Andrino, jenelyn r. (lesson 1.1 learning task activities) mapeh
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This document provides information about Philippine folk dances, including their characteristics and classification. It discusses that dance involves moving to music in a synchronized way, and dance position refers to the body's angle in relation to movement. It then summarizes some specific Philippine ethnic folk dances like Binasuan, Sublian, and Tinikling, describing their origins and key dance steps or movements.
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Philippine folk dance
This document provides an overview of Philippine folk dances, including their origins and styles. It discusses that folk dances originated as a way to tell stories, rituals, and history through dance. Dances vary by region, with northern dances influenced by tribes, central dances inspired by animals, and southern dances influenced by Muslim culture. It then provides descriptions of several major Philippine folk dances like Tinikling, Itik-Itik, Sayaw sa Bangko, and Cariñosa; and explains the movements, props, and cultural significance of each dance.
Classification of-philippine-folk-dances
This document categorizes and classifies Philippine folk dances. It discusses how these dances are categorized based on their geographical origin, nature, and characteristics. The dances are divided into national/local dances, occupational/religious/comic/game/wedding/courtship/festival/war dances based on their nature. The document also provides examples for each category and describes characteristics like dancers standing apart, little body contact, importance of hand movements, and beginning/ending with saludo.
Physical Education Grade 7 K-12 Folk dance 4th qtr
Folk dances in the Philippines reflect the country's history and traditions. They developed from daily life and events like harvests or the arrival of colonizers like the Spanish. Popular folk dances include the Tinikling, which mimics birds hopping between bamboo poles; the Pandanggo sa Ilaw, a graceful dance balancing oil lamps; and the Itik-Itik, a mimetic dance imitating duck movements in rice paddies. Regional dances often tell stories through their choreography and costumes. Folk dances remain an important part of Philippine culture and a way to preserve historical customs.
PHILIPPINE FOLK DANCES
This document provides an overview of traditional folk dances from the different regions of the Philippines. It describes dances from Luzon like the Idaw, Banga, and Idudu; dances from the Visayas like Tinikling, Sublí, and Maglalatik; and dances from Mindanao like Singkil, Kini Kini, and Pangalay. The dances depict various aspects of Filipino culture like hunting rituals, fetching water, gender roles, courtship, and legends. Each dance has unique movements, costumes, props, and cultural significance within their respective local communities.
Arts apps Folk Dance
Folk dances have developed throughout various regions of the Philippines reflecting different cultural influences and traditions. Pre-Hispanic indigenous tribes performed dances for rituals and celebrations, while Spanish colonization introduced elements of European dance. Different folk dances tell stories of history, life, and religion through lively movements and costumes. Examples mentioned include the national Tinikling dance of Leyte, dances portraying animals from Visayas like the Itik-Itik duck dance, and Muslim dances from Mindanao like the Singkil royal dance.
Nature and origin of festival dances
This document discusses several important festival dances in the Philippines, including the Ati-Atihan festival in Kalibo, Aklan and the Moriones festival in Marinduque. The Ati-Atihan festival honors the infant Jesus and involves tribal dancing, music, and costumes depicting the Aeta people. It inspired similar festivals in Cebu and Iloilo. The Moriones festival is celebrated during Holy Week and features masked participants depicting Roman soldiers from the Passion of Christ story. It involves the roaming of masked "Moriones" through towns for a week in search of Longinus. Both festivals blend religious and cultural traditions specific to their locations.
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Philippine folk dance
This document provides an overview of Philippine folk dances, including their origins and styles. It discusses that folk dances originated as a way to tell stories, rituals, and history through dance. Dances vary by region, with northern dances influenced by tribes, central dances inspired by animals, and southern dances influenced by Muslim culture. It then provides descriptions of several major Philippine folk dances like Tinikling, Itik-Itik, Sayaw sa Bangko, and Cariñosa; and explains the movements, props, and cultural significance of each dance.
Classification of-philippine-folk-dances
This document categorizes and classifies Philippine folk dances. It discusses how these dances are categorized based on their geographical origin, nature, and characteristics. The dances are divided into national/local dances, occupational/religious/comic/game/wedding/courtship/festival/war dances based on their nature. The document also provides examples for each category and describes characteristics like dancers standing apart, little body contact, importance of hand movements, and beginning/ending with saludo.
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Folk dances in the Philippines reflect the country's history and traditions. They developed from daily life and events like harvests or the arrival of colonizers like the Spanish. Popular folk dances include the Tinikling, which mimics birds hopping between bamboo poles; the Pandanggo sa Ilaw, a graceful dance balancing oil lamps; and the Itik-Itik, a mimetic dance imitating duck movements in rice paddies. Regional dances often tell stories through their choreography and costumes. Folk dances remain an important part of Philippine culture and a way to preserve historical customs.
PHILIPPINE FOLK DANCES
This document provides an overview of traditional folk dances from the different regions of the Philippines. It describes dances from Luzon like the Idaw, Banga, and Idudu; dances from the Visayas like Tinikling, Sublí, and Maglalatik; and dances from Mindanao like Singkil, Kini Kini, and Pangalay. The dances depict various aspects of Filipino culture like hunting rituals, fetching water, gender roles, courtship, and legends. Each dance has unique movements, costumes, props, and cultural significance within their respective local communities.
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Folk dances have developed throughout various regions of the Philippines reflecting different cultural influences and traditions. Pre-Hispanic indigenous tribes performed dances for rituals and celebrations, while Spanish colonization introduced elements of European dance. Different folk dances tell stories of history, life, and religion through lively movements and costumes. Examples mentioned include the national Tinikling dance of Leyte, dances portraying animals from Visayas like the Itik-Itik duck dance, and Muslim dances from Mindanao like the Singkil royal dance.
Nature and origin of festival dances
This document discusses several important festival dances in the Philippines, including the Ati-Atihan festival in Kalibo, Aklan and the Moriones festival in Marinduque. The Ati-Atihan festival honors the infant Jesus and involves tribal dancing, music, and costumes depicting the Aeta people. It inspired similar festivals in Cebu and Iloilo. The Moriones festival is celebrated during Holy Week and features masked participants depicting Roman soldiers from the Passion of Christ story. It involves the roaming of masked "Moriones" through towns for a week in search of Longinus. Both festivals blend religious and cultural traditions specific to their locations.
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Dance is an art form that involves movement of the body to music or rhythm. It is used as a form of expression, social interaction, or performance. Folk dances tell stories about communities and cultures through movement. There are many different styles of dance that have evolved over time, including interpretive, classical, step, breakdancing, and krumping styles. Several traditional Filipino folk dances are described in the document, including Idaw, Cariñosa, Singkil, and Tinikling dances, each with their own origins and meanings.
Dances of the Philippine Islands
The document summarizes some of the major folk dances from the three main island groups of the Philippines - Luzon, Visayas, and Mindanao. Each island group has distinct cultural influences and variations in their folk dances, which often depict important historical and social aspects of daily life. Some dances described include the Banga from Luzon, which shows women balancing heavy water pots; Tinikling from Visayas, the national dance performed by hopping between bamboo poles; and the Singkil from Mindanao, reenacting a legendary princess's escape from a forest during an earthquake. Overall, the folk dances reflect both the hardships and talents of the diverse Filipino people.
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This document provides an overview of traditional folk dances from different regions of the Philippines. It discusses dances from Luzon like the Cariñosa, Banga, and Pandanggo sa Ilaw. Dances from the Visayas region highlighted include Tinikling, Kuratsa, and Mazurka Bohalana. Mindanao dances described are Itik-itik, Singkil, and Kandingan. The document explains the origins and movements associated with many of these dances, which were often performed during festivals or celebrations to commemorate important events. Traditional Philippine folk dances help preserve cultural heritage as they have been passed down through generations.
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The document provides descriptions of several traditional dances from the Bicol region of the Philippines. It describes dances such as the Lapay Bantigue which mimics the movements of sea gulls, the Sinakiki dance from Rapu-Rapu, Albay which mimics the courtship of roosters and hens, and the Pantomina love dance which mimics the mating of doves through its movements. It also briefly mentions other dances like the Pastores, Paseo de Bicol, Pandanggo Rinconada, and the European-influenced Chotis dance adapted by the Bicolano people.
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The document discusses four traditional Philippine folk dances: Cariñosa, which originated in Panay Island and involves a fan or handkerchief representing romance; Polka sa Nayon, a popular dance from Batangas province often performed at social events and festivals in villages; Ba-Ingles, an English-influenced dance brought by English traders; and Itik-Itik from Mindanao whose dance steps imitate the movements of ducks. The document provides the origins and characteristics of each dance.
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The document summarizes the history and traditions of folk dances from the three main island groups of the Philippines - Luzon, Visayas, and Mindanao. Each island group has distinct ethnic tribes and cultures that are expressed through various folk dances. Some of the dances described from Luzon include Idaw, Banga, and Ragsaksakan of the Igorot tribes, which depict hunting rituals, tasks like water fetching, and celebrations. Dances from Mindanao include Singkil of the Muslims, Kini Kini of the Meranaw, and Pangalay which emphasizes upper body movement. Folk dances from Visayas like Kuratsa, Tinikling, Mazur
Tinikling
Tinikling is a traditional Philippine folk dance that originated during the Spanish colonial era in Leyte. It imitates the movement of tikling birds walking and running between grass stems and tree branches. The dance involves two people tapping and sliding bamboo poles on the ground and against each other in coordination with one or more dancers who step over and in between the poles to the music traditionally played by a rondalla string ensemble. Female dancers typically wear colorful balintawak dresses with wide sleeves or a patadyong, while males wear an untucked embroidered Barong Tagalog shirt.
Mindanao dances
This document provides an overview of traditional dances among the Muslim population in Mindanao, Philippines. It describes several distinct dances including the Singkil dance which recounts an epic legend, the Yakan dance which imitates fish movements, and dances that involve balancing on bamboo poles or manipulating fans. The dances are accompanied by instruments like the agong and kulintang and feature intricate hand movements and colorful costumes. They often depict stories, celebrations, or courtship rituals and are an important part of the cultural heritage of the Mindanao Muslims.
History of-the-sakuting-philippine-folk-dance
The Sakuting is a Philippine folk dance originating from Abra province that dramatizes a mock fight between Ilocano Christians and non-Christians during the Spanish colonial period. It incorporates elements of Filipino martial arts called Arnis through the use of two bamboo sticks by dancers. The music features influences from Chinese and Spanish styles played on string instruments like the rondalla. Traditionally performed by boys, modern versions of the dance involve both male and female dancers mimicking combat moves in a playful manner while circling each other to upbeat music.
Festival DANCE
Festival dances are cultural dances performed by communities to honor religious figures or celebrate harvests. They can be religious dances for saints or secular dances for harvests. Major Philippine festivals include the Sinulog Festival in Cebu, Dinagyang Festival in Iloilo, and Higantes Festival in Angono, which feature unique dances. Festivals unite communities, promote local culture and industry, and boost tourism. Choreographing festival dances involves choosing music, creating steps that fit the song, and practicing routines. Common dance movements include footwork, hand gestures, and region-specific steps like those in Sinulog and Masskara dances.
An introduction to Philippine Festival Dances (Religious and Secular Festival...
An introduction to Philippine Festival Dances, meaning, nature and background
Why Filipinos Dance Festival Dances and what benefits do we get from doing it?
Contains some Festival names, Origin places, religious Figures and/or industry and Month Celebrated
Some Famous Religious Festivals
> Sinulog Festival
> Dinagyang Festival
> Ati-Atihan Festival
Some Secular Festivals
> Bangus Festival
> Panagbenga Festival
> Binatbatan Destival
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The document lists and describes various festivals celebrated in the Philippines. Some of the major festivals mentioned include the Ati-Atihan Festival in Kalibo, Aklan which honors Santo Niño; the Sinulog Festival in Cebu which also honors Santo Niño; and the Dinagyang Festival in Iloilo City held on the fourth Sunday of January which was voted one of the best tourism events in the Philippines. Many festivals celebrate harvests, culture, or saints and occur between January to December.
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philippines has a diverse culture and a diverse tradition in this you can see the difference and similarities of festivals throughout the Philippines, it symbolizes the beautiful and colorful culture of the Philippine as well as the gay people living in the Philippines
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Festival dances are cultural dances performed by communities to celebrate important events like religious festivals or harvest seasons. They involve strong percussion music and reflect the community's traditions through costumes, movements, and props. Festival dances can be religious or secular, honoring religious figures or giving thanks for bountiful harvests. Festivals are important for Filipinos as they promote unity and celebrate cultural diversity while boosting local economies through tourism.
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The document discusses several traditional dances from the Philippines, including the tinikling dance which involves stepping over and between bamboo poles tapped on the ground. It also mentions the Subli folkdance celebrated in Bauan, Batangas honoring the Holy Cross, and the Pangalay dance of the Tausug people known for its fingernail movements requiring flexibility. The last dance mentioned is the Cariñosa which uses a fan or handkerchief as part of a romantic courtship dance.
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My family celebrates Thanksgiving every year since migrating from the Philippines. While we did not celebrate it in our home country, Thanksgiving has become an important tradition that brings our family together. For our Thanksgiving celebration, my aunt prepares a large feast that includes a turkey, mashed potatoes, stuffing, and other traditional American dishes. We enjoy participating in American traditions like Thanksgiving dinner, while also sharing Filipino desserts. The holiday allows our multicultural family to embrace both Filipino and American cultures through food and celebration.
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The document discusses Philippine folk dances. It begins with a prayer asking for guidance in learning. It then provides background on Francisca Reyes-Aquino, who collected folk dances in the 1920s to preserve cultural heritage. The document categorizes major folk dance types and provides examples: Cordillera dances reflect rituals; Spanish dances show European influence; Muslim dances use intricate movements; tribal dances portray beliefs and nature; rural dances depict work and celebration. It defines key terms like folk dance and explains their significance in reflecting Filipino life. Examples like the Maglalatik war dance and Oasiwas fishing dance are described. The document stresses the importance of preserving cultural heritage through folk dances.
PH FOLK DANCE.pptx
The document provides an overview of Philippine folk dance, including its history and classifications. It discusses that Philippine folk dancing incorporates influences from immigrants and conquerors while maintaining Filipino roots. There are five major classifications of Philippine folk dances: Cordillera dances from mountain tribes, Spanish-influenced dances, Muslim dances influenced by Middle Eastern traders, tribal dances of indigenous ethnic groups, and rural dances performed in village fiestas. Overall, Philippine folk dances reflect Philippine culture, traditions, and daily life.
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Philippine indeginous and folk dance
Dance is an art form that involves movement of the body to music or rhythm. It is used as a form of expression, social interaction, or performance. Folk dances tell stories about communities and cultures through movement. There are many different styles of dance that have evolved over time, including interpretive, classical, step, breakdancing, and krumping styles. Several traditional Filipino folk dances are described in the document, including Idaw, Cariñosa, Singkil, and Tinikling dances, each with their own origins and meanings.
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The document summarizes some of the major folk dances from the three main island groups of the Philippines - Luzon, Visayas, and Mindanao. Each island group has distinct cultural influences and variations in their folk dances, which often depict important historical and social aspects of daily life. Some dances described include the Banga from Luzon, which shows women balancing heavy water pots; Tinikling from Visayas, the national dance performed by hopping between bamboo poles; and the Singkil from Mindanao, reenacting a legendary princess's escape from a forest during an earthquake. Overall, the folk dances reflect both the hardships and talents of the diverse Filipino people.
Philippine folk dance
This document provides an overview of traditional folk dances from different regions of the Philippines. It discusses dances from Luzon like the Cariñosa, Banga, and Pandanggo sa Ilaw. Dances from the Visayas region highlighted include Tinikling, Kuratsa, and Mazurka Bohalana. Mindanao dances described are Itik-itik, Singkil, and Kandingan. The document explains the origins and movements associated with many of these dances, which were often performed during festivals or celebrations to commemorate important events. Traditional Philippine folk dances help preserve cultural heritage as they have been passed down through generations.
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The document provides descriptions of several traditional dances from the Bicol region of the Philippines. It describes dances such as the Lapay Bantigue which mimics the movements of sea gulls, the Sinakiki dance from Rapu-Rapu, Albay which mimics the courtship of roosters and hens, and the Pantomina love dance which mimics the mating of doves through its movements. It also briefly mentions other dances like the Pastores, Paseo de Bicol, Pandanggo Rinconada, and the European-influenced Chotis dance adapted by the Bicolano people.
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The document discusses four traditional Philippine folk dances: Cariñosa, which originated in Panay Island and involves a fan or handkerchief representing romance; Polka sa Nayon, a popular dance from Batangas province often performed at social events and festivals in villages; Ba-Ingles, an English-influenced dance brought by English traders; and Itik-Itik from Mindanao whose dance steps imitate the movements of ducks. The document provides the origins and characteristics of each dance.
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The document summarizes the history and traditions of folk dances from the three main island groups of the Philippines - Luzon, Visayas, and Mindanao. Each island group has distinct ethnic tribes and cultures that are expressed through various folk dances. Some of the dances described from Luzon include Idaw, Banga, and Ragsaksakan of the Igorot tribes, which depict hunting rituals, tasks like water fetching, and celebrations. Dances from Mindanao include Singkil of the Muslims, Kini Kini of the Meranaw, and Pangalay which emphasizes upper body movement. Folk dances from Visayas like Kuratsa, Tinikling, Mazur
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Tinikling is a traditional Philippine folk dance that originated during the Spanish colonial era in Leyte. It imitates the movement of tikling birds walking and running between grass stems and tree branches. The dance involves two people tapping and sliding bamboo poles on the ground and against each other in coordination with one or more dancers who step over and in between the poles to the music traditionally played by a rondalla string ensemble. Female dancers typically wear colorful balintawak dresses with wide sleeves or a patadyong, while males wear an untucked embroidered Barong Tagalog shirt.
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This document provides an overview of traditional dances among the Muslim population in Mindanao, Philippines. It describes several distinct dances including the Singkil dance which recounts an epic legend, the Yakan dance which imitates fish movements, and dances that involve balancing on bamboo poles or manipulating fans. The dances are accompanied by instruments like the agong and kulintang and feature intricate hand movements and colorful costumes. They often depict stories, celebrations, or courtship rituals and are an important part of the cultural heritage of the Mindanao Muslims.
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The Sakuting is a Philippine folk dance originating from Abra province that dramatizes a mock fight between Ilocano Christians and non-Christians during the Spanish colonial period. It incorporates elements of Filipino martial arts called Arnis through the use of two bamboo sticks by dancers. The music features influences from Chinese and Spanish styles played on string instruments like the rondalla. Traditionally performed by boys, modern versions of the dance involve both male and female dancers mimicking combat moves in a playful manner while circling each other to upbeat music.
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Festival dances are cultural dances performed by communities to honor religious figures or celebrate harvests. They can be religious dances for saints or secular dances for harvests. Major Philippine festivals include the Sinulog Festival in Cebu, Dinagyang Festival in Iloilo, and Higantes Festival in Angono, which feature unique dances. Festivals unite communities, promote local culture and industry, and boost tourism. Choreographing festival dances involves choosing music, creating steps that fit the song, and practicing routines. Common dance movements include footwork, hand gestures, and region-specific steps like those in Sinulog and Masskara dances.
An introduction to Philippine Festival Dances (Religious and Secular Festival...
An introduction to Philippine Festival Dances, meaning, nature and background
Why Filipinos Dance Festival Dances and what benefits do we get from doing it?
Contains some Festival names, Origin places, religious Figures and/or industry and Month Celebrated
Some Famous Religious Festivals
> Sinulog Festival
> Dinagyang Festival
> Ati-Atihan Festival
Some Secular Festivals
> Bangus Festival
> Panagbenga Festival
> Binatbatan Destival
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The document lists and describes various festivals celebrated in the Philippines. Some of the major festivals mentioned include the Ati-Atihan Festival in Kalibo, Aklan which honors Santo Niño; the Sinulog Festival in Cebu which also honors Santo Niño; and the Dinagyang Festival in Iloilo City held on the fourth Sunday of January which was voted one of the best tourism events in the Philippines. Many festivals celebrate harvests, culture, or saints and occur between January to December.
Visual arts in festival
philippines has a diverse culture and a diverse tradition in this you can see the difference and similarities of festivals throughout the Philippines, it symbolizes the beautiful and colorful culture of the Philippine as well as the gay people living in the Philippines
Festival dances
Festival dances are cultural dances performed by communities to celebrate important events like religious festivals or harvest seasons. They involve strong percussion music and reflect the community's traditions through costumes, movements, and props. Festival dances can be religious or secular, honoring religious figures or giving thanks for bountiful harvests. Festivals are important for Filipinos as they promote unity and celebrate cultural diversity while boosting local economies through tourism.
Philippine Religious Festivals
Philippine Festivals, Religious Category
Different types of Philippine Religious Festivals.
1. Higantes Festival
2. Obando Fertility Rites Festival
3. Moriones Festival
4. Ati-atihan Festival
5. Sinulog Festival
6. Dinagyang Festival
7. Sinulog Festival
Pandanggo sa ilaw (Philippine Folk Dance)
Pandanggo is a folk dance from the Philippines that originated from the Spanish Fandango dance. It evolved among the upper and local classes in the early 18th century. Two popular versions are the Pandanggo sa Ilaw from Mindoro and Oasioas from Pangasinan. Pandanggo sa Ilaw simulates fireflies at dusk and the dancer balances three oil lamps. It involves native waltz steps and is performed by couples in festivals and religious rituals across the country.
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The document discusses several traditional dances from the Philippines, including the tinikling dance which involves stepping over and between bamboo poles tapped on the ground. It also mentions the Subli folkdance celebrated in Bauan, Batangas honoring the Holy Cross, and the Pangalay dance of the Tausug people known for its fingernail movements requiring flexibility. The last dance mentioned is the Cariñosa which uses a fan or handkerchief as part of a romantic courtship dance.
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Each country in Asia has unique folk dances shaped by its culture, traditions, lifestyle, and environment. The music and instruments used in these dances reflect regional differences. Many Asian folk dances are performed for rituals like weddings or harvest celebrations, expressing the enjoyment felt by the dancers.
Festival Dances-Grade 9
This document provides information about different types of festivals from around the world, including music festivals, art festivals, cultural festivals, and more. It discusses key details about festivals focused on tomatoes, mud, beer, dance, and various regional celebrations in the Philippines that center around culture, harvests, and religion.
Filipino Thanksgiving - Photo Social Interaction
My family celebrates Thanksgiving every year since migrating from the Philippines. While we did not celebrate it in our home country, Thanksgiving has become an important tradition that brings our family together. For our Thanksgiving celebration, my aunt prepares a large feast that includes a turkey, mashed potatoes, stuffing, and other traditional American dishes. We enjoy participating in American traditions like Thanksgiving dinner, while also sharing Filipino desserts. The holiday allows our multicultural family to embrace both Filipino and American cultures through food and celebration.
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The document discusses Philippine folk dances. It begins with a prayer asking for guidance in learning. It then provides background on Francisca Reyes-Aquino, who collected folk dances in the 1920s to preserve cultural heritage. The document categorizes major folk dance types and provides examples: Cordillera dances reflect rituals; Spanish dances show European influence; Muslim dances use intricate movements; tribal dances portray beliefs and nature; rural dances depict work and celebration. It defines key terms like folk dance and explains their significance in reflecting Filipino life. Examples like the Maglalatik war dance and Oasiwas fishing dance are described. The document stresses the importance of preserving cultural heritage through folk dances.
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The document provides an overview of Philippine folk dance, including its history and classifications. It discusses that Philippine folk dancing incorporates influences from immigrants and conquerors while maintaining Filipino roots. There are five major classifications of Philippine folk dances: Cordillera dances from mountain tribes, Spanish-influenced dances, Muslim dances influenced by Middle Eastern traders, tribal dances of indigenous ethnic groups, and rural dances performed in village fiestas. Overall, Philippine folk dances reflect Philippine culture, traditions, and daily life.
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The document discusses traditional Philippine dances, including their history, forms, and characteristics. It explains that traditional dances show the cultural traits of people through dance steps and costumes that are passed down over generations. The document categorizes traditional dances into ethnic dances, which include dances of non-Christian and Muslim Filipinos, and folk dances, which vary by geography and function. It provides examples of different ethnic and folk dance types and describes significant aspects of traditional Philippine dance costumes.
Bachelor of Physical Education - Folk Dance (Wesleyan University of the Phili...
This document provides information about folk dancing in the Philippines. It discusses the characteristics of folk dance, defines what folk dance is, and classifies the different types of folk dances in the Philippines including national, local, and indigenous dances. Examples are given for different folk dances like Tinikling, Subli, and Malakas at Maganda. The document also outlines five women who pioneered Filipino folk dancing like Francisca Reyes-Aquino, and provides tips for performing folk dances.
Dance
The document discusses the art of dance, describing it as a rhythmic and expressive movement of the body that is usually accompanied by music. Dance has been part of human culture for millennia, used to express emotions and celebrate important occasions. There are many types of dance, including ethnic dances native to particular cultures, social dances performed for pleasure, and spectacular or theatrical dances intended for audiences. The document outlines key elements and features of dance, including music, movement, theme, techniques, design, and costumes. It also provides examples of specific dances like ballet, modern dance, and several traditional Philippine folk dances.
jen.doc
This document provides information about regional and national dances of the Philippines with Asian influences that are taught in Grade 8 Physical Education. It includes backgrounds and contexts of dances like Binislakan, Sakuting, Sua-ku-Sua, and Pangalay. Details are given on the meanings of the dances, their places of origin, influencing countries, costumes, music, and movements. The objectives are to discuss dance origins through costumes and music, execute the dances appropriately, and identify their meanings and interpretations.
Philippine Folk Dance.pptx.ppt
The document discusses Philippine folk dances, which evolved naturally from everyday activities, occupations, customs, festivals and rituals. There are five major classifications: Cordillera dances from mountain tribes featuring gongs and rituals; Spanish-influenced dances incorporating European styles; Muslim dances using intricate hand movements; tribal dances reflecting rituals and beliefs; and rural dances performed in festivals depicting work and village life. The costumes worn vary between regions but commonly feature patadyongs, malongs, chambras and other traditional garments. Folk dances are passed down between generations as part of Philippine cultural heritage.
Philippine Culture
Traditional Filipino folk music and dance varies widely by region and tells stories of everyday life. In the south, kulintang music uses gong instruments and serves purposes like entertainment and communication. Dances like asik depict courtship, while tinikling famously mimics birds dodging traps. Northern music incorporates gangsa gongs and accompanies dances that formerly represented tasks. The national folkdance tinikling involves dancers stepping rapidly between bamboo poles. Folk culture expresses both tribal identities and the blending of Asian, European, and other influences in Philippine history.
LESSON-2-FOLKDANCE.pdf
The document summarizes the major classifications of Philippine folk dances. There are five classifications: Cordillera dances, which originate from mountain tribes like the Bontoc, Ifugao, and Kalinga; Spanish-influenced dances adapted from European styles; Muslim dances influenced by traders from Malaysia, Java, and the Middle East; tribal dances that reflect rituals and beliefs of indigenous groups; and rural dances that depict everyday life and activities in rural villages. Each classification is represented by specific dances that evolved from the local culture and traditions.
significance of philippine folk dance.pptx
Philippine folk dances connect people to their culture and history. They evolved from different regions and reflect local religions and traditions. Most folk dances are performed by pairs or groups with hand movements and formations beginning and ending with "saludo". They preserve cultural traditions and unite the Philippine people by passing culture to new generations. Folk dances are important for keeping cultural traditions alive.
DANCING.pptx
Dance is an art form that involves movement of the body. It developed along with human evolution and is almost universal across cultures. Dance serves various functions such as worship, storytelling, and entertainment. The document discusses the history of dance in ancient civilizations, medieval Europe, and the development of ballet and modern dance. It also covers the origins and elements of dance including body, action, space, time, and energy. Finally, it summarizes the history and examples of folk dances from different regions of the Philippines.
Similar to Andrino, jenelyn r. (lesson 1.1 learning task activities) mapeh (20)
dokumen.tips_philippine-folk-dance-55845958b2d1e.ppt
dokumen.tips_philippine-folk-dance-55845958b2d1e.ppt
Lesson 7 - Folk Dance Short History and Background
Lesson 7 - Folk Dance Short History and Background
Bachelor of Physical Education - Folk Dance (Wesleyan University of the Phili...
Bachelor of Physical Education - Folk Dance (Wesleyan University of the Phili...
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Mr. Brainwash Beautiful Girl / Mixed Media / signed / Unique
Year: 2023
Format: 96,5 x 127 cm / 37.8 x 50 inch
Material: Fine Art Paper with hand-torn edges.
Method: Mixed Media, Stencil, Spray Paint.
Edition: Unique
Other: handsigned by Mr. Brainwash front and verso.
Beautiful Girl by Mr. Brainwash is a mixed media artwork on paper done in 2023. It is unique and of course signed by Mr. Brainwash. The picture is a tribute to his own most successful work of art, the Balloon Girl. In this new creation, however, the theme of the little girl is slightly modified.
In Mr. Brainwash’s mixed media artwork titled “Beautiful Girl,” we are presented with a captivating depiction of a little girl adorned in a summer dress, with two playful pigtails framing her face. The artwork exudes a sense of innocence and whimsy, as the girl is shown in a dreamy state, lifting one end of her skirt and looking down as if she were about to dance. Through the use of mixed media, Mr. Brainwash skillfully combines different artistic elements to create a visually striking composition. The vibrant colors and bold brushstrokes bring the artwork to life, evoking a sense of joy and happiness. The attention to detail in the girl’s expression and body language adds depth and character to the piece, allowing viewers to connect with the young protagonist on a personal and emotional level. “Beautiful Girl” is a testament to Mr. Brainwash’s unique artistic style, blending elements of street art, pop art, and contemporary art to create a visually captivating and emotionally resonant artwork.
The use of mixed media in “Beautiful Girl” adds an additional layer of complexity to the artwork. By combining different artistic techniques and materials, such as stencils, spray paint, and collage, Mr. Brainwash creates a dynamic and textured composition that grabs the viewer’s attention. The juxtaposition of different textures and patterns adds depth and visual interest to the piece, while also emphasizing the artist’s eclectic and experimental approach to art-making. The inclusion of collage elements, such as newspaper clippings and torn posters, further enhances the artwork’s urban and contemporary feel. Overall, “Beautiful Girl” is a visually captivating and thought-provoking artwork that showcases Mr. Brainwash’s talent for blending different artistic elements to create a truly unique and engaging piece.
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A Brief Introduction About Hanying Chen_
Vancouver-based artist Hanying Chen boasts extensive skills in writing, directing, producing, and singing, reflecting her diverse talents in the performing arts. As she looks ahead, Hanying is driven to craft a fulfilling career path that harmonizes with her deep passion for artistic expression. In the coming years, she envisions cultivating a balanced life, blending her professional aspirations with her desire to foster meaningful connections in her vibrant urban community.
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➒➌➎➏➑➐➋➑➐➐ Matka Guessing Satta Matka Kalyan panel Chart Indian Matka Satta Matta Matka Dpboss KALYAN MATKA | MATKA RESULT | KALYAN MATKA TIPS | SATTA MATKA | MATKA.COM | MATKA PANA JODI TODAY | BATTA SATKA | MATKA PATTI JODI NUMBER | MATKA RESULTS | MATKA CHART | MATKA JODI | SATTA COM | FULL RATE GAME | MATKA GAME | MATKA WAPKA | ALL MATKA RESULT LIVE ONLINE | MATKA RESULT | KALYAN MATKA RESULT | DPBOSS MATKA 143 | MAIN MATKA Recently uploaded (20)
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka
➒➌➎➏➑➐➋➑➐➐ Dpboss Matka Guessing Satta Matka Kalyan panel Chart Indian Matka ...
➒➌➎➏➑➐➋➑➐➐ Dpboss Matka Guessing Satta Matka Kalyan panel Chart Indian Matka ...
Mr. Brainwash ❤️ Beautiful Girl _ FRANK FLUEGEL GALERIE.pdf
Mr. Brainwash ❤️ Beautiful Girl _ FRANK FLUEGEL GALERIE.pdf
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka KALYAN MATKA |
➒➌➎➏➑➐➋➑➐➐ Satta Matka Dpboss Matka Guessing Indian Matka KALYAN MATKA |
The Evolution and Impact of Hip Hop a cultural and artistic
The Evolution and Impact of Hip Hop a cultural and artistic
Matka Guessing Satta Matta Matka Kalyan Chart Indian Matka Dpboss
Matka Guessing Satta Matta Matka Kalyan Chart Indian Matka Dpboss
❼❷⓿❺❻❷❽❷❼❽ Dpboss Matka ! Fix Satta Matka ! Matka Result ! Matka Guessing ! ...
❼❷⓿❺❻❷❽❷❼❽ Dpboss Matka ! Fix Satta Matka ! Matka Result ! Matka Guessing ! ...
"Snow" by Ann Beattie illustrated by Aimie Bourgeois
"Snow" by Ann Beattie illustrated by Aimie Bourgeois
Andrino, jenelyn r. (lesson 1.1 learning task activities) mapeh
- 1. ,Lesson 1.1: Characteristics and Classification of Philippine Folk Dances Learning Tasks/ Activities 1. 4 PICS 1 WORD -DANCE -POSITION 2. Dance – an act of movement accompanying with music. Putting action in sync with the music that is being played. Dance position on the other hand is the angle of your body in relation to your movement, it is important all simply because without such position a dance will never be called a dance for every movement that people make has position thus making everything in our lives crucial on the need of position. Assessment A. Essay The Filipinos pay tributes and owe itself to cultural heritage. One way of showing such love and respect for the country gave birth to the development of Philippine ethnic folk dances. And there are several of these; namely, Binasuan, Sublian, itik-itik, Tinikling, Maglalatik, Cariñosa, etc. Binasuan is a native dance of Pangasinan. This dance literally means “dancing with glasses”. The steps are executed with glasses filled with rice wine balanced on the head and the hands of the dancers. Danced to show balance and to reflect rural gaiety, Binasuan is performed usually in wedding ceremonies and occasions in the barangay. Sublian owes its meaning to native words “subsub” meaning to fall with the head and “bali” or broken. This meaning is reflected in the dance steps.