Analyse the ways spielberg uses the camera to create meaning in the film jaws
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This document summarizes and analyzes various shots from a film. It describes shots that establish settings, track characters, contrast expressions, isolate figures, shift perspectives, and convey emotion. Key shots include an establishing shot of a beach setting, medium and long shots that contrast a worried sheriff and happy swimmers, an extreme long shot of a vulnerable person floating alone at sea, and a contra-zoom shot revealing a sheriff's realization about a shark attack. The analysis examines film techniques like depth, angles, tracking, and symbolism to depict important narrative details through visual composition.
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Analyse the ways spielberg uses the camera to create meaning in the film jaws
This document summarizes and analyzes various shots from a film. It describes shots that establish settings, track characters, contrast expressions, isolate figures, suggest points of view, show layers of focus, and symbolize emotions. Key shots include an establishing shot of a beach setting, medium close-ups of a worried sheriff and happy swimmers, an extreme long shot of a vulnerable person floating alone at sea, and a contra-zoom shot revealing a sheriff's realization of a shark attack.
Jaws shot type analysis
This summary analyzes shots from the film Jaws. It describes shots of a boy coming out of the sea with no lifeguards, Sheriff Brody looking worried on the beach while families enjoy themselves, and a lone woman appearing vulnerable in an extreme long shot. Later shots show children playing in the sea, exacerbating the threat of a shark attack, and a deflated yellow lilo covered in blood in the aftermath of a shark attack. The document analyzes how these shots use camera techniques like point of view shots, close ups, and long shots to build tension and unease about the threat of a shark attack.
Analysis of the Movie Jaws
Spielberg uses various camera techniques to build tension and suspense in the beach scene of Jaws. He begins with establishing shots to set the scene and then tracks a boy walking on the beach. Shots cut between the sheriff looking out at sea from different angles and people walking by to distract his view. Tension rises as a person is shown floating vulnerably in the distance. False shark scares are shown to further build suspense. As children enter the water, the focus shifts between them and the sheriff's concerns. An underwater shot from the shark's perspective leads to the realization that the dog and boy are attacked, shown by the deflated float.
Jaws Camera-shots Analysis
Spielberg uses various camera techniques in Jaws to build tension and create meaning. Wide shots are used to establish settings like the beach and sea, showing potential danger, while also showing vulnerable individuals like those in the water. Close ups highlight important details, like the concerned expression on the sheriff's face compared to the relaxed tourists. Point of view shots from the shark build suspense as it approaches victims. The document analyzes how these shots, like vertical wipes and over the shoulder shots, work together to tell the story and engage the audience emotionally without explicitly showing graphic scenes.
Jaws Film Analysis
The opening scene of Jaws establishes horror film conventions through low lighting and shadows obscuring the characters. Two teenagers, a boy and a girl who do not know each other well, are shown running and then undressing, implying they will go swimming. However, the boy falls and appears drunk, while the girl swims farther out without realizing he cannot follow. Underwater shots show the girl enjoying her swim until she is suddenly pulled under the water by something, creating tension and mystery for the viewer about what is happening.
Jaws
The document provides background information on the 1975 thriller film Jaws, directed by Steven Spielberg. It discusses Spielberg's career and influence as a director. It then analyzes some of the key cinematography and mise-en-scene techniques used in the opening scene. Specifically, it notes how the lighting, camera angles, and shots of the characters alone on the beach create tension and suspense as one character is dragged under water by an unseen threat. Conventions of the thriller genre like mystery, suspense, and extraordinary events unfolding in normal situations are also mentioned.
A Textual Analysis Of Jaws
This document analyzes the second attack scene in the film "Jaws" and discusses how it could influence the filmmakers' coursework video. Specifically, it highlights the point-of-view shot through the water, which builds tension by not revealing the creature's identity. It also notes how editing cuts between this POV and shots of people swimming in ignorance of the threat. The document concludes that the filmmakers aim to use similar techniques with sound and editing to create a sense of mystery and dramatic irony, as is common in film noir.
Jennifer Lopez- "I'm Into You" Shot by Shot Analysis
This shot-by-shot analysis summarizes the opening scenes of Jennifer Lopez's music video "I'm Into You". It describes 12 different shots from the video, analyzing elements like camera angles, lighting, framing, editing, mise-en-scene, and how they convey meaning. The shots introduce the main characters and setting, showing the singer in revealing outfits at the beach and buildings suggesting wealth, while other shots use silhouettes, close-ups, and tilted angles to build intrigue and signify concepts like beauty, confusion, and a dynamic relationship between the characters.
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Analyse the ways spielberg uses the camera to create meaning in the film jaws
This document summarizes and analyzes various shots from a film. It describes shots that establish settings, track characters, contrast expressions, isolate figures, suggest points of view, show layers of focus, and symbolize emotions. Key shots include an establishing shot of a beach setting, medium close-ups of a worried sheriff and happy swimmers, an extreme long shot of a vulnerable person floating alone at sea, and a contra-zoom shot revealing a sheriff's realization of a shark attack.
Jaws shot type analysis
This summary analyzes shots from the film Jaws. It describes shots of a boy coming out of the sea with no lifeguards, Sheriff Brody looking worried on the beach while families enjoy themselves, and a lone woman appearing vulnerable in an extreme long shot. Later shots show children playing in the sea, exacerbating the threat of a shark attack, and a deflated yellow lilo covered in blood in the aftermath of a shark attack. The document analyzes how these shots use camera techniques like point of view shots, close ups, and long shots to build tension and unease about the threat of a shark attack.
Analysis of the Movie Jaws
Spielberg uses various camera techniques to build tension and suspense in the beach scene of Jaws. He begins with establishing shots to set the scene and then tracks a boy walking on the beach. Shots cut between the sheriff looking out at sea from different angles and people walking by to distract his view. Tension rises as a person is shown floating vulnerably in the distance. False shark scares are shown to further build suspense. As children enter the water, the focus shifts between them and the sheriff's concerns. An underwater shot from the shark's perspective leads to the realization that the dog and boy are attacked, shown by the deflated float.
Jaws Camera-shots Analysis
Spielberg uses various camera techniques in Jaws to build tension and create meaning. Wide shots are used to establish settings like the beach and sea, showing potential danger, while also showing vulnerable individuals like those in the water. Close ups highlight important details, like the concerned expression on the sheriff's face compared to the relaxed tourists. Point of view shots from the shark build suspense as it approaches victims. The document analyzes how these shots, like vertical wipes and over the shoulder shots, work together to tell the story and engage the audience emotionally without explicitly showing graphic scenes.
Jaws Film Analysis
The opening scene of Jaws establishes horror film conventions through low lighting and shadows obscuring the characters. Two teenagers, a boy and a girl who do not know each other well, are shown running and then undressing, implying they will go swimming. However, the boy falls and appears drunk, while the girl swims farther out without realizing he cannot follow. Underwater shots show the girl enjoying her swim until she is suddenly pulled under the water by something, creating tension and mystery for the viewer about what is happening.
Jaws
The document provides background information on the 1975 thriller film Jaws, directed by Steven Spielberg. It discusses Spielberg's career and influence as a director. It then analyzes some of the key cinematography and mise-en-scene techniques used in the opening scene. Specifically, it notes how the lighting, camera angles, and shots of the characters alone on the beach create tension and suspense as one character is dragged under water by an unseen threat. Conventions of the thriller genre like mystery, suspense, and extraordinary events unfolding in normal situations are also mentioned.
A Textual Analysis Of Jaws
This document analyzes the second attack scene in the film "Jaws" and discusses how it could influence the filmmakers' coursework video. Specifically, it highlights the point-of-view shot through the water, which builds tension by not revealing the creature's identity. It also notes how editing cuts between this POV and shots of people swimming in ignorance of the threat. The document concludes that the filmmakers aim to use similar techniques with sound and editing to create a sense of mystery and dramatic irony, as is common in film noir.
Jennifer Lopez- "I'm Into You" Shot by Shot Analysis
This shot-by-shot analysis summarizes the opening scenes of Jennifer Lopez's music video "I'm Into You". It describes 12 different shots from the video, analyzing elements like camera angles, lighting, framing, editing, mise-en-scene, and how they convey meaning. The shots introduce the main characters and setting, showing the singer in revealing outfits at the beach and buildings suggesting wealth, while other shots use silhouettes, close-ups, and tilted angles to build intrigue and signify concepts like beauty, confusion, and a dynamic relationship between the characters.
Gone girl analysis
This document provides an analysis of the trailer for the film "Gone Girl". It summarizes several shots and elements from the trailer. The non-diegetic soundtrack creates an eerie tone. A close-up shows the man considering cracking his wife's skull. Her worried expression suggests something bad will happen. Establishing shots of deserted areas like an alleyway add to the thriller genre. A long shot introduces an unhappy man who seems important to the story.
Technical aspects analysis
The document discusses various film techniques used in the horror movie Sinister including:
- Long shots are used to show important scenes unfolding.
- Close-ups send chills by showing creepy antagonists up close.
- Dark lighting and makeup of the antagonist Mr. Boogie make him scary and increase tension.
- Jump cuts between a character and a ladder build confusion about what's happening in an attic.
- Graphic match editing creates a jump scare by matching a picture to reality very suddenly.
Gone girl analysis
The opening titles sequence creates a sense of urgency by displaying the names for only 3 seconds each. The first shot shows a man stroking a woman's hair, adding tension without dialogue by implying an unhappy relationship with the man in power. As the man says he pictures cracking her skull, it establishes his psychopathic nature. Later shots bring deception and mystery, building tension through the unknown and sense of abandonment reinforced by the soundtrack.
Shot framing
The document discusses various shot types used in filmmaking, including wide shots, medium shots, close-ups, point-of-view shots, and two-shots. It provides examples of how each shot type is used in different films and documentaries to convey specific information to the audience and advance the story or message. Wide shots show the overall context and surroundings, while close-ups focus on intense reactions or details. Shot composition like the rule of thirds and angle are also discussed as ways to frame subjects for desired emotional effects.
Textual analysis of Se7en
- The film begins with bright colors representing hope but then gets darker representing the murder investigation. Morgan Freeman's character wears a white shirt representing power but a dark coat at the crime scene representing death. It is raining, representing sadness.
- Shots are used to analyze Freeman and Pitt's characters and the evidence, like a mid-shot showing blood on the wall. A close-up of a ticking device on Freeman's bedside implies he is running out of time. Changing camera angles in the opening represent different perspectives.
- The editing is quick, using jump cuts and cross-cutting, to set the thriller pace. Insert shots show significance of items like Freeman's keys. Synchronous sounds of keys
Jaws film opening analysis.
The opening scene of Jaws establishes the carefree teenage characters around a beach fire and foreshadows impending violence when a girl runs off alone. Cross-cutting builds suspense between the characters and ominous music cues the audience to the approaching threat. Various camera shots like point-of-view from the shark's perspective further the sense of a predator stalking its prey. The credits with red text also foreshadow the blood and danger to come through their symbolic color association.
Drake
1) The music video for "Hold On We're Going Home" by Drake establishes the setting of Miami in 1985 through title cards and 80s-inspired fonts and costumes.
2) The video introduces Drake celebrating at a business meeting before cutting to a mysterious woman alone in a dimly lit room, signaling her role as the "victim."
3) Drake receives a call informing him something has happened to the woman, prompting him to lead a group of men on a mission to rescue her, fulfilling the narrative stages of disruption and attempt to repair.
4) The video concludes with Drake and the woman reunited in a romantic moment, representing the achievement of rescuing her and their relationship as a classic
Cape fear-analysis
The document analyzes the mise-en-scene, editing, cinematography, and sound techniques used in the film "Cape Fear." It notes that the water, eagle, and shadowy figures create unease, while the girl's innocence contrasts with implied danger. Shots of the main character establish him as important. Dissolves and match cuts follow the character and build tension. Framing and camera movements like pans and zooms are used to reveal information about locations and characters. The non-diegetic string score creates an unsettling atmosphere while allowing the young girl's dialogue to stand out.
The Shining Textual Analysis
This document analyzes various technical elements of a scene from the film The Shining that is meant to terrify the main character Danny. It discusses the use of camera shots, editing, sound, and mise-en-scene to build tension and shock value. Specifically, it notes the use of long shots to show Danny's fear, close-ups of his face to convey emotion, flashing between images to startle the audience, and diegetic sound of a tricycle wheel to create a sense of speed and unease. Elements of the scene setting like an axe and blood provide context of a brutal murder. The document concludes by stating this analysis can help with effectively using flashbacks and establishing a scene's location in the author
Opening analysis of resident evil
The opening scene of Resident Evil: Afterlife establishes the mood and setting. It focuses on a lone girl in the rain on a busy street in China. The sound builds tension as the girl transforms into an inhuman monster, biting a man's neck. High angle shots show the attack occurring in a dull, grey public setting. The girl is dressed in black with a lost expression, hinting she is different from those rushing around her with umbrellas.
Contextual analysis 1 - Panorama
We analysed two media productions that specialised around the subjects and areas that we wanted to create our social action project on. The first was Panorama - Hate on the street and BBC documentary that investigated both crime and hate crimes.
Contextual analysis 2
This documentary by Panorama investigates the rise in hate crimes in the UK based on race and religion. Reporter Livvy Haydock travels around the country meeting victims of hate crimes and those perpetrating them to understand the causes of the rise. Various camera techniques like close-ups, long shots, and phone footage are used to tell victims' stories and make the audience feel they are experiencing the events firsthand. Interviews with experts and authorities are also included to provide context and analysis of the issues explored.
Contextual analysis 2 panorama
This documentary by Panorama investigates the rise in hate crimes in the UK based on race and religion. Reporter Livvy Haydock travels around the country meeting victims of hate crimes and those perpetrating them to understand the causes of the rise. Various camera techniques like close-ups, long shots, and phone footage are used to tell victims' stories and make the audience feel they are experiencing the events firsthand. Interviews with experts and authorities are also included to provide context and analysis of the issues explored.
Task 4 contextual analysis 1
The document provides a detailed analysis of the camerawork in the Vice documentary "The Rise of Acid Attacks in the UK." It notes that the documentary utilizes various shots including aerial shots to establish locations, close-ups of victims and attackers, CCTV footage, and interviews. During emotional parts of interviews or attacks being described, the camerawork uses techniques like slow motion or focus only on the subject to emphasize their emotions or experience. The analysis provides specific examples of how different shots are used throughout the documentary to set the scene, show the severity of acid attacks, or draw attention to important details.
Analysis Of Saving Private Ryan
This document analyzes and describes several scenes from the movie Saving Private Ryan through the lens of cinematography techniques. It discusses the camera shots, lighting, sounds, costumes, settings, and facial expressions in multiple scenes. The camera shots include mid shots, long shots, close ups, and subjective point of view shots. The sounds are generally of shell-shocked soldiers but also include explosions and screams. The costumes and settings aim to portray an authentic World War 2 environment.
2am jake
The document provides an analysis of the short horror film "2am: The Smiling Man" which is based on an online story. It summarizes the plot where a young man encounters a strangely smiling man in a yellow suit late at night. Using various narrative and film techniques, the film leaves the audience on a cliffhanger by reintroducing the smiling man at the very end. The document then analyzes elements like genre, narrative structure, purpose, audience, and micro-level details of mise-en-scene, cinematography, editing, sound, and messages to understand how the film achieves its horror effect in a short format.
Contextual analysis 2 - panorama
The documentary investigates rising rates of race and religious hate crimes in the UK. Reporter Livvy Haydock travels the country interviewing both victims and perpetrators. Various camera techniques are used to portray different locations and situations. In Dover, establishing shots show the town and barbed wire fence representing an immigration "battle". In Dudley, shots show more ethnic diversity and a victim's family but also depict his attack in the dark and rainy estate. Further interviews provide more victim stories and perspectives from experts on the rise in hate crimes.
Contextual analysis 2 panorama (2)
The documentary investigates the rising rates of hate crimes in the UK based on race and religion. Reporter Livvy Haydock travels around the country interviewing victims and those affected to understand the causes behind the increase. Various filming techniques like close-ups, establishing shots, and footage from bystanders are used to tell the stories of victims and showcase different communities and locations around the issue of hate crimes.
Jaymes - Real Media Research
This document analyzes the opening sequences of several thriller films and how they establish tension and suspense. It discusses how the openings of The Silence of the Lambs, Se7en, and Inception introduce ominous settings and troubled protagonists to set the tone. Cross-cutting between scenes in The Bourne Identity builds tension, while a floating body discovered hints at the plot. Broken and coded text in the title references the main character's need to solve a puzzle. Overall, the analyses show how thriller openings immerse viewers in an unsettling atmosphere through visual techniques.
Media post 3
This document discusses different camera shots and techniques and how they can be used to convey meaning and foreshadow elements of a film's plot, mood, and themes. It analyzes examples of close up shots showing a character's emotions, medium shots revealing a character's costume and setting the mood, long shots hinting at the plot and location, extreme long shots establishing the setting, high angle shots demonstrating the number of people in an area, panning shots indicating a historical event, and zoom shots highlighting a character's facial emotions. Overall, the document examines how micro elements in filming like camera shots provide subtle clues to foreshadow the overall emotion, themes and key details of an upcoming movie.
Opening sequence analysis of forrest gump
The document provides an analysis of the opening sequence of the film Forrest Gump. It notes that the sequence follows a white feather as it floats through a town and lands at the feet of Forrest Gump. It analyzes the cinematography, lighting, music, costumes, and props in the opening scene. The feather is identified as the most important visual element, representing ideas of fate, destiny, freedom, and Forrest Gump himself.
Evaluation - Question Two
The document describes the characters in an opening film sequence and how they represent social groups. It introduces three main characters - Millie, a young girl, Jessica, a young adult female, and Sarah, also a young adult female. Millie represents a stereotypical girl facing difficulties. Jessica is portrayed somewhat negatively as an absent mother. The target audience is described as middle class British females aged 18-35, and the actors for Jessica and Sarah roles were chosen to fit this target profile to aid audience relatability.
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Gone girl analysis
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Technical aspects analysis
The document discusses various film techniques used in the horror movie Sinister including:
- Long shots are used to show important scenes unfolding.
- Close-ups send chills by showing creepy antagonists up close.
- Dark lighting and makeup of the antagonist Mr. Boogie make him scary and increase tension.
- Jump cuts between a character and a ladder build confusion about what's happening in an attic.
- Graphic match editing creates a jump scare by matching a picture to reality very suddenly.
Gone girl analysis
The opening titles sequence creates a sense of urgency by displaying the names for only 3 seconds each. The first shot shows a man stroking a woman's hair, adding tension without dialogue by implying an unhappy relationship with the man in power. As the man says he pictures cracking her skull, it establishes his psychopathic nature. Later shots bring deception and mystery, building tension through the unknown and sense of abandonment reinforced by the soundtrack.
Shot framing
The document discusses various shot types used in filmmaking, including wide shots, medium shots, close-ups, point-of-view shots, and two-shots. It provides examples of how each shot type is used in different films and documentaries to convey specific information to the audience and advance the story or message. Wide shots show the overall context and surroundings, while close-ups focus on intense reactions or details. Shot composition like the rule of thirds and angle are also discussed as ways to frame subjects for desired emotional effects.
Textual analysis of Se7en
- The film begins with bright colors representing hope but then gets darker representing the murder investigation. Morgan Freeman's character wears a white shirt representing power but a dark coat at the crime scene representing death. It is raining, representing sadness.
- Shots are used to analyze Freeman and Pitt's characters and the evidence, like a mid-shot showing blood on the wall. A close-up of a ticking device on Freeman's bedside implies he is running out of time. Changing camera angles in the opening represent different perspectives.
- The editing is quick, using jump cuts and cross-cutting, to set the thriller pace. Insert shots show significance of items like Freeman's keys. Synchronous sounds of keys
Jaws film opening analysis.
The opening scene of Jaws establishes the carefree teenage characters around a beach fire and foreshadows impending violence when a girl runs off alone. Cross-cutting builds suspense between the characters and ominous music cues the audience to the approaching threat. Various camera shots like point-of-view from the shark's perspective further the sense of a predator stalking its prey. The credits with red text also foreshadow the blood and danger to come through their symbolic color association.
Drake
1) The music video for "Hold On We're Going Home" by Drake establishes the setting of Miami in 1985 through title cards and 80s-inspired fonts and costumes.
2) The video introduces Drake celebrating at a business meeting before cutting to a mysterious woman alone in a dimly lit room, signaling her role as the "victim."
3) Drake receives a call informing him something has happened to the woman, prompting him to lead a group of men on a mission to rescue her, fulfilling the narrative stages of disruption and attempt to repair.
4) The video concludes with Drake and the woman reunited in a romantic moment, representing the achievement of rescuing her and their relationship as a classic
Cape fear-analysis
The document analyzes the mise-en-scene, editing, cinematography, and sound techniques used in the film "Cape Fear." It notes that the water, eagle, and shadowy figures create unease, while the girl's innocence contrasts with implied danger. Shots of the main character establish him as important. Dissolves and match cuts follow the character and build tension. Framing and camera movements like pans and zooms are used to reveal information about locations and characters. The non-diegetic string score creates an unsettling atmosphere while allowing the young girl's dialogue to stand out.
The Shining Textual Analysis
This document analyzes various technical elements of a scene from the film The Shining that is meant to terrify the main character Danny. It discusses the use of camera shots, editing, sound, and mise-en-scene to build tension and shock value. Specifically, it notes the use of long shots to show Danny's fear, close-ups of his face to convey emotion, flashing between images to startle the audience, and diegetic sound of a tricycle wheel to create a sense of speed and unease. Elements of the scene setting like an axe and blood provide context of a brutal murder. The document concludes by stating this analysis can help with effectively using flashbacks and establishing a scene's location in the author
Opening analysis of resident evil
The opening scene of Resident Evil: Afterlife establishes the mood and setting. It focuses on a lone girl in the rain on a busy street in China. The sound builds tension as the girl transforms into an inhuman monster, biting a man's neck. High angle shots show the attack occurring in a dull, grey public setting. The girl is dressed in black with a lost expression, hinting she is different from those rushing around her with umbrellas.
Contextual analysis 1 - Panorama
We analysed two media productions that specialised around the subjects and areas that we wanted to create our social action project on. The first was Panorama - Hate on the street and BBC documentary that investigated both crime and hate crimes.
Contextual analysis 2
This documentary by Panorama investigates the rise in hate crimes in the UK based on race and religion. Reporter Livvy Haydock travels around the country meeting victims of hate crimes and those perpetrating them to understand the causes of the rise. Various camera techniques like close-ups, long shots, and phone footage are used to tell victims' stories and make the audience feel they are experiencing the events firsthand. Interviews with experts and authorities are also included to provide context and analysis of the issues explored.
Contextual analysis 2 panorama
This documentary by Panorama investigates the rise in hate crimes in the UK based on race and religion. Reporter Livvy Haydock travels around the country meeting victims of hate crimes and those perpetrating them to understand the causes of the rise. Various camera techniques like close-ups, long shots, and phone footage are used to tell victims' stories and make the audience feel they are experiencing the events firsthand. Interviews with experts and authorities are also included to provide context and analysis of the issues explored.
Task 4 contextual analysis 1
The document provides a detailed analysis of the camerawork in the Vice documentary "The Rise of Acid Attacks in the UK." It notes that the documentary utilizes various shots including aerial shots to establish locations, close-ups of victims and attackers, CCTV footage, and interviews. During emotional parts of interviews or attacks being described, the camerawork uses techniques like slow motion or focus only on the subject to emphasize their emotions or experience. The analysis provides specific examples of how different shots are used throughout the documentary to set the scene, show the severity of acid attacks, or draw attention to important details.
Analysis Of Saving Private Ryan
This document analyzes and describes several scenes from the movie Saving Private Ryan through the lens of cinematography techniques. It discusses the camera shots, lighting, sounds, costumes, settings, and facial expressions in multiple scenes. The camera shots include mid shots, long shots, close ups, and subjective point of view shots. The sounds are generally of shell-shocked soldiers but also include explosions and screams. The costumes and settings aim to portray an authentic World War 2 environment.
2am jake
The document provides an analysis of the short horror film "2am: The Smiling Man" which is based on an online story. It summarizes the plot where a young man encounters a strangely smiling man in a yellow suit late at night. Using various narrative and film techniques, the film leaves the audience on a cliffhanger by reintroducing the smiling man at the very end. The document then analyzes elements like genre, narrative structure, purpose, audience, and micro-level details of mise-en-scene, cinematography, editing, sound, and messages to understand how the film achieves its horror effect in a short format.
Contextual analysis 2 - panorama
The documentary investigates rising rates of race and religious hate crimes in the UK. Reporter Livvy Haydock travels the country interviewing both victims and perpetrators. Various camera techniques are used to portray different locations and situations. In Dover, establishing shots show the town and barbed wire fence representing an immigration "battle". In Dudley, shots show more ethnic diversity and a victim's family but also depict his attack in the dark and rainy estate. Further interviews provide more victim stories and perspectives from experts on the rise in hate crimes.
Contextual analysis 2 panorama (2)
The documentary investigates the rising rates of hate crimes in the UK based on race and religion. Reporter Livvy Haydock travels around the country interviewing victims and those affected to understand the causes behind the increase. Various filming techniques like close-ups, establishing shots, and footage from bystanders are used to tell the stories of victims and showcase different communities and locations around the issue of hate crimes.
Jaymes - Real Media Research
This document analyzes the opening sequences of several thriller films and how they establish tension and suspense. It discusses how the openings of The Silence of the Lambs, Se7en, and Inception introduce ominous settings and troubled protagonists to set the tone. Cross-cutting between scenes in The Bourne Identity builds tension, while a floating body discovered hints at the plot. Broken and coded text in the title references the main character's need to solve a puzzle. Overall, the analyses show how thriller openings immerse viewers in an unsettling atmosphere through visual techniques.
Media post 3
This document discusses different camera shots and techniques and how they can be used to convey meaning and foreshadow elements of a film's plot, mood, and themes. It analyzes examples of close up shots showing a character's emotions, medium shots revealing a character's costume and setting the mood, long shots hinting at the plot and location, extreme long shots establishing the setting, high angle shots demonstrating the number of people in an area, panning shots indicating a historical event, and zoom shots highlighting a character's facial emotions. Overall, the document examines how micro elements in filming like camera shots provide subtle clues to foreshadow the overall emotion, themes and key details of an upcoming movie.
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Opening sequence analysis of forrest gump
The document provides an analysis of the opening sequence of the film Forrest Gump. It notes that the sequence follows a white feather as it floats through a town and lands at the feet of Forrest Gump. It analyzes the cinematography, lighting, music, costumes, and props in the opening scene. The feather is identified as the most important visual element, representing ideas of fate, destiny, freedom, and Forrest Gump himself.
Evaluation - Question Two
The document describes the characters in an opening film sequence and how they represent social groups. It introduces three main characters - Millie, a young girl, Jessica, a young adult female, and Sarah, also a young adult female. Millie represents a stereotypical girl facing difficulties. Jessica is portrayed somewhat negatively as an absent mother. The target audience is described as middle class British females aged 18-35, and the actors for Jessica and Sarah roles were chosen to fit this target profile to aid audience relatability.
Evaluation Question Seven
1. The author learned that planning and research are important when creating a full product compared to a preliminary task. The opening sequence showed the benefits of planning through lighting, camera angles, and other elements.
2. Lighting was not considered for the preliminary task, but care was taken to use natural lighting for the opening sequence.
3. Camera angles and shots were more creative and thoughtful in the opening sequence compared to the preliminary task, which only used tripods.
Propp’s character theory
Propp's character theory outlines seven character archetypes that commonly appear in folktales and fairy tales. The hero is a male protagonist who defeats villains and wins the love of the heroine to restore normality. The villain disrupts normality and threatens the heroine. The dispatcher sends the hero on a quest to restore order, often as a test for the heroine's father. The donor gives the hero gifts to aid the quest. The helper supports the hero directly. The heroine is typically passive and in need of rescue. The false hero deceives by appearing to help but actually working against the hero.
Todorov’s theory
Todorov's theory proposes that narratives, including films, typically follow 5 stages: 1) an initial equilibrium, 2) a disruption to the equilibrium, 3) recognition of the disruption, 4) an attempt to repair the damage, and 5) the establishment of a new equilibrium where things do not return entirely to normal. The document provides examples of each stage and explains that most films follow this pattern of establishing a stable situation, introducing a problem, addressing the problem, and resolving it in a way that changes the original circumstances.
Photographs of filming locations
This document outlines 29 shots for filming locations that will tell the story of a character named Millie searching for her teddy bear. The shots include various angles and perspectives showing Millie moving through the house, including the hallway, kitchen, stairs, bedrooms, wardrobe and under furniture, mostly through point-of-view shots from Millie's perspective as she searches each new area. The shots range from close-ups of body parts and objects to medium and long shots capturing Millie in different areas of the home.
Cinematography applied to forrest gump
This document defines and describes various cinematography techniques used in the film Forrest Gump, including establishing shots, extreme long shots, long shots, mid shots, medium close ups, over the shoulder shots, close ups, extreme close ups, point of view shots, deep focus, shallow focus, racking focus, zoom shots, low angle shots, high angle shots, Dutch tilts, and level of framing. Each technique is briefly defined in one to two sentences explaining how it is used and its effect.
Opening sequence analysis for to kill a mockingbird
To Kill a Mockingbird is a 1962 film directed by Robert Mulligan. The opening sequence shows the hands of a young girl exploring the contents of a cigar box, including crayons and small objects. Through close-up shots that fade into one another, accompanied by the girl's humming and piano music, the audience understands an innocent child is the point of view character. Though the character's face is never shown, drawings and props indicate it is a young girl at home, drawing a picture of a bird before ripping it, leaving the film's genre and narrative ambiguous.
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Opening sequence analysis for to kill a mockingbird
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Jaws Analysis
The document provides a detailed shot-by-shot analysis of a beach scene from the film Jaws. The first two shots establish the beach location and introduce characters, a mother and child, raising tension given the film's focus on shark attacks. Subsequent shots show the sheriff appearing concerned, no lifeguards on duty building more suspense, and children in the background unnoticed by distracted adults. Music and camerawork generate panic as the viewer realizes an attack on the boy playing with an inflatable tube is imminent. The final shot reveals the deflated and bloodied tube on the shore, symbolizing the child's death in a dramatic tonal shift from happiness to terror.
Analyse the ways Spielberg uses the camera to create meaning in the film 'Jaws'
Spielberg uses various camera techniques and shots to create meaning and tension in Jaws. He establishes the happy beach scene with bright colors and relaxed people, but also includes minor ominous details. As the boy swims alone, long shots make him appear vulnerable. Shallow depth of field focuses on Brody's worried expressions as he scans the sea. Fast editing and over-the-shoulder shots intensify the tension as Brody searches. A conversation about shark attacks contrasts with children playing in the background. The discovery of the remains of the boy are symbolized by his torn up lilo surrounded by blood in the water.
Introductory task
1. The opening scene of Jurassic Park establishes a tense atmosphere through sound and dark lighting. It shows a squad of men carrying protective gear and weapons while transporting a dangerous crate.
2. The opening scene of Saving Private Ryan features an American flag fluttering in the wind against a somber orchestral score. It introduces the main character crying as he rushes away from his comforting family.
3. The opening scene of Jaws takes place at night on a dark and empty beach. It establishes tension as silhouetted characters recklessly swim alone in the ocean, vulnerable to unseen threats below the surface.
Inception opening sequence analysis
The opening sequence of Inception uses camera work, mise-en-scene, editing, and sound to build tension. It begins with a close-up of crashing waves on the beach, then cuts to a man on the beach with a gun pointed at his back. The sequence jumps back and forth in time, showing the same character in the same room but with different Chinese men, indicating time is an important element in the film's plot. The editing, music, and ambient sounds are used to draw the audience in and leave them wondering what has happened to the protagonist on the beach.
Analysis of existing romance films
The document analyzes opening scenes from several romance films. It describes the shots, music, credits and other elements used in the openings of The Notebook, Dear John, and The Holiday. Common techniques across the openings include slow music to set a calm tone, establishing shots of locations, changing credit positions depending on the shots, and narrative elements to provide context. The openings aim to quickly set the genre and introduce characters through visuals and audio before the main stories begin.
Detailed opening sequence analysis
The opening scene of Jaws takes place on a beach at dusk, where a woman goes for a swim alone in the calm sea. As she swims further out, the camera shows her perspective from below the water, making her seem vulnerable. Another shot shows her swimming far from shore as the sun sets. When ripples appear in the water near her, viewers realize she is in trouble from an attacking shark. The scene ends with her body washed ashore.
Learning aim a editing
This document discusses and provides examples of several film techniques used to manipulate time and create suspense for the audience. It analyzes clips demonstrating parallel editing from "Way Down East" and "The Silence of the Lambs" that cut between two simultaneous storylines to build tension. It also examines the use of montages in "Battleship Potemkin", "Rocky III", and "Team America" to summarize extended periods of time concisely and show character development. The most effective examples are deemed to be the montage in "Rocky III" for showing clear progress, and the parallel editing in "The Silence of the Lambs" for its misdirecting of the audience.
film studies 2021
This document discusses various film techniques used in storytelling through examples from Hindi films. It explains that mise-en-scene, which refers to everything visible in front of the camera, includes elements like sets, props, lighting, costumes, actor blocking, and shot composition. A variety of shots are then analyzed from films like Tamasha, Kedarnath, and Makhkhi to demonstrate techniques like lighting, framing, reverse shots, helicopter shots, close-ups, and depth of field and how they impact the narrative.
3 genres for media
The opening scene of Hot Fuzz introduces Nicholas Angel, one of the best police officers. Through training exercises at the police station, the scene establishes Nicholas as highly skilled and well-known, passing tests with ease. However, the scene implies something may disrupt Nicholas' career, creating intrigue for the audience to continue watching to find out what happens. Various camera angles are used to show Nicholas' training from different perspectives at a fast pace, reflecting the intensity of his work.
The bourne identity opening scene
The document provides a detailed shot-by-shot analysis of the opening sequence of a film. It describes how the dark imagery, lighting, sound design, and positioning of elements in each shot work to slowly build tension and mystery around a man found floating lifeless in the water. Clues are gradually provided through the shots that suggest he was in the military and had some kind of accident at sea. The document examines how each subsequent shot reveals new information while maintaining an unsettling mood through the use of darkness, rough weather, and an ominous soundtrack.
Video production ( Gravity & AAG Short Film )
In the short film Gravity, three teenage boys find a gun while walking through their neighborhood. One of the boys becomes excited to try firing it. He pretends to shoot at objects from a distance but then aims it at a young girl. His friends try to stop him but the gun accidentally discharges, hitting a child on a nearby swing set. It is later revealed the child has been fatally shot. About a Girl tells the story of a teenage girl walking alongside a river, recounting through flashbacks the neglect and abuse she has endured from her parents over the years, culminating in her secretly aborting a pregnancy and disposing of the fetus in the river. Both films use minimal dialogue and focus on visual storytelling
Task 2 micro-feature analysis-1
The document provides an analysis of the opening sequence of a romance film. It begins by introducing the male protagonist through a voiceover describing his childhood interest in coins. Flashbacks show him as a child fascinated by coins and later as an injured soldier clutching a coin. The sequence then shifts to the present day, showing the protagonist surfing alone, establishing him as lonely. He spots an attractive blonde woman having her bag fall in the water. In a heroic act, he dives in to rescue her bag. They have a friendly conversation as she thanks him for saving her possessions. Musical cues enhance different emotional moments. The opening establishes the main characters and sets up the romance genre conventions that will follow in the film.
Flipper trailer analysis
The document analyzes editing, camera, and sound techniques used in the trailer for a film about a boy who befriends a dolphin. Straight cuts are used throughout the trailer to move it along quickly. Slow motion is used underwater to show the close bond between the boy and dolphin. Text overlays introduce the actors to draw attention from their fans. Wide shots establish the paradise island location. A high angle shot makes the dolphin appear vulnerable. The non-diegetic soundtrack shifts from happy to ominous to convey different moods. The island setting relates to the dolphin character.
Short film analysis1
The document analyzes four short films based on their cinematography, sound, editing, and mise-en-scene. It summarizes each film's key features for these elements. Film 1, "Slip of the Tongue," uses close-ups and cuts to convey a story told through a narrator. Film 2, "Black Hole," builds tension with office setting and sounds as a man discovers a mysterious paper. Film 3, "December," takes the perspective of a cut-down Christmas tree through shaky camera work and ambient noise. Film 4, "Happy Sushi," creates an ominous tone with music and cuts while a matchbox helps a man in a restaurant.
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The trailer for The Green Inferno uses various shots to set up the plot and tone. There is a bird's eye view of trees filled with bright green to relate to the title, then a long shot of happy passengers on a small plane. Their screams and a disoriented camera show their discomfort as the plane crashes, cutting to black with muting sound. A close up of a waking girl introduces danger with loud drum music.
Film trailers 11-15
The trailer for The Green Inferno uses various shots to set up the plot and tone. There is a bird's eye view of trees filled with bright green to relate to the title, then a long shot of happy passengers on a small plane. Their screams and a disoriented camera show their discomfort as the plane crashes, cutting to black with muting sound. A close up of a waking girl introduces danger with loud drum music.
Conventions Within a Music Video of the Indie Folk Genre
The document provides an analysis of the conventions used in music videos for the indie folk genre. It examines music videos for the songs "9 Crimes" by Damien Rice and "Still" by Daughter. For Damien Rice's video, it describes the use of slow camera movements, natural lighting, and a narrative involving a man and a floating female head. It also analyzes the lyrics and their relationship to the video's story. For Daughter's "Still", it discusses the lyrics and mentions themes of love and a narrative with two main characters. Overall, the document examines the cinematography, editing, narratives, and themes common to indie folk music videos.
Mean girls media deconstruction (1)
The document analyzes the cinematography, mise-en-scene, sound, and codes and conventions used in the movie trailer for Mean Girls. It discusses how different camera shots, colors, music, and other elements are used to convey information to the audience and set expectations. For example, it notes that medium shots are used to introduce characters, swirling camera moves show different cliques in the school, and pink is prominently featured to suggest the target audience is teenage girls. The analysis provides insight into how the trailer communicates its key messages through visual and audio techniques.
Presentation1 10 things i hate about you
This trailer summary analyzes key scenes from 10 Things I Hate About You. It discusses the mise-en-scene, editing, camerawork, and sound of several clips. The clips show two sisters with different personalities, one popular and one not. They also introduce two male characters, one who seems to like one of the sisters. Throughout, the analysis focuses on how these elements provide context and insight into the characters' relationships and personalities to help the audience understand the story.
Jaws Review
The opening scene of Jaws establishes the setting of a summer resort town and introduces the first victim, a young female swimming alone at night. Through the use of point-of-view shots from the shark's perspective and shots of the woman alone in the water, the scene builds tension as the shark closes in for its attack. Despite the woman's attempts to cling to a buoy for safety, she is dragged underwater and killed, establishing the threat of the unseen shark lurking beneath the surface. The calm waters after the attack set the tone for the rest of the film, where the sea serves as another character and the location for the shark's killings.
Similar to Analyse the ways spielberg uses the camera to create meaning in the film jaws (20)
Analyse the ways Spielberg uses the camera to create meaning in the film 'Jaws'
Analyse the ways Spielberg uses the camera to create meaning in the film 'Jaws'
Conventions Within a Music Video of the Indie Folk Genre
Conventions Within a Music Video of the Indie Folk Genre
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Evaluation Question Two
The document discusses how branding and consistency across a music production package's components - including a music video, digipak, and poster - can effectively promote an artist. It emphasizes creating recognition through using the same picture, person, and color scheme in the video and on the physical materials. Maintaining a consistent visual style like font and photo placement helps the package feel cohesive and recognizable to consumers. The overall goal is to establish the artist's presence and brand through synergy between the different parts of the package.
Worded Storyboard
1) The document is a storyboard script for the music video of Nikki J's song "The Way You Do".
2) It outlines various shots that show the singer interacting with her partner - walking together, hugging on her doorstep, dancing at home alone and together.
3) The storyboard alternates between color and black and white shots, and includes the singer getting ready at home, relaxing with her partner, and dancing in various outdoor locations while lip syncing to the song.
New Plan
The group has changed their backup plan into a new plan for their music video, keeping the same ideas but changing the actor and actress. They chose Ayesha to play the actress after seeing her talents in a second round of auditions, as she is experienced, lovely, and a good representative of the R&B genre. They also chose Adam for the actor role, as he similarly impressed in further auditions, is experienced, and already dating Ayesha, making filming easier.
Worded Storyboard Filming Session One
1) The document is a storyboard script for the music video of Nikki J's song "The Way You Do". It outlines various shots that will be used to visualize the lyrics of the song through scenes of a couple.
2) The storyboard script alternates between scenes in black and white and color. It shows the couple going through their daily lives together from waking up and getting ready to relaxing at home.
3) The script builds to a climactic performance scene where the artist will be singing the song on stage as various shots of the audience are shown.
Album Advertisements
The document describes four different album advertisements that all use the album artwork as the main visual. Each summary highlights key design elements featured on the advertisements such as the artist name, album title, featured songs, and other promotional details. The advertisements are promoting recognition of the album artwork in stores and providing information to potential buyers.
Back Up Plan
After multiple attempts to contact the artist about their music video ideas with no response, the production team has developed a backup plan. They will move forward using Eden as the actress and Jason as the actor if they do not hear back due to their tight schedule. Their original plans for the music video will remain the same except for potentially different actors in the lead roles.
Worded Timeline
1) The document is a shot-by-shot description of the music video for the song "The Way You Do" by Nikki J. It provides timings and descriptions of each shot in the video.
2) The video shows the relationship between the main characters through scenes of them dancing, spending time together at home, and walking together at night.
3) It alternates between color and black-and-white shots of the characters as the song plays out their feelings for each other through the lyrics.
Possible Actors
The document considers several actors for the male lead role in a music video for an R&B song. Sam is ruled out as not representing the R&B genre well. Ayoub also represents R&B but is not committed enough. Ant represents R&B and is committed. Jason and James both have experience but Jason better represents R&B. In conclusion, Jason will play the male lead role due to his experience and representation of R&B.
Possible Actors
The document considers several actors for the male lead role in a music video: Sam does not represent R&B well; Ayoub represents R&B but seems uncommitted; Ant represents R&B and is committed; Jason and James are both experienced local actors but only Jason represents R&B; ultimately Jason was selected for his experience and representation of R&B.
Storm Thorgerson
Storm Thorgerson was a famous graphic designer from England known for designing album artwork for many iconic artists such as Pink Floyd, Black Sabbath, and Led Zeppelin. His creative process involved listening to the music, discussing ideas with the artist, creating rough drawings, prototyping selected ideas, photographing at selected locations, editing photographs, and finalizing the digital artwork. He would get input from the artists at multiple stages to ensure the final product captured the vision for the album.
Nikki J - The Way You Do Storyboard Script (First Draft)
This document outlines the storyboard for a music video of the song "The Way You Do" by Nikki J. The storyboard alternates between color and black and white shots of a couple. It shows the couple going on a date, relaxing at one of their homes, dancing together, and expressing their love for each other through the lyrics of the song. The storyboard provides detailed directions for camera shots and transitions that will be used to depict the relationship between the couple through the course of the music video.
Album Artwork
Beyoncé secretly released her fifth studio album on December 13th along with music videos for each song. The album artwork featured her name in pale pink on a black background. Rihanna released her seventh studio album Unapologetic on November 19th. The album artwork showed a nude photo of Rihanna with graffiti-style writing covering parts of her body. Fall Out Boy released their fifth studio album Save Rock and Roll on April 12th after a four year hiatus. The album's music videos were linked together in a story and the final video featured Elton John. The album artwork depicted a punk and a monk representing the old clashing with the new.
Album Artwork Analysis
Beyoncé secretly released her fifth studio album on December 13th along with music videos for each song. The album artwork featured her name in pale pink on a black background. Rihanna released her seventh studio album Unapologetic on November 19th. The album artwork showed a nude photo of Rihanna with graffiti-style writing covering her right breast. Fall Out Boy released their fifth studio album Save Rock and Roll on April 12th after a four year hiatus. The album's music videos were linked together in a story and its artwork featured a punk and a monk representing the old clashing with the new.
Sam Smith - Stay With Me Storyboard
The storyboard depicts Sam Smith exiting his house and walking down the road lip syncing to his song "Stay With Me" in a single continuous shot tracked by the camera keeping him in focus. It then shows him from a side view putting his head down during a pause in the song before lifting his head to look at the camera. The final scene tracks diagonally across a bed while Sam's singing can be heard in the background.
Uses and Gratifications Theory
Uses and Gratifications Theory proposes that people use music for diversion from everyday life by relaxing with music, for personal relationships by using music to fit into social groups and form companionship, for personal identity by finding music that reflects themselves, and for surveillance to find out what is happening around them such as through controversial music videos.
Opening sequence analysis for to kill a mockingbird
To Kill a Mockingbird is a 1962 film directed by Robert Mulligan. The opening sequence shows the hands of a young girl exploring the contents of a cigar box, including crayons and small objects. Through close-up shots that fade between each other, she is seen drawing and rearranging the box's contents, finally drawing a bird before ripping the picture. The sequence establishes the main character is a child and creates a sense of innocence and imagination through its black-and-white visuals and whimsical music.
Opening sequence analysis of forrest gump
The document provides an analysis of the opening sequence of the film Forrest Gump. It notes that the sequence follows a white feather as it floats through a town and lands at the feet of Forrest Gump. It analyzes the cinematography, lighting, music, costumes, and props in the opening scene. The feather is identified as the most important visual element, representing ideas of fate, destiny, freedom, and Forrest Gump himself. The sequence introduces Forrest as childlike and giving and sets up the small-town setting and romantic tone of the film.
Opening sequence analysis for to kill a mockingbird
To Kill a Mockingbird is a 1962 film directed by Robert Mulligan. The opening sequence shows the hands of a young girl exploring the contents of a cigar box, including crayons and small objects. Through close-up shots that fade into one another, accompanied by the girl's humming and drawings, it establishes that the perspective of the story will be that of a child. Clues like the crayons and drawings suggest the character is a young girl, though her face is never shown. The sequence ends with the girl drawing and then ripping a picture of a bird, leaving the narrative and genre of the film mysterious.
More from Pinkgirlchloe (20)
Nikki J - The Way You Do Storyboard Script (First Draft)
Nikki J - The Way You Do Storyboard Script (First Draft)
Opening sequence analysis for to kill a mockingbird
Opening sequence analysis for to kill a mockingbird
Opening sequence analysis for to kill a mockingbird
Opening sequence analysis for to kill a mockingbird
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
Architectural Highlights
The Malibu house features a modern design with clean lines, large windows. and open spaces blending indoor and outdoor living. The expansive deck and patio areas provide ample space for entertaining guests or enjoying a quiet sunset. The house has state-of-the-art amenities. including a gourmet kitchen, a home theatre, and many guest suites.
Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
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Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
Design and Amenities
The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
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Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
Barbie Movie Review - The Astras.pdfffff
Barbie Movie Review has gotten brilliant surveys for its fun and creative story. Coordinated by Greta Gerwig, it stars Margot Robbie as Barbie and Ryan Gosling as Insight. Critics adore its perky humor, dynamic visuals, and intelligent take on the notorious doll's world. It's lauded for being engaging for both kids and grown-ups. The Astras profoundly prescribes observing the Barbie Review for a delightful and colorful cinematic involvement.https://theastras.com/hca-member-gradebooks/hca-gradebook-barbie/
From Teacher to OnlyFans: Brianna Coppage's Story at 28
At 28, Brianna Coppage left her teaching career to become an OnlyFans content creator. This bold move into digital entrepreneurship allowed her to harness her creativity and build a new identity. Brianna's experience highlights the intersection of technology and personal branding in today's economy.
Christian Louboutin: Innovating with Red Soles
Christian Louboutin is celebrated for his innovative approach to footwear design, marked by his trademark red soles. This in-depth look at his life and career explores the origins of his creativity, the milestones in his journey, and the impact of his work on the fashion industry. Learn how Louboutin's bold vision and dedication to excellence have made his brand synonymous with luxury and style.
DIGIDEVTV A New area of OTT Distribution
At Digidev, we are working to be the leader in interactive streaming platforms of choice by smart device users worldwide.
Our goal is to become the ultimate distribution service of entertainment content. The Digidev application will offer the next generation television highway for users to discover and engage in a variety of content. While also providing a fresh and
innovative approach towards advertainment with vast revenue opportunities. Designed and developed by Joe Q. Bretz
The Gallery of Shadows, In the heart of a bustling city
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University of Western Sydney degree offer diploma Transcript
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Analyse the ways spielberg uses the camera to create meaning in the film jaws
- 2. This shot is a establishing shot. It is making the audience aware of the film’s setting. This shot is also a tracking shot. It follows the path of the boy going from the sea, onto the beach to go and talk to his mother. They have used a tracking shot because you can see more of the surroundings relative to the character. This shot shows three lifeguard chairs in the one shot which are empty. This tells the audience that if there is trouble at the beach, there are no professionals to save the day.
- 3. This shot is also an establishing shot, but this time it is showing the surroundings of a different character. This shot is a medium close up and a long shot. The sheriff on the right is in the foreground in a medium close up whereas the people on the left are in the background in a long shot. The expressions of the people and the sheriff contrast to one another. The people in the background are happy and are enjoying themselves at the beach, whereas the sheriff looks concerned and worried about something. Also, the sheriff is fully clothed in dark clothing, whereas the people in the background are wearing colourful swim suits. This shows the contrast between the happy people in the background and the sheriff who is worried and concerned.
- 4. This shot shows an extreme long shot of a person floating in the sea. The person is in the centre of the screen drawing attention to themselves and showing the audience that the person is what they should be focusing on in this shot. There is no one else in the shot which shows that the person is isolated from everyone else. The person looks very small and vulnerable in this shot because it is taken from such a long way away. There are three layers to this shot, the sand, the sea and the sky. The sea is the biggest section in this shot which draws the attention to the sea and what is in it. Also, in this shot, the sea is very calm. We can tell that nothing is going to happen yet because everything is very peaceful and still.
- 5. These shots show the dog and the boy going into the sea. Both the shots are long shots. By the dog and the boy entering the sea, they have caused a disruption in the sea. The sea is no longer calm and peaceful.
- 6. These shots show the sheriff. These shots are like a zoom in but a zoom is just one shot, whereas there are multiple shots. Each shot gets closer and closer to the sheriff. Between each shot, people walk in between the sheriff and the camera. These people are blocking his view from the sea. These shots have a shallow depth because the main focus is on the sheriff and not on the people walking in front of the camera.
- 7. These shots are point of view shots. First we are looking at the sheriff and then we are looking at the person in the sea. We presume in our minds that the sheriff is actually watching the person in the sea. However this does not mean that these to shots were filmed at the same time.
- 8. These shots are over the shoulder shots and also point of view shots. Over the shoulder shots allow us to see the location of the characters relevant to each other.
- 9. This shot shows a deep depth. The sheriff is in the foreground, the lady he is talking to is in the mid ground and the children are in the background. All three layers are in focus because all three layers are as important as each other. The sheriff has been distracted, and in that one moment when he is not concentrating, all the children go into the sea.
- 10. This shot shows the point of view of the shark. We can tell this because of the music being played. The music is non-diegetic (added in afterwards).
- 11. This shot is called a contra-zoom. This is when the camera is zoomed in while the camera tracks forward. In this example it shows the emotion of realisation on the sheriff’s face when the shark has attacked. Usually this shot is used to show the emotion on feeling uneasy.
- 12. This shot is a long shot. It shows the boy’s lido which has been destroyed. The lido has been deflated much like the boy who has drowned. Also in this shot you can see the colour red in the sea. This represents the boys blood which is iconography of death. The colour of the lido makes the colour of the blood more noticeable.