3a. rembrandt van rijn
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Rembrandt was a Dutch artist born in Leiden during the Baroque period. He was influenced by Italian artists and incorporated classical and Baroque styles into his work. Rembrandt painted portraits and biblical scenes that dramatized light and shadow. Though he found early wealth and fame, Rembrandt experienced financial troubles later in life as his style became misunderstood. He died in Amsterdam.
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The script summary
The script will focus on four key elements of Dutch culture during the Golden Age in the 17th century: social strata, history, culture, and tradition. There will be four scenes depicting each element - the first will show the introduction of pillarization and the segregation of Dutch society into four religious/political groups, the second will feature a reenactment of Rembrandt's famous painting "The Night Watch", the third will portray the Dutch Christmas tradition of Sinterklaas and Zwarte Piet, and the fourth will demonstrate a Dutch folk dance while showing the work of musician Tielman Susato, who helped establish Dutch cultural dances and songs.
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3) The document also examines paintings by Bosch, Bruegel, El Greco and architectural works from France and Spain during this period.
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Flemish painters in the 15th century discovered oil painting, which had advantages over previous mediums like fresco and tempera by allowing artists to work longer due to its slower drying time and build up luminous tones through thin translucent layers. This new medium of oil paint allowed Flemish artists to depict the natural world and its textures, materials, and play of light with unprecedented vivid detail and subtlety.
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The script summary
The script will focus on four key elements of Dutch culture during the Golden Age in the 17th century: social strata, history, culture, and tradition. There will be four scenes depicting each element - the first will show the introduction of pillarization and the segregation of Dutch society into four religious/political groups, the second will feature a reenactment of Rembrandt's famous painting "The Night Watch", the third will portray the Dutch Christmas tradition of Sinterklaas and Zwarte Piet, and the fourth will demonstrate a Dutch folk dance while showing the work of musician Tielman Susato, who helped establish Dutch cultural dances and songs.
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2) It highlights Dürer's status as the first Northern European artist to become an international celebrity and his embrace of Protestant doctrine despite working for Catholic patrons.
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17th Century Art in EuropeCounter-Reformation.docx
17th Century Art in Europe
Counter-Reformation
St. Ignatius of Loyola – Society of Jesus
Counter-Reformation
Art as propaganda
Art as reinvigorator of belief/practice
Spiritual ecstasy
Sculpture: Bernini
St. Teresa of Avila in Ecstasy, Cornaro Chapel, Church of Santa Maria della Vittoria, Rome. 1645-1652. Marble, 11’ 6”.
What IS Baroque?
STYLE featuring:
Drama/theatricality
Intensity of emotion to draw in viewer
Extreme skill
Naturalism
Using gestures and expressions to tell a story
Dark and light contrasts (chiaroscuro)
Off-balance
Bringing the everyday into religious scenes
Baroque in Europe
France: resurgence of classicism
Monarchy
Counter-Reformation
Netherlands: portraiture, still life, landscape, and genre
St. Peter’s Basilica & Piazza, Vatican, Rome
Pope Paul V Borghese (pontificate 1605-1621)
Longitudinal nave and new facade
Carlo Maderno, Façade of St. Peter’s, 1607-1626
Gianlorenzo Bernini (1598-1680)
Baldacchino, St. Peter’s Basilica, Vatican, Rome. 1624-1633. Gilt bronze, 100’.
Cathedra Petri, 1657-1666, gilt bronze, marble, stucco, and glass.
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Bernini
https://www.youtube.com/watch?v=1JNjZTx_OsQ
David. 1623, Marble, 5’ 7”, Galleria Borghese, Rome.
Francesco Borromini, Façade of the Church of San Carlo alle Quattro Fontane, Rome, 1638-67.
Dome and Plan, San Carlo alle Quattro Fontane
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Caravaggio
Bacchus, 1595-1596. Oil on canvas, 37” x 33.5”, Galleria degli Uffizi, Florence.
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Caravaggio
Caravaggio, The Calling of St. Matthew, Contarelli Chapel, church of San Luigi dei Francesi, Rome. 1599-1600. Oil on canvas, 10’ 7.5” x 11’ 2”.
Tenebrism
Caravaggio
The Conversion of St. Paul, Cerasi Chapel, Santa Maria del Popolo, Rome, c. 1601. Oil on canvas, 7’ 6” x 5’ 8”
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Artemisia Gentileschi
Judith Beheading Holofernes, c. 1619-20. Oil on canvas, 6’ 63/8” x 5’ 4”, Galleria degli Uffizi, Florence.
Giovanni Battista Gaulli
Worked for Bernini, who worshiped at Il Gesu
Illusionistic Baroque ceiling
Giovanni Battista Gaulli, The Triumph of the Name of Jesus and Fall of the Damned,
Vault of the church of Il Gesù, Rome, 1672-1685. Fresco with stucco figures
Quadratura
Di sotto in sù
Spain
Juan Sánchez Cotán, Still Life with Quince, Cabbage, Melon, and Cucumber, c. 1602. Oil on canvas, 27 1/8” x 33 ¼”. San Diego Museum of Art.
Jusepe de Ribera, Martyrdom of St. Bartholomew, 1634. Oil on canvas, 1.05 x 1.14 m.
Diego Velázquez, Water Carrier of Seville, c. 1619. Oil on canvas, 41 ½” x 31 ½” . Victoria and Albert Museum, London.
Diego Velázquez, The Surrender at Breda (The Lances), 1634-1635. Oil on canvas, 10’7/8” x 12’ ½”. Museo del Prado, Madrid.
Diego Velázquez.
17th Century Art in EuropeCounter-Reformation.docx
17th Century Art in Europe
Counter-Reformation
St. Ignatius of Loyola – Society of Jesus
Counter-Reformation
Art as propaganda
Art as reinvigorator of belief/practice
Spiritual ecstasy
Sculpture: Bernini
St. Teresa of Avila in Ecstasy, Cornaro Chapel, Church of Santa Maria della Vittoria, Rome. 1645-1652. Marble, 11’ 6”.
What IS Baroque?
STYLE featuring:
Drama/theatricality
Intensity of emotion to draw in viewer
Extreme skill
Naturalism
Using gestures and expressions to tell a story
Dark and light contrasts (chiaroscuro)
Off-balance
Bringing the everyday into religious scenes
Baroque in Europe
France: resurgence of classicism
Monarchy
Counter-Reformation
Netherlands: portraiture, still life, landscape, and genre
St. Peter’s Basilica & Piazza, Vatican, Rome
Pope Paul V Borghese (pontificate 1605-1621)
Longitudinal nave and new facade
Carlo Maderno, Façade of St. Peter’s, 1607-1626
Gianlorenzo Bernini (1598-1680)
Baldacchino, St. Peter’s Basilica, Vatican, Rome. 1624-1633. Gilt bronze, 100’.
Cathedra Petri, 1657-1666, gilt bronze, marble, stucco, and glass.
https://www.youtube.com/watch?v=iSH2H0xZPOw
Bernini
https://www.youtube.com/watch?v=1JNjZTx_OsQ
David. 1623, Marble, 5’ 7”, Galleria Borghese, Rome.
Francesco Borromini, Façade of the Church of San Carlo alle Quattro Fontane, Rome, 1638-67.
Dome and Plan, San Carlo alle Quattro Fontane
https://www.youtube.com/watch?v=ixo_SLkblB4
Caravaggio
Bacchus, 1595-1596. Oil on canvas, 37” x 33.5”, Galleria degli Uffizi, Florence.
https://www.google.com/culturalinstitute/beta/asset/the-adolescent-bacchus/dAEBrgRq5AvsQA
Caravaggio
Caravaggio, The Calling of St. Matthew, Contarelli Chapel, church of San Luigi dei Francesi, Rome. 1599-1600. Oil on canvas, 10’ 7.5” x 11’ 2”.
Tenebrism
Caravaggio
The Conversion of St. Paul, Cerasi Chapel, Santa Maria del Popolo, Rome, c. 1601. Oil on canvas, 7’ 6” x 5’ 8”
https://www.google.com/culturalinstitute/beta/asset/der-ungl%C3%A4ubige-thomas/OAEjjQkNdRL9sg
Artemisia Gentileschi
Judith Beheading Holofernes, c. 1619-20. Oil on canvas, 6’ 63/8” x 5’ 4”, Galleria degli Uffizi, Florence.
Giovanni Battista Gaulli
Worked for Bernini, who worshiped at Il Gesu
Illusionistic Baroque ceiling
Giovanni Battista Gaulli, The Triumph of the Name of Jesus and Fall of the Damned,
Vault of the church of Il Gesù, Rome, 1672-1685. Fresco with stucco figures
Quadratura
Di sotto in sù
Spain
Juan Sánchez Cotán, Still Life with Quince, Cabbage, Melon, and Cucumber, c. 1602. Oil on canvas, 27 1/8” x 33 ¼”. San Diego Museum of Art.
Jusepe de Ribera, Martyrdom of St. Bartholomew, 1634. Oil on canvas, 1.05 x 1.14 m.
Diego Velázquez, Water Carrier of Seville, c. 1619. Oil on canvas, 41 ½” x 31 ½” . Victoria and Albert Museum, London.
Diego Velázquez, The Surrender at Breda (The Lances), 1634-1635. Oil on canvas, 10’7/8” x 12’ ½”. Museo del Prado, Madrid.
Diego Velázquez ...
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Late renaissance n. europe spain
The Northern Renaissance differed from the Italian Renaissance in its focus on extreme emotions visible on people's surfaces rather than ideals of antiquity or human anatomy. It was influenced by the Protestant Reformation led by Martin Luther. Artists in Northern Europe and Spain developed their own styles by combining Italian influences with local traditions, as seen in the works of Bosch, Durer, Bruegel, El Greco and others. They focused on detailed realism, landscapes, religious scenes, and portraits of everyday life.
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Baroque Art
Baroque art developed in 17th century Europe in response to the Protestant Reformation and Counter-Reformation. It featured dramatic lighting, elaborate details, and emotional religious themes to impress viewers. The style spread across Europe, seen in works like Caravaggio's realistic religious scenes, Bernini's sculptural architecture, and Versailles' ornate interior. Baroque emphasized dramatic contrast and movement to astonish audiences.
Neo classicism
Neoclassicism was an artistic movement between 1750-1850 that revived styles from antiquity inspired by Classical Greece and Rome. It featured a severe, unemotional style that was a reaction against Rococo and Baroque emotionalism. Notable Neoclassical artists include Jacques-Louis David, Jean-Auguste-Dominique Ingres, and Nicolas Poussin. The movement emphasized line, contour, and simplicity over color and was inspired by Greek/Roman mythology, aesthetics, and artifacts. Neoclassicism dominated European and American art and architecture in the late 18th century.
Humanities 221: visual arts
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Mysore WhatsApp group:- https://chat.whatsapp.com/EhqtHtCC75vCAX7gaO842N
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Syllabus
Chapter-1
Introduction to objective, scope and outcome the subject
Chapter 2
Introduction: Scope and Specialization of Civil Engineering, Role of civil Engineer in Society, Impact of infrastructural development on economy of country.
Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
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Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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3a. rembrandt van rijn
- 2. Born Leiden, Netherlands Artist, Baroque period
- 3. A time when the Catholic Church was trying to win people back – the Counter Reformation. • Religious themes very popular • Influenced by work of great Italian artists • Incorporated classicism and baroque style in his work Oil on panel 79 x 102.3 cm. Private collection
- 4. 1634 Married the wealthy Saskia van Uylenbuch Oil on panel 52.5 x 44 cm. Staatliche Kunstsammlungen,
- 5. Early works included paintings of single and group portraits resulting in immediate wealth Fascinated by effects of light - used it to dramatise and unify his compositions Oil on canvas 379.5 x 453.5 cm. Rijksmuseum, Amsterdam
- 6. Portrayed the human figure with multiplicity of gestures and facial expressions Oil on canvas 191.5 x 279 cm. Rijksmuseum, Amsterdam
- 7. Painted intense light and mysterious shadows Use of chiaroscuro i.e. spotlight effect of dramatic light and shade Oil on canvas 167.6 x 209.2cm. National Gallery, London
- 8. Death of his son Titus and mistress, Hendricke s Stoffles, in1663 Oil on canvas 86 x 65 cm. Gemäldegalerie, Berlin
- 9. Themes revealed in paintings: Inner character of the subject, not merely outward appearan ce Oil on canvas 128 x 112 cm. Hermitage Museum, Saint Petersburg Oil on canvas 109 x 89.5 cm. National Gallery of Art, Washington
- 10. His later more misunderstoo d style affected his financial position. Rembrandt lost his financial wealth and died Oil on canvas 98.5 x 79.5 cm. National Museum, Stockholm Oil on canvas 65.4 x 60.2 cm. Mauritshuis, The Hague