INTRODUCTION


  In this communication we try to explore the possibilities of introducing
  animation, a working pedagogical project, as a method of teaching
  and learning in both formal and informal contexts.

  “Teaching” through projects involving different school subjects makes
  learning more meaningful to the students.

  Using digital resources brings the pedagogical act into the 21st
  century, massifying technical processes which were impossible or
  difficult to work with until some time ago.
INTRODUCTION


  In this communication we present and describe three pedagogical
  experiences developed as projects with school children in formal and
  informal contexts.

  What the projects have in common is the use of animated images in
  making a film, and the exploration of a very traditional art form using
  pioneering technology, always bearing in mind concerns for artistic
  and technological education but never forgetting all the other subjects,
  for interdisciplinarity plays a key role, too.
1. ANIMATED FILMS AS A PEDAGOGICAL WORKING PROJECT

 Implementing such type
 of task as a Project
 implies being concerned
 with allowing students to
 absorb significant
 learning not because the
 educational system
 determines it, but
 because there is a sense
 in what they learn.
1. ANIMATED FILMS AS A PEDAGOGICAL WORKING PROJECT

 All over the years we have
 concluded animation was
 not particularly taught in
 the classroom. That is
 why we intend to explore it
 in an educational context,
 to promote this
 technological and artistic
 language and to diversify
 and renew teaching and
 learning experiences.
1. ANIMATED FILMS AS A PEDAGOGICAL WORKING PROJECT

 This kind of task implies the
 manipulation of different
 materials, their reuse and
 their transformation.
 Capturing images, choosing
 the frames and angles, the
 visual narrative sequences,
 all this contributes for a
 greater number of
 approaches within the visual
 and technological arts.
2. DIGITAL TOOLS IN THE DIDACTICS OF MOVING IMAGES

 With the introduction in Portugal of the
 Technological Program for Education, schools were
 equipped with the right conditions to really
 implement and use the Information and
 Communications Technologies in the
 classroom, either because of the acquisition of
 computers, projectors and interactive boards, or
 because of the appearance of digital tools on Web
 2.0 and free software that allow teachers and
 students to have an easier approach to the concept
 of moving images and its didactics.
2. DIGITAL TOOLS IN THE DIDACTICS OF MOVING IMAGES

 In the field of the Arts, just like
 in the Didactics of Moving
 Image and Animation Films, the
 number of teachers who are
 able to explore the concepts of
 moving images and who also
 direct films with their students is
 increasing, mainly due to the
 technical facility and the existing
 resources.
2. DIGITAL TOOLS IN THE DIDACTICS OF MOVING IMAGES

  The integration of digital tools supported
  by the Web 2.0 and the new software have
  conceded a more intense work in the area
  of Animated Cinema, as a substantial part
  of the Arts curricula, in truly harmony
  between the so-called “traditional”
  supports and the digital ones, letting
  students have an assertive work, either in
  the use of the tools, or in their selection
  and importance in each specific context.
3. THREE PEDAGOGICAL EXPERIENCES
3. THREE PEDAGOGICAL EXPERIENCES
   HAPINESS




                      View the full version online at:
             http://www.youtube.com/watch?v=9pTN4g8_txE
3. THREE PEDAGOGICAL EXPERIENCES
 THE WHITE-NOSE LITTLE MONKEY




                        View the full version online at:
               http://www.youtube.com/watch?v=5eH--hzBvmo
3. THREE PEDAGOGICAL PROJECT
   THE FRIENDSHIP SONG




                       View the full version online at:
             http://www.youtube.com/watch?v=6YB6GMDk2ow
Apresentação CONFIA 2012

Apresentação CONFIA 2012

  • 2.
    INTRODUCTION Inthis communication we try to explore the possibilities of introducing animation, a working pedagogical project, as a method of teaching and learning in both formal and informal contexts. “Teaching” through projects involving different school subjects makes learning more meaningful to the students. Using digital resources brings the pedagogical act into the 21st century, massifying technical processes which were impossible or difficult to work with until some time ago.
  • 3.
    INTRODUCTION Inthis communication we present and describe three pedagogical experiences developed as projects with school children in formal and informal contexts. What the projects have in common is the use of animated images in making a film, and the exploration of a very traditional art form using pioneering technology, always bearing in mind concerns for artistic and technological education but never forgetting all the other subjects, for interdisciplinarity plays a key role, too.
  • 4.
    1. ANIMATED FILMSAS A PEDAGOGICAL WORKING PROJECT Implementing such type of task as a Project implies being concerned with allowing students to absorb significant learning not because the educational system determines it, but because there is a sense in what they learn.
  • 5.
    1. ANIMATED FILMSAS A PEDAGOGICAL WORKING PROJECT All over the years we have concluded animation was not particularly taught in the classroom. That is why we intend to explore it in an educational context, to promote this technological and artistic language and to diversify and renew teaching and learning experiences.
  • 6.
    1. ANIMATED FILMSAS A PEDAGOGICAL WORKING PROJECT This kind of task implies the manipulation of different materials, their reuse and their transformation. Capturing images, choosing the frames and angles, the visual narrative sequences, all this contributes for a greater number of approaches within the visual and technological arts.
  • 7.
    2. DIGITAL TOOLSIN THE DIDACTICS OF MOVING IMAGES With the introduction in Portugal of the Technological Program for Education, schools were equipped with the right conditions to really implement and use the Information and Communications Technologies in the classroom, either because of the acquisition of computers, projectors and interactive boards, or because of the appearance of digital tools on Web 2.0 and free software that allow teachers and students to have an easier approach to the concept of moving images and its didactics.
  • 8.
    2. DIGITAL TOOLSIN THE DIDACTICS OF MOVING IMAGES In the field of the Arts, just like in the Didactics of Moving Image and Animation Films, the number of teachers who are able to explore the concepts of moving images and who also direct films with their students is increasing, mainly due to the technical facility and the existing resources.
  • 9.
    2. DIGITAL TOOLSIN THE DIDACTICS OF MOVING IMAGES The integration of digital tools supported by the Web 2.0 and the new software have conceded a more intense work in the area of Animated Cinema, as a substantial part of the Arts curricula, in truly harmony between the so-called “traditional” supports and the digital ones, letting students have an assertive work, either in the use of the tools, or in their selection and importance in each specific context.
  • 10.
  • 11.
    3. THREE PEDAGOGICALEXPERIENCES HAPINESS View the full version online at: http://www.youtube.com/watch?v=9pTN4g8_txE
  • 12.
    3. THREE PEDAGOGICALEXPERIENCES THE WHITE-NOSE LITTLE MONKEY View the full version online at: http://www.youtube.com/watch?v=5eH--hzBvmo
  • 13.
    3. THREE PEDAGOGICALPROJECT THE FRIENDSHIP SONG View the full version online at: http://www.youtube.com/watch?v=6YB6GMDk2ow