects 
films such as 
Terminator 2: Judgment 
Day (1991), Jurassic Park 
(1993) and Titanic (1997), 
independent films like 
Steven Soderbergh’s Sex, 
Lies, and Videotape 
(1989) and Quentin 
Tarantino’s Reservoir 
Dogs (1992) had 
significant commercial 
success both at the 
cinema and on home 
video.
oLate 1990′s Another cinematic evolution began, from physical 
film stock to digital cinema technology. Meanwhile DVDs became 
the new standard for consumer video, replacing VHS tapes. 
 1992Americans spend $12 billion to buy or rent video tapes, 
compared to just $4.9 billion on box office ticket sales. 76% of 
households have VCR players. 
o1994 Steven Spielberg, Jeffrey Katzenberg, 
and David Geffen form the film 
studio DreamWorks.
 1994 
Major American studios began to create their own “independent” 
production companies to finance and produce non-mainstream 
fare. One of the most successful independents of the 
1990s, Miramax Films was bought by Disney the year before the 
release of Tarantino’s runaway hit Pulp Fiction in 1994. The year 
1994 also marked the beginning of film and video distribution 
online. Animated films aimed at family audiences also regained 
their popularity, with Disney’s Beauty and the Beast (1991), 
Aladdin (1992), and The Lion King (1994).
 1995 The first feature length computer-animated 
feature, Toy Story, was produced by Pixar Animation 
Studios and released by Disney. After the success of 
Toy Story, computer animation began to grow and 
became the principal technique for feature length 
animation, which allowed competing film companies 
such as DreamworksAnimation and 20th Century 
Fox to effectively compete with Disney with 
successful films of their own.
 2000The documentary 
film began to escalate as a 
commercial genre for 
conceivably the first time, 
with the success of films 
such as March of the 
Penguins and Michael 
Moore’s Bowling for 
Columbine and Fahrenheit 
9/11. 
o2001 Saw the beginning of a growing problem of 
digital distribution to be overcome with regards to 
expiration of copyrights, content security, and 
enforcing copyright. There is higher compression for 
films, and Moore’s law allows for increasingly cheaper 
technology.
 2002 More films began being 
released simultaneously 
to IMAX cinema, the first was Disney 
animation Treasure Planet. 
o2003 The Matrix 
Revolutions and a re-release 
of The Matrix 
Reloaded could be viewed 
in IMAX cinemas.
 2005The Dark Knight was the first major 
feature film to have been at least partially shot 
in IMAX technology. 
o2009 James Cameron’s 3D 
filmAvatar became the highest-grossing 
film of all time.
 2010 onward 3D films gained 
increasing popularity with many 
other films being released in 3D. The 
best critical and financial success 
was the feature film animation 
of Walt Disney Pictures/Pixar’sToy 
Story 3. 
o2012Titanic was re-released 
in a special 3D version to 
celebrate the 100th anniversary.
THANK YOU! 
HAVE A 
GREAT AND 
BEAUTIFUL 
DAY! :)

Film history reporting

  • 1.
    FILM HISTORY Reference:buzz.bournemouth.ac.uk/history-film-timeline/ Group 2 Valera, Chesca
  • 2.
  • 3.
    Early to Mid1830’s  Moving images were produced on revolving drums and disks with independent invention by Simon von Stampfer (Stroboscope) in Austria, William Horner (zoetrope) in Britain and Joseph Plateau (Phenakistoscope) in Belgium
  • 5.
    1839  Britishinventor, William H. Fox Talbot made paper sensitive to light by bathing it in a solution of salt and silver nitrate. The silver turned dark when exposed to light and in turn created a negative, which could be used to print positives on other sheets of light sensitive paper.
  • 6.
    1867  Thefirst machine patented in the United States that showed animated pictures was a device called the “wheel of life” or “zoopraxiscope”. Patented by William Lincoln, moving drawings or photographs were watched through a slit
  • 7.
    1878  Britishphotographer Eadweard Muybridge takes the first successful photographs of motion, showing how people and animals move.
  • 8.
    1885  Americaninventor George Eastman introduces film made on a paper base instead of glass, eliminating the need for glass plates. Eastman was one of the first to successfully mass-produce dry plates for photographers.
  • 9.
    1888  Bystarting to develop films using its own processing plants, Eastman Kodak eliminates the need for amateur photographers to process their own pictures.
  • 10.
    1889  ThomasEdison and William Dickson developed the kinetoscope, a peep-show device in which film is moved past a light.
  • 11.
    1891  TheEdison company successfully demonstrated the Kinetoscope, which enabled one person at a time to view moving pictures.
  • 12.
    1893  ThomasEdison displays his Kinetoscope at the World’s Columbian Exhibition in Chicago and receives patents for his movie camera, the Kinetograph, and his peepshow device.
  • 13.
    1894  Thefirst commercial exhibition of film took place on April 14, 1894 at the first Kinetoscope parlor ever built.
  • 14.
    1895  TwoFrench brothers, Louis and August Lumiere originated a combination movie camera and projector, capable of projecting an image that can be seen by many people. In Paris, they present the first commercial exhibition of projected motion pictures. Lumiere and his brother were the first to present projected, moving, photographic, pictures to the paying audience.
  • 15.
    1896  Edisonshowed his improvedVitascope projector and it was the first commercially, successful, projector in the U.S
  • 16.
    1905  CooperHewitt mercury lamps make it practical to shoot films indoors without sunlight.
  • 17.
     1906 Thefirst animated cartoon is produced. o1909 There are about 9,000 movie theaters in the United States. The typical film is only a single reel long, ten- twelve minutes in length, and the actors were anonymous.
  • 18.
    1910  Actorsin American films began to receive screen credit, and the way to the creation of film stars was opened. 1911 o Credits begin to appear at the beginning of motion pictures.
  • 19.
     1912 CarlLaemmle organizes Universal Pictures, which will become the first major studio. o1915 The Bell & Howell 2709 movie camera allows directors to make close-ups without physically moving the camera.
  • 20.
     1923 WarnerBros.is established. o1925Western Electric and Warner Bros. agree to develop a system for movies with sound.
  • 21.
     1925 Thefirst in-flight movie is shown. It was a black & white, silent film called The Lost World, is shown in a WWI converted Handley-Page bomber during a 30-minute flight near London.
  • 22.
    1927  WarnerBros.’s The Jazz Singer, presents the movie’s first spoken words: “Wait a minute, wait a minute, you ain’t heard nothin’ yet.” The Vitaphone method that the studio uses involves recording sound on discs.
  • 23.
     1928 Paramountbecomes the first studio to announce that it will only produce “talkies” (a movie with a soundtrack) o1929 The first Academy Awards are announced, with the award for the best picture in 1927 going to ‘Wings’
  • 24.
     1930 Themotion picture industries adopts the Production Code, a set of guidelines that describes what is acceptable in movies.
  • 25.
     1931 Americangangster films like Little Caesar and Wellman’s The Public Enemy became popular. Dialogue now took superiority over “slapstick” (Comedy based on violence) in Hollywood : the fast-paced, witty banter of The Front Page (1931) or It Happened One Night (1934),
  • 26.
     1933 Theatersbegin to open refreshment stands. o1934The first drive-in movie theater opens in New Jersey, USA.
  • 27.
     1937Walt Disney’sfirst full-length animated feature, Snow White and the Seven Dwarfs, is released. o1939American cinema brought such films as The Wizard of Oz and Gone with The Wind.
  • 28.
     Early 1940’s The desire for wartime propaganda created a renaissance in the film industry in Britain, with realistic war dramas like 49th Parallel (1941), Went the Day Well? (1942), The Way Ahead (1944) and Noël Coward and David Lean’s celebrated naval film In Which We Serve in (1942).
  • 29.
     1940The successof Snow White and the Seven Dwarfs allowed Disney to make more animated features like Pinocchio (1940), Fantasia (1940), Dumbo (1941) and Bambi (1942).
  • 30.
     1945 ‘ Post-classical cinema’ described the changing methods of storytelling of the “New Hollywood” producers. The new methods of drama and characterization meant the story chronology may be scrambled, storylines may feature unsettling “twist endings”.
  • 31.
     Early 1950’s The House Un-American Activities Committee investigated Hollywood. Protested by theHollywoodTen before the committee, the hearings resulted in the blacklisting of many actors, writers and directors, including Chayefsky, Charlie Chaplin, and Dalton Trumbo, and many of whom fled to Europe, especially the United Kingdom.
  • 32.
     1952 TheCold War era translated into a type of near-paranoia manifested in themes such as invading armies of evil aliens, (Invasion of the Body Snatchers and The War of the Worlds). o1953 Seven-year contracts with actors are replaced by single-picture or multi-picture contracts
  • 33.
     1957 Thecinematic industry was threatened by television, and the increasing popularity of the medium meant that some film theatres would become bankrupt and close. The demise of the “studio system” spurred the self-commentary of films like Sunset Boulevard (1950) and The Bad and the Beautiful (1952).
  • 34.
     1960 Hitchcock’sPsycho was released. oEarly 1960′s The studio system in Hollywood declined, because many films were now being made on location in other countries, or using studio facilities abroad, such as Pinewood in the UK and Cinecittà in Rome.
  • 35.
     1962 Hollywoodfilms were still largely aimed at family audiences, and it was often the more old-fashioned films that produced the studios’ biggest successes. Productions like Mary Poppins (1964), My Fair Lady (1964) and The Sound of Music (1965) were among the biggest money-makers of the decade.
  • 36.
     1964The growthin independent producers and production companies, and the increase in the power of individual actors also contributed to the decline of traditional Hollywood studio production. oLate 1960′s Saw Hollywood filmmakers begin to create more innovative and groundbreaking films that reflected the social revolution taken over much of the western world such as Bonnie and Clyde (1967),The Graduate (1967), A Space Odyssey (1968), Rosemary’s Baby (1968), Midnight Cowboy (1969), Easy Rider (1969) and The Wild Bunch (1969). Bonnie and Clyde is often considered the beginning of the so-called New Hollywood.
  • 37.
     1970’s Filmmakers increasingly depicted explicit sexual content and showed gunfight and battle scenes that included graphic images of bloody deaths. o1971 Marked the release of controversial films like Straw Dogs, A Clockwork Orange, The French Connection and Dirty Harry. This sparked heated controversy over the perceived escalation of violence in cinema.
  • 38.
     Mid 1970′sA new group of American filmmakers emerged, such as Martin Scorsese, Francis Ford Coppola, Roman Polanski, Steven Spielberg, George Lucas o1972 Film director’s begin to express their personal vision and creative insights. The development of the auteur style of filmmaking helped to give these directors far greater control over their projects than would have been possible in earlier eras. This led to some great critical and commercial successes, like Scorsese’sTaxi Driver, Coppola’s The Godfather films.
  • 39.
     1976The phenomenal success in the 1970s of Jaws and Star Wars in particular, led to the rise of the modern “blockbuster”. Hollywood studios increasingly focused on producing a smaller number of very large budget films with massive marketing and promotional campaigns.
  • 40.
     Early 1980′s Saw audiences began increasingly watching films on their home VCRs. In the early part of that decade, the film studios tried legal action to ban home ownership of VCRs as a violation of copyright, which proved unsuccessful. Eventually, the sale and rental of films on home video became a significant “second venue” for exhibition of films, and an additional source of revenue for the film industries.
  • 41.
     Early 1990′s Saw the development of a commercially successful independent cinema in the United States. Although cinema was increasingly dominated by special-effects films such as Terminator 2: Judgment Day (1991), Jurassic Park (1993) and Titanic (1997), independent films like Steven Soderbergh’s Sex, Lies, and Videotape (1989) and Quentin Tarantino’s Reservoir Dogs (1992) had significant commercial success both at the cinema and on home video.
  • 42.
    oLate 1990′s Anothercinematic evolution began, from physical film stock to digital cinema technology. Meanwhile DVDs became the new standard for consumer video, replacing VHS tapes.  1992Americans spend $12 billion to buy or rent video tapes, compared to just $4.9 billion on box office ticket sales. 76% of households have VCR players. o1994 Steven Spielberg, Jeffrey Katzenberg, and David Geffen form the film studio DreamWorks.
  • 43.
     1994 MajorAmerican studios began to create their own “independent” production companies to finance and produce non-mainstream fare. One of the most successful independents of the 1990s, Miramax Films was bought by Disney the year before the release of Tarantino’s runaway hit Pulp Fiction in 1994. The year 1994 also marked the beginning of film and video distribution online. Animated films aimed at family audiences also regained their popularity, with Disney’s Beauty and the Beast (1991), Aladdin (1992), and The Lion King (1994).
  • 44.
     1995 Thefirst feature length computer-animated feature, Toy Story, was produced by Pixar Animation Studios and released by Disney. After the success of Toy Story, computer animation began to grow and became the principal technique for feature length animation, which allowed competing film companies such as DreamworksAnimation and 20th Century Fox to effectively compete with Disney with successful films of their own.
  • 45.
     2000The documentary film began to escalate as a commercial genre for conceivably the first time, with the success of films such as March of the Penguins and Michael Moore’s Bowling for Columbine and Fahrenheit 9/11. o2001 Saw the beginning of a growing problem of digital distribution to be overcome with regards to expiration of copyrights, content security, and enforcing copyright. There is higher compression for films, and Moore’s law allows for increasingly cheaper technology.
  • 46.
     2002 Morefilms began being released simultaneously to IMAX cinema, the first was Disney animation Treasure Planet. o2003 The Matrix Revolutions and a re-release of The Matrix Reloaded could be viewed in IMAX cinemas.
  • 47.
     2005The DarkKnight was the first major feature film to have been at least partially shot in IMAX technology. o2009 James Cameron’s 3D filmAvatar became the highest-grossing film of all time.
  • 48.
     2010 onward3D films gained increasing popularity with many other films being released in 3D. The best critical and financial success was the feature film animation of Walt Disney Pictures/Pixar’sToy Story 3. o2012Titanic was re-released in a special 3D version to celebrate the 100th anniversary.
  • 49.
    THANK YOU! HAVEA GREAT AND BEAUTIFUL DAY! :)