SlideShare a Scribd company logo
CharityComms
     Digital Communications
         on a Shoestring

     An Introduction to creating
     podcasts and audio stories

Jude Habib
Founder and Creative Director,sounddelivery
1
Why are you here?




2
Who are you trying to reach?
   Your Donors
   Your Staff
   Volunteers
   Global Reach
   Trustees
   Network Radio
   National Newspapers
   Local Newspapers
   Bloggers
   Citizen Media
   Social Media Users
   Local Radio
   Commercial Radio
   Funders / Politicians/MPs/Local authority
   Trustees.
   People Who Don’t Know Who You Are The list is endless!



3
Who is my Audience?

     What do I want to
        listen to?




                And what about
                     me?

4
Why Audio?

       Powerful            Emotive
       Cost Effective      Controlled
       Anonymous           Authentic
       Dynamic             Passionate
       Exciting            Grassroots
       Real                Targeted


5
Audio Applications
 Magazine style programmes
    Stand-alone interviews
     Case studies/profiles
  Audio diaries/citizen media
  Dramas/ Celebs/Ringtones
      Project Evaluations
Speeches/Presentations/Events
What Makes Powerful Content?




7
Content to discuss




8
Things to remember

   Everyone has a different perspective
   Stories told simply – music not a necessity
   Short and to the point
   Different locations, accents, voices, don’t always need a
    ‘presenter’
   Presenter – to sound like they’re enjoying it
   Formats – audio diary, magazine, columns, debate,
    discussion – what’s right for you.
   Quality of recording – doesn’t matter if it’s a bit raw but if
    there is mic rattle people will switch off
   Don’t forget you are narrowcasting – not broadcasting


9
Scripting tips
    Keep it simple
    Short sentences
    Your script is for facts – your interviews
     are for emotion
    A simple introduction to set the scene
    Always get your interviewees to introduce
     themselves

10
Will it break the bank?




     COSTS:
     Training
     Equipment
     Marketing
     Production
11
Endless possibilities…….

    Branded Podcasts               To update
    Podverts                        trustees/Stakeholders
    Audio press release/clips      Audio Dramas
     for journalists                Online Radio Stations
    Send to                        Incentives to marathon
     broadcasters/other media        runners – links to
    Audio slideshows                websites / JustGiving
    Citizen/Social Reporters        sites
    Mobile Phone Campaigns         Evaluations for Funders



12
Future for your content




13
15
Start Listening




18

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An introduction to creating podcasts and audio stories

  • 1. CharityComms Digital Communications on a Shoestring An Introduction to creating podcasts and audio stories Jude Habib Founder and Creative Director,sounddelivery 1
  • 2. Why are you here? 2
  • 3. Who are you trying to reach?  Your Donors  Your Staff  Volunteers  Global Reach  Trustees  Network Radio  National Newspapers  Local Newspapers  Bloggers  Citizen Media  Social Media Users  Local Radio  Commercial Radio  Funders / Politicians/MPs/Local authority  Trustees.  People Who Don’t Know Who You Are The list is endless! 3
  • 4. Who is my Audience? What do I want to listen to? And what about me? 4
  • 5. Why Audio?  Powerful  Emotive  Cost Effective  Controlled  Anonymous  Authentic  Dynamic  Passionate  Exciting  Grassroots  Real  Targeted 5
  • 6. Audio Applications Magazine style programmes Stand-alone interviews Case studies/profiles Audio diaries/citizen media Dramas/ Celebs/Ringtones Project Evaluations Speeches/Presentations/Events
  • 7. What Makes Powerful Content? 7
  • 9. Things to remember  Everyone has a different perspective  Stories told simply – music not a necessity  Short and to the point  Different locations, accents, voices, don’t always need a ‘presenter’  Presenter – to sound like they’re enjoying it  Formats – audio diary, magazine, columns, debate, discussion – what’s right for you.  Quality of recording – doesn’t matter if it’s a bit raw but if there is mic rattle people will switch off  Don’t forget you are narrowcasting – not broadcasting 9
  • 10. Scripting tips  Keep it simple  Short sentences  Your script is for facts – your interviews are for emotion  A simple introduction to set the scene  Always get your interviewees to introduce themselves 10
  • 11. Will it break the bank? COSTS: Training Equipment Marketing Production 11
  • 12. Endless possibilities…….  Branded Podcasts  To update  Podverts trustees/Stakeholders  Audio press release/clips  Audio Dramas for journalists  Online Radio Stations  Send to  Incentives to marathon broadcasters/other media runners – links to  Audio slideshows websites / JustGiving  Citizen/Social Reporters sites  Mobile Phone Campaigns  Evaluations for Funders 12
  • 13. Future for your content 13
  • 14.
  • 15. 15
  • 16.
  • 17.