This document discusses how different camera angles and depth of focus can manipulate viewers' perceptions. It describes shots that make viewers feel like a passenger in a car with the subject or like they are sitting with the subject as he reads a text. The document also mentions how close camera angles can clearly show details like strands of hair or text on a phone to further immerse viewers and change their perspective.

1. Here I noticed that having the depth of focus different to what it is
in the rest of the shots in this scene, it enables you to feel as if
you’re a part of the furniture watching what's going on without
intruding, I particularly like the definition of each of the strands of
hair to show how close you really are to the lead female in this
shot.

2. • This shot makes you feel as if you are a passenger in this car
and as if you are there with him as if you were an empathetic
friend to help, this will be explained further in the next slide.
His eye line is away from the camera, motioning that there is
something of importance out of the shot or as if you truly are
an audience and he doesn’t have anyone in the car with him.

3. • The proximity of the phone to the camera gives a perfect definition and
clarity as to what the text says, and makes you feel as if it is you sat there
with him.
This goes to show how powerful great camera angles are and how they can
change peoples perceptions, this can also be seen in the band shots looking
down the fret board of the fender strat, focusing on when Elijah plus the
aux cable in and when Reece hits the drums to the beat.