SlideShare a Scribd company logo
Shakespeare,
Quickly Sir! I do
say your script
  due at the
utmost time to
   the Globe
   Theatre!
Well, I do say
  that this ink
dispensing ball
 stick is at the
 epitome of its
      class!




     I
     wholeheartedly
     agree, sir…
Sam, Sam
             don’t forget
              the bread!



Alright.




           Shopping List
Pens
Shakespeare never ran out of ink




 And neither should you. HGA Pens $5 for 20.
Works Cited

•   Gipsrud, J., 2006. Chapter 1: Semiotics: Signs, Codes and Cultures. In: Analysing
    media texts. Berkshire: Open University Press, pp. 9-41.
•   Gray, J., 2006. Watching with The Simpsons: television, parody and
    intertextuality. London: Routledge .
•   Harrington, S., 2012a. Introduction to Media and Communication: Texts (KCB101)
    Week 3 Lecture Notes, Brisbane: s.n.
•   Harrington, S., 2012b. Introduction to Media and Communication: Texts (KCB101)
    Week 4 Lecture Notes, Brisbane: s.n.
•   MacLachlan, G. & Reid, I., 1994. Framing Occurs, But There Is No Frame.
    In: Framing and Interpretation. Carlton, Vic: Melbourne University Press, pp. 1-18.
•   McKee, A., 2001. A beginner's guide to textual analysis. Metro, Issue 127/128, pp.
    138-149.
•   Schirato, T. & Yell, S., 1996. Signs and Meaning. In: Communication and cultural
    literacy: an introduction. St. Leonards: Allen & Unwin, pp. 22-42.
•   Thwaites, T., Davis, L. & Warwick, M., 1994. Genre and Intertextuality. In: Tools for
    cultural studies: An introduction. Melbourne: MacMillan, pp. 88-110.

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22221

  • 1.
  • 2. Shakespeare, Quickly Sir! I do say your script due at the utmost time to the Globe Theatre!
  • 3. Well, I do say that this ink dispensing ball stick is at the epitome of its class! I wholeheartedly agree, sir…
  • 4.
  • 5. Sam, Sam don’t forget the bread! Alright. Shopping List
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  • 8. Works Cited • Gipsrud, J., 2006. Chapter 1: Semiotics: Signs, Codes and Cultures. In: Analysing media texts. Berkshire: Open University Press, pp. 9-41. • Gray, J., 2006. Watching with The Simpsons: television, parody and intertextuality. London: Routledge . • Harrington, S., 2012a. Introduction to Media and Communication: Texts (KCB101) Week 3 Lecture Notes, Brisbane: s.n. • Harrington, S., 2012b. Introduction to Media and Communication: Texts (KCB101) Week 4 Lecture Notes, Brisbane: s.n. • MacLachlan, G. & Reid, I., 1994. Framing Occurs, But There Is No Frame. In: Framing and Interpretation. Carlton, Vic: Melbourne University Press, pp. 1-18. • McKee, A., 2001. A beginner's guide to textual analysis. Metro, Issue 127/128, pp. 138-149. • Schirato, T. & Yell, S., 1996. Signs and Meaning. In: Communication and cultural literacy: an introduction. St. Leonards: Allen & Unwin, pp. 22-42. • Thwaites, T., Davis, L. & Warwick, M., 1994. Genre and Intertextuality. In: Tools for cultural studies: An introduction. Melbourne: MacMillan, pp. 88-110.