AS Media G321 Scene Analysis - Sound
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The document discusses different types of sound used in moving images including diegetic and non-diegetic sound. Diegetic sound is anything that characters in a scene could hear, including recorded sounds and additional Foley sounds added later. Non-diegetic sound consists mainly of music that characters cannot hear. The document analyzes sounds in film clips to understand how specific diegetic sounds like a blender, ball bouncing, and birds signing are used deliberately to heighten tension and signify meanings like an impending disaster.
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Sound
Sound can be used in several ways in films. Ambient sound creates the atmosphere of a place, while synchronous sound emphasizes key audio elements. Sound bridges help transition smoothly between scenes. Sound effects add realism or psychological impact, while diegetic sounds come from visible or implied sources in the story. Non-diegetic sounds do not have a visible source. Contrapuntal sound contrasts with visuals to create new meaning. Voice overs and theme music are also used to convey meaning and set the tone.
Sound and meaning
Diegetic sound comes from within the scene, like dialogue, while non-diegetic sound comes from outside the scene, like narration or mood music. Synchronous sound is recorded at filming and matches the action, like footsteps, while asynchronous sound occurs naturally but is not precisely synchronized. Sound effects, motifs, bridges, dialogue, voiceovers, mixing, and perspective are all techniques used to enhance meaning and storytelling through sound in television and film.
Sound
Sound in films uses three key ingredients - human voice, sound effects, and music - which a sound editor balances to create different effects, from realism to fantasy. Sound is often used to complement editing and visual effects in scenes, like using changes in loudness and instrument choice in a horror film trailer to create suspense. An opening scene in Sherlock Holmes effectively uses parallel and non-diegetic sounds like music and diegetic sounds of horses and guns to match and enhance the visuals and set an intense atmosphere.
Film language 2
This document defines and provides examples of key concepts in film sound, including:
1) Diegetic sounds originate from visible or implied sources within the story world, while non-diegetic sounds come from outside the story.
2) Synchronous sounds match visible actions, while asynchronous sounds are indigenous but not precisely synchronized.
3) Parallel sounds fit a scene's genre or mood, whereas contrapuntal sounds create unexpected contrasts.
4) Ambient sounds establish locations, and sound bridges/motifs condition emotional responses to characters, settings or ideas.
Sound lesson
This document discusses sound in TV dramas and provides terminology related to sound. It begins by listing learning objectives about identifying different types of sounds used in TV dramas and discussing their effects. Key terminology is defined, including soundtrack, theme music, sound effects, ambient sound, and more. Students are then asked to watch a CSI clip and take notes on the sounds and their meanings, discuss the effects of the sounds with a partner, and write a paragraph summarizing the sound elements and their impact using terminology from the lesson.
Thriller films
The document analyzes the opening sequences of several thriller films and the conventions they employ, including mise-en-scene, sound, editing, and camerawork. For The Dark Knight Rises, the opening is quick-paced and tense with minimal sound. Pulp Fiction starts calmly but increases in pace during the credits. Se7en uses dark lighting, close-ups, and a dreary soundtrack to set a gloomy tone. Inception features a spinning top, dark lighting, and a jumpy soundtrack and pace. The Silence of the Lambs opens calmly but the lighting becomes dimmer to foreshadow events while maintaining a slow pace throughout.
Media.180.match.shot
This document defines and describes various filmmaking and editing techniques:
- Match on action is a continuity cut that splices shots of the same action together seamlessly.
- Shot/reverse shot edits alternate between two characters typically in conversation.
- The 180 degree rule dictates keeping the camera on the same side of action for consistent spatial relationships.
- Other terms defined include soundtrack, location sound, sync sound, diegetic/non-diegetic sound, mixing, and automatic dialogue replacement (ADR).
Sound
The sound editor is responsible for all audio elements in a movie. They select and balance hundreds of audio sources to create effects that establish mood and realism. The job involves cleaning up dialogue recordings and adding background sounds, sound effects, and Foley effects. Background effects create ambiance, hard effects produce loud impact sounds, and Foley artists specially recreate sounds to sync with on-screen actions. The sound editor crafts an aural landscape that enhances the movie experience.
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Sound
Sound can be used in several ways in films. Ambient sound creates the atmosphere of a place, while synchronous sound emphasizes key audio elements. Sound bridges help transition smoothly between scenes. Sound effects add realism or psychological impact, while diegetic sounds come from visible or implied sources in the story. Non-diegetic sounds do not have a visible source. Contrapuntal sound contrasts with visuals to create new meaning. Voice overs and theme music are also used to convey meaning and set the tone.
Sound and meaning
Diegetic sound comes from within the scene, like dialogue, while non-diegetic sound comes from outside the scene, like narration or mood music. Synchronous sound is recorded at filming and matches the action, like footsteps, while asynchronous sound occurs naturally but is not precisely synchronized. Sound effects, motifs, bridges, dialogue, voiceovers, mixing, and perspective are all techniques used to enhance meaning and storytelling through sound in television and film.
Sound
Sound in films uses three key ingredients - human voice, sound effects, and music - which a sound editor balances to create different effects, from realism to fantasy. Sound is often used to complement editing and visual effects in scenes, like using changes in loudness and instrument choice in a horror film trailer to create suspense. An opening scene in Sherlock Holmes effectively uses parallel and non-diegetic sounds like music and diegetic sounds of horses and guns to match and enhance the visuals and set an intense atmosphere.
Film language 2
This document defines and provides examples of key concepts in film sound, including:
1) Diegetic sounds originate from visible or implied sources within the story world, while non-diegetic sounds come from outside the story.
2) Synchronous sounds match visible actions, while asynchronous sounds are indigenous but not precisely synchronized.
3) Parallel sounds fit a scene's genre or mood, whereas contrapuntal sounds create unexpected contrasts.
4) Ambient sounds establish locations, and sound bridges/motifs condition emotional responses to characters, settings or ideas.
Sound lesson
This document discusses sound in TV dramas and provides terminology related to sound. It begins by listing learning objectives about identifying different types of sounds used in TV dramas and discussing their effects. Key terminology is defined, including soundtrack, theme music, sound effects, ambient sound, and more. Students are then asked to watch a CSI clip and take notes on the sounds and their meanings, discuss the effects of the sounds with a partner, and write a paragraph summarizing the sound elements and their impact using terminology from the lesson.
Thriller films
The document analyzes the opening sequences of several thriller films and the conventions they employ, including mise-en-scene, sound, editing, and camerawork. For The Dark Knight Rises, the opening is quick-paced and tense with minimal sound. Pulp Fiction starts calmly but increases in pace during the credits. Se7en uses dark lighting, close-ups, and a dreary soundtrack to set a gloomy tone. Inception features a spinning top, dark lighting, and a jumpy soundtrack and pace. The Silence of the Lambs opens calmly but the lighting becomes dimmer to foreshadow events while maintaining a slow pace throughout.
Media.180.match.shot
This document defines and describes various filmmaking and editing techniques:
- Match on action is a continuity cut that splices shots of the same action together seamlessly.
- Shot/reverse shot edits alternate between two characters typically in conversation.
- The 180 degree rule dictates keeping the camera on the same side of action for consistent spatial relationships.
- Other terms defined include soundtrack, location sound, sync sound, diegetic/non-diegetic sound, mixing, and automatic dialogue replacement (ADR).
Sound
The sound editor is responsible for all audio elements in a movie. They select and balance hundreds of audio sources to create effects that establish mood and realism. The job involves cleaning up dialogue recordings and adding background sounds, sound effects, and Foley effects. Background effects create ambiance, hard effects produce loud impact sounds, and Foley artists specially recreate sounds to sync with on-screen actions. The sound editor crafts an aural landscape that enhances the movie experience.
Final sound presentation for intro to film
The document discusses sound in film, including soundtracks, the power of sound to create interest, narration, understanding, anticipation, and value silence. It covers sound fundamentals like loudness, pitch, and timbre. It also discusses choosing sounds, manipulating and editing sounds, sound and film form including scores, dimensions of sound like rhythm and coordination with images. Additional topics covered include fidelity, diegetic and nondiegetic sounds, space, narrators, sound perspective, and the functions of sound over time.
Sound
The document discusses different types of sound used in films including diegetic sound from the scene, non-diegetic music and effects added in post-production, themes or jingles used to identify characters, the build up of sound or music to imply something is about to happen or trick/surprise viewers, the fading of music to indicate a threat has gone away, and jump scares using short, sharp, loud noises to emphasize shock or fear. Examples like the opening scenes of "A Touch of Evil" and "Jaws" are provided.
Types of Sound
There are several types of sound used in filmmaking to convey meaning and emotion. Diegetic sound occurs within the film's narrative and includes voices, music, and sounds emanating from on-screen objects and events. Non-diegetic sound comes from outside the narrative, such as voiceovers or mood music. Synchronous sound matches visual actions precisely, while asynchronous sound is less precisely timed to create tension. Contrapuntal sound uses music that contrasts the visuals, and parallel sound matches the tone and mood. Ambient sound consists of normal background noises that provide a sense of realism to film locations.
Gcse film sound
The document discusses different types of sounds that can be used in films, including diegetic sounds (sounds from within the film's world), non-diegetic sounds (sounds outside the film's world), synchronous sounds (sounds that match what is seen on screen), and asynchronous and contraputal sounds (sounds that don't match or contrast with the images). It provides examples of each type of sound and encourages analyzing the sounds that may be used in different film genres and scenes.
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This document summarizes and analyzes the cinematography, sounds, mise-en-scene, and editing techniques used in the trailers for three films: Piranha, The Woman in Black, and The Purge. For each trailer, the document examines the cinematography including shots used, sounds like music and effects, elements of the visual scene, and editing patterns with cuts and fades. The analysis finds that all three trailers employ conventions of their genres, like fast cuts for action in Piranha, darkness and isolation for horror in The Woman in Black, and a shift from peace to tension with changes in music and visuals for The Purge.
Types of tv and film sound
1. Sound plays a crucial role in films, with 90% of the experience coming from audio rather than visuals. Sound is used to simulate reality, add elements not visible, and set mood.
2. Key audio elements include dialogue, ambient noise, additional recordings, narration, effects, score, and soundtrack music. Effects are created through Foley artistry and studios.
3. The editing and mixing process combines all audio layers to enhance realism and emotional impact for the audience.
GCSE Film Studies - Sound
This document summarizes different types of sounds used in films. It divides film sounds into diegetic and non-diegetic categories. Diegetic sounds are part of the film's world, while non-diegetic sounds come from the film's soundtrack. It also discusses synchronous and asynchronous sound effects, and how the three components of a film soundtrack - dialogue, sound effects, and music - must be carefully balanced. Parallel and contrapuntal music are described based on whether the music's tone matches or contrasts the on-screen mood. Sound bridges are also summarized as connecting scenes through continuing sound across frames.
Dracula opening film analysis - hibba
Dracula is a 1992 film adaptation of Bram Stoker's novel, directed by Francis Ford Coppola. The opening uses various cinematography techniques like close-ups and long shots. Mise-en-scène features dark red lighting, medieval costumes, and props like bows creating a gothic and dangerous tone. The slow pacing and fades between scenes build suspense. Mysterious and tense non-diegetic music further conveys a sense of impending danger.
Insidious title analysis - Jushna
The opening titles of the film Insidious use techniques like unsettling music, low lighting, and moving objects in the background of each title to draw the audience into the world of the haunted house film. The titles cut between shots of different rooms of a house with strange activity, implying it is haunted. When the last title ends and the music cuts out, the audience knows the film is beginning as it cuts to the protagonist sleeping on a couch in the house. Though few plot details are given, the titles effectively set up the supernatural horror premise and location within the first few minutes.
Sound lesson 1
The document discusses the history and development of sound in film from the early silent films to the introduction of synchronized sound in 1927's The Jazz Singer, noting key terms like diegetic and non-diegetic sounds and analyzing how sounds are used in films like The Godfather and Boogie Nights to build tension and reflect a character's emotions.
Presentation on Sound
The document summarizes a classroom activity where students analyzed and discussed scenes from the film Scarface that featured the song "Tony's Theme." They discussed how the music made them feel and its effect on the scenes. In groups, students then created storyboards and videos using the song to convey a specific mood or atmosphere. Their video depicted a storyline of friends where an argument leads to violence. They employed various camera shots, editing techniques, and sound to effectively set the atmosphere and convey drama through their video like in the original Scarface clip.
Film Sound Techniques
This document discusses different types of sound that can be used in films, including diegetic sound that comes from within the world of the film and non-diegetic sound that is added in post-production. It notes that diegetic sound helps create a sense of place and events, while scripted dialogue moves the story forward and develops characters. Non-diegetic music and voiceovers can interpret emotions and enhance understanding of characters. Sound can also be used to link sequences, reflect themes, position the audience, and match or contrast events on screen through parallel or contrapuntal use.
Sound -overview of sound in film
The document discusses different types of sound used in films, including diegetic sound heard by characters and non-diegetic sound heard only by the audience. It provides examples of different categories of sound like dialogue, music, sound effects, and narration. It also discusses the purpose of asynchronous sound and how music can be used to build atmosphere, tension, and act as a sound bridge between scenes. Examples are provided from films and TV shows to illustrate these concepts.
different types of sound
The document discusses different elements of sound design in films. It begins by listing various sounds heard in a film clip, then explains that sound is carefully crafted in post-production similar to visual elements. Film sound is mixed to emphasize important sounds and maintain the intended atmosphere. There are different types of sounds like selective sounds used to highlight key elements, and ambient sounds that create a sense of place. Other elements discussed include sound bridges, sound effects, diegetic sounds from within the film world versus non-diegetic sounds from outside it, synchronous versus asynchronous sound, and the uses of voiceovers, theme music, musical scores, and silence.
Sound
The document discusses various types of sound that can be used in films, including diegetic sound whose source is visible or implied, versus non-diegetic sound whose source is neither. It also covers synchronous sound that is matched to the visuals versus asynchronous sound that provides mood. Additionally, it defines voiceovers, flashbacks, sound perspective, bridges, nonsimultaneous sound, direct sound, sound effects, motifs, dialogue, incidental music, themes and stings, and ambient sounds.
Sound effects
Sound effects are artificially created or altered sounds used in movies and television to emphasize action or set a mood. They make what is happening on screen seem more realistic and impactful. Films include subtle background sounds like chatter to create a sense of realism and place scenes in a busy setting. A technique called Foley reproduction adds everyday ambient sounds in post-production to further enhance realism, such as using cellophane to mimic the sound of a crackling fire. When creating a movie trailer, effective sound effects will be included to make the world of the trailer seem more real through modification and ambient sounds recognizable to the target audience.
4. pre production sf 2017 (1)
The document outlines the production plan and schedule for a student film project. It includes details about casting an actor, filming locations, equipment transportation, props, and soundtrack planning. Filming will take place over a few days at a student's house and college, with some additional time allotted for post-production work. Health and safety risks are considered, and the filmmaker has booked necessary equipment like a sound recorder. Creating original soundtracks may prove difficult due to lack of musical experience.
Sound effects
The document defines different types of sound that can be used in films, including diegetic sound, non-diegetic sound, synchronous sound, and nonsimultaneous sound. It provides examples to illustrate each type of sound and how it relates to the visuals on screen. Techniques like sound flashbacks and image flashforwards are discussed as ways to manipulate the storytelling order through sound. The document also covers different sound equipment options for filmmaking, such as lavalier microphones, directional microphones, and boom sticks.
Diegetic Sound Production
1. Foley artists create authentic-sounding sound effects during post-production to enhance films. Some classic foley effects include a thunderclap from "Frankenstein" known as "Castle Thunder" and a distinctive telephone ring used in Universal films.
2. Iconic sound designer Ben Burtt created many unique sounds for Star Wars, such as the TIE fighter noise from an elephant bellow and R2-D2's voice from water pipes and whistles.
3. Foley artists use creative techniques to generate realistic sound effects, like breaking carrots and celery for bone cracks or kissing their arm for passionate kissing sounds.
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This document discusses different editing techniques used in filmmaking to create tension, suspense, shock, or signify the end of an action. It lists common transitions like cuts, wipes, dissolves, and fades. Specific techniques are mentioned like smash cuts, L-cuts, and parallel cutting. Examples from films Sicario, Captain America: The Winter Soldier, and a mystery film demonstrate how editing builds tension through shot sequencing, cross-cutting between perspectives, and drawing the viewer's focus within a scene.
Audience Theories for Survey Design
This document discusses key concepts related to media audiences, including different audience reception models. It covers:
- Quantitative and qualitative audience measures, with quantitative looking at demographics like age/income and qualitative examining lifestyle/outlook.
- The hypodermic needle model which views audiences as passive and easily influenced. In contrast, the uses and gratifications model sees audiences as active in choosing media for pleasure, identity, information, entertainment, and social interaction.
- Young and Rubicam's 4Cs consumer characterization model which predicts media use based on broader lifestyle factors. Maslow's hierarchy of needs also links psychological needs to media consumption motivations.
AS Media G321 Opening Titles Analysis
This document provides instructions for students to complete tasks analyzing film title sequences and opening scenes. It asks students to research Saul Bass's title design style, analyze the opening titles of North by Northwest, compare different title sequences, and analyze representations of gender and age in the openings of The Box and Gran Torino. It provides deadlines for students to complete three opening scene analyses applying genre and narrative theory.
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The document discusses sound in film, including soundtracks, the power of sound to create interest, narration, understanding, anticipation, and value silence. It covers sound fundamentals like loudness, pitch, and timbre. It also discusses choosing sounds, manipulating and editing sounds, sound and film form including scores, dimensions of sound like rhythm and coordination with images. Additional topics covered include fidelity, diegetic and nondiegetic sounds, space, narrators, sound perspective, and the functions of sound over time.
Sound
The document discusses different types of sound used in films including diegetic sound from the scene, non-diegetic music and effects added in post-production, themes or jingles used to identify characters, the build up of sound or music to imply something is about to happen or trick/surprise viewers, the fading of music to indicate a threat has gone away, and jump scares using short, sharp, loud noises to emphasize shock or fear. Examples like the opening scenes of "A Touch of Evil" and "Jaws" are provided.
Types of Sound
There are several types of sound used in filmmaking to convey meaning and emotion. Diegetic sound occurs within the film's narrative and includes voices, music, and sounds emanating from on-screen objects and events. Non-diegetic sound comes from outside the narrative, such as voiceovers or mood music. Synchronous sound matches visual actions precisely, while asynchronous sound is less precisely timed to create tension. Contrapuntal sound uses music that contrasts the visuals, and parallel sound matches the tone and mood. Ambient sound consists of normal background noises that provide a sense of realism to film locations.
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The document discusses different types of sounds that can be used in films, including diegetic sounds (sounds from within the film's world), non-diegetic sounds (sounds outside the film's world), synchronous sounds (sounds that match what is seen on screen), and asynchronous and contraputal sounds (sounds that don't match or contrast with the images). It provides examples of each type of sound and encourages analyzing the sounds that may be used in different film genres and scenes.
Media Language
This document summarizes and analyzes the cinematography, sounds, mise-en-scene, and editing techniques used in the trailers for three films: Piranha, The Woman in Black, and The Purge. For each trailer, the document examines the cinematography including shots used, sounds like music and effects, elements of the visual scene, and editing patterns with cuts and fades. The analysis finds that all three trailers employ conventions of their genres, like fast cuts for action in Piranha, darkness and isolation for horror in The Woman in Black, and a shift from peace to tension with changes in music and visuals for The Purge.
Types of tv and film sound
1. Sound plays a crucial role in films, with 90% of the experience coming from audio rather than visuals. Sound is used to simulate reality, add elements not visible, and set mood.
2. Key audio elements include dialogue, ambient noise, additional recordings, narration, effects, score, and soundtrack music. Effects are created through Foley artistry and studios.
3. The editing and mixing process combines all audio layers to enhance realism and emotional impact for the audience.
GCSE Film Studies - Sound
This document summarizes different types of sounds used in films. It divides film sounds into diegetic and non-diegetic categories. Diegetic sounds are part of the film's world, while non-diegetic sounds come from the film's soundtrack. It also discusses synchronous and asynchronous sound effects, and how the three components of a film soundtrack - dialogue, sound effects, and music - must be carefully balanced. Parallel and contrapuntal music are described based on whether the music's tone matches or contrasts the on-screen mood. Sound bridges are also summarized as connecting scenes through continuing sound across frames.
Dracula opening film analysis - hibba
Dracula is a 1992 film adaptation of Bram Stoker's novel, directed by Francis Ford Coppola. The opening uses various cinematography techniques like close-ups and long shots. Mise-en-scène features dark red lighting, medieval costumes, and props like bows creating a gothic and dangerous tone. The slow pacing and fades between scenes build suspense. Mysterious and tense non-diegetic music further conveys a sense of impending danger.
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The opening titles of the film Insidious use techniques like unsettling music, low lighting, and moving objects in the background of each title to draw the audience into the world of the haunted house film. The titles cut between shots of different rooms of a house with strange activity, implying it is haunted. When the last title ends and the music cuts out, the audience knows the film is beginning as it cuts to the protagonist sleeping on a couch in the house. Though few plot details are given, the titles effectively set up the supernatural horror premise and location within the first few minutes.
Sound lesson 1
The document discusses the history and development of sound in film from the early silent films to the introduction of synchronized sound in 1927's The Jazz Singer, noting key terms like diegetic and non-diegetic sounds and analyzing how sounds are used in films like The Godfather and Boogie Nights to build tension and reflect a character's emotions.
Presentation on Sound
The document summarizes a classroom activity where students analyzed and discussed scenes from the film Scarface that featured the song "Tony's Theme." They discussed how the music made them feel and its effect on the scenes. In groups, students then created storyboards and videos using the song to convey a specific mood or atmosphere. Their video depicted a storyline of friends where an argument leads to violence. They employed various camera shots, editing techniques, and sound to effectively set the atmosphere and convey drama through their video like in the original Scarface clip.
Film Sound Techniques
This document discusses different types of sound that can be used in films, including diegetic sound that comes from within the world of the film and non-diegetic sound that is added in post-production. It notes that diegetic sound helps create a sense of place and events, while scripted dialogue moves the story forward and develops characters. Non-diegetic music and voiceovers can interpret emotions and enhance understanding of characters. Sound can also be used to link sequences, reflect themes, position the audience, and match or contrast events on screen through parallel or contrapuntal use.
Sound -overview of sound in film
The document discusses different types of sound used in films, including diegetic sound heard by characters and non-diegetic sound heard only by the audience. It provides examples of different categories of sound like dialogue, music, sound effects, and narration. It also discusses the purpose of asynchronous sound and how music can be used to build atmosphere, tension, and act as a sound bridge between scenes. Examples are provided from films and TV shows to illustrate these concepts.
different types of sound
The document discusses different elements of sound design in films. It begins by listing various sounds heard in a film clip, then explains that sound is carefully crafted in post-production similar to visual elements. Film sound is mixed to emphasize important sounds and maintain the intended atmosphere. There are different types of sounds like selective sounds used to highlight key elements, and ambient sounds that create a sense of place. Other elements discussed include sound bridges, sound effects, diegetic sounds from within the film world versus non-diegetic sounds from outside it, synchronous versus asynchronous sound, and the uses of voiceovers, theme music, musical scores, and silence.
Sound
The document discusses various types of sound that can be used in films, including diegetic sound whose source is visible or implied, versus non-diegetic sound whose source is neither. It also covers synchronous sound that is matched to the visuals versus asynchronous sound that provides mood. Additionally, it defines voiceovers, flashbacks, sound perspective, bridges, nonsimultaneous sound, direct sound, sound effects, motifs, dialogue, incidental music, themes and stings, and ambient sounds.
Sound effects
Sound effects are artificially created or altered sounds used in movies and television to emphasize action or set a mood. They make what is happening on screen seem more realistic and impactful. Films include subtle background sounds like chatter to create a sense of realism and place scenes in a busy setting. A technique called Foley reproduction adds everyday ambient sounds in post-production to further enhance realism, such as using cellophane to mimic the sound of a crackling fire. When creating a movie trailer, effective sound effects will be included to make the world of the trailer seem more real through modification and ambient sounds recognizable to the target audience.
4. pre production sf 2017 (1)
The document outlines the production plan and schedule for a student film project. It includes details about casting an actor, filming locations, equipment transportation, props, and soundtrack planning. Filming will take place over a few days at a student's house and college, with some additional time allotted for post-production work. Health and safety risks are considered, and the filmmaker has booked necessary equipment like a sound recorder. Creating original soundtracks may prove difficult due to lack of musical experience.
Sound effects
The document defines different types of sound that can be used in films, including diegetic sound, non-diegetic sound, synchronous sound, and nonsimultaneous sound. It provides examples to illustrate each type of sound and how it relates to the visuals on screen. Techniques like sound flashbacks and image flashforwards are discussed as ways to manipulate the storytelling order through sound. The document also covers different sound equipment options for filmmaking, such as lavalier microphones, directional microphones, and boom sticks.
Diegetic Sound Production
1. Foley artists create authentic-sounding sound effects during post-production to enhance films. Some classic foley effects include a thunderclap from "Frankenstein" known as "Castle Thunder" and a distinctive telephone ring used in Universal films.
2. Iconic sound designer Ben Burtt created many unique sounds for Star Wars, such as the TIE fighter noise from an elephant bellow and R2-D2's voice from water pipes and whistles.
3. Foley artists use creative techniques to generate realistic sound effects, like breaking carrots and celery for bone cracks or kissing their arm for passionate kissing sounds.
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This document discusses key concepts related to media audiences, including different audience reception models. It covers:
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4. Drafting a written response that critically discusses how technology contributed to a high-quality production.
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Genre theory posits that genres are defined by certain conventions of content, themes, settings, and forms that are shared among texts belonging to that genre. However, genres are dynamic and open to negotiation rather than fixed forms. Individual texts can also belong to multiple genres depending on factors like location and time period. Genres provide frameworks that position readers and viewers in certain ways, but also offer pleasures through repetition and deviation from expectations.
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AS Media G321 Scene Analysis - Sound
- 2. DIEGETIC SOUND THIS IS THE SOUND IN A MOVING IMAGE TEXT THAT CAN BE HEARD BY THE CHARACTERS. IT IS EVERYTHING THAT IS RECORDED WHEN THE TEXT IS FILMED, PLUS MATERIAL ADDED TO APPEAR TO HAVE BEEN HEARD DURING FILMING. LISTEN CAREFULLY TO THE FOLLOWING CLIP, WITHOUT THE VISUALS. TRY TO DESCRIBE WHAT YOU THINK IS GOING ON. WE WILL THEN WATCH THE CLIP.
- 3. FINE DETAILS SOME OF THE SOUNDS WERE CLEARLY TOO MINOR TO BE AUDIBLE AT THE LOCATION AND WERE PROBABLY ADDED LATER USING A PROCESS CALLED ‘FOLEY’, WHICH IS WHERE SOUNDS ARE CREATED ARTIFICIALLY AND MIXED IN WITH THE RECORDED SOUNDS. THAT MEANS THEY WERE INCLUDED VERY VERY DELIBERATELY. CONSIDER THE IMPACT OF THE FOLLOWING SOUNDS IN THE SCENE.
- 4. SOUND 1 – THE BLENDER
- 5. SOUND 2 – THE BOOK PAGE FLAPPING
- 6. SOUND 3 – THE BALL BOUNCING
- 7. SOUND 4 – THE DOG BARKING
- 8. SOUND 5 – THE BIRDS
- 9. SOUND 6 – THE LIZARD LEGGING IT
- 10. THE EFFECTS GENERALLY, THESE EFFECTS HEIGHTEN THE TENSION. HOWEVER, SEMIOTICS APPLIES TO SOUND CODES AS MUCH AS IT DOES VISUAL. THESE SOUND EFFECTS ARE ALL SIGNIFIERS. WRITE WHAT IS THE SIGNIFIED BY EACH SOUND. E.G. THE BALL BOUNCING EMPHASISES THE IDEA OF AN INNOCENT HOLIDAY BEING DISRUPTED AND REMINDS US THAT CHILDREN WERE CAUGHT UP IN THE DISASTER.
- 11. NON-DIEGETIC SOUND THIS IS SOUND THAT CANNOT BE HEARD BY THE CHARACTERS ON THE SCREEN. 90% OF THE TIME THIS WILL CONSIST OF MUSIC. YOU MAY ALSO HEAR AN ARTIFICIAL HEARTBEAT ADDED IF A CHARACTER IS IN A FRIGHTENING SITUATION, SUCH AS IN A HORROR FILM. LISTEN TO THIS CLIP WITH SOUND ONLY. TRY TO IGNORE THE OBVIOUS DIEGETIC SOUNDS AND FOCUS ON THE MUSIC.
- 12. FURTHER EXAMPLE •SOMETIMES THE MUSIC MATCHES THE VISUALS – AT OTHER TIMES IT IS CHOSEN TO CLASH WITH THEM. NOTICE HOW THAT HAPPENS IN THE FOLLOWING CLIP
- 13. PUTTING IT TOGETHER USING TWO FILM CLIPS AS EVIDENCE, WRITE AN EXTENDED RESPONSE TO THE FOLLOWING QUESTION: HOW IS SOUND USED TO CREATE ATMOSPHERE AND EXCITEMENT IN FILMS? YOU WILL SEE AN EXAMPLE ON THE NEXT SLIDE, WHICH YOU HAVE ONE MINUTE TO READ BEFORE IT DISAPPEARS. 13
- 14. HOW IS SOUND USED TO CREATE ATMOSPHERE AND EXCITEMENT IN FILMS? 14 Sound contributes a great deal to the atmosphere and excitement of films. Just the pictures on their own would not have the same impact. Film makers use a mixture of diegetic and non-diegetic sound to create effects. An example of this would be in the tsunami scene in The Impossible, where the director uses diegetic sound to hint (foreshadow) the coming disaster. The exaggerated sound of a blender is heard at the beginning of the scene, which could signify the feeling the woman experiences later when she is swept along by the water. We then hear the sound of the boy’s ball bouncing on the patio, with all other sound deadened. This reminds us that children were innocently playing when the wave hit, heightening the tension when it does hit because we wonder if they will survive.
- 15. USING THIS FOR RESEARCH When you come to do a scene analysis for sound, I would like you to find your own clip. That clip will be the main example in a discussion about how sound is used in the thriller genre. However, you will need to compare to other films, and that’s where you can use what you have just written.