Jesse Lapworth reflects on the production process of their film. They began with a tracking shot on a bike to set the countryside tone. Still photos were used, including a dog photo taken over several days and a Snapchat-style cake photo to maintain realism. An audio graph was created in After Effects to visualize a phone call and keep the viewer engaged. Finally, an interview subject's identity was concealed by blurring the image and distorting the audio in Premiere Pro.