museofabber.com: Curate & publish 3d printable museum collections

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My presentation at the 3D Publishing Conference, Amsterdam, The Netherlands (27/03/2014). Making culture touchable! http://www.3dpublishingconference.com/

Technology Travel Business

3D Publishing Conference 2014
27/03/2014, Amsterdam, The Netherlands
Museotechniki ltd.
http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com
museofabber.com:
Curate & publish 3D printable
museum collections
Nikolaos Maniatis
Museotechniki ltd.
@n_maniatis | @museofabber

The document proposes the "museoSchizzo", a museum focused on displaying original sketches and ideas behind famous works of art, design, architecture, fashion, and technology. The museum aims to inspire creativity and new ideas. It will contain a collection of priceless sketches by figures like Da Vinci, Dali, and Einstein. The museum and its unique architecture hope to become a major tourist attraction and strengthen the city's reputation as a center of creative thinking. It is a private initiative seeking support to make the vision a reality.

Δίκτυα Πολιτισμού και Επιχειρηματικότητας

Nikolaos Maniatis

presentation of Museomix at Makerfaire Rome (oct 2013)

arthur schmitt

This document describes Museomix, an international event where participants spend 3 days prototyping new digital experiences for museums. The 2013 edition involved "makeathons" at multiple museums simultaneously. Participants included designers, developers and others interested in innovating museums. During Museomix, interdisciplinary teams invented prototypes like interactive games, apps and exhibits to engage visitors in new ways. The goal is to experiment with cultural mediation and open new possibilities for collaborative, connected museums of the future.

meSch project presentation Heritage Innovation Lab November 2015

Merel van der Vaart

The NewMediaLab of the Allard Pierson Museum

Merel van der Vaart

The document summarizes the development of the NewMediaLab at the Allard Pierson Museum through international collaboration. It describes the four steps taken to establish the lab: 1) Testing installations from partner projects, 2) Moving experiments out of the lab and testing with visitors, 3) Having developers work onsite to prototype new projects using museum collections, and 4) Partnering with new organizations to prototype technologies for exhibitions. It also discusses challenges faced in developing the lab and results achieved in better understanding relationships between technology, exhibitions, and museum objects through ongoing experimentation.

resume|SV|16

Serena Vaccari

Serena Vaccari was born in Milan, Italy in 1985. She has over 10 years of experience in architecture, landscape and urban design. She holds a Master's Degree in Architecture from Politecnico di Milano and has worked in firms in Italy, Australia, Germany, and Portugal. She is proficient in several design and modeling software programs. Vaccari also has experience in workshops, competitions, and speaking several languages including English, German, Italian, Portuguese and Spanish.

MuseumNext Geneva Programme

MuseumNext

The document provides an overview of the MuseumNext conference taking place from April 19-21, 2015 in Geneva, Switzerland. It outlines the schedule of events, which includes keynote presentations, workshops, and networking opportunities focused on exploring new ideas and strategies for the future of museums. The conference brings together an international community of museum professionals from over 35 countries to discuss topics like wearable technology, audience engagement, digital content, and entrepreneurship. In addition to the conference program, delegates can participate in guided walking tours of Geneva and a welcome reception at the Musée d'art et d'histoire to kick off the three-day event.

Sonia Belhaj resume

Sonia Belhaj

This document provides a summary of Sonia Belhaj's work experience, education, skills, and qualifications. It lists her freelance graphic design work since 2013 including logos, branding, and print work. Other experiences include glass jewelry making, general staff work at a museum in France, an internship doing ephemeral design in London, and workshops in glass fusion, jewelry making, and plastics. She has a Bachelor's Degree in Industrial Design from Rome and a diploma in Media and Web Design from London. Her languages are English, Spanish and Italian and her technical skills include print, editorial, illustration, graphic design, branding, web design, product design, exhibition design, and 3D modeling.

Stefanos Ziras is an architect and intermedia artist based in Athens, Greece. His CV and portfolio highlight his educational background, professional experience, exhibitions, publications, and software skills. Some of his notable projects include designing the Greek pavilion for the 2015 Venice Biennale and collaborating with various architects and artists from Greece and abroad on competitions and installations dealing with themes of kitsch, mythology, and religion.

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20180309_MuseomixBE_Call_for_Museum

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This document announces a call for museums to participate in an international hackathon called Museomix, which brings together teams of developers, designers, and others to prototype new ideas for museums over a 3 day period in November. The hackathon will take place in 8 countries and 13 cities across 14 participating museums. Interested museums are encouraged to apply by April 13 with information on what roles they will play in organizing the local event. The document provides details on the application process and timeline for the Museomix hackathon.

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The document provides a design brief for reinventing a public school in Milan's Barona district to improve social cohesion. The school is located in the central courtyard of a public housing complex. Designers are tasked with creating a product-service system that uses the school to bring together local residents and visitors in an economically self-sustaining manner through activities like workshops, repair services, and low environmental impact initiatives. A map shows the school's location in the Barona district relative to other community spaces.

Open content from Danish museums 29012013

Merete Sanderhoff

Merete Sanderhoff presents on an experimental Danish project to share open content from museums using a mobile platform. The pilot project uses Twitter APIs and a simple interface/backend to allow museum visitors to access information on artworks through QR codes or URLs on their phones. Comments and related multimedia can then be viewed and shared. Over 150 artworks from several Danish museums have been made openly licensed so far. The goals are to connect collections, encourage user participation and dialogue, and build a sustainable shared platform for mobile museum interpretation. Next steps include expanding open licenses and launching a full report on the pilot by April 2013.

Eszter J Nagy - CV and Portfolio 2014

EszterJNagy

Eszter Nagy designed several projects to address challenges related to survival in extreme conditions. These included TONDO, a toy that tells stories through interactive figures and landscapes, NEOTRITION, which envisioned 3D printed customized food, and LIGHTZONE, a clock that shows the passage of time between a user and their loved ones in different time zones. Nagy also created PHOOKA, an interactive night light shaped as a customizable monster to help children overcome fears, and worked on solutions to help climbers and hikers survive freezing temperatures and hypothermia through integrated clothing technologies. Overall, the document outlines Nagy's portfolio and experience as a designer focused on developing products, experiences and systems related to storytelling

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Exit Control. Enter Creative Chaos.

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Digital Strategies 2016

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The document discusses digital strategies for museums and cultural heritage institutions. It summarizes four case studies of museum digital strategies from 2013-2016 that focused on open collections, audience engagement, and synchronization across digital and physical platforms. It then outlines key components of a digital strategy including goals, methods, pilot projects, and evaluation. Finally, it maps out example strategies for areas like collections management, digital infrastructure, exhibitions, and communications.

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Présentation eCreative Challenge, Conseil Régional Metz, 13/11/2014

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Europeana Creative is a project that brings together cultural heritage institutions and creative industries. It aims to encourage creative reuse of digital cultural heritage content from Europe's museums, libraries, and archives. The project includes several key activities: 1) Europeana Labs and a network of living labs for experimenting with content; 2) technical infrastructure and tools for accessing and working with content; 3) a legal framework and business models to allow content reuse; 4) pilot apps and services developed by partners; and 5) open innovation challenges for developers and entrepreneurs. One pilot is the Design Pilot, which includes developing tools for visual searching of content, hosting workshops to stimulate design with digital culture, and creating an interactive Culture Cam installation.

Open up your data! Linked Open Data in the Museum Plantin-Moretus

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Polytech.Science.Art 2014 program review

Polytechnic Museum

Polytech.Science.Art program launched with the start of the creative workshops project in 2014. It also contributed a video program to the Polytechnic Museum’s International Contemporary Science Film Festival 360° and organized a series of public talks by the prominent artists and art critics. The program culminated with the year-end Polytech.Science.Art Week featuring lectures, workshops, panel discussions and the exhibition celebrating the results of the workshop program’s first year.

Infographic resume Rocco Alberto Currà

Rocco Alberto Currà

Rocco Alberto Currà has degrees from the Politecnic of Turin and Milan including a Master's in Management, Marketing and Multimedia for cultural heritage. He has worked in various roles related to architecture, design, museums and event planning. His experience includes positions at GAM Galleria d'Arte Moderna e Contemporanea, Ambientalia architecture firm, and the Politecnic of Turin as well as freelance design, blogging and graphic design work. Currà aims to continuously learn new skills and apply multidisciplinary approaches to cultural projects and design communications.

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Museums in an age of rapid digital change: The Science Museum Group Digital Lab

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This document discusses how museums are adapting to rapid digital change. It outlines how the Science Museum Group is transforming audiences experiences through digital strategies like enhancing digitization of collections, hosting hackathons for developers, creating virtual reality experiences, and remixing collections. The Digital Lab at the Science Museum Group focuses on being agile, testing with audiences, and working in partnerships to provide exciting new ways for museums to fulfill their missions in a digital age.

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Collecting Social Memory through Museum Collection Conservation

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The traditional role of the conservator has been associated with the preservation of the tangible aspect of cultural heritage. Conservation science has been mainly developing along with material science and conservators have focused their efforts on the preservation of the tangible nature of artefacts. In numerous cases this practice has led to the underestimation of the intangible content of objects of cultural heritage in terms of the conservation methodology and practice applied. The traditional conservation principle of minimal intervention is gaining new meaning, as we have come to realise that an artefact’s material and structural integrity interrelates and sometimes comes to conflict with possible evidence of significant historical and social memory content. As social memory is related to the experiences of individual members of the society, conservators must develop approaches of documentation and conservation methodologies in order to identify, document and eventually preserve the memory reflections of the epresented societies by preserving the artefact’s intangible content. It becomes apparent that in order to safeguard the artefacts’ social and historical integrity and contribute towards the perception, appreciation and understanding of the cultural heritage, the conservators have to preserve and document the artefact’s intangible content that reflects social memory.

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The document discusses the development of an affordable wireless data logger for use in museum environments. It proposes using the Arduino open-source electronics prototyping platform to create a prototype data logger capable of logging temperature, humidity, and time. The document outlines the hardware and software requirements for the data logger and presents images of a prototype device created with the Arduino platform. It argues that open-source platforms like Arduino are well-suited for this application due to their low-cost, flexibility, and active developer community support.

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museofabber.com: Curate & publish 3d printable museum collections

1. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com museofabber.com: Curate & publish 3D printable museum collections Nikolaos Maniatis Museotechniki ltd. @n_maniatis | @museofabber

2. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com INNOVATION WITH CULTURAL IMPACT

3. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com Image from wikipedia Image from wikipedia We live the first days of a new “publishing” industry

4. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com

5. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com WHY? WHAT? HOW?

6. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com Formation VS Information

7. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com Information / content Form/ fuction ScaleScope Designers ManufacturersMakers Publishers

8. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com Information / content Form/ fuction ScaleScope Designers ManufacturersMakers Publishers CONTEXT STANDARDS

9. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com Information / content Form/ fuction ScaleScope Designers ManufacturersMakers Publishers CONTEXT STANDARDS (architects) (museofabber) (Aviation)(DIYer)

10. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com 3D publishing is the scalable and standardised production and distribution of 3D content with context.

11. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com museofabber facilitates the scalable production and distribution of significant 3D cultural content and to museum quality & value standards.

12. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com Why 3D Publishing?

13. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com Do you know what... the Phacops rana, a species of trilobite from the middle Devonian period is?

14. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com Much better now, right?

15. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com But, in 3D it would be even better

16. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com Synesthesia Multisensory experiences for a multisensory world (Trendswatch 2014, Center for the Future of Museums)

17. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com Making Culture Touchable

18. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com Why Curate?

19. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com

20. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com We need guidance!

21. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com Replication / Reference Diskobolus (Discus Thrower), plaster replica with broken left hand, back right, Ashmolean Museum, Oxford http://www.flickr.com/photos/65986072@N00/8737026930/sizes/l/

22. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com Museum Kits / Education

23. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com What about some fiction?What about some fiction? Orestis Symvoulidis, http://osymo.turblr.com

24. 3D Publishing Conference 2014 27/03/2014, Amsterdam, The Netherlands Museotechniki ltd. http://museotechniki.com, http://museofabber.com , maniatis@museotechniki.com Thank you Nikolaos Maniatis www.museofabber.com maniatis@museotechniki.com

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