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Analysis of Se7en
Opening
Sequence
(1995)
Shots Used
• Close-ups
• Fast paced, only
on screen for
short amount of
time – not even a
second. This is a
hermeneutic
code.
• Extreme close-
ups
• Zoom in/out
Lighting
• Only one
lamp used
to light the
scene, lamp
shade
makes it
dimmer,
low key
lighting
Sound
• White, hand
written
• Disjointed in
place -
random
• Black
background,
makes the
writing more
prominent
• Background
noises of
people talking
• Metronome
ticking every
second
• Beat heavy
tense music
very eerie
Text
Analysis of Silence
of the Lambs
Opening
Sequence
(1991)
Shots Used
• Daylight,
morning, fairly
high key
lighting even
though it is in
the woods and
appears to be
misty
Lighting
• Establishing
the setting
• Close up of
protagonist
• Action shot
of F.B.I agent
training
Text
• White bold writing
with a black
outlining – setting
the scene
• Right bottom
corner
• Black, capitalised,
bold with white
outlining – shows
importance
• Centre of screen
Sound
• Eerie and
ominous deep
music – non-
diegetic
• Heavy breathing
– she is exercising
• Crunching of the
leaves
underneath her
feat
We Need To Talk
About Kevin
Opening
Sequence
(2011)
Shots Used
• Birds eye view
• Panning
• Close ups, mid
shots and long
shots
• Zoom in/out
• Low angles
• This is a proairetic
code, why is the
window open?
Lighting
• Low key
lighting –
through the
window
• High key
lighting – day
light
Text
• White, bold
on black
background
• Short and
snappy
• Placed to
the left but
in the
middle of
screen
• Eerie and
ominous, non-
diegetic
• Shouting and
screaming very
noisy
• Silence/heavy
breathing
• Birds tweeting
• Ticking – very fast
paced
• Pills falling -
diegetic
Sound
Black Swan
Opening Sequence
(2010)
Shots Used
• Long shots,
mid shots
and close-
ups
• Panning
around the
two actors
• Low key with
only one
spotlight
used
• Shadows
created
• Reflections
created
Lighting
Text
• White,
capitalised,
thin but
bold on
black
background
• In the centre
of the
screen
• Piano, non-
diegetic,
classical
• Yet still
eerie and
ominous as
the actors
are dancing
to it
Sound
Conclusion
• They all use eerie and ominous music to
create a tense atmosphere
• Close-ups and quick cuts between shots are
often used
• Both low key and high key lighting are used,
giving different views to the audience
• White writing is used for the opening credits,
often capitalised for the title
Narrative Theory using Barthes Codes
• Hermeneutic – creates narrative tension the
audience need to have resolved, raising questions
for them.
• Semantic – single piece of meaning/connotation.
Extra layer of meaning added to literal meaning.
• Symbolic – made of semantic codes.
• Cultural – refers to anything in the text which
refers to an external body of knowledge.
• Proairetic – an object/character moving to create
questions for the audience.

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Analysis of 4 phsyco-thrillers

  • 2. Shots Used • Close-ups • Fast paced, only on screen for short amount of time – not even a second. This is a hermeneutic code. • Extreme close- ups • Zoom in/out Lighting • Only one lamp used to light the scene, lamp shade makes it dimmer, low key lighting
  • 3. Sound • White, hand written • Disjointed in place - random • Black background, makes the writing more prominent • Background noises of people talking • Metronome ticking every second • Beat heavy tense music very eerie Text
  • 4. Analysis of Silence of the Lambs Opening Sequence (1991)
  • 5. Shots Used • Daylight, morning, fairly high key lighting even though it is in the woods and appears to be misty Lighting • Establishing the setting • Close up of protagonist • Action shot of F.B.I agent training
  • 6. Text • White bold writing with a black outlining – setting the scene • Right bottom corner • Black, capitalised, bold with white outlining – shows importance • Centre of screen Sound • Eerie and ominous deep music – non- diegetic • Heavy breathing – she is exercising • Crunching of the leaves underneath her feat
  • 7. We Need To Talk About Kevin Opening Sequence (2011)
  • 8. Shots Used • Birds eye view • Panning • Close ups, mid shots and long shots • Zoom in/out • Low angles • This is a proairetic code, why is the window open? Lighting • Low key lighting – through the window • High key lighting – day light
  • 9. Text • White, bold on black background • Short and snappy • Placed to the left but in the middle of screen • Eerie and ominous, non- diegetic • Shouting and screaming very noisy • Silence/heavy breathing • Birds tweeting • Ticking – very fast paced • Pills falling - diegetic Sound
  • 11. Shots Used • Long shots, mid shots and close- ups • Panning around the two actors • Low key with only one spotlight used • Shadows created • Reflections created Lighting
  • 12. Text • White, capitalised, thin but bold on black background • In the centre of the screen • Piano, non- diegetic, classical • Yet still eerie and ominous as the actors are dancing to it Sound
  • 13. Conclusion • They all use eerie and ominous music to create a tense atmosphere • Close-ups and quick cuts between shots are often used • Both low key and high key lighting are used, giving different views to the audience • White writing is used for the opening credits, often capitalised for the title
  • 14. Narrative Theory using Barthes Codes • Hermeneutic – creates narrative tension the audience need to have resolved, raising questions for them. • Semantic – single piece of meaning/connotation. Extra layer of meaning added to literal meaning. • Symbolic – made of semantic codes. • Cultural – refers to anything in the text which refers to an external body of knowledge. • Proairetic – an object/character moving to create questions for the audience.