Analysis 3
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The document discusses several techniques used in comedies like Zach and Miri Make a Porno. It notes that having amateurish characters making a homemade porno gives the impression they don't know what they're doing. It also discusses how comedies often spoof other popular films, like Zach and Miri spoofing Star Wars with dildo light sabers. Big name funny actors like Seth Rogen are commonly featured in comedies as they are known to be funny and attract fans. The document also mentions common comedy techniques like showing character misfortunes, like their water being cut off due to being short on cash.
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Romcom & action
The document discusses different genres of films including romcoms, action movies, Disney films, and war films. It provides definitions and analyzes examples for each genre. For romcoms, it defines them as light-hearted comedies focused on romance and defines common tropes. For action movies, it notes they involve challenges, violence, and feats and attract male audiences. Disney films are summarized as using bright colors and featuring good and bad characters to attract child audiences. War films are said to target adult males with dull colors, violence, and soldier/weapon imagery.
rom com action and war analysis
This document summarizes the key elements of a romantic comedy (rom-com) movie poster that target female audiences. It notes that rom-coms typically feature lighthearted plots focused on true love overcoming obstacles. The poster uses bright colors, depicts the main characters (a nervous female and relaxed male sitting closely on a beach), and features a casual tagline to signal it is a comedy for teenage girls and women. Bold red text is used consistently for the title and release date to draw attention.
Presentation1
Rom-com movies target young female audiences through their lighthearted plots focusing on love overcoming obstacles, as well as colorful posters and imagery. These films do not generally appeal to male audiences, who may not find the stories as interesting. The document then analyzes several movie posters, noting how elements like characters, colors, and background settings are used to convey a sense of the genre and target particular demographic groups.
Me and my movies presentation
The document discusses three films: Hot Fuzz, Anchorman, and American Pie. It provides plot summaries for each film, including the director, year of production, and a brief overview of the storyline. It also includes analyses of trailers for Anchorman and American Pie based on genre codes and conventions. The document then discusses what attracts the author to comedy films and how they find out about new movies through friends, social media, and websites like IMDB. It concludes with explanations of reception theory and active spectatorship.
Title Mood Board
The document discusses different styles of presenting titles in teaser trailers for romantic comedy films. It notes that the titles in Begin Again and The Awkward Moment overlap the image, which is an alternative but eye-catching way of displaying titles. While colors and fonts remain consistent, the size of titles may differ, with the film title usually being the largest. Smaller text often provides narrative details. Teaser trailers give hints about the characters and plot without revealing too much, and usually present a year or season of release rather than a specific date.
Bully ta sample answer
The game Bully falls into the open world/sandbox genre made popular by Grand Theft Auto, but it also shares elements of teen comedy films. From a third-person perspective, the player controls a character named Jimmy at Bullworth Academy. Various visual elements, like the clock face and map, signify the school setting while gameplay mechanics are typical of sandbox games. The characters also fit archetypes commonly seen in teen comedies, such as the bully Gary and the wimp Petey. Though the school setting appears dreary, elements of slapstick humor and cartoon violence suggest the game is meant to be fun rather than serious.
Evaluation Q2
Our character is a solitary mountain biker who prefers to do risky activities alone. He displays meticulous preparation and professional skill but also reckless arrogance, shown by ignoring a warning sign. The character fits stereotypes of mountain bikers through his clothing branded with energy drink logos and preference for risky adventure over safety in numbers. He looks down on road bikers and shares the obsessive interests of most mountain bikers, implying he would engage with online mountain biking communities. While more safety-conscious than our character, most mountain bikers still take risks, showing he is more reckless than typical for the activity.
Audience how the filmis consumed
Big film companies target different audiences depending on the genre and type of film. For children's films, companies will collaborate with fast food chains to create toys from the film. Action films use conventions like fighting and car chases. Animated films target children ages 4-12 with comedy and adventure genres. Romantic comedies target female audiences by featuring a female lead finding love. Racial backgrounds of films impact their message, and films about a particular race may attract audiences who can relate to the characters and themes.
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Romcom & action
The document discusses different genres of films including romcoms, action movies, Disney films, and war films. It provides definitions and analyzes examples for each genre. For romcoms, it defines them as light-hearted comedies focused on romance and defines common tropes. For action movies, it notes they involve challenges, violence, and feats and attract male audiences. Disney films are summarized as using bright colors and featuring good and bad characters to attract child audiences. War films are said to target adult males with dull colors, violence, and soldier/weapon imagery.
rom com action and war analysis
This document summarizes the key elements of a romantic comedy (rom-com) movie poster that target female audiences. It notes that rom-coms typically feature lighthearted plots focused on true love overcoming obstacles. The poster uses bright colors, depicts the main characters (a nervous female and relaxed male sitting closely on a beach), and features a casual tagline to signal it is a comedy for teenage girls and women. Bold red text is used consistently for the title and release date to draw attention.
Presentation1
Rom-com movies target young female audiences through their lighthearted plots focusing on love overcoming obstacles, as well as colorful posters and imagery. These films do not generally appeal to male audiences, who may not find the stories as interesting. The document then analyzes several movie posters, noting how elements like characters, colors, and background settings are used to convey a sense of the genre and target particular demographic groups.
Me and my movies presentation
The document discusses three films: Hot Fuzz, Anchorman, and American Pie. It provides plot summaries for each film, including the director, year of production, and a brief overview of the storyline. It also includes analyses of trailers for Anchorman and American Pie based on genre codes and conventions. The document then discusses what attracts the author to comedy films and how they find out about new movies through friends, social media, and websites like IMDB. It concludes with explanations of reception theory and active spectatorship.
Title Mood Board
The document discusses different styles of presenting titles in teaser trailers for romantic comedy films. It notes that the titles in Begin Again and The Awkward Moment overlap the image, which is an alternative but eye-catching way of displaying titles. While colors and fonts remain consistent, the size of titles may differ, with the film title usually being the largest. Smaller text often provides narrative details. Teaser trailers give hints about the characters and plot without revealing too much, and usually present a year or season of release rather than a specific date.
Bully ta sample answer
The game Bully falls into the open world/sandbox genre made popular by Grand Theft Auto, but it also shares elements of teen comedy films. From a third-person perspective, the player controls a character named Jimmy at Bullworth Academy. Various visual elements, like the clock face and map, signify the school setting while gameplay mechanics are typical of sandbox games. The characters also fit archetypes commonly seen in teen comedies, such as the bully Gary and the wimp Petey. Though the school setting appears dreary, elements of slapstick humor and cartoon violence suggest the game is meant to be fun rather than serious.
Evaluation Q2
Our character is a solitary mountain biker who prefers to do risky activities alone. He displays meticulous preparation and professional skill but also reckless arrogance, shown by ignoring a warning sign. The character fits stereotypes of mountain bikers through his clothing branded with energy drink logos and preference for risky adventure over safety in numbers. He looks down on road bikers and shares the obsessive interests of most mountain bikers, implying he would engage with online mountain biking communities. While more safety-conscious than our character, most mountain bikers still take risks, showing he is more reckless than typical for the activity.
Audience how the filmis consumed
Big film companies target different audiences depending on the genre and type of film. For children's films, companies will collaborate with fast food chains to create toys from the film. Action films use conventions like fighting and car chases. Animated films target children ages 4-12 with comedy and adventure genres. Romantic comedies target female audiences by featuring a female lead finding love. Racial backgrounds of films impact their message, and films about a particular race may attract audiences who can relate to the characters and themes.
What makes a rom com a rom com
The document discusses 10 key elements that define the romantic comedy (rom com) genre: 1) Colorful, comical titles that signal it's not a serious film. 2) Settings like high school where the main characters meet. 3) The main characters, a male and female, are introduced separately. 4) Other characters are introduced through comedy. 5) Clothing of comical characters is informal. 6) Camera angles focus on humor and establish a playful tone. 7) Boy meets girl at the beginning and they fall in love by the end.
Mr men character descriptions
This document provides descriptions of various Mr. Men characters without revealing their names, asking the reader to guess which character each one is describing. It includes short clues about Mr. Happy, Mr. Messy, Mr. Tickle, Mr. Tall/Mr. Small, Mr. Noisy/Mr. Quiet, and Mr. Bump. It concludes by listing some websites for more Mr. Men content.
Primary and secondary audiences
This document discusses the primary and secondary target audiences for Star Wars: The Force Awakens. The secondary audience is described as males and females aged 12-25 who may be less familiar with previous Star Wars films but would be interested in the action scenes and characters like Finn and Rey. The primary audience is described as males and females aged 30-60 who would have seen previous films and be drawn to nostalgic elements and iconic scenes. Both primary groups would relate more to older characters and be more likely to purchase merchandise.
Poster analysis
This document analyzes and summarizes three movie posters:
1) Godzilla: King of the Monsters poster uses a blue color scheme and features Godzilla amid military vehicles, implying his power.
2) Star Wars: The Force Awakens character poster for Kylo Ren uses red, black and silver, suggesting he is the villain. The text is positioned well without obstructing the image.
3) The Dark Knight teaser poster uses black, red and gray, foreshadowing the Joker. Only the title and a cryptic tagline are shown, creating mystery. A smeared bat symbol in blood implies a dark, gritty superhero film.
Critical Response Brief 2 : Superhero Movies
The document discusses the evolution of superhero movies from 1966 to 2013. It analyzes and compares the trailers for the 1966 Batman movie starring Adam West and the 2008 Dark Knight movie starring Christian Bale. While the 1966 Batman trailer has a campy, comic book style aimed at children, the Dark Knight trailer has a darker, realistic tone inspired by changes in comics from the 1970s onward. The document examines how the trailers use different conventions, themes, and styles to appeal to different audiences based on the era. It also discusses how the Dark Knight trailer set a new standard that influenced many later superhero films to adopt a similar realistic, character-driven approach.
Media A2 Portfolio
The trailer summarizes the plot of the 2000 crime film Snatch directed by Guy Ritchie. It introduces several main characters involved in the intertwined plots around a stolen diamond, including Frankie Four Fingers, a gambler with four fingers, and the gangster Brick Top. Through fast-paced editing and camera work, the trailer establishes the film's genre as a British crime thriller set in London among underground criminal dealings. Its target audience is suggested to be males aged 18-40 who enjoy masculine, low-budget crime films, as evidenced by the emphasis on violence and lack of female characters or nudity.
Theory meaning pro format task 2
The document defines key terms related to theory, including denotation and connotation. It provides examples of denotation and connotation for various words and symbols like snake, flag, gun, as well as for media like film trailers, music, video game covers and stereotypes. It also discusses iconography for different genres like western, sci-fi and fantasy films. Finally, it defines linear and non-linear narratives and provides examples of each.
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Intertitles were originally used in silent films to show character dialogue but are now used in trailers to provide information about the narrative, distribution company, director, and actors. Effective intertitles for horror trailers use a black background and clear typeface to convey horror and provide details about the film's cast, release date, and plot. The document evaluates different typeface styles for their suitability in conveying the slasher genre for a horror movie trailer.
Creative critical reflection 1 pptx
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Presentation1
This document provides analysis of various title sequences and images from movies. Key details highlighted include symbolism related to characters, settings, genres and potential plot points. Colours, fonts, camera angles and other design elements are examined for their intended meaning and how they aim to convey information to set expectations and intrigue for the audience. Analyses suggest title sequences aim to subtly provide context clues while also leaving questions to encourage viewers to watch the full movie.
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The document analyzes common elements found in trailers for slasher films. It discusses the frequent use of diegetic sounds like screams and weapons to create fear and tension. Non-diegetic soundtracks also aim to mirror the mood, starting calm but becoming increasingly ominous. Stab sounds specifically are added during scenes revealing the killer to add shock. The trailers typically feature reckless teenage characters in isolated natural settings to set up punishment and limited escape. Camerawork accelerates as tension rises to tease high-action scenes without revealing too much of the plot.
Evaluation
The document summarizes a student media project that is a thriller film titled "Living Nightmare". The film uses conventions of the thriller genre like using a typical family and portraying the main character Sai as an unlikely hero. It includes a dream sequence inspired by films like "Nightmare on Elm Street". The film represents its characters and social groups in stereotypical ways. A British media company would be most suitable to distribute the film given its British actors, locations and target audience.
Evaluation
The document summarizes a student media project that is a thriller film. It discusses various conventions and techniques used in the film to represent the thriller genre, including portraying stereotypical family roles and an evil antagonist. It also addresses choices made to attract the target teenage audience, such as including suspense, mystery and realistic yet unusual settings. Through making the project, the student learned various filming and editing skills in Final Cut Pro, such as using transitions, importing music, and adjusting audio levels.
Pr1 how do you analyse film
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The document provides an analysis of the poster and trailer for the film Se7en. It discusses various elements of the poster including the dark color scheme representing death and evil. It notes the facial expressions of the actors indicate something serious is happening. For the trailer, it describes the typical conventions of the thriller genre including tense music, ordinary settings, and clues or weapons. It also analyzes the editing techniques, camera shots, graphics, and sound used in the trailer's opening moments.
Trailer overview
The document analyzes common elements found in trailers for slasher films. It discusses the frequent use of diegetic sounds like screams and weapons to create fear and tension. Non-diegetic soundtracks also aim to mirror the mood, starting calm but becoming increasingly ominous. Stab sounds specifically are used prominently to emphasize moments of violence. The trailers typically feature reckless teenage characters in isolated natural settings to set up danger and punishable behaviors. Camerawork accelerates to build suspense through a high-energy montage of glimpses into the action and thrills to come.
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The document discusses 10 key elements that define the romantic comedy (rom com) genre: 1) Colorful, comical titles that signal it's not a serious film. 2) Settings like high school where the main characters meet. 3) The main characters, a male and female, are introduced separately. 4) Other characters are introduced through comedy. 5) Clothing of comical characters is informal. 6) Camera angles focus on humor and establish a playful tone. 7) Boy meets girl at the beginning and they fall in love by the end.
Mr men character descriptions
This document provides descriptions of various Mr. Men characters without revealing their names, asking the reader to guess which character each one is describing. It includes short clues about Mr. Happy, Mr. Messy, Mr. Tickle, Mr. Tall/Mr. Small, Mr. Noisy/Mr. Quiet, and Mr. Bump. It concludes by listing some websites for more Mr. Men content.
Primary and secondary audiences
This document discusses the primary and secondary target audiences for Star Wars: The Force Awakens. The secondary audience is described as males and females aged 12-25 who may be less familiar with previous Star Wars films but would be interested in the action scenes and characters like Finn and Rey. The primary audience is described as males and females aged 30-60 who would have seen previous films and be drawn to nostalgic elements and iconic scenes. Both primary groups would relate more to older characters and be more likely to purchase merchandise.
Poster analysis
This document analyzes and summarizes three movie posters:
1) Godzilla: King of the Monsters poster uses a blue color scheme and features Godzilla amid military vehicles, implying his power.
2) Star Wars: The Force Awakens character poster for Kylo Ren uses red, black and silver, suggesting he is the villain. The text is positioned well without obstructing the image.
3) The Dark Knight teaser poster uses black, red and gray, foreshadowing the Joker. Only the title and a cryptic tagline are shown, creating mystery. A smeared bat symbol in blood implies a dark, gritty superhero film.
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The document discusses the evolution of superhero movies from 1966 to 2013. It analyzes and compares the trailers for the 1966 Batman movie starring Adam West and the 2008 Dark Knight movie starring Christian Bale. While the 1966 Batman trailer has a campy, comic book style aimed at children, the Dark Knight trailer has a darker, realistic tone inspired by changes in comics from the 1970s onward. The document examines how the trailers use different conventions, themes, and styles to appeal to different audiences based on the era. It also discusses how the Dark Knight trailer set a new standard that influenced many later superhero films to adopt a similar realistic, character-driven approach.
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The document defines key terms related to theory, including denotation and connotation. It provides examples of denotation and connotation for various words and symbols like snake, flag, gun, as well as for media like film trailers, music, video game covers and stereotypes. It also discusses iconography for different genres like western, sci-fi and fantasy films. Finally, it defines linear and non-linear narratives and provides examples of each.
How do we analyze a film
The document discusses analyzing films through examining their use of codes and conventions. It provides examples of conventional films that follow typical narrative structures and represent characters and relationships in predictable ways. Unconventional or "auteur" films are said to challenge conventions by subverting expectations around narratives, characters, and genre tropes. Examples given include Leon, Apocalypse Now, and Pulp Fiction, which break conventions through unconventional protagonists, editing techniques, and non-linear storytelling. Analyzing a film's adherence to or challenging of codes and conventions provides insight into the filmmaker's artistic choices.
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Intertitles were originally used in silent films to show character dialogue but are now used in trailers to provide information about the narrative, distribution company, director, and actors. Effective intertitles for horror trailers use a black background and clear typeface to convey horror and provide details about the film's cast, release date, and plot. The document evaluates different typeface styles for their suitability in conveying the slasher genre for a horror movie trailer.
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This document discusses stereotypes in film and how the filmmakers are portraying various stereotypes in their student film. It introduces five main characters - Herbert Crafts, Alan Cork, Kieran Tucker, and Detective Heyns - and describes the stereotypes each character represents. For each character, it explains what stereotype they fit into, how they will be portrayed through clothing, props, and mannerisms, and why the filmmakers chose to depict them in this way. The goal is to make the characters recognizable and relatable to viewers through existing stereotypes.
Presentation1
This document provides analysis of various title sequences and images from movies. Key details highlighted include symbolism related to characters, settings, genres and potential plot points. Colours, fonts, camera angles and other design elements are examined for their intended meaning and how they aim to convey information to set expectations and intrigue for the audience. Analyses suggest title sequences aim to subtly provide context clues while also leaving questions to encourage viewers to watch the full movie.
Trailer overview
The document analyzes common elements found in trailers for slasher films. It discusses the frequent use of diegetic sounds like screams and weapons to create fear and tension. Non-diegetic soundtracks also aim to mirror the mood, starting calm but becoming increasingly ominous. Stab sounds specifically are added during scenes revealing the killer to add shock. The trailers typically feature reckless teenage characters in isolated natural settings to set up punishment and limited escape. Camerawork accelerates as tension rises to tease high-action scenes without revealing too much of the plot.
Evaluation
The document summarizes a student media project that is a thriller film titled "Living Nightmare". The film uses conventions of the thriller genre like using a typical family and portraying the main character Sai as an unlikely hero. It includes a dream sequence inspired by films like "Nightmare on Elm Street". The film represents its characters and social groups in stereotypical ways. A British media company would be most suitable to distribute the film given its British actors, locations and target audience.
Evaluation
The document summarizes a student media project that is a thriller film. It discusses various conventions and techniques used in the film to represent the thriller genre, including portraying stereotypical family roles and an evil antagonist. It also addresses choices made to attract the target teenage audience, such as including suspense, mystery and realistic yet unusual settings. Through making the project, the student learned various filming and editing skills in Final Cut Pro, such as using transitions, importing music, and adjusting audio levels.
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Trailer overview
The document analyzes common elements found in trailers for slasher films. It discusses the frequent use of diegetic sounds like screams and weapons to create fear and tension. Non-diegetic soundtracks also aim to mirror the mood, starting calm but becoming increasingly ominous. Stab sounds specifically are used prominently to emphasize moments of violence. The trailers typically feature reckless teenage characters in isolated natural settings to set up danger and punishable behaviors. Camerawork accelerates to build suspense through a high-energy montage of glimpses into the action and thrills to come.
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A2 Media Studies Evaluation Question 1
This document discusses how the media product challenges and develops conventions of real comedy films. It uses natural camera movements and medium shots similar to comedy films. Direct address to the camera adds comedy, as seen in programs like Miranda. Foley sounds were added during editing, as used in comedy films from the 1930s. High key lighting and daytime scenes also follow comedy film conventions. Character archetypes of silly, serious, and regular characters from films like The Hangover were used. Overall it develops conventions through the use of techniques like camerawork, lighting and characters, while also challenging through less use of props and adapted characters.
Analysis
The document analyzes the conventions used in the camerawork, sound, editing, and mise-en-scene of a comedy film trailer. It finds that the trailer uses many established conventions for the comedy genre, including fast-paced editing that cuts between numerous scenes to highlight dialogue and ridiculous character actions. It also uses close-ups to emphasize the comedic dialogue, generic pub settings, and casual costumes to portray normal characters. The trailer's conventions promote a wild, party-oriented tone through club music and titles that mention themes like sex and summer holidays.
Me & my movies
The document provides information about several comedy films and the author's perspective on the comedy genre. It discusses three comedies - The Inbetweeners Movie, The Hangover, and The Waterboy. For each film it lists the director and year. It then provides a brief 1-2 sentence summary of the plot. The author explains that they enjoy comedy because it puts them in a good mood and doesn't require deep thinking. They note conventions of comedy films like crude humor, alcohol, and stereotypical characters. The document also discusses advertising, interpretation frameworks, reception theory, and active spectatorship in relation to comedy films.
Screen shot analysis
This screen shot depicts three characters looking at a crying man, highlighting a situation that creates humor. While two characters are dressed professionally, the central character wears casual clothes, adding comedy through the juxtaposition. The lighting suggests sadness but the crying man's age and beard make the scene funny. Danger is also used unconventionally but effectively for humor, as the characters are tied up in a vulnerable situation. Establishing shots showcase stereotypical comedy settings like Las Vegas and include humorously risky or absurd scenarios that make the audience laugh. A variety of shots are used to fully capture the amusing details in each scene.
Media evaluation question 1
The document discusses how the film "Finding Mrs Simon" uses and challenges conventions of romance comedy films. It uses typical romance comedy characters like a geeky male lead and potential love interests, but challenges expectations by telling the story from the male's point of view and portraying him as clumsy rather than masculine. The narrative structure jumps back and forth in time rather than following a linear story. Costumes and props are used for their comedic effect. The film aims to feel both familiar enough to be enjoyed as a romance comedy, but also different enough to seem fresh.
In What Ways Does Your Media Project Use, Develop Or Challenge Forms And Conv...
The document discusses the conventions of romantic drama films and how the student's media project will use or challenge some of these conventions. It describes how the project will use close-ups and two-shots to develop relationships, employ a mixture of editing techniques to represent different stages of a relationship, include props that represent memories, use a female voiceover to provide perspective, and tell an original story about a couple discovering they are siblings. While following conventions like a meeting-developing relationship-obstacle format, the student also aims to challenge expectations through their unique storyline.
Me and my movies
The document analyzes reception theory and how audiences interpret films based on their own backgrounds and experiences. It discusses how the director's background influences what they choose to film and how the audience decodes meaning based on their own age, gender, ethnicity, social class, and culture. It then examines specific films, including how the Batman trilogy satisfied existing fans but also analyzed the audience for films like This is the End and Spinal Tap.
Generic Conventions of a Film Poster
A slideshow to show the generic conventions of a film poster and also go into detail about the generic conventions of a horror film poster.
Question 1 (A2 Media Studies)
This document discusses how the film uses and challenges conventions of comedy films. It uses techniques like handheld camera movements, medium shots to show character expressions, foley sounds during editing, high-key lighting setting most scenes during daytime, and includes three common comedy character archetypes - the silly character, serious character, and regular character. These techniques mirror those used in popular comedy films and television shows. While some conventions are followed, others are challenged, like using minimal props to focus on dialogue comedy. The document argues these choices were effective for creating an overall comedic film.
Analysis of hangover 3
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Question 1 evaluation
The document discusses how the author's media product used and challenged conventions of comedy films. It provides examples of typical conventions, such as being set in bright locations during the day, using schools and homes as settings, funny dialogue and exaggerated acting. It then summarizes how the author's film both followed conventions, such as using a school as a setting and comedic music, and challenged them, such as using social realism rather than romance as a subgenre and including credits in a creative way.
The martian poster analysis 2
The poster draws attention to Matt Damon's facial expression, which looks more vulnerable and fragile than the previous poster, targeting a female audience. The formal font and serious colors establish the science fiction genre, while the direct eye contact and tagline hinting at danger create intrigue and investment in the film's story. Overall, the poster aims to appeal to women through Damon's softer appearance and use of warmer, feminine colors.
Written Summary of Ideas Generation
The document summarizes a short film production called "The Masterpiece" that will combine elements of silent films from the 1920s with a featurette documenting the production. The silent film part will have exaggerated comedy and mystery elements. The featurette will include interviews and behind-the-scenes footage that show comedic production blunders. Various film techniques like nonlinear narrative, camera shots, lighting, editing style and character archetypes from both genres will be used and combined to entertain the audience.
Written summary of ideas generation
The document summarizes a short film production called "The Masterpiece" that will combine elements of silent films from the 1920s with a featurette documenting the production. The silent film is a comedy/mystery about the theft of a painting. The featurette will include interviews and behind-the-scenes footage shot during production. Various film techniques and conventions from genres like documentaries, parodies, and dramas will be used to bring humor to both the silent film and featurette elements.
Written Summary of Ideas Generation
The document summarizes a short film production called "The Masterpiece" that will combine elements of silent films from the 1920s with a featurette documenting the production. The silent film part will have exaggerated comedy and mystery elements. The featurette will include interviews and behind-the-scenes footage that reveal comedic production blunders. Various film techniques like nonlinear narrative, camera shots, lighting, editing style and character archetypes from both genres will be used and combined to entertain the audience.
Me and my movies
This document discusses reception theory and how audiences interpret films differently based on their backgrounds. It analyzes several films including the Batman trilogy, Rush, This is the End, and This is Spinal Tap. The audience's reactions to these films are influenced by factors like their age, gender, culture and whether they enjoy the genre. Star theory, which suggests audiences are drawn to films because of famous actors, is also examined.
Genre convention
This document discusses genre conventions for comedy films. It provides examples of conventions related to mise-en-scene elements like location, weather, props, lighting, and clothing that help set the tone for comedy. Music and title sequences from films like Ferris Bueller's Day Off and 10 Things I Hate About You are examined. Technical elements like natural camera movements, shot types including medium and long shots, and editing techniques are also covered as important for capturing comedy and reactions. The document aims to help a film producer understand comedy conventions to apply to their own film.
Unit 40 lo2
The document provides details about a proposed 90-minute horror film with a budget of approximately £800,000. It will be funded through private UK businesses. The film follows three main actors - Sean Pertwee, Georgia King, and Robert Sheehan - who must work as a team to survive a zombie outbreak and find an immune survivor to research a cure. It aims to appeal to audiences aged 15-25 in the UK and will receive an 18 rating due to its violence and gore.
Opening title angus
The opening titles of Angus, Thongs and Perfect Snogging begin with the Nickelodeon Movies production company logo in orange, indicating it is a film aimed at teenagers. The first text on screen introduces the production companies in large, girly typography. The film title then fades in larger than the previous text to stand out. The main character's name is introduced next to her image to establish she is playing that role. Additional cast and crew names appear more quickly since they are less important. Finally, the director's name is displayed longest to convey more significance. The gradual fading titles suggest a contrast between the main character's unhappy state and a happier overall film tone. The curly typography style con
Opening title angus
The opening titles of Angus, Thongs and Perfect Snogging are analyzed. The titles begin with the production company Nickelodeon Movies in orange. Then, the text "Paramount Pictures international and Nickelodeon Movies present" appears in girly typography. Next, the film title fades in larger. The main character's name then fades in next to her image. Additional cast and crew names appear more quickly. Finally, the director's name lasts longer on screen. The analysis finds that the gradual fading titles connote a teenager's busy life and happy atmosphere to engage the target audience.
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Question 5
The document discusses strategies for attracting a target audience to a magazine. It used bold sans-serif fonts and large images on the cover to stand out visually. The cover image featured mainstream-looking teenagers to appeal to 16-21 year olds. An inside spread featured an iconic artist's style given to another person to create a new iconic character. Bold, patriotic colors were used that conveyed power, confidence and perfection to match the indie, alternative genre.
Question 6
The document discusses the technologies used for a project, including Adobe Photoshop for editing pictures and adding effects to text. Photoshop was also used to create the contents page and main article page. Digital cameras were the main tool for taking photos at different angles, such as close-up, mid-shot, and long shot, to ensure the best photos were captured and minimize editing needs later. A video camera was also used to record a focus group.
Evaluation questions.docx
My magazine 'Re-wired' aims to fulfill the same conventions as a professional music magazine by including typical elements like catchy headlines, news stories, in-depth articles and gossip. While the contents are similar to a leading magazine, the stories in my magazine are mainly fictional. Photos were improved using Photoshop to better represent the music industry, though early photos lacked relevance. The magazine's design employs a patriotic color scheme to appeal to both British and American audiences.
Question 5
The document discusses strategies for attracting a target magazine audience aged 16-21. These included using bold sans serif fonts that pop off the page, front cover images of teenagers with mainstream looks and styles to relate to the audience, and taking the style of iconic artists like Ed Sheeran to create new iconic characters. Bold, patriotic colors were also used that conveyed power, confidence and perfection to fit the indie, alternative genre.
Focus group 2
For my focus group I sent out a questionnaire for closed feedback and then I interviewed a few people for more in-depth feedback.
Evaluation questions.docx
My magazine takes typical magazine conventions like catchy headlines, articles, and gossip, and fulfills expectations of layout and content from a professional publication. Photos were improved using Photoshop to better represent the music industry. A patriotic design in red, white, and blue uses teaser lines and banners to draw in readers, presenting a magazine that could stand alongside leading publications.
Contents pages
The document provides an analysis of the contents page of a magazine. It notes that the text is in san serif fonts and arranged neatly in boxes with no more than 20 words per section. Images are well-spread and colorful. The main focus is on music content rather than football. Red, white, and black are used as the house colors. The page aims to show there is a wide variety of up-and-coming artists related to rock/indie music without being too text-heavy.
Draft font stlyes
The document discusses draft font styles and layout for a magazine. It will use bolder fonts for headlines and mastheads, and clearer text for the cover story, pull quotes, and captions. Main body text fonts like BorisBlackBloxx will be simple and readable, while headline fonts like Coalition have a bold, alien effect. The color scheme will use 3 colors like royal blue, red, and white that represent the British indie genre. The basic layout will be bold across the middle of the page with caption boxes dotted around.
Draft font stlyes
The document discusses font styles and layout for a magazine. It will use bolder fonts for headlines and mastheads, and clearer fonts for the cover story, pull quotes and captions. The main body text fonts considered are Candy Inc, BorisBlackBloxx, PowerChord, and Unispace. Coalition and BorisBlackBloxx are selected for the magazine. The color scheme will use no more than 3 colors that tie together in a simple, indie style, such as green, grey, and white. The layout aims to draw the eye boldly across the middle of the page with caption boxes dotted around.
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原版纸张【微信：741003700 】【(nyu毕业证书)美国纽约大学毕业证、文凭毕业证】【微信：741003700 】学位证，留信认证（真实可查，永久存档）offer、雅思、外壳等材料/诚信可靠,可直接看成品样本，帮您解决无法毕业带来的各种难题！外壳，原版制作，诚信可靠，可直接看成品样本。行业标杆！精益求精，诚心合作，真诚制作！多年品质 ,按需精细制作，24小时接单,全套进口原装设备。十五年致力于帮助留学生解决难题，包您满意。
本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
Divertidamente SLIDE muito lindo e criativo, pptx
Slide criativo e muito lindo, apenas editar, muito simples
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
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https://www.theurbancrews.com/celeb/matt-rife-cancels-bloomington-show/
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Analysis 3
- 1. Analysis 3
- 2. The use of a banner in a film gives the impression the characters are made to look like amateurs in what they are doing for instance in this case Zach and Miri are trying to make a homemade porno which is clearly not well put together.
- 3. It is quite conventional in comedies for a spoof to be made of another film so they fact they used star wars and over rated it ties right in, the use of dildo light sabres and tight fitting costumes are used to emphasis the fact it is turned into a comedy to fit the style of the movie.
- 4. Big name actors are also always used in comedies repeatedly as they are known to be funny. Seth Rogen is a classic for such things as he also writes his own movies such as ‘Superbad’ which was such a big hit, due to the one liners and majority of sarcastic remarks used throughout. This may attract a collection of fans as they absolutely adore said actors such as Seth Rogen.
- 5. It is typical for misfortunes of the characters to be added in so the audience is humoured. The fact the water is cut of is always a sign of the characters being short of cash, this technique is used in many films.
- 6. Film trailers are packed with on screen text; this is for the audience to understand the film in a matter of a couple of minutes. They are always short and catchy allowing the audience to read them with minimal effort. This effect is used in many sorts of films.